Sentence and Punishment
Sentence and Punishment
Sentence and Punishment
One of the most common translation problems I’ve noticed comes with retaining
a Serbian (or other) sentence structure when it’s inappropriate. It can be
grammatically correct, but just not the way an English-speaking person would
express it. It can also be confusing. When you come across a long, complex
sentence in Serbian that you have to read three times to understand, it is of
course possible that the author intended the difficulty (especially if it’s a doctoral
thesis by a politician). But it is more likely that they were just poor writers, and
in most cases I think a good translation should help sort that out for them and
make it understandable. Yes, there’s a danger that you miss the main point if
that was to confuse the reader, but the risk the other way is usually greater.
When you translate, you often have to judge these risks and sometimes even flip
a coin, unless you have aeons of time and full access to the author – unusual
luxuries.
Many Serbian texts use dreadfully long, composite sentences. Their flow is often
interrupted by comma-bound clauses that make you feel as if you are riding a
train with loose couplings between the carriages: stop, start, stop, start before
you get to the point. After a few pages you need treatment for lexical whiplash.
Let’s look at this.
Try and sort it out a bit: ‘In view of the need to support the economy, at its
session of 23.10.2014 the government decided to allocate funds for subsidies to
certain companies, since there was a primary budget surplus’ . Getting the
principal subject and verb together often helps make it clearer what’s going on.
Better still, break up the sentence. ‘At its session of 23.10.2014 the government
noted a primary budget surplus. To support the economy, it therefore decided to
allocate funds for subsidies to certain companies.’
However, the extent to which you should re-phrase it depends on the purpose of
the document: for a law or contract, be very careful indeed; for a more informal
presentation for English speakers take a lot of liberty to get the point across in a
natural way.
The big question in commercial translation is of course: how far to go? That
depends on the style of the original, the purpose of the text, the target group
and the good sense of the client. For certain contracts, for example, no-one will
care a hoot if the style is lousy, just as long as they are legally watertight as
interpreted by lawyers and judges. For an advertisement, it may be best to
understand the aim, ignore the source text entirely and write afresh for a
culturally different target group. (The latter is often called ‘localisation’ in the
industry jargon, but it’s really just translation done right in a given context.)
These are the extremes. It is my dream to get every client to indicate on a scale
of 1 to 10 where to pitch the translation of their text. Trouble is, many clients
just don’t know. They think translation is either right or wrong, whereas in reality
the complexity of language makes it very much an art, not a science. Picasso
was neither right nor wrong, just great. Writers are artists too and translators
are writers. So it is up to translators to judge for themselves, and take the flak
when the client judges differently. Too bad, art has always been an ill-
appreciated metier in the lifetime of the artist.
I’ll leave you with a couple of nice examples from the real world this week.
Before
After
That may sound simplistic, but if you have to read several pages of this kind of
stuff, you get really tired of it.
The next one is not a legal document like a law or contract, but a lawyer trying
to explain the situation to his client. The important thing here is that the client
should understand what’s going on. He’s really outdone himself.
Before
On 1 October 2016, the Higher Public Prosecutor in Xgrad, following upon the
observations of the appellate court in Xgrad, ordered, on the basis of decision No
ABC999/99, a supplementary economic and financial examination, to be carried
out by a court expert, into the circumstances in which the defendants, in the
period referred to in the indictment, might have obtained material gain, and/or
unlawful material gain, for the companies “COMPANY 1” d.o.o., “COMPANY 2”
d.o.o. and/or “COMPANY 3” a.d., and, if they had, what was the amount of the
material gain, and/or unlawful material gain, each defendant, given that the
defendants were being accused of commission of the offence of abuse of office
of a responsible person, by incitement, under Article 234 paragraph 3, with
respect to paragraph 1 of the Criminal Code of the Republic of Serbia, and/or the
criminal offence of the abuse of office under Article 359, paragraph 3, with
respect to paragraph 1 of the Criminal Code of the Republic of Serbia, had
individually obtained for the companies referred to, with regard to which the
amount of the obtained unlawful material gain is of the essence for the
assessing of the legal qualification of the alleged criminal offence.
After
Following the observations of the appellate court in Xgrad and on the basis of
decision No ABC999/99, on 1 October 2014 the Higher Public Prosecutor ordered
a supplementary economic and financial expert examination. This should assess
the circumstances in which the defendants may have obtained material gain or
unlawful material gain for Company 1 d.o.o., Company 2 d.o.o. and/or Company
3 a.d. in the period referred to in the indictment. The defendants stood accused
of the offence of abuse of office by incitement of a responsible person under
Article 234 paragraph 3, cf. paragraph 1 of the Serbian criminal code, and of the
criminal offence of abuse of office under Article 359, paragraph 3, cf. paragraph
1 of the code. If such gain were established, the examination should determine
the value that each defendant had obtained for these companies. This was
deemed necessary because the value of unlawful material gain is essential for
determining the legal category of the alleged criminal offence.