The Essayist 02
The Essayist 02
The Essayist 02
MARRIAGE.
OcEANs with seas unite—
Winds with the waters—rivers with the streams—
And clouds with clouds, tinged by the sun's bright beams,
With gold and crimson light;
Stars rise and set together in the sky,
And seem to shine more pure and brilliantly,
Because they never part:
All things in nature are to union given,
And everything is joined in love to Heaven.
When heart unites with heart,
And God is made the centre of all love,
He looketh from his lofty throne above,
And blesses what is done.
His spirit leads them to the pastures green,
Where crystal streamlets freshly flow between,
And sparkle in the sun :
And, when their spirits leave this earthly home,
Left not to wander with not where to roam,
Or seek a darker sphere,
While worldly scenes are fading from their view,
They will not falter, as they bid adieu,
And wish to linger here;
But like two stars from a dim cloud ascending,
Their brilliant rays in soft communion blending,
From this dark orb they’ll rise,
Until they’re lost amid the light divine,
That from the glorious lamp of Heaven doth shine,
In God’s own Paradise. * f :
G. W. L. vº's V
º *
spot: and in this view we regret that the title by which it has
long been known, Sweet Auburn, should have been changed
to Mount ; for we fear that word has been “a mote to trouble
the mind's eye’—and it must be conceded that the spot has no
legitimate or just title to be so denominated. Public opinion,
however, certainly favors the design, which, as the North
American Review justly remarks, ‘is to teach the community
to pay more respect to the dead.’
It is well known that the Massachusetts Horticultural Soci
ety have obtained a grant from the legislature, which secures
through perpetuity the spot selected, for the purposes of a
rural cemetery. This spot has been consecrated by appro
priate religious ceremonies, and is now forever sacred to the
dead. -
nial with the power and destiny of the soul, that when we
have “shuffled off this mortal coil' it should repose amid
those sublime scenes which, during life, ministered to the
improvement of the ascended spirit. In this view we rejoice
that the spot selected possesses such natural advantages that
little art will be required to beautify it. We trust, and we
have too much confidence in the taste of the committee to
doubt, that as far as possible the natural beauties of Mount
Auburn will be preserved ; and while flowers and exotics
are, as far as practicable, introduced and cultivated, they
will, in no degree, supersede those native American trees
which now adorn the spot.
“The hills,
Rock-ribb’d and ancient as the sun—the vales
Stretching in pensive quietness between;
The venerable woods—rivers that move
In majesty, and the complaining brook,
That make the meadows green, and poured round all
Old ocean's gray and melancholy waste, -
Are but the solemn decorations, all,
Of the great tomb of man.”
| ThoughtviLLE.
tance. ‘Is the stage gone?’ ‘Are you hurt, sir?” said the
bar-keeper, who now came forward with lights. ‘What a
thundering house you keep !' cried a cross old fellow from his
chamber door— there is nothing but tramping up and down
stairs from night to morning.’ And among the rest, who should
appear but the doctor and his friend; divested of their coats
and vests, and having, apparently, just sprung from bed |
“No bone broke, I hope l’ said the doctor—‘where is the in
jury, sir?—shall be happy to render you any professional assis
tance, sir.’ The poor man was fairly distracted with the in
quisitive sympathy of the spectators; but, assuring them that
he was only slightly injured, he inquired despairingly—‘for
conscience sake, gentlemen, tell me—is the stage gone?’ The
bar-keeper soon made him easy upon that subject; and the
doctor, assuring him of his belief, that it would wait long
enough for him to wash his bruises, retired triumphantly to
take possession of the empty bed.
ART. xi. The interests of literature, science and the arts, shall be pro
moted by this Association, by such means as circumstances and experi
ence may afford, but especially by the publication of facts and the dis
semination of views and sentiments on the passing events in the literary;
scientific and polite world, through the medium of a periodical entitled
the Essayist; said compositions to be subject to the veto of the Associ
ation, and the vote of two-thirds of the members present being requisite
to publish them.
ART. xii. Candidates for admission, proposed by a member of the As
sociation, receiving the votes of two-thirds of the members present, may
64 POLISH STANDARDS.
become members by signing the constitution and paying the sum of one
dollar annually. - - --
ART. xiii. The President may call special meetings of the Association
at such times as the Board of Censors, or eight members, may think it
expedient.
ART. xiv. The regular meetings of the Association shall be held on the
evening of the second Monday in every month.
ART. xv. In case of the vacation of any office, it may be filled at any
subsequent meeting, notified for that purpose.
At subsequent meetings the several offices were filled, with
the exception of the Board of Censors, which as yet is in
complete. The result of the election was as follows:
B. B. THAT CHER, President. GEo. W. Li GHT,
I. McLELLAN,
J. BLAKE, JR., JR.,
Reč.Vice President.
Secretary. B. B.
H. T. THAT
TU c kCHER,
ERMAN, }. of Censors.
A. D. CAPEN, Cor. Secretary. E. BRAD For D,
GEo. W. Cof FIN, Treasurer.
Polish STANDARDs.
-
colors and address. The Standards have, at their request, been for the
present deposited at my lodgings, where they become an object of pa
triotic pilgrimage.
An American Polish Committee, of which Dr. Howe is now the Chair
man, assemble every week in this city. We consult together upon the best
mode to dispose of the donations received from the United States, now
more useful than in the actual state of Poland, when so many of her sons
either proscribed, or threatened with a deadly exile to Siberia, or disdain
ing to submit to the Russian Yoke, are wandering through the western
parts of Europe, and especially expected in France.
How much delighted I have been with this new specimen of Bostoni
an sympathy for the cause of freedom and patriotic freedom, and with
an additional token of your kindness to me, nobody in your beloved city
will question. I however beg you to present the young men of Boston,
the worthy grand-sons of my revolutionary companions, with a particular
tender of my gratitude and devoted affection.
Expecting further and ever most gratifying communication with you
on the subject of the charge entrusted to my care, I have the honor to be,
Gentlemen, your obliged and affectionate friend,
- w - LAFAYETTE.
Co General 3afayette. -
Ess AY 1 st Roo M.
OUR voyage had been long and tedious; and it was with real
pleasure that we hailed the approach of a favorable breeze—
the auguries of which began to appear about noon on the
eighth day after our departure. The dense fog which had
shrouded us since morning, began slowly to disperse, and at
length wholly disappeared before the beams of the noon day
sun. We were soon bearing on, with every sail set, and a
nine knot breeze. Now all eyes sought land—the Blue-noses
bet they saw it, but the Yankees guessed so. As I stood at
the bow, I could not but call to mind the situation of Columbus,
when he was anxiously watching, not for land often visited,
but to discover the living proofs of that sublime theory of
another continent, which as yet existed only within the scope
of his mental vision. At length we perceived a dark streak
lining the horizon, which proved to be Cape Sable. Soon
after we made Sambro Light. This lighthouse occupies a
commanding situation at the entrance of the harbor, fifteen
miles below Halifax, but unfortunately is furnished with a most
anti-luminous flame, and we lost sight of it when three miles
distant. Having passed the light, and declined the proffered
services of the pilot, we glided slowly up the harbor; but the
darkness veiled everything, and although we could plainly
descry the dark promontories and highlands which skirted the
coast, we could not distinguish with precision, any object,
save the lights which lie thinly scattered among the dark
foliage and rocks. After passing Chebucto point, we came
abreast of the fort, and were saluted with the usual queries,
‘where from?’ ‘how many days?’ &c.—and passing point Pleas
ant on the one side, and George's island on the other, we soon
wound among the beaches and wharves of Halifax.
This voyage, though comparatively short, affords a good
opportunity to judge of the pleasures and pains of a ‘trip by
sea.’ A voyage, like most sublunary enterprises, is a compound
of good and evil. During fine weather, there is much to
excite the best feelings and awaken the deepest thought. The
bare circumstance of being situated in a little separate world,
cut off from the great mass of mankind, and thrown to a
considerable degree, on self for enjoyment—this is sufficient
A TRIP EASTWARD. 75
76 A TRIP EASTWARD.
- ...Anima.
Gives her that name, as she the body moves.
- .Amor.
Then is she love embracing charity.
- •Animus.
Moving a will in us, it is the mind.
- - JMens.
Retaining knowledge, still the same in kind.
- JMemoria.
As intellectual, it is the memory.
- - - Ratio.
In judging, Reason only is her name.
Sensus.
In speedy apprehension it is sense.
- Conscientia.
In right or wrong, men call her Conscience.
Spiritus.
The spirit, when to godward it doth inflame.
These, of the soul the several functions be,
Which my heart lightened by the love doth see.'
What dusty, black looking volume is that? Ah—Owen
Felltham's works; no title page—printed in 1661. ‘Resolves,
divine, political and moral.” Resolves undoubtedly means
essays. I will conclude this article with an extract :
‘The comparison was very apt in the excellent Plutarch, that we
ought to regard books as we would sweetmeats; not wholly to aim at the
pleasantness, but chiefly to respect the wholesoméness: not forbidding, but
approving the latter most. But to speak clearly, though the profitableness
may be much more in some authors than there is in others, yet 'tis very
rare that the ingenious can be ill. He that hath wit to make his pen
pleasant, will have much ado to separate it from being something profitable.
A total levity will not take. A rich suit requires good stuff, as well as
to be tinsel'd out with lace and ribands. "And certainly, wit is very
near akin to wisdom. If it be to take in general, or to last, we may find
it ought to be interwoven with some beautiful flowers of rhetoric ; with
the grateful scenting herbs of reason and philosophy, as well as with the
simples of science, or physical plants and the ever-green sentences of
piety and profoundness. Even the looser poets have some divine precep
tions. Though I cannot but think Martial's wit was cleaner than his pen,
yet he is sometimes grave as well as gladsome; and I do not find but deep
and solid matter, where 'tis understood, takes better-than the light
flashes and the skipping capers of fancy. Who is it will not be as
much delighted with the weighty and substantial lines of the Senecas
and Plutarch, the crisped Sallust, the politic Tacitus, and the well-breath’d
Cicero, as with the frisks and dancings of the jocund and airy poets?'
80 ANALOGY.
ANALOGY.
- Thoughtville.
MUSINGs.
T H E O C E A N .
roll with a gentle swell; and there is the dark rock and the
high precipice, where the surf breaks and sparkles in the sun
blaze. There are the icy hills of the north, rearing their crystal
citadels, and the spicy groves of the south leaning above its
borders, and offering the incense of its perfume. -
pocketed, and his chin hung like that of a fellow singing base. His
downcast look seemed to estimate the proper distance for the next
step, while his mind's eye travelled the broad Atlantic, and gazed on
the state of a foreign market. There could be no doubt as to the
nature of this man's occupation; his attention to the all-important
subjects of cotton and tobacco could be diverted only towards the
small boy behind him with the counting-room trunk. He was
weather-wise—he felt the veering of the wind as sensibly as the
canvass of his own homeward-bound ship; he was almost certain
from what quarter the next breeze would come, and how that breeze
would influence his vessel and affect his interest.
Among the hundreds who passed me, these are the only per
sons I had been able to view distinctly, and these only for a mo
ment. The sketches, therefore, as they are filled up, are only
“first impressions'—conclusions drawn from the personal appear
ance of the individuals noticed. I had now come to a more retired
part of the city. The lights burned dim—the crowd lessened, and
lessened, until only one person remained in sight—and that person,
strange to tell, was the identical girl seen in the early part of my
walk, in the Rob Roy. -
times you might see the spot usually occupied by them on the
yellow painted floor, and that spot was as much brighter than the
rest, as the under side of my old coat sleeve is brighter than any
other part of the garment. But to return to Mrs. Bickford. She
had a bright, yankee, intelligent eye, and a sensible-looking head,
surmounted by a muslin cap, clasped by a pair of steel-bowed
spectacles. She experienced my loving kindness at the first
glance. -
had mistaken for the one leading to the street, and was the sallyport
of my attempted exit. On hearing me at her door, Mrs. Bickford
shuffled on her mortal coil; and she now demanded the cause of
that anti-somniferous knocking at the gate of her premises.
If my thoughtful mien for the last ten minutes had excited sur
prise in the minds of my entertainers, that surprise must have
been augmented a thousand fold by the sample which I now gave
them of the opposite emotion.
Sally's mother had by this time returned to the parlor, and the
trio now gazed upon me in mute astonishment. The old man
affirmed that I had attempted his assassination, and his wife's
chastity. The old woman proclaimed that she had been sadly
broke of her rest, and declaimed violently against Sally’s practice
of bringing stragglers into the house. Sally herself left the room
in tears. I saw the utter impossibility of steering clear of an ex
planation; but however much I regretted to state my suspicions
of them, I was compelled to do it. It was readily accepted, and a
hearty laugh and a glass of saleratus and cider all round, conclud
ed the mistakes of the night.
My feelings were never happier than when I left that house.
The fear I had entertained for my safety seemed almost overcome
by the joy produced at my escape—and this joy was regulated by
the remaining effects of fear. My mind was in that happy temper
which is equidistant from sorrow and rejoicing. Would to heaven
it were always thus! Such moments make the paradise of our
existence, and fill the heart with peace. Would to heaven that
joy and sorrow might always find an equilibrium in the soul, and
our natures overflow with emotions unmixed with earthly merri
ment, and unalloyed by the sorrow of the world. E. F. K.
CRITIQUE.
MARRIAgr, a Matrimonial Poem, published in the February number of the
Essayist.
This poem presents, perhaps, a fair specimen of the poetical ar
guments generally advanced in favor of matrimony; and, as I have
the happiness to be one of that class of mortals who are not a little
skeptical with regard to the angelic nature of “heaven's last,
[worst] gift,” I consider it my duty to expose the sophistry of it
by a criticism. -
In the second line the author reminds us, that the “winds”
also unite ‘with the waters.” Nobody doubts that. But when
does the water look the most serene, and appear to be the most
happy—if it is ever happy, married or single—when the winds
keep at their proper bacheloric distance, or when it is united—or
married, if you please—to a gentleman hurricane? Winds and
waters do unite; and men and women do unite; and the disturbance
which follows in either case, renders the parallel a capital one in
favor of bachelorism.
The next argument of the poet is, that the “rivers’ unite ‘with
the streams.” But when does a stream endeavor to unite with a
river, without soon finding itself going down hill? And after they
are happily united, they have the pleasure of going down hill to
gether; and are seldom of any practical benefit, except that they
are now and then employed in turning a grist mill—and this they
are forced to do.
Furthermore, in the third line it is affirmed, that ‘clouds” unite
‘with clouds, tinged by the sun's bright beams, with gold and
crimson light.” And after these loving clouds are united, how
long is it before you find them bursting into tears, and perhaps the
self-same sun, that was just tinging them with his bright beams,
going behind the scene to laugh at them? And by the way—why
does n’t the sun get married?—and the moon—why doesn't she
get married? Let our matrimonial poet decide.
Again, he says,
‘Stars rise and set together in the sky,
And seem to shine more pure and brilliantly,
Because they never part.”
CRITIQUE. 95
I should n’t think they'd wish to linger here, unless they could
have the promise of a little more single blessedness. And our
poet contradicts the assertion made in the preceding lines, when
he says,
– “like two stars from a dim cloud ascending,
From this dark orb they'll rise,’ &c.
A dim cloud indeed, where they go from. But what is rather more
singular than anything else in the piece, in order to make the
writer's simile good, the man and woman must die together. I
suppose we must give our poet some license, however, when he is
endeavoring to establish so weak a point; for it would not pass
muster very well to say that, "-
A PRACTICAL BACHELOR,
96 NoTICEs of NEw PUBLICATIONs.
Ess Ay Is T Roo M.
THE YEAR, witH oth ER PoEMs—by I. McLellan, Jr. A New Year’s Gift.
Boston, Carter & Hendee. --
AMERICAN PULPIT.
R. E. W. C H A R L E S G. F. I N N E Y .
To CEREs.
OUR LITERATURE.
[The following Dissertation on the prospects and claims of Literature in our
community, delivered by Addison Jr. before the Young Men's Association for
the promotion of Literature and Science, is published agreeably to a vote passed
at the last meeting.]
No method of considering the prospects of literature in our commu
nity, seems more applicable to the design of the present course of
essays, than an attempt to treat the subject with reference to some of the
most important of those circumstances and influences which give a
direction and character to the mental productions of every age and
country. And a brief survey of a few of the advantages and attractions
of literary pursuits will exhibit their claims upon our regard, both as
means of individual improvement and objects of national interest.
Prior to the revolution, the scientific efforts and successful philosophi
cal researches of Dr. Franklin form the prominent exhibition of native
talent evinced at that early period of our literary history. Emanating
from a self-educated individual, and connected as they are with the many
interesting circumstances attending the life of that great philosopher,
they form an introduction to our literature at once unprecedented and
brilliant.
As an almost necessary consequence of the great questions at issue in
the struggle for independence, and the subsequent formation of national
and state governments, our leading men soon became engaged in political
works, and the productions thus originated, though, in frequent instances,
prepared during brief intervals occurring in the discharge of most re
sponsible official duties, exhibit a depth of thought and possess a practi.
cal value worthy of the momentous period which called them forth.
But those high intellectual efforts, which may be said to have created
our literature in the strictest sense of the term, have been made within
less than the last half century. This period has been productive of nu
merous works, many of which, having passed through the ordeal of time,
will, doubtless, be generally appreciated, and form standard contributions
to our literature; especially those in the departments of intellectual chris
tianity, forensic eloquence and moral poetry.
From the fact that our language and many of the characteristics of our
literature are not strictly original, arguments have been educed to prove
} 08 OUR LITERATURE. " t
that literary effort, among us, will ever lack this important element. But
this, however true, is a necessary consequence of the influence exerted
by one age and people upon that which immediately succeeds, and may
also, in part, be attributed to the assimilating influence of commercial in
tercourse. And although this circumstance may tend to subvert original
traits of character, it is certainly favorable to the cause of general im
provement. The remarks of Schlegel, a distinguished German writer, on
this subject, are very just:—“It is absolutely necessary that those nations
who make their appearance at a later period of the history of the world,
as well as of the general developement of the human intellect—should
derive a great part of the mental cultivation as a legacy from the more
polished nations of early times; and this, in itself, implies no reproach.
It is only necessary that we preserve our substantial individuality as a
nation, and never sacrifice what is our own out of an extravagant admi
ration of what belongs to others.”
The improvement in the productions of mind previously alluded to,
although comparatively rapid, was not unanticipated. The following is
the language of a writer whose extensive acquisitions in philology coup
led, as they were, with a powerful intellect and exalted character, afford
ed the brightest hopes that, if it had pleased an all-wise providence to
have spared his life, he would have watched with patriotic sensibility
over the early dawnings of American literature, and by his own efforts
have greatly accelerated its progress and ennobled its character.—“If we
are not mistaken in the signs of the times, the genius of our literature
begins to show symptoms of vigor and to meditate a bolder flight. The
spirit of criticism begins to plume itself, and education, as it assumes a
more learned form, will take a higher aim. If we are not misled by our
hopes, the dream of ignorance is at least disturbed, and there are signs
that the period is approaching when we may say of our country—tuus
jam regant Apollo.” -
This brief notice of our literary history does not perhaps form an inap
propriate introduction to the main subject under consideration.
External influences have an important bearing upon national literature;
but, as it springs directly from mind itself, it is self-evident that it will be
strongly marked with the peculiarities of mental constitution which dis
tinguish different nations. The comedies of Moliere are perfectly con
sonant with the gaiety and humor of the French character. But a more
pleasing example may be drawn from the history and literature of Poland.
It has become almost an axiom, that tyranny, from its debasing effects
upon single minds, finally destroys national literature and subverts intel
lectual energy. Now it is not a little remarkable, that, beneath a most
scourging and depressing despotism, the Poles should have preserved a
literary spirit unbroken, and that minds, which could no longer find
themes in their country’s glory, save to mourn its degradation, should
still expatiate on subjects of general interest, with all the inspiration of
true poetry and the beauty and sentiment of genuine taste.f That such
is the case, their productions will testify, and it is a phenomena only to
be accounted for from the unchangeable spirit which forms so distin
guishing a trait of their national character.
Such being the effect of inherent mental distinctions, it will not be
deemed chimerical to refer some of the peculiarities of our literary spirit
to a similar source.
- and occasion, must have been no less useful as adapted to the times, than
valuable as a practical treatise on civil º: -
The poetry of that peculiar people, the Jews of old, affords a striking
example of this capacity in literature. True, their history though couch
ed in the homeliest language, would, in itself, be most extraordinary and
wondorful. But who will deny that we owe our vivid conceptions of
the Jewish character and history to the sublime simplicity and unrivalled
beauty of the Hebrew poetry P
The primeval exercises of the poetic art were those which celebrated
the virtues of ancestry, and this is what we should naturally expect from
the desire which ever exists to perpetuate the knowledge of national ex
istence and greatness. In accordance with this principle, nations, long
before the christian era, have left, in monuments and mounds, the sole
mementos of their being. “Poetry has a natural alliance with our best
affections.” We cannot wonder then, that as the Egyptians embalmed
the bodies of their dead, and on particular occasions brought them forth
to act as silent but efficient monitors, so poetry should have been early
chosen to embalm the remembrance of great and good deeds, and trans
mit them for the improvement of posterity.
What then is the history, and what the recollections and associations
dear to Americans? Happily we need not an Ossian for our national
poet, who may draw from the mists of antiquity, a “long line of fabled
* It is almost incredible, that an object so intimately connected with the “pros
perity and honor of the whole country,” should receive the shafts of political
prejudice. The leading periodical of the Southern States, however, considers
the encouragement of literature on this side of the Atlantic as tantamount to dis
carding that of England, and deems the design, when extended to the establish
ment of a separate literature, as wholly impracticable. From which and similar
causes it announees the following declaration: “We do therefore, in the name
Qſ the good people of the planting states, utterly disclaim the having even the
humblest part assigned us in a separate school aſ writers dignified with the
title of American.”
our LiterATURE. 1 11
ancestry.' ...Every child can tell of the pilgrims—of their fearful coming
and marvellous establishment—of the war of the revolution, and its thou
sand, heart-stirring incidents—of the primitive forests of our country,
and theirinteresting, but unfortunate and almost annihilated children. And
in view of the great and glorious in our history, there is awakened a
laudable ambition to perpetuate the past by embodying it in a sound and
independent literature. Each high and well-directed effort will advance
this object; but especially the exertions of every mind which “receives
new truth as an angel from heaven, which, while consulting others, in
quires still more at the oracle within itself, and uses instruction from
abroad, not to supersede, but to quicken and exalt its own energies.’
Literary pursuits recommend themselves to individual minds from their
susceptibility to incite and embody the intellect, poetry and imagination
innate in every human being. And this they do no less from their accor
dance with the higher qualities of human nature than their tendency to
overcome the influence constantly exerted by material and unintellectual
principles. The ancients, notwithstanding their incomplete conceptions of
the sublime in intellect, seem to have understood, at least in a degree, the
power of matter over mind: thus, according to the Platonic philosophy,
“this inborn and implanted recollection of the godlike, remains ever dark
and mysterious; for man is surrounded by the sensible world, which,
being in itself changeable and imperfect, encircles him with images of
changeableness, imperfection, corruption and error, and thus casts per
petual obscurity over the light which is within.' The direct tendency of
literary pursuits is eminently calculated to bring forth and improve the
spiritual principle, and consequently to render it dominent over what is
grosser and extraneous.
Literary talent is indeed a moral agent; and one of the chief induce
ments to cultivate and acquire it, is, that it may become a minister of
good to others, may kindle a similar spirit in other minds, win them to
self-knowledge and self-improvement, and thus redound to the happiness
of its possessor, by affording him the deep joy which springs from active
benevolence. “I intend no monopoly but a community in learning,’ says
that extraordinary but powerful writer, Sir Thomas Browne; “I study not
for my own sake only, but for theirs that study not for themselves. I
envy no man that knows more than myself, but pity them that know less.
I instruct no man as an exercise for my knowledge, or with an intent
rather to nourish and keep it alive in my own head, than beget and prop
agate it in his ; and in the midst of all my endeavors, there is but one
thought that dejects me, that my acquired parts must perish with myself,
nor can be legacied among my honored friends.’
But their moral influence is still more direct; for it is the moral world
alone which presents a field sufficiently sublime and ample for intellectual
action. True, both the poet and philosopher find themes in the natural
world, but these derive their chief interest from their obvious and near
connection with higher subjects. It is the conviction we have of the
divine origin and beneficent object of the universe, which makes it so
prolific a source of inspiration. Disrobe nature of her relation to an
infinite author, and her high office of calling forth and ennobling mind
and heart, and it would be like depriving the realm of vapor of the light
which arrays it in a thousand magnificent hues.
This truth—the moral aim and influence of literature—has scarcely
been practically acknowledged by the majority of writers. Few of those
gifted men ‘enriched and signalized by eminent gifts and talents’ seem