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    Big Swing Face: Sax Solo Transcription

    Uploaded by

    Gyurci
    The document is a transcription of a big swing face saxophone solo. It contains musical notation represented by symbols to indicate notes, rhythms, dynamics, and articulations played over a swing feel with a tempo of 180 beats per minute. The solo consists of several repeating motifs and phrases played across the saxophone's range.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Big Swing Face: Sax Solo Transcription

    Uploaded by

    Gyurci
    227 views3 pages
    The document is a transcription of a big swing face saxophone solo. It contains musical notation represented by symbols to indicate notes, rhythms, dynamics, and articulations played over a swing feel with a tempo of 180 beats per minute. The solo consists of several repeating motifs and phrases played across the saxophone's range.

    Original Title

    BigSwingFace.pdf

    Copyright

    © © All Rights Reserved

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    PDF, TXT or read online from Scribd

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    The document is a transcription of a big swing face saxophone solo. It contains musical notation represented by symbols to indicate notes, rhythms, dynamics, and articulations played over a swing feel with a tempo of 180 beats per minute. The solo consists of several repeating motifs and phrases played across the saxophone's range.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    227 views3 pages

    Big Swing Face: Sax Solo Transcription

    Uploaded by

    Gyurci
    The document is a transcription of a big swing face saxophone solo. It contains musical notation represented by symbols to indicate notes, rhythms, dynamics, and articulations played over a swing feel with a tempo of 180 beats per minute. The solo consists of several repeating motifs and phrases played across the saxophone's range.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
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    Big

    Swing Face
    Sax Solo Transcription


              
            
     = 180 Swing

                    
     

            

      

                  
                  

              
    3

                
    3

            


                                 
    3 3

      

                                  
        
       

                     
    3

                       
     
                                   
    3 3 5 3


              
    
          
     
                     
          
        

                             
           

           
             
                          
        
    3 3
                                    
             

                                 
    3

          
     

           


    3

              
        
     

                       
    3

        
     
       
    3 3

        
                            
          

               
    3


                          
      
    3 3 3

                                              
       

                                            
        
      

          
      
                             
          

                       
    3

                    

    3

    2
      
                               
       
    3
     3

                    
           

                        
                

    3 3

     


                         
                  
    3 7

    3 3 5

                   


            
          
    3 3 3
     3

                       
              

                                  
     
     
    3 3

                                                   
         
    3

      
                                   

    3

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