Some New Facts Avout Goddess Samlei PDF
Some New Facts Avout Goddess Samlei PDF
Some New Facts Avout Goddess Samlei PDF
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It is a popular belief that goddess Samlei is none- was originally a deity of the tribal populace of
else than goddess Lankesvari, the titulary deity Sambalpur region and to appease them king
of Ravana,the demon king of Lanka, who was Balaram Dev elevated her to the status of the
killed in the battle field by Purusottama Rama in Rastra Devi of Sambalpur
the Tretaya Yug. As the demon kingdom.
king Ravana was deeply
Goddess Lankesvari is
engrossed in evil deeds, being
worshipped at Sonepur now also
disgusted the titulary goddess of
on a rock bed in the river
Suvarna Puri Lanka left the fort
Mahanadi,at a distance of
of Lanka and vanished. As
about Samlei it is said that then around one furlong from the right
Lankesvari reappeared in the bank. It is said that the monolithic
kingdom of Sambala and was rock is surrounded by a deep
worshipped as Samlei by the gorge having unfathomable
local populace in her place of water. The impression we get
open-air worship on a rock bed from the Lankesvari pitha at
inside the river Mahanadi in a Sonepur that of oper-air
place called Gumodarha worship. There is no shrine or
(Gumo Gorge). When the temple for this goddess, but
Chauhan kingdom of various religious symbols like the
Sambalpur was established by gada, sankha, padma, chakra,
Goddess Samalei a pair of foot-prints, a pair of
king Balaram Dev some time in
the 16th century, she was brought from her original sacrificial pillars or posts called Merukhunti, two
seat of worship and installed in a temple, lions and three yonipithas are carved on the
construced by the king. However,as the when this monolithic rock.In the south-west side of this
temple became dilapidated the seventh Chauhan monolithic rock, there is a two-lined long
king of Sambalpur, Shri Chhatra Sai (1689-1725 inscription in the Nagari character of the 10th-
A.D.) rebuilt the present temple form of the 11th century A.D.This monolithic rock is quite
goddess is uniconic and does not confirm to any interesting as we find the rock-cut carving of a
Hindu iconography, it seems probable that she temple diagram also amidst the above mentioned
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symbols. Each line of the inscription has twelve to yoni worship might be prevailing there also in
characters. In the starting of this inscription there the remote past. As this Lankesvari pitha at
is the rock-cut carved figure of a running horse Sonepur is situated deep inside the river
with a chhatra fixed on its back. The entrance Mahanadi, it seems that in the ancient days
portion of this rock-cut diagram is in the southern sadhakas were engaged in austerity in complete
direction, where in both sides there are two figures seclusion.
of lions with their raised forepaws as if depicting
Identifying Samlei of Sambalpur with
the simhadvara or the lion's
Lankesvari by the priests
gate of a temple. After these
and taking into account the
carvings, to the proper left
original place of worship of
there are two rock-cut pillar
figures on the floo r, goddess Samlei,which was
symbolizing the pair of in the Gumo Darha (Gumo
sacrificial posts, called the Gorge)o f the river
Merukhunti or t he Mahanadi, it can be
Merukham (Meru pillars). A surmised that like the
figure of Hanuman is carved Lankesvari pitha of
near these pillars in the north- Sonepur,the Samlei pitha
east corner. It is quite of Sambalpur was also on
interesting to be noted that in a rock bed inside the river,
the Samlei temple at being surrounded by deep
Sambalpur, a huge image of water.
Hanuman is enshrined in a Is Samlei t he same
subsidiary shrine, situated in goddess Lankesvari who
the north-east corner of the has been mentioned in the
pradaksina patha, the path Tantric Buddhist text
of circumambulation). An old Twenty Armed Durga Sadhanamala as a deity of
priest of the Samlei temple of Sambaleswari Temple Vajrayana ? If so, was she
Sambalpur once told this popular atleast from the time of Indrabhuti, the
scholar that Hanuman is also worshipped there king of Sambala, who was a great devotee of
because he was instrumental in bringing Lord Jagannath in the 8th century A.D. ? Is she
Lankesvari (Samlei) to Sambala from Lanka in having any connection with Vaisnavism ? In this
the Tretaya Yug. This theory is very interesting
connection it can be mentioned that for the first
as we find a pair of foot-prints,Vaisnavite images
time Jagannath has been mentioned in a religious
like Kacchapa, Varaha, Matsya and Narasimha
text titled Gyanasiddhi, authored by king
etc. in the big Mukhasala hall of the Samlei temple
Indrabhuti of Sambala. Now the question arises,
at Sambalpur. It is quite possible that these
whether there is any connection between
symbolism is associated with the cult of
Jagannath and goddess Samlei or Lankesvari ?
Lankesvari. As three yonipithas are carved on
the monolithic rock, Lankesvari Pitha at Sonepur, It is also said that goddess Samlei was
it is possible that some sort of esoteric cult related worshipped as the protectress goddess by the
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boatmen who were navigating the long and vast are in the abhaya and varada mudras. She has
water course of the mighty river Mahanadi in the a protruding tongue like that of goddess Kali.
ancient days. Therefore, goddess Samlei is called Lankesvari as a goddess of tantric
Chaurasi Samlei also who protects each and Buddhism was already popular in the 8th century
every boat journey through Mahanadi. The A.D. By the late Somavamsi period, around the
Chaurasi or Eighty-four is vaguely related to the closing years of the 11th centuryA.D. the Sonepur
84 Siddhas (Chaurasi Siddhas) who were region was known as Paschima Lanka,as
experts in Tantric Buddhism or the Vajrayana recorded in the Sonepur Copper Plate grant of
Sahajayana. the So mavamsi prince, Kumaradhiraja
Goddess Samlei of Sambalpur and Somesvara Deva, who was the governer of the
goddess Subhadra of Sri Jagannath temple at Puri Sonepur region of the mighty Somavamsi empire.
are worshipped in the This Chart er was
same Bhuvanesvari declared from
mantra by the priests. Suvarnapura, his
There might be some a d min is t r a t iv e
similarities between headquarter, in which,
both the goddesses. he has been
Lankesvari is mentio ned as
called Vindhyavasini Paschimalankadhipati
Durga also. In t he or the Lord of
K a u m u d i Western Lanka. The
Mahotsava, we find present seat of
the mention of worship of goddess
Ekanga(Ekanamsa)as Lankesvari on the
the tribal goddess of the rock-bed of river
Yadavas.Here t he Hati Gate, Sambaleswari Temple Complex Mahanadi at Sonepur
goddess is depicted in was so much popular
her dual capacity as Vindhyavasini Durga and the as a place of religious sanctity that in the first
tribal deity of the Yadavas. decade of the 12th centuryA.D. the Telugu Choda
king Somesvara Deva II registered the land grant
Although it is quite interesting to be noted
of his Mahada Copper Plate Charter near the
that Samlei or Lankesvari worship is associated
Lankavarttaka (Lanka Whirlpool) on the bank
with open-air worship in the rock bed on huge
of river Chitrotpala (Mahanadi).
monolithic rocks, at Junagad in the present
Kalahandi district, Lankesvari is worshipped It is possible that Kot Samlei Cave on
inside a temple of the pidha order, built some the Trikuta Parvat(mountain), situated one km
time in the 17th century A.D. It is a four-handed away from the left bank of river Mahanadi, just
deity, seated in vajraparyankasana on a opposite Sonepur town, was the original place of
visvapadma pedestal. She is holding sankha and worship of goddess Samlei and Samlei has some
chakra in her upper left and right hands connection with Lord Jagannath, as the idol of
respectively, while the lower left and right hands Lord Jagannath was kept hidden in this cave
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installed and worshipped in the kingdom of South 8. Brighenti, F., Sakti Cult in Orissa, New Delhi, 2001,
Kosala. p.165-166.
9. Bhattacharya, N.N. History of the Sakta Religion,
Selected References : New Delhi, 1974, p.57.
10. Singh, Prabhash Kumar, 'Goddess Lankesvari of
1. Orissa District Gazetteers, Sambalpur, ed. by. N.
Junagarh', Orissa Review, Vol.LX, Nos.2 & 3,
Senapati and B. Mahanti, 1971, p.538.
September-October, 2003, pp.94-99.
2. Epigraphia Indica, Vol.XII, pp.237-92.
11. Sahu, Dr. Nabin Kumar, 'Buddhism in Orissa', Utkal
3. Ibid, Vol.XXVIII, pp.283-92. University, Bhubaneswar, 1958.
4. Sadhanamala, II, Sadhana No.218, p.427 vide N.K. 12. Indian Culture, Vol.IV, p.212.
Sahu, Buddhism in Orissa, Pub. Utkal University,
13. Mohapatra, R.P., Archaeology in Orissa, Vol.II,
1958, p.149.
New Delhi, 1986, p.241.
5. Dr. Chitrasen Pasayat, 'Samlei to Sambaleswari -
14. Sahu, J.K., 'Temples of Sambalpur Town,' in New
Ashapuri to Samalei', Orissa Review, Vol.LXI, No.3,
Dimensions of Tourism in Orissa, Bhubaneswar,
October, 2004, pp.10-18ff.
1976, p.38.
6. Panigrahi Bibekanand, 'Jagajjanani Samalesvari
Devinkara Abirbhava Ebam Mandira Nirman'
(Oriya Book), Pub. Mrs. Manorama Panigra
Budharaja, Sambalpur, 9.10.1994, pp.2-10ff.
7. Nayak, Dr. Pabitra Mohan, 'Somalai : A Unique
Image in India,' The Orissa Historical Research
Journal, Vol.XLVIII, No.2, 2004, pp.119-121.
The writer lives at VR-23, Unit-6, Bhubaneswar
Temple Sambaleswari
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