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    Gbmaj7 Gb6 B 7 Gbmaj7 Gb6 B 7 Gbmaj7: Substitution No. 1

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    Tiziano Ragazzi
    This document discusses substituting major 7th chords and 6th chords for major chords in a musical progression. It provides an example of substituting Gbmaj7 and Gb6 chords for an F major chord in the key of Gb. It encourages saying the name of each chord out loud while playing to better understand the substitutions.

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    Gbmaj7 Gb6 B 7 Gbmaj7 Gb6 B 7 Gbmaj7: Substitution No. 1

    Uploaded by

    Tiziano Ragazzi
    35 views1 page
    This document discusses substituting major 7th chords and 6th chords for major chords in a musical progression. It provides an example of substituting Gbmaj7 and Gb6 chords for an F major chord in the key of Gb. It encourages saying the name of each chord out loud while playing to better understand the substitutions.

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    This document discusses substituting major 7th chords and 6th chords for major chords in a musical progression. It provides an example of substituting Gbmaj7 and Gb6 chords for an F major chord in the key of Gb. It encourages saying the name of each chord out loud while playing to better understand the substitutions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    35 views1 page

    Gbmaj7 Gb6 B 7 Gbmaj7 Gb6 B 7 Gbmaj7: Substitution No. 1

    Uploaded by

    Tiziano Ragazzi
    This document discusses substituting major 7th chords and 6th chords for major chords in a musical progression. It provides an example of substituting Gbmaj7 and Gb6 chords for an F major chord in the key of Gb. It encourages saying the name of each chord out loud while playing to better understand the substitutions.

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    © All Rights Reserved
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    You are on page 1of 1

    SUBSTITUTION NO.

    1
    Any major chord may be replaced by a maior 7th chord, a 6th chord or both.

    Here's how the F/C7 progression on page 10 sounds after the above substitution: (To avoid
    using an open string we'll start on ~ b ) .

    Root -M Root - m Root m


    -

    Bass - 11:. 6 12
    . . . I . . . .I. . . .I.
    Gbmaj7 Gb6 ~ b 7

    5 14
    Gbmaj7 Gb6

    612
    ~ b 7

    5 14
    0 .. ..
    :
    Gbmaj7
    0
    612
    II

    Next, work up the fretboard chromatically as before. We strongly recommend that you say out
    loud the name of each chord as you play it. It's unfortunately all too easy to learn t o play things
    on the guitar in a mechanical manner without really understanding what you're doing.

    (Repeat each two bar pattern before going on)

    . . . . . . . .1. . . 0:ll
    Key of Gb Key of G
    11:
    ,~bmaj7 Gb6 ~ b 7 Gmaj7 G6 D7

    Bass - 612
    10

    514
    0 : :
    613
    0

    515

    .. ....
    Key of Ab Key of A
    11: :bmaj7 Ab6 ~ b 7 Amaj7 A6
    :)(
    Bass - 6 14 5 16 615 517

    . .1. . . . . . .1. a7. . 0:II


    Key of Bb Key of B

    Bass - 11:
    . Bbmaj7

    6 16
    0
    ~ b 6 F7

    518
    : :
    Bmaj7
    4
    617
    I36

    5 19

    . . .(.. . . . . . .:I1
    Key of C Key of Db

    - 11:.
    Cmaj7 C6 G7 ~bmaj7 ~ b 6 ~ b 7
    0 : : 0 1 .
    Bass 6 18 5/10 6 19 5/11

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