Formats and Aspect Ratio
Formats and Aspect Ratio
Formats and Aspect Ratio
Frame Aspect
Description (note these are only the most common formats)
Size Ratio
720x480 4:3 DV NTSC (when the pixels are square it is actually 3:2)
640x480 4:3 a ration suitable for square size pixle multimeida video.
640x360 16:9 a ration suitable for square size pixle multimeida thats widescreen.
Aspect Ratio
The ratio between the length and width of video images. NTSC, PAL, and Secam formats use a 4:3
aspect ratio. Newer, more advanced formations such as HDTV (High Definition Television) use a
much wider aspect ratio of 16:9.
Television is 4:3
Widescreen TV 16:9
35mm Film 1.85:1
70mm Film 2.0:1
AIFF
Clip
Originally an excerpt from a movie. A clip now also refers to individual movie or audio files.
Compositing
Using more than one footage clip or excerpt in a production. Clips are often layered in this process.
Compression
When footage is converted to digital format, you have a lot of data to deal with. This data must be
compressed before your computer can actually play the footage. Generally, the less the data is
compressed, the higher the quality of the resulting playback; greater compression equals greater quality
loss. The amount of compression applied is called the "compression rate". MPEG, M-JPEG, and JPEG
compression are three of the more common rates.
DV
fps
Frame
The basic unit of information in television, video, and QuickTime movies. A frame is essentially one
picture or "still" out of a video. Measured in frames per second, or fps.
JPEG
Joint Photographic Experts Group. JPEG is a standard rate of compression for digital video.
Looping, loopable
Looping, in footage terms, means connecting the last frame of the clip to the first frame of the clip, so
the movie plays endlessly. Technically, all films are capable of being looped this way. But "loopable"
films, are designed so that there is a seamless "join" between the first and last frames of a clip, and your
eyes do not detect any gap in the action.
M-JPEG
Motion JPEG. A video compression method where every fram gets compressed individually, creating a
series of JPEG-compressed single frames. See also JPEG.
MPEG
A standard compression method most commonly used for the compression of data for full-motion
footage. While MPEG can compress each frame individually as M-JPEG does, it can also examine and
compress a sequence of images at the same time. This results in more efficient compression of video
sequences.
NTSC
National Television Standards Committee. The organization that sets the American broadcast and
videotape format standards.
PAL
QuickTime
Apple Computer's software designed to simplify the task of working with a wide range of digital media,
including sound and video.
SMPTE
SMPTE stands for Society of Motion Picture and Television Engineers. This timecode format is used to
display time and frame rates. Measured in hours : minutes : seconds : frames.
WAV
DTV standard
The DTV standard used in the U.S., Canada, and Mexico is named ATSC, after the Advanced
Television Systems Committee, the industry-led group that originated it. ATSC allows resolution as
high as 1080 by 1920 pixels, but only in an interlaced format. (news.designtechnica.com)
Interlaced
Interlaced video means the picture is scanned in two passes, or “fields,” each lasting 1/60th of a second.
The first pass leaves blank spaces between lines, which are filled in by the second pass. Because each
field takes 1/60th of a second, and there are two of them, 1080i actually needs 1/30th of a second to
convey a full frame—it is a 30-frames-per-second medium. (news.designtechnica.com)
or
Interlacing is a method of displaying images on a raster-scanned display device, such as a cathode ray
tube (CRT). The method causes less visible flickering than non-interlaced methods. The display
alternates between drawing the even-numbered lines and the odd-numbered lines of each picture.
(http://en.wikipedia.org/wiki/Interlacing)
Progressive
Progressive scanning is a method for representing moving images on a display screen, where every
pixel is represented in each frame. This is in contrast to the interlacing used in traditional television
systems (progressive-scanning devices are sometimes referred to as non-interlaced).
(en.wikipedia.org/wiki/Progressive_video) & (http://en.wikipedia.org/wiki/Interlacing)