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Architectural History and the Colonial Question: Casablanca, Algiers and Beyond
Author(s): Jean-Louis Cohen
Source: Architectural History, Vol. 49 (2006), pp. 349-372
Published by: SAHGB Publications Limited
Stable URL: https://www.jstor.org/stable/40033828
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Architectural History and the
Colonial Question: Casablanca,
Algiers and Beyond
by JEAN-LOUIS COHEN
The last decade has seen an explosion of scholarly works dealing with colonial
architecture and town planning, a domain previously marginal in the historiography. In
any case it has aroused the attention of ever more numerous researchers, a fact that has
stimulated this attempt to take stock of it, by drawing on cases studied by this author
in his own work. The exploration of colonialism now constitutes a significant field of
doctoral research, of studies associated with the identification and protection of built
heritage, and tends to mould new images in the history of architecture from the last few
centuries. In actual fact, the innumerable works on the twentieth century - the subject
here - comprise only a fraction of all the studies concerning nearly five centuries of
colonization, if the beginning of the colonial era is identified with the discovery of
America and the establishment of the first European trading posts in Africa.
This explosion of research might be seen as resulting from a series of factors. First,
there is evidently independence, a process now pursued since some sixty years ago, and
the emancipated nations' recovery of their own histories, which has passed through the
Fig. 1. The Sidi Othman district, Casablanca, a vertical development of the low-rise housing schemes
of the 1950s, view in 1999 (Photo: J.-L. Cohen)
349
350 ARCHITECTURAL HISTORY 49: 2006
stage of creating institutions and programmes for researc

Second, there is the expansion of historical research thr
doctoral training programmes. Third, there is the develo
establishing colonial and post-colonial experiences a
theoretical consideration. Last but not least, there is the p
empires, which takes hold not only of people in previousl
also those in previously colonized ones, a force that often
turning of the whole world into entertainment.
The combined mass of this ever-increasing quantity of a
be viewed from the standpoint of sociology of sciences or
fields already have their own established and layered hi
bibliography of research, which must often include wo
which despite ideological biases being unquestion
indispensable given their empirical content. By any recko
by researchers coming from countries previously colon
metropolitan states has brought about the creation of new
which pinpoint the ways in which power, knowledge and
A brief typology of these studies will enable us to discern
of problems dealt with in research into the British, Frenc
to mention just the most considerable, Russian and Jap
remaining relatively in the dark.1 Investigations into st
established line of thought, have been totally transform
Crinson's on Victorian orientalism in India.2 Works on a
found their model in Anthony King's research into t
across the world.3 Relationships between undertakings at
colonized territories have been explored, for example, i
Morocco, by Paul Rabinow and Gwendolyn Wright, whi
Vacher examined the town planning system.4 Italy's way
researched by Mia Fuller and Francesco Cresti.5 Studies t
in the colonies not simply as expressions of their rulers'
of forgotten kinds of architecture but also as complex sites
I shall also mention here my own studies of Casablanca an
towns that had remained virtually unknown - like the
subjected successively to Italian and then Ethiopian rule
carefully researched.7 New syntheses of history, like that
are inevitably collective works. They have completely int
mainstream and now provide truly global perception of u
really comparative viewpoints remain exceptional, an
focused in this direction, by means of the empirical juxt
works. Jeffrey Cody's various studies of American archi
continents are an interesting attempt to grasp the ways i
were inflected locally, but currently they are unique.9
The methods used in these studies are often those d
architecture, or of town planning, or of gardens. Bu
contributed to the field of research into colonial spa
COLONIAL QUESTION: CASABLANCA, ALGIERS AND BEYOND 351
Fig. 2. The place Emir

Abdelkader, formerly place
Bugeaud, built in the 1860s,
Algiers, view in 2002
(Photo: J.-L. Cohen)
Fig. 3. The boulevard de la

Gare, now boulevard
Mohammed V, Casablanca,
created 1917-25, view in
1920 (Collection J.-L.
Cohen)
Fig. 4. Jules Voinot and

Marius Toudoire, Post
Office, Algiers, 1907-10,
view in 2002 (Photo: J.-L.
Cohen)
dimensions. This has, of course, been the case of anthro

allowed a revitalization of historians' language, or of co
ventures having been mirrored in an intense creation of
of scientific and literary descriptions constructed in ord
'orientalism' have been undeniably productive, within an
theory by Britons and Americans.10 The other side
representations, notably photography and cinema - whose
the golden age of colonization, between the end of the
Second World War - has only recently become the o
numerous analyses. Thus architecture is no longer pe
history's methods only - derived from architectur
implementation and its usage - but is fitted into a dense n
Doubtless the dynamic of the current situation may be
inserted into a larger picture so as to enable an understandin
the case of France, which is better known to me than o
architecture have passed through several stages since th
century. In the earliest period, the conjuring-up of 'col
during the 1920s within an ensemble of triumphalist narrati
than arguments accompanying imperial undertaking
influenced the creation of architecture and applied arts, as w
Arts Decoratifs in Paris, in 1925.11 Essential to rendering
even entertaining, the colonial sections in exhibitions and
that in Paris in 1931, have without question been dealt with
of the entire colonial corpus. To return to the lines along wh
arguments have developed, it is important to notice the d
were rare at that time.12 The only exception seems to ha
exhibition' in 1931, organized by the Parisian Surrealists,
a building exceptional for other reasons, in that it consisted
Soviet Pavilion built at the 1925 Exposition Internationale
One had to wait for the historical and ethnographical w
Western, Central or North Africa and the Saharan region
World War, for the appearance of any change in referen
reduction to decorative characteristics. In the case of Mor
into traditional housing in the North of the country, ca
Kasbahs in the South, studied by several ethnologists, d
projects for 'natives', such as those by Georges Cand
Casablanca in the early 1950s.13 From now on it was les
ornament than of spatial arrangements and volumetric
towards a less narrative and more abstract kind of archit
more mindful of local lifestyles. Candilis's knowledge of
Eyck's interest in Dogon housing are characteristic of the
young architects, following the initiative of creating Tea
shifted towards vernacular construction.14 Andre Ravere
the urban oases of the M'Zab, located in Algerian Sahara
investigations . 15
COLONIAL QUESTION! CASABLANCA, ALGIERS AND BEYOND 353
Fig. 5. Georges Candilis, Shadrach Woods and Vladimir Bodiansky, 'Honeycomb' residenc
Muslim workers, Casablanca, i%2 (Collection J.-L. Cohen)
With decolonization would come the time of denunciations and critical an

the first critical analyses - Francois Beguin's on the phenomenon of 'Arab
North Africa at the beginning of the twentieth century - did not see the
until the mid-1970s.16 It is also at this moment that French urban policy b
examined, but still in relatively over-simplifying texts. A truly scholarly a
then only made possible thanks to the opening up of governmental archi
the specialist section of the Archives Nationales located at Aix-en-Provence
all with the gathering together and classification of individual architects' an
collections, which enabled a new generation of research, of which Ar
frangaises outremer, published in 1992, would be the first sign.17 From th
onwards, innumerable Masters dissertations, doctoral theses and resea
would begin to pile up, first of all in France, but also, since the last deca
Fig. 6. The fortified wall of

old town, c. 1780, Casablan
Cohen)
twentieth century, in universities throughout the Saharan regions. From this point of
view, the holding of the conference Alger, lumieres sur la ville at Algiers in 2002 marked
a real threshold, not only through its very occurrence, but also through the now
dispassionate view of history that became apparent there.18
A question arises at this point. Does research into 'colonial' architecture constitute a
separate branch within architectural history, which would then imply a kit of
methodologies and hypotheses of its own? The idea of 'exported' architecture once
seemed to offer the promise of a more objective gaze, due to being founded on a
seemingly objective vision of a displacement, or 'disorientation',19 of architectural
culture.20 1 would rather suggest here the concept of architecture in a colonial situation.
Analysis of the corpus of such architecture presupposes fairly solid prior knowledge
and implies certain methodological precautions.
Anthony King has emphasized that research into any colonial situation presupposed
at the same time knowledge of the local pre-colonial society, knowledge of the
colonizer's society at home, and that of the colonized society.21 Such a triad should also
be taken into consideration for research into architecture and town planning, or else one
will risk passing by the signification of the projects and executed designs under
analysis. It is impossible to understand the meaning of a colonial building unless it is
slotted into these three typological and /or aesthetic series, which comprise local
architecture with its own history, architecture as practised or known by its designer
from the dominant power, and executed projects contemporaneous with it.
Furthermore, it is an absolutely basic necessity to avoid what I shall call the illusion
of an overpowering State whose policies would shape the entire society, at least for
French possessions. Colonies are not places of confrontation just between the colonizing
state and local subjects. Political, technical and legislative space is much more complex
because, at root, soldiers, missionaries and bureaucrats have essentially the same task,
of protecting merchants, landowners and industrialists in their financial undertakings.
Foucaldian paradigms, giving greater place to a sort of microphysics of colonial power,
are often reductive, and it is the totality of the colonizing society's commissioning
relationships which should be taken into account, not limiting oneself to research into
colonial systems.
Fig. 7. Fernand Pouillon, '200 Colonnes' housing scheme, Algiers, 1954., view in 2002 (Photo
Some methodological precautions must also be taken. The first consists in

to avoid abusing the metaphor of ' labor atory', something to which I m
sometimes succumbed. Often fruitful, this metaphor discerns in projects u
the colonies an experimental moment whose results only find their sens
again, this time back into the colonial powers7 own countries. But this fig
can also obscure the reality of the process. An innovative undertaking is n
an experimental one. It is only experimental if an explicit protocol exists f
the activity and then re-evaluating its premises. It is therefore advisable to
the existence of such procedures rigorously.
As a second precaution, colonies are, just like areas back home, territor
modernization and modernity are each constructed and oppose each other, a
parallel phenomena. Social modernization there does not necessarily occu
with processes that are modern in aesthetic terms. Conversely, radical a
serve socially conservative policies, just as is the case - studies prog
demonstrate this more and more - of so-called 'developed' powers, th
Functionalism in Nazi Germany being the most obvious case.
In third place, diachronic lines of continuity also need to be marked o
avoid optical illusions caused by a narrow focus, where research is too lim
of length of historical period; but that is an indispensable precaution in a
research. By way of example, it is enough to note that 1950s social housing
in North Africa cannot be appreciated in terms of their intentions and th
deployment if they are only measured against contemporaneous und
Europe. They have to be compared with the first industrial companies' po
philanthropic policies, such as were developed in the nineteenth century,
with those parallel with them in time.
Finally, without doubt the greatest methodological difficulty is that con
listening to the voice of those colonized. How can we take account of local
a town planning and of an architecture which signified at one and the sam
Fig. 8. Antoine Marchisio, housing scheme for Muslim workers,

(Collection J.-L. Cohen)
oppression and modernization, which thus gave do

repression) concrete form, yet which also brought hope
of other potential ways of living? Here, the traditi
magazines, of architects' or administrators' letters and o
press (even though an extraordinarily eloquent source)
supply the material needed for such reflections. Investig
family letters or photographs, and the practice of oral h
for investigations concerning the last century. In this f
Paul Ricoeur about the relationship between histor
relevance.22 The analysis of colonial territories is not th
who will themselves be in some way 'colonial', because
but it can be carried out, as in my own case, by his
modernization using, among other things, colonial
observation. The first condition for any fruitful work in th
any political narrative, consisting of idealizations still b
relics, whether of the superiority of imposed models or
colonialist discourse against all forms of cultural imposi
Observation of colonial areas informs us about the home countries - their elites and
their strategies for modernization - of which these areas are, if not laboratories, then
at least zones for experimentation. These situations, often anticipating policies only
carried out later in Europe, in the case of France, were only possible because local
power structures hardly left any room for democratic debate. Although there had been
intense debates from the beginning of colonization between the differen

interests in play - civilian and military, private and public - t
representation of the local social groups would hardly allow them to q
measures regardless of whether or not these concerned them directly, and
for their protests would often remain limited to petitions, at least until 1945. T
case for the two cities on which I have spent time: Algiers, conquered in
colonized until 1962, and Casablanca, under protectorate between 1907 and 1
Should all colonial urban spaces, however, need to be assimilated int
'heterotopia', as Michel Foucault invited us to, in his seminal essay of 196
Spaces'?24 Doubtless this concept is entirely valid in order to give an accoun
places, such as closed or segregated districts, such as Albert Laprade's 'new
town' at Casablanca. But it tends to underestimate the process under way
society. The concept of 'hegemony', which Antonio Gramsci proposed addin
coercion in order to characterize the political situation of the Italian work
under Fascism, is as it happens fruitful, for it denotes la complex persisten
forms of practice and of culture, and underlines the role of culture, in o
Foucault' s emphasis on violence.25
Moreover, these two cases - Algerian and Moroccan - can be differentia
point. The policy followed at Algiers is that of a process of investment by t
the pre-colonial town and of a tendency to exclude all the new Muslim popu
the enlarged agglomeration, conceived as the capital of a 'colony to be popu
French alone'. In the case of Casablanca (and of Morocco in general), eighty
the policy of the resident general Lyautey was quite different, and he to
preserve pre-existing towns together with their populations, directin
immigration towards 'new medinas' such as that of Casablanca. Moreover, t
these policies is evident. In 1952, 60% of the population of Algiers was reck
European, while they comprised only 20% of that in Casablanca. The very
colonial development lies at the centre of the policy adopted by Lyautey
ensure the population's consent. The building of new towns is the transla
concrete form of the slogan he had conceived in order to win the Moroccans
which was expressed as, 'a building site is worth three battalions'.
A fundamental concept in the analysis of processes for structuring colo
space is that of regulation. Many simplistic notions have dominated in the
urban structures, identifying axial or centralized figures as those of d
stressing the strict prescriptiveness of their plans. On this point it is adv
more to underline that while colonialism was certainly founded on armed a
violence, such violence was not an end in itself. The first task of the military h
been the protection of the traders and, after the initial episodes during w
conquered territories are fortified, it is rather the logic of speculation that
urban development. Algiers and Casablanca were conceived for business an
repressive considerations were never totally forgotten, notably in the lay
Casablanca's roadways so as allow the intervention of troops there, it is rath
of regulation that urban management operates. In some way it is a matter,
respects in towns back in the home country, of creating conditions su
'capitalist collectivity' gains something from the planning process.
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Thus, after this era of major road layout, which saw the co
i860 onwards, of the exceptional Boulevard de l'lmperatr
Rivoli, set down above the Mediterranean, the arcaded s
Casablanca inaugurated another approach. It was no longe
control of urban space, in which each building would be
design, but rather a matter of modification, in which the
encouraged, so long as they respected 'constraints' (servit
arcades or such minor regulations as the setting of balcon
the facade. These differences are explained at the same ti
Lyautey's policy and those of Algerian governors, and by
ideal of legible, classical horizontality at Algiers against
used at Casablanca. Moreover, in terms of urban layout, t
use of functionalist zoning and of urban regrouping wi
already practised in Germany, but which would remain u
France itself practically right up to the 1940s.26
The corpus of colonial buildings also allows us to test t
notion of spatial arrangement {dispositif), which takes ac
spaces and practices, insofar as colonial space is characteri
and architectural types or by the refinement of pre-exis
most often encountered in this way are orthogonal grids,
every age; the term quadrillage - the French word refe
'control' (usually by police or military) and to any square
fabric (check) or street plan - was used here as elsewher
systematic repression. Parade grounds, military camps an
used for marshalling the populace are as typical of coloni
residential blocks developed to ensure separation of mas
which certainly echoes solutions devised in the Paris of t
These urban schemes are set in their own time in two
never cease during this time to celebrate the highpoint
history, in order to turn them into an architectural display,
the Arabizing kinds of architecture in Algiers, conceived
to a city in which visitors searched for this in vain. Feat
where the mark of Andalusia is particularly strong, provi
the case of Casablanca, public buildings are not so much a
Moroccan monuments but instead copy one of the featur
towns, namely the interiority of houses, whose fag
ornamentation being restricted to around the inner cou
Another way in which might be put forward as to how p
time is when they were conceived as evolving ones. The 8
beginning of the 1950s by Michel Ecochard for build
'Muslim' housing was not thought of as an endpoint, but
the populace would finally gain access to the moder
moreover, those representing them aspired.27 What fol
right, and districts of an undeniably urban character we
original courtyard houses. The only difference lies in the fac
Fig. 11. The boulevard de Vlmperatrice, Algiers, 1860s, view in 2002 (Photo: J.-L. Cohe
Fig. 12. Storeys added to the low-rise housing grid, Casablanca, view in 1989 (Photo: J
(long slabs) dreamed up initially have been replaced

(immeubles a Valignement).
These representations of past and future cannot be
mythical production that is associated with colonization
into the media age, whether this was a matter of magazin
then by photography, for Algeria, or by cinema, for Morocc
in 1907 was filmed by one of the Lumiere brothers'
productions are at once for local and more distant usage,
the floods of immigrants travelling towards North Africa. A
played no minor role - far from it - in support of such
'Alger la blanche' (White Algiers), with touristic connot
champignon' (mushrooming city) or 'ville de l'energie' (c
a kind of French Far West, would be dealt out over decades. At the same time,
colonization had no qualms about celebrating itself and encouraged buildings that
could support it. Such is the case, for example, in 1930, at the celebration of a century
of colonization, when the modernist architect Leon Claro built above the Casbah the
'Maison indigene du Centenaire' (Native House of the Centenary), in the manner of a
pavilion from a World Fair inserted into the city as if to mark the distance separating
the housing 'discovered' by the French in 1830 from their own subsequent
achievements.28
Colonies are also situated within the modernizing of the colonial powers
themselves. Indeed, the, material and cultural investment, made overseas, finds its way
back to the home country in various forms. Staying with the issue of managing urban
form, it is from Lyautey's experience in Morocco that the fundamental planning
principles that passed into French law during the Vichy period (and were perpetuated
afterwards) were borrowed. Later, it was at Algiers that the instrument for measuring
urban density, the floor area ratio (meaning the ratio of built area in respect to ground
area), was discovered, in advance of being applied in French legislation only in the
1960s. Finally, when France in her period of great modernization embarked upon the
policy of housing schemes {grands ensembles), and then that of new towns, she at last
found some of her models to the south of the Mediterranean.
In terms of training professional elites, as much engineers as architects, the colonial
'detour' was often essential. In this way Henri Prost's career was shaped decisively by
his voyage to Morocco, which allowed him to design the regional plan for Paris in 1928.
It was the same for many of the architects active in Africa in the 1950s. Until the mass
exodus back to France of a large part of the technical professionals in the colonial civil
service {cadres techniques de la colonisation), prompted by each colony gaining
independence in the 1960s, the journey overseas exposed engineers and administrators
to other practices and often, especially after 1945, to some more modern techniques and
procedures than in the home country.
Nothing, however, would be further from the truth than to present this organization
{dispositif) like a sort of octopus whose head would be in the homeland whilst its
tentacles were on the colonial fronts. Experiences and forms also circulated from one
colony to another, and between empires. Lyautey's thoughts about potential strategies
for Saharan North Africa were changed drastically when he discovered the British form
Fig. 13. Alexandre Courtois,

proposed transformation of the
entrance to the old town,
Casablanca, 2944 (Collection
Alexandre Courtois, Bayonne)
Fig. 14. Leon Claro, Native

House of the Centenary,
Algiers, 1930, view in 2002
of government for India, which led him to the model for the Moroccan Pr
In turn, parts of Moroccan legislation and regulations would be taken up a
same time by the French in the context of their mandate over Syria and Leban
the Italians in Libya, as Mia Fuller has established.30 Rather than a centra
(dispositif), it was thus more a network that linked these territories together,
Fig. 15. Louis Miquel,

' Aerohabitat' housing
scheme, Algiers, 1952,
view in 2002 (Photo: /.-
L. Cohen)
Fig. 16. Jacques

Guiauchain and August
Ferret, Palais du
Gouvernement, Algiers,
1930-33, view in 2002
more so since other poles exerted far from negligible effects. Even before
World War, the presence of the United States - symbolic but also, in
concrete, through economics and politics - was far from being
phenomenon. At another level, towns in North Africa did not escape, afte
impact of forms coming from Brazil or from Scandinavia, which transform
expressions and ways of dwelling.
In technical terms, colonial operations contributed overall to the develo
modular and prefabricated construction methods. At certain moments thr
nineteenth and in the beginning of the twentieth centuries the equipping of
up a significant proportion of iron produced in France. Among the new t
tried out in Saharan North Africa, one should highlight a use of concrete a
its time, which resulted in some works whose echo would be discernible, such as
Auguste Perret's Wallut warehouses in Casablanca, his first attempt to execute thin
shells.31 Nevertheless, in the realm of metallic construction, Algiers was further
advanced and some very large blocks were erected there with steel frames.32 This does
not mean that concrete was absent from the Algerian landscape, and the gigantic Palais
du Gouvernement built in 1930 by Jacques Guiauchain with Perret is an example of this,
but one particularly interesting because it also incorporated movable partitions.33
The range of vocabulary used in these towns was extremely open, and the
absorption of new architectural languages was as rapid there as pluralism had been
inclusive in the nineteenth century. If a strand of classicism endured until the 1930s, as
is shown by the town hall at Algiers by the Niermans brothers,34 the successive
variants of the neo-Moorish style were so complex that one could even read there a
chronicle of modernization, with explicit quotations from existing buildings stylized
as in the 1920s, comparable with patterns disseminated by the Exposition des Arts
Decoratifs of 1925. 35
But without doubt it was on the modernists that the effect of the colonies made itself
felt most. This was not a specifically French phenomenon and it is well known that the
discovery of Mayan temples was significant for Frank Lloyd Wright in the conception
of his concrete houses in California. The criticism made in 1927 - at first friendly and
humorous, then overtly racist - of the Weissenhofsiedlung at Stuttgart as being an
'Arab village' was not unique,36 and Le Corbusier's cuboid estate at Pessac would be
called a 'Moroccan village7 (cite du Maroc) by its neighbours.37 It should be noted
anyway that Le Corbusier directly felt the effects of colonization, through his numerous
but frustrating stays in Algiers during the 1930s, which would have specific effects
upon his work. The plastic forms of the little Sidi Brahim mosque seen at El Atteuf in
the M'Zab in 1931 would become one of the sources for his thick, but perforated, wall
in his chapel at Ronchamp, twenty years later.38 In the second post-war period, projects
by young architects active in North Africa recycled elements from local architecture, as
with Candilis, or with the Swiss, Andre Studer, who mixed his observations on Berber
mud brick villages with those of Arizonan pueblos. Their projects would have a direct
impact upon CIAM's discussions at Aix-en-Provence in 1953. In parallel, when the
Roman Adalberto Libera was developing his housing estate project for INA-Casa at
Tuscolano, his discovery of the horizontal grids in Ecochard's nouses and in Moroccan
towns (which he called, derisively, 'INA-Casba'), played a decisive role.39
Fig. 17. Marius Boyer, Asa

building, Casablanca, 193
Cohen)
Colonial policies continued to cast their shadow after Independence. After the end of
coercion, hegemony continued, by means of ongoing institutions and legislative
structures and the extended and sometimes renewed presence of technicians in
planning and construction. The first post-colonial enterprises were themselves often
direct responses to the policies followed by the occupying powers. An example of this
approach would be the project for the new centre to the east of the Bay of Algiers
designed by Oscar Niemeyer in the 1920s, as if to balance the French administrative
districts in the West. And the fact that Le Corbusier measured the extent of his structure
for the Chandigarh plan as much by relating it to the scale of Lutyens' Raj Path at New
Delhi as to the axis of the Champs-Ely sees in Paris is striking.40 He introduces here a
different triad from that suggested by Anthony King, in which the liberated nation's
project is only intelligible as a reaction to colonial space and space back in the
colonizer's homeland ...41
Through a more subtle interpretation of the spatial transformations and the
architectural culture of previously colonized nations and through an understanding of
certain continuities between colonial and post-colonial situations, research in th

is contributing to shape another history of contemporary architecture. Prog
developed in this field of study are particularly important. Still often negati
perception of the colonial legacy is changing, as heritage strategies connected w
resulting built fabric are taken into account by cities and states. A double move
thus established, in which studies by groups coming from the previous d
powers and those by groups coming from states whose independence dates back
century often converge.
In his Race et Histoire (Race and History), Claude Levi-Strauss wrote, as early
an appeal against ethnocentrism and what he called 'stationary' history, noting
development of research 'tends to spread out in space forms of civilizations tha
been to imagine as spread out in time'.42 Such an analysis relativizes the conc
'progress' and shows that it is neither necessary nor continuous, and that
narrative forms of architectural history as coherent or hierarchically ordered move
are henceforth obsolete. The forms through which modernity is manifested may th
reconsidered by means of studying the body of colonial works, which shows t
forms were contemporary with European or North American developments e
when, at certain points, they preceded the latter. They can no longer be thou
exclusively as the product of a process of diffusion, but equally as one of an
simultaneous dynamic of the emergence of new concepts and forms. Yet it is d
impossible to delineate the overall picture of all this.
ACKNOWLEDGMENTS
This text reworks and extends the Annual Lecture of the Soci
Great Britain, given in London on 17 November 2003. I wou
Frank Salmon and Sir Martin Wedgwood, who together help
especially Judi Loach, who translated and edited this text.
NOTES
1 The situation around ten years ago can be studied by reading the special issue
(Summer-Fall 1993).
2 Mark Crinson, Empire Building: Orientalism and Victorian Architecture (Lond
3 Anthony King, The Bungalow: the Production of a Global Culture (London, 198
4 Paul Rabinow, French Modern: Norms and Forms of the Social Environ
Gwendolyn Wright, The Politics of Design in French Colonial Urbanism (Chicago
coloniale et ville rationaliser le role de I'espace colonial dans la constitution de V
(Aalborg, 1997).
5 Mia Fuller, 'Colonizing Constructions: Italian Architecture, Urban Plannin
Society in the Colonies, 1869-1943' (unpublished doctoral thesis, University
under the title Moderns Abroad: Italian Colonial Architecture and Urbanism (Lon
di italiani. La Libia della colonizzazione agraria trafascismo, guerra e indipenden
6 Jean-Louis Cohen and Monique Eleb, Casablanca, Colonial Myths and Architect
Jean-Louis Cohen, Youcef Kanoun and Nabila Oulebsir eds, Alger, pay sage u
(Paris, 2003).
7 Edward Denison, Guang Yu Ren and Naizgy Gebremedhin, Asmara, Africa's Secret Modernist City (London,
2003).
8 Jean-Luc Pinol, Histoire de VEurope urbaine (Paris, 2003).

9 Jeffrey Cody, Exporting American Architecture, iSjo-2000 (London, 200
10 Edward Said, Orientalism (New York, 1978) and Culture and Imperialis
11 Jean Emile-Bayard, L'Art de reconnoitre les styles coloniaux de la Franc
12 Patricia Morton, Hybrid Modernities: Architecture and Representation
(Cambridge, 2000).
13 Tom Avermaete, Another Modern: the Post-War Architecture and Urbanis
2005), pp. 134-39.
14 Francis Strauven, Aldo van Eyck: the Shape of Relativity (Amsterdam
15 Andre Ravereau, Le M'Zab, une lecon d' architecture (Paris, 1981).
16 Francois Beguin, with Gildas Baudez, Denis Lesage and Lucien Godin
traces urbains en Afrique du Nord 1830-1950 (Paris, 1983).
17 Maurice Culot and Jean-Marie Thiveaud eds, Architectures francaises o
18 Youcef Kanoun et ah eds, Alger, lumieres sur la ville (Algiers, 2002).
19 The French word used here, depaysement, also conveys a sense of bein
20 Christelle Robin ed., La ville europeenne exportee (Paris, 1995); Joe Na
Imported or Exported? Native Aspirations and Foreign Plans (Chichester, E
21 Anthony King, Colonial Urban Development: Culture, Social Pow
Urbanism, Colonialism and the World Economy (London, 1990).
22 Paul Ricoeur, Memory, History, Forgetting (Chicago, 2004).
23 Cohen and Eleb, Casablanca; Cohen, Kanoun and Oulebsir eds, Alger
24 Michel Foucault, 'Of Other Spaces', Diacritics, 16.1 (Spring 1986), pp.
by Foucault in 1967.)
25 Antonio Gramsci, Note su Macchiavelli: sulla politico e sullo stato moder
26 On this point, see Helene Vacher, Projection coloniale et ville rationalis
27 Monique Eleb, 'An Alternative to Functionalist Universalism: Ecocha
Anxious Modernisms, Experimentations in Postwar Architectural Cultu
Rejean Legault (Cambridge, Mass., and Montreal, 2000), pp. 55-73.
28 On heritage policy and the signifance of Claro's house, see Nabila O
monuments, musees et politique coloniale en Algerie (1830-1930) (Paris, 20
29 See Daniel Rivet, Lyautey et V institution du Protectorat frangais au Ma
30 Fuller, 'Colonizing Constructions', pp. 321-35.
31 Maurice Culot, Rejean Legault, David Peycere and Gilles Ragot eds,
(Paris, 2000), pp. 106-07.
32 'Alger ville-neuve', special issue oiAcier, 7 (1935).
33 Culot, Legault, Peycere and Ragot eds, Les Freres Perret, pp. 342-43.
34 Les Travaux de construction de 1 H6tel-de-ville d' Alger', Construire
35 On the 1925 Exposition, see Yvonne Brunhammer, 1925 (Paris, 1976)
36 Christian Otto, Richard Pommer, Weissenhof 192J and the Modern Mo
p. 51 and ill. 85.
37 On the reception of this scheme, see Philippe Boudon, Lived-in Archit
(Cambridge, Mass., 1972).
38 Daniele Pauly, Ronchamp lecture d'une architecture (Strasburg, 1987),
39 Maria Argenti, 'Adalberto Libera, l'insula INA-Casa al Tuscolano', Archi
Rassegna di Architettura e urbanistica, 39.117 (2005), pp. 86-97.
40 Drawing no. 29051, Fondation Le Corbusier Archives, Paris, reprod
Corbusier Archive, 25 (New York/ Paris, 1984), p. 47.
41 King, Colonial Urban Development, pp. 22-34.
42 Claude Levi-Strauss, Race et Histoire (Paris, 1987), p. 38.
Many of the early volumes of Architectural History are now out of print but most volumes from Volume
10 onwards are available. Back numbers of Volume 27 (Design and Practice in British Architecture:
studies in architectural history presented to Howard Colvin) are available through the Society only to
members.
Monographs 1. Modern Houses in Britain 2929-1939 is now out of print. 2. Architectural Drawings from
Lowther Castle, Westmorland, and 3. Michael Searles: A Georgian Architect and Surveyor are in print.
Details of prices and postage costs are available on application to Dr Simon P. Oakes, St John's College,
Oxford, 0x1 3JP.
An index to the contents of volumes 1-25 was published in 1983. Contents of the most recent volumes
are as follows:
volume 43, 2000

Iain Boy d- White, Charlottenhof : the Prince, the Gardener, the Architect and the Writer
Peter Reed, Structural Rationalism and the Case of Sant Viceng de Cardona
T. A. Heslop, Weeting 'Castle': A Twelfth-Century Hall House in Norfolk
David Clark, The Shop Within?: An Analysis of the Architectural Evidence for Medieval Shop
Linda Monckton, The Late Medieval Rebuilding of Sherborne Abbey: A Reassessment
John Gurney, Lady Jane Berkeley, Ashley House, and Architectural Innovation in late-Elizabe
England
Peter Leach, Rose Windows and other Follies: Alternative Architecture in the Seventeenth-Century
Pennines
Dianne Duggan, 'London the Ring, Co vent Garden the Jewell of that Ring': New Light on Co v
Garden
Terry Friedman, The Church of St Peter-le-Poer Reconsidered

Roger Woodley, 'A Very Mortifying Situation': Robert Mylne's Struggle to Get Paid for Blackfriar
Bridge
Oliver C. Bradbury, William Jay's English Works after 1822: Recent Discoveries
Frank Salmon and Peter de Figueiredo, The South Front of St George's Hall, Liverpool
Neil Jackson, Christ Church, Streatham and the Rise of Constructional Polychromy
Deirdre Brown, The Maori Response to Gothic Architecture
Caroline Dakers, Castles in the Air: Philip Webb's Rejected Commission for the Earl and Countess
of Airlie
Ron Fuchs and Gilbert Herbert, Pepresenting Mandate Palestine: Austen St Barbe Harrison and the
Representational Buildings of the British Mandatory in Palestine, 1922-37
Howard Colvin, A Biographical Dictionary of British Architects 1600-1840: Corrections and Additions
volume 44, 2001

Gordon Higgott, John Newman: an Appreciation
Michael Kauffmann, John Newman at the Courtauld
Frank Salmon, John Arthur Newman: A Bibliography of Books, Papers, Selected Reviews
Miscellanea
E. C. Fernie, Technical Terms and the Understanding of English Medieval Architecture
Maurice Howard, A Drawing by 'Robertus Pyte' for Henry VIII
John Peacock and Christy Anderson, Inigo Jones, John Webb and Temple Bar
Kerry Bristol, A Newly-Discovered Drawing by James Stuart
Ian Goodall and Margaret Richardson, A Recently Discovered Gandy Sketchbook
Roderick O'Donnell, Extra Illustrations of Pugin Buildings in T. H. King's Les Vrais Principes
Colin Cunningham, A Case of Cultural Schizophrenia: Ruling Tastes and Architectural Training
the Edwardian Period
Claire Gapper, The Impact of Inigo Jones on London Decorative Plasterwork
Giles Worsley, Inigo Jones and the Origins of the London Mews
369
37O ARCHITECTURAL HISTORY 49: 2006
Bridget Cherry, Edward Hatton's New View of London

James Anderson, John White Senior and James Wyatt: An Ea
the New Street to Carlton House
Roger Woodley, River Views: Transformations on the Thames
Deborah Howard, Reflexions of Venice in Scottish Architecture
John Bold, Comparable Institutions: The Royal Hospital for Seamen and the Hotel des Invalides
Pamela D. Kingsbury, The Tradition of the Soffitto Veneziano in Lord Burlington's Suburban Villa at
Chiswick
Christine Stevenson, Carsten Anker dines with the younger George Dance, and visits St Luke's
Hospital for the Insane
Anthony Quiney, In Hoc Signo: the West Front of Lincoln Cathedral
Peter Draper, Canterbury Cathedral: Classical Columns in the Trinity Chapel?
Tim Tatton-Brown, The Buildings of West Mailing Abbey
Paul Crossley, The Nave of Stone Church in Kent
Thomas Cocke, 'The Repository of our English Kings': the Henry VII Chapel as Royal Mausoleum
Richard Williams, A Catholic Sculpture in Elizabethan England: Sir Thomas Tresham's Reredos at
Rushton Hall
Stephen Porter and Adam White, John Colt and the Charterhouse Chapel
Robert Crayford, The Setting-Out of St Paul's Cathedral
Sally Jeffery John James at Chalfont St Peter
Terry Friedman, St Chad's Church, Stafford: A Young and Beautiful Virgin and her Decayed and
Doting Husband
Christopher Wakeling, 'A Room nearly Semicircular': Aspects of the Theatre and the Church from
Harrison to Pugin
David M. Robinson, The Tolpuddle Martyrs' Chapel
Peter Howell, 'The Disastrous Deformation of Butterfield': Balliol College Chapel in the Twentieth
Century
Simon Bradley, The Queen's Chapel in the Twentieth Century
Elizabeth Williamson and John Jufica, The Cottons at Whittington Court
Andor Gomme, Re-dating Westwood
Cherry Ann Knott, Sudbury Hall - Crewe Hall: a Close Connexion
Howard Colvin, Lord Sta well's Great House in Somerset
Alison Maguire, Radley Hall - the Rediscovery of a Country House
Rosalys Coope, An Intriguing Patronage?
Paula Henderson, Maps of Cranborne Manor in the Seventeenth Century
David Jacques, Garden Design in the Mid-Seventeenth Century
Rachel Perry, Franc, ois-Joseph Belanger's Bath-House at the Hotel de Brancas
Sarah Pearson, Boughton Monchelsea: the Pattern of Building in a Central Kent Parish
Malcolm Airs, 'Good & Not Expensive. . . ': Lord Harcourt's Nuneham Courtenay
Aileen Reid, Survival of the Smallest: the Sevenoaks Tenants' Estate
Keith Kissack, Monmouth and the Floods
volume 45, 2002

Gene Waddell, The Principal Design Methods for Greek Doric Temples and their Modification
the Parthenon
Qinghua Guo, The Chinese Domestic Architectural Heating System [Kang]: Origins, Applications
and Techniques
Carole Biggam, Grund to Hrof : Aspects of the Old English Semantics of Building and Architecture
Neil S. Rushton, Spatial Aspects of the Almonry Site and the Changing Priorities of Poor Relief at
Westminster Abbey c. 1290-1540
Yoni Ascher, The Church and the Piazza: Reflections on the South Side of the Church of S. Domenico
Maggiore in Naples
LIST OF PREVIOUS ARTICLES 371
Branko Mitrovic, Palladio's Canonical Corinthian Entablatu

Fourth Book of I quattro libri dell 'architettura
Jonathan Foyle, A Reconstruction of Thomas Wolsey's Gre
Jill Husselby and Paula Henderson, Location, Location, Loc
Lucy Worsley and Tom Addyman, Riding Houses and Hors
the Art of Horsemanship
Giles Worsley, Inigo Jones and the Hatfield Riding House
Simon Thurley, The Stuart Kings, Oliver Cromwell and th
Anthony Geraghty, Wren's Preliminary Design for the Sheld
Anthony Gerbino, The Library of Francois Blondel 1618-1
Simon Bradley, The Englishness of Gothic: Theories and Inte
Parker
William Whyte, Unbuilt Hertford: T. G. Jackson's Contextual Dilemmas

Deborah van der Plaat, Seeking a 'Symbolism Comprehensible' to 'the Great Majority of Spectators':
William Lethaby's Architecture, Mysticism and Myth and its Debt to Victorian Mythography
Sharman Kadish, Constructing Identity: Anglo-Jewry and Synagogue Architecture
Louise Campbell, Perret and his Artist-Clients: Architecture in the Age of Gold
Ita Heinze-Greenberg, An Artistic European Utopia at the Abyss of Time: The Mediterranean
Academy Project, 1931-34
Neil Jackson, James Wild, Egypt, and St John's Church, Hampstead: A Postscript to Christ Church,
Streatham
Howard Colvin, A Biographical Dictionary of British Architects 1600-1840: Corrections and Additions
to the Third Edition (Yale University Press 1995)
volume 46, 2003

Robert Hillenbrand, Studying Islamic Architecture: Challenges and Perspectives
Nicola Coldstream, Architects, Advisers and Design at Edward I's Castles in Wales
Lorenzo Carletti and Cristiano Giometti, Medieval Wood Sculpture and its Setting in Architecture:
Studies in Some Churches in and Around Pisa
Dianne Duggan, Woburn Abbey: The First Episode of a Great Country House
Anne Laurence, Space, Status and Gender in English Topographical Paintings c. 1600-c. 1740
Andrew Spicer, 'Laudianism' in Scotland? St Giles' Cathedral, Edinburgh, 1633-39 - A Reappraisal
Charles Wemyss, Paternal Seat or Classical Villa? Patrick Smyth, James Smith and the Building of
Methven 1678 to 1682
Margaret Richardson, John Soane and the Temple of Vesta at Tivoli
Rosemary Hill, Pugin's Small Houses
Kathryn Ferry, Printing the Alhambra: Jones and Chromolithography
Gavin Stamp, In Search of the Byzantine: George Gilbert Scott's Diary of an Architectural Tour in
France in 1862
Peter de Figueiredo, Symbols of Empire: The Buildings of the Liverpool Waterfront

Rosemary Hannah, St Sophia's Church, Galston: 'The Vast Space of the Interior'
Matthew Williams, Lady Bute's Bedroom, Castell Coch: A Rediscovered Architectural Model
Miles Glendinning, Teamwork or Masterwork? The Design and Reception of the Royal Festival Hall
volume 47, 2004

Qinghua Guo, Tomb Architecture of Dynastic China: Old and New Questions
Linda Monckton, Fit For a King? The Architecture of the Beauchamp Chapel
Daphne Ford and Michael Turner, The Kynges New Haull: A Response to Jonathan Foyle' s
'Reconstruction of Thomas Wolsey's Great Hall at Hampton Court Palace'
Christine Jackson, Functionality, Commemoration and Civic Competition: A study of Early
Seventeenth-century Workhouse Design and Building in Reading and Newbury
Anthony Geraghty, Robert Hooke's Collection of Architectural Bo

Tanis Hinchcliffe, Robert Morris, Architecture, and the Scientific C
Early Eighteenth-Century England
J. B. Bullen, The Romanesque Revival in Britain, 1800-1840: Will
Edmund Sharpe
Fiona Leslie, Inside Outside: Changing Attitudes Towards Archite
in the Museums at South Kensington
Neil Jackson, Clarity or Camouflage? The Development of Constr
and Early 1860s
John W. Stamper, The Industry Palace of the 1873 World's Fair: K
John Scott Russell, and New Technology in Nineteenth-Century
G. Alex Bremner, 'Imperial Monumental Halls and Tower': Westmins
Commemoration of Empire, 1854-1904
Michael Hall, Emily Meynell Ingram and Holy Angels, Hoar Cross
Patronage
Stephen Oliver, Basil Oliver and the End of the Arts and Crafts Movement
Hannah Le Roux, Modern Architecture in Post-colonial Ghana and Nigeria
volume 48, 2005

Peter Draper, Islam and the West: The Early Use of the Pointed Arch Revisited
Carol Davidson Cragoe, Belief and Patronage in the English Parish before 1300: Some Evidence
From Roods
Tom Nickson, Moral Edification at Gonville and Caius College, Cambridge

Peter Guillery, Suburban Models, or Calvinism and Continuity in London's Seventeenth-century
Church Architecture
James Weeks, The Architects of Christ Church Library
Lucy Worsley, Female Architectural Patronage in the Eighteenth Century and the Case of Henrietta
Cavendish Holies Harley
Bianca De Divitiis, New Drawings for the Interiors of the Breakfast Room and Library at
Pitzhanger Manor
Louis Cellauro and Gilbert Richaud, Thomas Jefferson and Frangois Cointereaux, Professor of
Rural Architecture in Revolutionary Paris
Christopher Whitehead, Henry Cole's European Travels and the Building of the South Kensington
Museum in the 1850s
Jimena Canales and Andrew Herscher, Criminal Skins: Tattoos and Modern Architecture in the
Work of Adolf Loos
John Thomas, The 'Beginnings of a Noble Pile': Liverpool Cathedral's Lady Chapel (1904-10)
Robert Proctor, Churches for a Changing Liturgy: Gillespie, Kidd & Coia and the Second Vatican
Council
Miles Glendinning, The Royal Festival Hall: A Postscript

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stage of creating institutions and programmes for researc

Fig. 2. The place Emir

Fig. 3. The boulevard de la

Fig. 4. Jules Voinot and

dimensions. This has, of course, been the case of anthro

With decolonization would come the time of denunciations and critical an

Fig. 6. The fortified wall of

Some methodological precautions must also be taken. The first consists in

Fig. 8. Antoine Marchisio, housing scheme for Muslim workers,

oppression and modernization, which thus gave do

intense debates from the beginning of colonization between the differen

(long slabs) dreamed up initially have been replaced

Fig. 13. Alexandre Courtois,

Fig. 14. Leon Claro, Native

Fig. 15. Louis Miquel,

Fig. 16. Jacques

Fig. 17. Marius Boyer, Asa

certain continuities between colonial and post-colonial situations, research in th

8 Jean-Luc Pinol, Histoire de VEurope urbaine (Paris, 2003).

volume 43, 2000

Terry Friedman, The Church of St Peter-le-Poer Reconsidered

volume 44, 2001

Bridget Cherry, Edward Hatton's New View of London

volume 45, 2002

Branko Mitrovic, Palladio's Canonical Corinthian Entablatu

William Whyte, Unbuilt Hertford: T. G. Jackson's Contextual Dilemmas

volume 46, 2003

Peter de Figueiredo, Symbols of Empire: The Buildings of the Liverpool Waterfront

volume 47, 2004

Anthony Geraghty, Robert Hooke's Collection of Architectural Bo

volume 48, 2005

Tom Nickson, Moral Edification at Gonville and Caius College, Cambridge

Miles Glendinning, The Royal Festival Hall: A Postscript

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