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    Fats Ladybird C PDF

    Uploaded by

    Antonio Mauriello
    This document is a musical transcription of the jazz standard "Lady Bird" performed by trumpeter Fats Navarro. The transcription spans 29 measures and documents Navarro's improvised solo over the chord changes. It shows Navarro employing complex rhythmic phrasing and melodic lines.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Fats Ladybird C PDF

    Uploaded by

    Antonio Mauriello
    110 views1 page
    This document is a musical transcription of the jazz standard "Lady Bird" performed by trumpeter Fats Navarro. The transcription spans 29 measures and documents Navarro's improvised solo over the chord changes. It shows Navarro employing complex rhythmic phrasing and melodic lines.

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    fats_ladybird_c.pdf

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    © © All Rights Reserved

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    PDF, TXT or read online from Scribd

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    This document is a musical transcription of the jazz standard "Lady Bird" performed by trumpeter Fats Navarro. The transcription spans 29 measures and documents Navarro's improvised solo over the chord changes. It shows Navarro employing complex rhythmic phrasing and melodic lines.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    110 views1 page

    Fats Ladybird C PDF

    Uploaded by

    Antonio Mauriello
    This document is a musical transcription of the jazz standard "Lady Bird" performed by trumpeter Fats Navarro. The transcription spans 29 measures and documents Navarro's improvised solo over the chord changes. It shows Navarro employing complex rhythmic phrasing and melodic lines.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 1

    C

    Lady Bird
    on "The Complete Bluenote recordings of Fats Navarro and Tadd Dameron" (1948) Fats Navarro

    Cmaj7 F-7 B¨7


            3 3
            
              

    5 Cmaj7 B¨-7 E¨7


               
                        
     

    9 Abmaj7 A-7 D7

                            
           
    3

    D-7 G7 Cmaj7 E¨maj7 Abmaj7 Dbmaj7


    13
                  
                     

    17
         
                
    3
         

    21 3
                            

    25

                                

    29
       
                  
      
    3

    transcribed by Jamie Breiwick for jamiebreiwick.net

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