B.F.A Semester Syllabus Regulations and Syllabus Relating To Bachelor of Fine Arts (BFA) 8 Semesters (4 Year) Course

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B.F.

A Semester Syllabus

Regulations and Syllabus relating to Bachelor of Fine Arts (BFA)


8 semesters (4 year) course
The duration of the Degree course in Bachelor of Fine arts (BFA) is 8 semester (4 years). There will be a
common course for I and II semesters (one year) duration named as Preparatory Course, which would be
followed by specialization from III semester onwards, either in Painting, Sculpture or Graphics.

Eligibility:
The eligibility criteria for the 8 semesters (4 years) B.F.A course would be passing of
Intermediate or Higher secondary or any 10 + 2 or its equivalent.

The total intake in the Department is 30 students.


1. Candidates for Painting are 12
2. Candidates for Sculpture are 9
3. Candidates for Graphics are 9

Mode of selection:
The candidates for the admission in to Bachelor of Fine Arts should take an entrance test
conducted by the University with a view to find out the applicants:
a) Aptitude : for native ability, natural gift.
b) Interest : for interest, aptitude and personal philosophy.
c) Personality : for Psychological make-up.
d) Intelligence : for mental equipment operation.
e) Expression : for self direction, visual awareness and individualism.

The aptitude test would have examinations in the following subjects:


1) Drawing 50 Marks
2) Painting 50 Marks
3) Sculpture 50 Marks
4) General knowledge in History of Art :50 Marks

The candidates should get minimum qualifying marks of 50% in the entrance test. Relaxation as per the
University rules would be allowed to the reserved categories of S.C, S.T and OBC candidates.

Duration of the program: 8 semesters (4 Years)

Total number of working days for the academic year 2014-15 as per the University academic calendar
----------------------------------------------- 188 days

Examinations and evaluation-------------------------------------- 26 days (13 days per semester)

Number of working days remaining ----------------------------- 188 – 26 =162 days

Per day ---------------------------------- 8 Periods (50 minutes)

Two Semesters--------------------------- 162 x 8 = 1296 working hours

Per Semester ----------------------------- 648 working hours


 
Awarding of specializations to students:
The students do the common preparatory course in I and II semesters (one year), at the end of the
preparatory course on the basis of their performance they would be allotted their specialization, from III
semester onwards.

Course Structure

Ist SEMESTER: Studio practice 80% from total working hours are 518 hours

Theory 20% from total working hours 130 hours

No. of works to
Subject Teaching Exam/ be submitted Marks Passing Credit
Hours Assessment Marks
Submissions
Theory
1.Art History 70 Exam Assignment 100 Marks 35 2
[80Exam+
20 Assignment]

2.English 30 Exam Assignment 100 Marks 35 1


[80Exam+
20 Assignment]

3.Fundamentals of
30 Exam Assignment 100 Marks 35 1
Design
[80Exam+
20 Assignment]

Studio Practice
1.Drawing 128 Exam/Assess 6 100 Marks 50 4
ment/ [ If exam
80 Exam+
20 Class
submissions]

2. Painting 130 Exam/Assess 6 100 Marks 50 4


ment/ [ If exam
80 Exam+
20 Class
submissions]


 
130 Exam/Asse 6 100 Marks 50 4
3. Sculpture ment/ [ If exam
80 Exam+
20 Class
submissions ]

130 Exam/Assess 6 100 Marks 50 4


4.Graphics ment/ [ If exam
80 Exam+
20 Class
submissions]
  

IInd SEMESTER: Studio practice 80% from total working hours are 518 hours

Theory 20% from total working hours 130 hours

No. of
Subject Teaching Exam/ works to Marks Passing Credit
Hours Assessment be Marks
Submissions submitted
Theory
1.Art History 70 Exam Assignment 100 Marks 35 2
[80Exam+20
Assignment]

2.English 30 Exam Assignment 100 Marks 35 1


[80Exam+20
Assignment]

3.Fundamentals of 30 Exam Assignment 100 Marks 35 1


Design
[80Exam+20
Assignment]

Studio Practice
1.Drawing 128 Exam/Assessment 6 100Marks 50 4
[ If exam
80 Exam+
20 Class
submissions]


 
2.Painting 130 Exam/Assessment 6 100 Marks 50 4
[ If exam
80 Exam+
20 Class
submissions]
3. Sculpture
130 Exam/Assessment 6 100Marks 50 4
[ If exam
80 Exam+
20 Class
submissions]
4.Graphics
130 Exam/Assessment 6 100 Marks 50 4
[ If exam
80 Exam+
20 Class
submissions]
 

III SEMESTER For Studio practice 80% from total working hours are 518 hours

For theory 20% from total working hours 130 hours

No. of works
Studio Practice Teaching Exam/ to be Marks Passing Credit
Hours Assessment submitted Marks
Submission
Painting Spln
Drawing: 195 hours Exam/ 6 works 100 Marks 50 6
1. Study from objects, Animals, Assessment/ [If exam
Nature and Human figures. Submission 80 Exam+
2. Study of Human head, Study of 20 Class
human figure groups. Submissio
3. Study of animals in various n]
media.

Composition: 195 hours Exam/ 6 works 100 Marks 50 6


1. Compositional exercises are Assessment/ [If exam
based on studies of objects, Submission 80 Exam+
groups in space and studies of 20 Class
human figure, animals and studies Submissio
of the local scene, compositional n]
analysis of paintings exercises in
the use of colour and textural
values.


 
Subsidiaries: a) Graphics, 64 hours Exam/ 3 works 100 Marks 50 2
Assessment/ [If exam
Submission 80 Exam+
20 Class
Submissio
n]

b) Sculpture 64 hours Exam/ 3 works 100 Marks 50 2


Assessment/ [If exam
Submission 80 Exam+
20 Class
Submissio
n]

Sculpture Spln: 195 hours Exam/ 6 works 100 Marks 50 6


Head study: Assessment/ [If exam
To make sketches and drawings Submission 80 Exam+
from the model and to make the 20 Class
portrait of the model in clay. Submissio
1. Head study in clay with n]
drawings.
Composition: 195 hours Exam/ 6 works 100 Marks 50 6
1. Relief sculpture in clay from Assessment/ [If exam
the selected sketches, Submission 80 Exam+
drawings in the sketch book. 20 Class
2. Preparations of pottery, Submissio
perching casting, slab casting n]
and practice.
3. Composition in clay with
POP mould & casting.
4. Armature and structure
making and its application.

Subsidiaries: (a) Painting, 64 hours Exam/ 3 works 100 Marks 50 2


Assessment/ [If exam
Submission 80 Exam+
20 Class
Submissio
n]
Exam/
(b) graphics 64 hours 3 works 100 Marks 50 2
Assessment/
Submission [If exam
80 Exam+
20 Class
Submissio
n]


 
Graphics Spln:
Drawing: 195 hours Exam/ 6 works 100 Marks 50 6
The study from objects, animals, Assessment/ [If exam
nature and human figures, study Submission 80 Exam+
of human head ,study of human 20 Class
groups, study of animals in Submissio
various media.. n]
Exam/
Printmaking : 195 hours 6 works 100 Marks 50
Assessment/
1. Introduction with the major Submission [If exam
methods of Printmaking, 80 Exam+
Understanding of black and white 20 Class
textures and lines through nature Submissio
study, object study in single and n]
in groups, etc.
2.Their Transformation in
eliminated paper cuts linocuts,
wood cuts, impressions from 6
various textured papers, etc
3Their use in simple forms,
imaginative compositions.

Subsidiaries:
a) Painting 64 hours Exam/ 3 works 100 Marks 50 2
Assessment/
[If exam
Submission
80 Exam+
20 Class
Submissio
n]

b) Sculpture 64 hours Exam/ 3 works 100 Marks 50 2


Assessment/ [If exam
Submission 80 Exam+
20 Class
Submissio
n]


 
IV SEMESTER For Studio practice 80% from total working hours are 518 hours

For theory 20% from total working hours 130 hours

No. of
Studio Practice Teaching Exam works to Marks Passing Credits
Hours be Marks
submitted
Painting Spln
Drawing: 195 hours Exam/ 6 works 100 Marks 50 6
1. Study from objects, Assessment/ [If exam
Animals, Nature and Human Submission 80 Exam+
figures. 20 Class
2. Study of Human head, Submissio
Study of human figure n]
groups.
3. Study of animals in various
media.
6 works 100 Marks 50 6
Exam/
Composition: 195 hours [If exam
Assessment/
1. Compositional exercises Submission 80 Exam+
are based on studies of 20 Class
objects, groups in space and Submissio
studies of human figure, n]
animals and studies of the
local scene, compositional
analysis of paintings exercises
in the use in various mediums
and textural values.

Subsidiaries: a) Graphics 64 hours Exam/ 3 works 100 Marks 50 2


Assessment/ [If exam
Submission 80 Exam+
20 Class
Submissio
n]

b) Sculpture 64 hours Exam/ 3 works 100 Marks 50 2


Assessment/
[If exam
Submission
80 Exam+
20 Class
Submissio
n]


 
Sculpture Spln
Life Study: 195 hours Exam/ 6 works 100 Marks 50 6
Human study in Drawing and Assessment/ [If exam
in clay Submission 80 Exam+
20 Class
Submissio
n]

Composition: 195 hours Exam/ 6 works 100 Marks 50 6


Assessment/
1. Composition with [If exam
Submission
direct POP 80 Exam+
2. Composition with 20 Class
scrap welding, etc. Submissio
3. Composition with n]
human and animal
studies.
Exam/
Subsidiary: a) Painting 64 hours Assessment/ 3 works 100 Marks 50 2
Submission [If exam
80 Exam+
20 Class
Submissio
n]

b) Graphics 64 hours Exam/ 3 works 100 Marks 50 2


Assessment/ [If exam
Submission 80 Exam+
20 Class
Submissio
n]

Graphics Spln
Drawing: 195 hours Exam/ 6 works 100 Marks 50 6
The study from objects, Assessment/ [If exam
animals, nature and human Submission 80 Exam+
figures, study of human head 20 Class
study of human groups, study Submissio
of animals in various media n]

Printmaking : 195 hours Exam/ 6 works 100 Marks 50 6


Assessment/
Understanding of the purpose [If exam
Submission
of the printmaking tools. 80 Exam+
Methods and materials of 20 Class
various types of relief Submissio
printmaking techniques, etc. n]


 
Intaglio:
Methods and materials,
Processing and Printing.
Dry point, Etching in line
drawing and texture, dots, etc
in monochrome.

Subsidiaries: a) Painting 64 hours Exam/ 3 works 100 Marks 50 2


Assessment/ [If exam
Submission 80 Exam+
20 Class
Submissio
n]

b) Sculpture 64 hours Exam/ 3 works 100 Marks 50 2


Assessment/
[If exam
Submission
80 Exam+
20 Class
Submissio
n]

V SEMESTER For Studio practice 80% from total working hours are 518 hours

For theory 20% from total working hours 130 hours

No. of
Studio Practice Teaching Exam works to Marks Passing Credits
Hours be Marks
submitted

Painting Spln

Drawing: 195 hours Exam/ 6 works 100 Marks 50 6


1. Study of the structure of Assessment/
the human body and its Submission [If exam
articulation. 80 Exam+
2. Study of animals, Human 20 Class
figure draped. Submissio
3. Study of figure in action n]
from the local scene in
various mediums.


 
Composition: 195 hours Exam/ 6 works 100 Marks 50 6
1Compositional exercises to Assessment/ [If exam
understand the use of space. Submission 80 Exam+
2. Composition from 20 Class
preparatory studies of the Submissio
local scene. n]

Subsidiaries: (a) Graphics) 64 hours Exam/ 3 works 100 Marks 50 2


Assessment/ [If exam
Submission 80 Exam+
20 Class
Submissio
n]

(b)Sculpture 64 hours Exam/ 3 works 100 Marks 50 2


Assessment/ [If exam
Submission 80 Exam+
20 Class
Submissio
n]

Sculpture Spln:
Life study: 195 hours Exam/ 6 works 100 Marks 50 6
Torso study in drawing and Assessment/ [If exam
making torso in clay. Submission 80 Exam+
20 Class
Submissio
n]

Composition: 195 hours Exam/ 6 works 100 Marks 50 6


Assessment/
1. Composition in wood/ [If exam
Submission
Plaster of Paris. 80 Exam+
2. Environmental sculpture, 20 Class
welded sculpture in scrap, Submissio
cement, fiber glass etc. n]
3. Composition with mixed
media.
4. Assembling.

Subsidiary:
a) Painting 64 hours Exam/ 3 works 100 Marks 50 2
Assessment/ [If exam
Submission 80 Exam+

10 
 
20 Class
Submissio
n]

b) Graphics. 64 hours Exam/ 3 works 100 Marks 50 2


Assessment/ [If exam
Submission 80 Exam+
20 Class
Submissio
n]

Graphics Spln
Drawing: 195 hours Exam/ 6 works 100 Marks 50 6
1. Study of the structure of Assessment/ [If exam
the human body and its Submission 80 Exam+
articulation. 20 Class
2. Study of animals, Human Submissio
figure draped. n]
3. Study of figure in action
from the local scene in
various mediums.
4. Use of space.
Printmaking : 195 hours Exam/ 6 works 100 Marks 50 6
Assessment/
Exploring the possibilities of [If exam
Submission
Intaglio technique in various 80 Exam+
mediums. 20Class
Aquatint: Submissio
1. Use of tonal and textural n]
gradations in black and white,
original compositions using
zinc plate and copper plate,
etc.
2. Printing in colour.

Subsidiaries: a) Painting 64 hours Exam/


Assessment/ 3 works 100 Marks 50 2
Submission [If exam
80 Exam+
20 Class
Submissio
n]

b) Sculpture 64 hours Exam/


Assessment/ 3 works 100 Marks 50 2
Submission [If exam
80 Exam+
20 Class
Submissio
n]

11 
 
VIth SEMESTER For Studio practice 80% from total working hours are 518 hours

For theory 20% from total working hours 130 hours

No. of
Studio Practice Teaching Exam works to Marks Passing Credit
Hours be marks s
submitted
Painting Spln
Drawing: 195 hours Exam/ 6 works 100 50 6
1. Study of the structure of Assessment/ Marks
the human body and its Submission [If exam
articulation. 80
2. Study of animals, Human Exam+
figure draped. 20 Class
3. Study of figure in action Submissi
from the local scene in on]
various mediums.

Composition: 195 hours Exam/ 6 works 100 50 6


Assessment/
1. Compositional exercises to Marks
Submission
understand the use of space. [If exam
2. Composition from 80
preparatory studies of the Exam+
local scene. 20 Class
Submissi
on]

Exam/
Subsidiaries: (a) Graphics 64 hours Assessment/ 3 works 100 50 2
Submission Marks
[If exam
80
Exam+
20 Class
Submissi
on]

(b) Sculpture 64 hours Exam/ 3 works 100 50 2


Assessment/ Marks
Submission [If exam
80
Exam+
20 Class
Submissi
on]

12 
 
Sculpture Spln
Life study: 195 hours Exam/ 6 works 100 50 6
Torso study in detail taking a Assessment/ Marks
waste mould and casting in Submission [If exam
plaster of Paris. 80
Exam+
20 Class
Submissi
on]

Composition: 195 hours Exam/ 6 works 100 50 6


Assessment/
1. Concept development and Marks
Submission
transform in to a relief or [If exam
round sculpture in abstract 80
forms, figurative. Exam+
2. Composition in mixed 20 Class
media. Submissi
on]

Exam/ 3 works 100 50 2


Subsidiary: a) Painting 64 hours Assessment/ Marks
Submission [If exam
80
Exam+
20 Class
Submissi
on]

b) Graphics 64 hours Exam/ 3 works 100 50 2


Assessment/ Marks
Submission [If exam
80
Exam+
20 Class
Submissi
on]
Graphics Spln
Drawing: 195 hours Exam/ 6 works 100 50 6
1. Study of the structure of Assessment/ Marks
the human body and its Submission [If exam
articulation. 80
2. Study of animals, Human Exam+
figure draped. 20 Class
3. Study of figure in action Submissi
from the local scene in on]
various mediums.

13 
 
Printmaking : 195 hours Exam/ 6 works 100 50 6
1. Using soft and hard ground Assessment/ Marks
to get textural innovations use Submission [If exam
of multiple points. 80
2. Viscosity in colour Exam+
printing, engraving, 20 Class
Mezzotint. Submissi
Serigraphy: on]
1 .Preparing of the screen,
stencil process, gum method
of sealing method, photo
exposing process.
2. For all the printmaking
media – student should be
trained through compositions
based on studies or from
imagination stressing form,
colour structure, design by
making them aware on
various values.

Subsidiaries: a) Painting 64 hours Exam/ 3 works 100 50 2


Assessment/
Marks
Submission
[If exam
80
Exam+
20 Class
Submissi
on]

b) Sculpture 64 hours Exam/ 3 works 100 50 2


Assessment/ Marks
Submission [If exam
80
Exam+
20 Class
Submissi
on]

14 
 
VII SEMESTER For Studio practice 80% from total working hours are 518 hours

For theory 20% from total working hours 130 hours

No. of
Studio Practice Teaching Exam works to be Marks Passing Credits
Hours submitted marks
Painting Spln
Drawing: 194 hours Exam/ 6 works 100 50 6
A study of human figure in Assessment/ Marks
backgrounds, in action, study Submission [If exam
of animals, making of 80
finished drawings from Exam+
scribbles. 20 Class
Submiss
ion]

Composition: 228 hours Exam/ 6 works 100 50 7


Assessment/
Identification of the Marks
Submission
compositional problems in [If exam
each type of painting using 80
various mediums. Exam+
20 Class
Submiss
ion]

Subsidiaries: Exam/
Graphics / Sculpture 96 hours Assessment/ 3 works 100 50 3
Submission Marks
[If exam
80
Exam+
20 Class
Submiss
ion]

Sculpture Spln:
Life study: 194 hours Exam/ 6 works 100 50 6
Drawing and making full Assessment/ Marks
figure in ½ life size in clay, Submission [If exam
in sitting, standing, recycling 80
postures. Exam+
20 Class
Submiss
ion]

15 
 
Composition: 228 hours Exam/ 6 works 100
Concept development and Assessment/ Marks 50 7
exploring in conventional Submission [If exam
materials. 80
Developing individual Exam+
language deriving from 20 Class
concepts. Submiss
ion]

Subsidiary: 96 hours Exam/ 3 works 100 50 3


Assessment/
Painting / Graphics. Marks
Submission
[If exam
80
Exam+
20 Class
Submiss
ion]

Graphics Spln
Drawing: 194hours Exam/ 6 works 100 50 6
1. A study of human figure in Assessment/ Marks
backgrounds, in action, study Submission [If exam
of animals, making of 80
finished drawings from Exam+
scribbles. 20 Class
Submiss
ion]

Printmaking : 228 hours Exam/ 6 works 100 50 7


Assessment/
1. Creative composition. Marks
Submission
2. Student can choose any [If exam
printmaking medium to do 80
his/her work in. Exam+
a) Relief printing, 20 Class
b) Lithography, Submiss
c) Intaglio and ion]
d) Serigraphy.

Subsidiaries: 96 hours Exam/ 3 works 100 50 3


Painting / Sculpture Assessment/ Marks
Submission [If exam
80
Exam+
20 Class
Submiss
ion]

16 
 
VIII SEMESTER For Studio practice 80% from total working hours are 518 hours

For theory 20% from total working hours 130 hours

No. of
Studio Practice Teaching Exam works to Marks Passing Credits
Hours be marks
submitted
Painting Spln
Drawing: 194 hours Exam/ 6 works 100 Marks 50 6
Drawing as a medium of Assessment/ [If exam
personal expression. Submission 80 Exam+
20 Class
Submission]

Composition: 228 hours Exam/ 6 works 100 Marks 50 7


Assessment/
Identification of [If exam
Submission
the compositional problems 80 Exam+
in each type of painting 20 Class
using various mediums Submission]

Exam/
Subsidiaries: 96 hours Assessment/ 3 works 100 Marks 50 3
Graphics / Sculpture Submission [If exam
80 Exam+
20 Class
Submission]
Marks
Sculpture Spln:
Life study: 194 hours Exam/ 6 works 100 Marks 50 6
Detailed study in drawing Assessment/ [If exam
and making a life size Submission 80 Exam+
figure in clay, in standing, 20 Class
sitting, recycling posture Submission]
from the life model.

Composition: 228 hours Exam/ 6 works 100 Marks 50 7


Assessment/
Composition in variation [If exam
Submission
media making a body of 80 Exam+
work on a particular 20 Class
concept. Submission]
Development in individual
language

17 
 
Subsidiary: 96 hours Exam/ 3 works 100 Marks 50 3
Painting / Graphics. Assessment/ [If exam
Submission 80 Exam+
20 Class
Submission]

Graphics Spln
Drawing: 194 hours Exam/ 6 works 100 Marks 50 6
1. A study of human figure Assessment/ [If exam
in backgrounds, in action, Submission 80 Exam+
study of animals, making of 20 Class
finished drawings from Submission]
scribbles.
Printmaking : 228 hours Exam/ 6 works 100 Marks 50 7
Assessment/
1. Mixed media. [If exam
Submission
2. Using traditional 80 Exam+
methods of Printmaking or 20 Class
Non-traditional Submission]
printmaking techniques.
Exam/
Subsidiaries: 96 hours Assessment/ 3 works 100 Marks 50 3
a) Painting or b) Sculpture Submission [If exam
80 Exam+
20 Class
Submission]

Theory- Common to all specializations:


III Semester
Subject Teaching Exam Marks Passing Credits
hours marks
Art History:
Section- A: Indian Art 70 hours Exam 100 marks 35 2
Indus valley Civilization (80 Exam+
Harappa. Mohenjo-Daro 20
Lothal Assignment)
Early vedic Period rituals
Later vedic period
(Brahmanie period)

Section B:Western Art


1.Prehistoric art 2.Primitive art 3.Egyptian
art 4.Mesopotamian art 5.Aegean art
6.Greek art 7.Etruscan art 8.Roman art
9.Early Christian art 10.Byzantine art
11.Romanesque art

*In story form

18 
 
Introduction to Psychology:
1. Introduction 24 hours Exam 100 marks 35 1
2. Definition and various types (80 Exam+
3. Perception and attention 20
Assignment)

English:
From the book, “Speak Well” edited by the 35 hours Exam 100 marks 35 1
Andhra and University of Hyderabad. (80 Exam+
1. Stress and Intonation 20
2. Interactions 4 Assignment)
3. Presentations Skills.

IV Semester

Subject Teaching Exam Marks Passing Credits


hours marks
Art History:
Part- A( Indian Art) 70 hours Exam 100 marks 35 2
Early Orissan Temples. (80 Exam+
Khajuraho Temples. 20
The study of medieval art. Assignment)
Rajasthan art.
Ellora sculpture.
Monumental stone sculpture of medieval
India.
Part- B(Western Art)
1.Early Christian art 2.Byzantine art
3.Romanesque art 4.Gothic art

*In detail

Introduction to Psychology: 24 hours Exam 100 marks 35


1. Motivation (80 Exam+ 1
2. Emotion 20
3. Importance of Psychology to Assignment)
Art students.

English:
From the book, “Speak Well” edited by the 35 hours Exam 100 marks 35 1
Andhra and University of Hyderabad. (80 Exam+
1. Group Discussions 20
2. Debating Assignment)
3. Interviews

19 
 
V Semester:

Subject Teaching Exam Marks Passing Credits


hours marks

Art History 64 hours Exam 100 Marks 35 2


(80 Exam+
Part- A:(Indian Art) (32) 20
Pala and Sena paintings. Assignment)
Later Chalukya Temples.
The Temples of Western India Modhera
and Dilwara Temples of Mount Abu.
Chola Bronzes.

Section B :( Western Art)


1.Italian Renaissance 2.Renaissance in the (32)
North 3.Mannerism 4.Baroque 5.Rococo

Aesthetics: 64 hours Exam 100 marks 35 2


(80 Exam+
Part A: Western Aesthetics (32) 20
Theory of Imitation Assignment)
Theory of Beauty
Socrates, Plato, Aristotle, Plotinus  
Part –B:
Introduction of Aesthetics. (32)
Basics of Indian Philosophy as related to
Art.
Aesthetics concept.

VI Semester:

Subject Teaching Exam Marks Passing Credits


hours marks
Art History 64 hours Exam 100 marks 35 2
Part- A:Indian Art (80 Exam+
Pallava Temples. (32 hours) 20
Shore Temples. Assignment)
Monolithic Temples of Pallava Tradition
Chola bronze sculpture.
Early Temples of Badami Aihole temples.
Pattadakkal Temples.
Section B:Western Art (32 hours)
1.Neoclassicism 2.Romanticism 3.Realism
4.Impressionism

20 
 
AESTHETICS 64 hours Exam 100 marks 35 2
(80 Exam+
Part A: Western Aesthetics (32 hours) 20
Immanuel Kant, Hegel and other modern Assignment)
aestheticians
Introduction ,Intuition, Sublime, Katharsis,
Disinterested Satisfaction and other
aesthetic theories

Part - B : Indian Aesthetics (32 hours)

1. Inter relation between visual Art &


Performing Art.

2. The importance of the


contemporary Aesthetics.
3. Shadanga theory.
4. Literary Aesthetics.

VII Semester

Subject Teaching hours Exam Marks Passing marks Credits


Art History:
Indian Art 64 hours Exam 100 marks 35 2
Indo Islamic (80 Exam+
Architecture 20
The Roots of Persian art Assignment)
Deccan Paintings.
Rajasthani Paintings

Western Art 64 hours Exam 100 marks 35 2


1.Post-Impressionism (80 Exam+
2.Fauvism 3.Cubism 20
4.Dadaism Assignment)

21 
 
VIII Semester

Subject Teaching hours Exam Marks Passing Credits


marks
Art History
Indian Art 64 hours Exam 100 marks 35 2
Persian background of (80 Exam+
Mughal Paintings. 20
Persian Art Sultanate Assignment)
Painting.
Pahari paintings
provincial schools.

Western Art 64 hours Exam 100 marks 35 2


1.Surrealism (80 Exam+
2.Expressionism 20
3.Abstract art Assignment)
4.Pop art
5.Op art
6. Postmodernism

Rules regarding Assessment/Submissions in the end of the Semester Examinations:

As the B.F.A course is a completely practical oriented professional course, it is absolutely essential, that
the student should have a minimum of 75% of attendance, As per Andhra University rules
Failing which he/she would not be allowed to sit in the examination. The students have to clear all the
papers of 1st semester before entering the 3rd semester (by the end of 2nd semester). The students who
could not attend all papers would be detained in the same semester. Students who attend at least one paper
of the semester would be promoted to the next semester, and given chance to complete the previous
semester along with the current semester evaluation.
As the growth and the overall performance of the student is necessary to evaluate his/her performance in
an academic year it is being proposed that 20% of the total marks in the regular classes and 80% of the
marks would be from the particular semester examination/Submissions and Assessment.
Candidates appearing for their semester examination would display their examination work along with
selected body of class and studio assignment work in the examination hall or their studios in the faculty
premises. The Examiners (External and Internal) will evaluate their performance on the basis of these
classes (Studio assignment work and examination work) in order to arrive at a final evaluation of the
performance of the each candidate.

22 
 

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