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ADP - Project 1B

The document proposes a Cultural Experience Center in Kuala Lumpur, Malaysia that focuses on showcasing traditional Malay culture. It will benefit both local artisans and foreign visitors. The center's design takes cues from the Junshan Cultural Centre in China, incorporating strategies like connecting indoor and outdoor spaces with courtyards, bridges, and green roofs to allow natural light and ventilation. The center's spaces include exhibition areas, studios, shops, and dormitories spread across three floors. Plans, elevations, sections and models showcase the final proposed design.

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Yin Yee
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92 views33 pages

ADP - Project 1B

The document proposes a Cultural Experience Center in Kuala Lumpur, Malaysia that focuses on showcasing traditional Malay culture. It will benefit both local artisans and foreign visitors. The center's design takes cues from the Junshan Cultural Centre in China, incorporating strategies like connecting indoor and outdoor spaces with courtyards, bridges, and green roofs to allow natural light and ventilation. The center's spaces include exhibition areas, studios, shops, and dormitories spread across three floors. Plans, elevations, sections and models showcase the final proposed design.

Uploaded by

Yin Yee
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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THE “BIG” IDEA

TAN YIN YEE 0329499 MR LIU’S TUTORIAL GROUP


Malaysia is a multicultural country. KL,
as the capital of Malaysia therefore
gathers a huge diversity of culture in
one place.

My Cultural Experience Center will be


focusing on traditional Malay culture of
Malaysia.

13 states in Malaysia, more than 13 types


of culture, they are being classified
into 4 main categories which includes
traditional performing art, traditional
arts and craft, traditional dance as well
as traditional game.

The targeted beneficiaries for my


Cultural Experience Center are the local
artisans and foreigners. Local artisans
(the “organ”), by introducing
traditional Malay culture of Malaysia to
foreigner (the “blood”) in the building
(the “system”), therefore completes the
whole mechanism.
PRECEDENT STUDY
JUNSHAN CULTURAL CENTRE
NERI & HU DESIGN AND RESEARCH OFFICE
MERGING OF LANDSCAPE SEPARATION OF PUBLIC & PRIVATE ROOF TERRACE
- Landscape being integrated SPACES - Part of roof level
into the design which makes - Office area were was turned into roof
the building design merge placed away from the terrace to allow
naturally with the landscape main circulation of better view of the
the building adjacent mountain
terrain
COURTYARD & LIGHTWELL
- Both courtyard and lightwell can effectively allow natural lighting to penetrate into the interior spaces,
therefore reduce the carbon footprint from using electrical lighting

HIERARCHY AND VOLUME


- Alteration in height for different
blocks show eye pleasing hierarchy to
the users
- Different volumes were used to
incorporate more interesting spatial
experience for the users
DESIGN INTENTION
FRAMING VIEWS ACCESS
- To frame various views from site, old - Several accessway for users
+ new - Make the building more porous
- Old: Klang river, Pasar Seni, National
Textile Museum
- New: People interacting around the
building
SKYLIGHT GREEN SPACE
- Allow natural lighting to enter the - Provide more green space by having
building to lit up the interior spaces green roof in the building
DESIGN STRATEGIES
CUBOID BLOCK
- The design was started with a cuboid, which follow the original
shape of the site.
FORM CARVED OUT BY AXIS
- There are two axis found on site, one: connecting both mosques
Masjid Jamek and Masjid Negara (religion of Federation), two:
connecting Daya Bumi building with Sultan Abdul Samad Building
(significant landmarks)
RESPECTING NEIGHBOURING CONTEXT
- Both front and rear facades were arranged in the way that follows
the angle of National Textile Museum facade (front facade) and angle
of Klang river (rear facade)
COURTYARD
- Existing two blocks was cut out to form courtyard in order to make
it a strong node that connects people
CONNECTING BRIDGES
- All blocks were connected by bridges above ground to allow human
movement at ground floor
OPEN SPACE
- The building is opened up at one side to allow smooth merging of
landscape into the building as well as fit respecting the
neighbouring building form (Sultan Abdul Samad building)
LIST OF SPACES
- Lobby
- Exhibition hall
- Art & craft gallery
- Art & craft workshop
- Artisan’s Market
- Auditorium
- Traditional performing art studio
- Traditional dance studio
- Traditional games area
- Viewing bridge
- Cafe
- Souvenir store
- Media room
- Library
- Dormitory
- Computer room
- Office
SITE PLAN
SCALE 1:1500
FLOOR PLAN
GROUND FLOOR FIRST FLOOR SECOND FLOOR
2
3

A
1
10
8

A’
5
4 11
9

6 7

1. Lobby
2. Waiting Area
3. Exhibition hall
4. Art & craft gallery
5. Media room
6. Art & craft workshop
7. Cafe
8. Mini Library
9. Access to basement car park
10. Parking
11. Artisan’s Market

GROUND FLOOR
DOOR STAIRCASE
15
3

16

13

14 17

12

18

12. Traditional dance studio


13. Traditional performing art studio
14. Auditorium
15. Storage
16. Traditional games area
17. Viewing bridge
18. Cafe + Souvenir store

DOOR STAIRCASE GREEN ROOF FIRST FLOOR


19

20
21 22

19. Office
20. Dormitory
21. Pantry
22. Computer Lab

SECOND FLOOR
DOOR STAIRCASE
ELEVATIONS
FRONT ELEVATION

REAR ELEVATION
SIDE ELEVATION (FROM NATIONAL TEXTILE MUSEUM)

SIDE ELEVATION (FROM DAYA BUMI BUILDING)


SECTION
SECTION A - A’
PROGRESS MODEL
MODEL 1 MODEL 2 MODEL 3

MODEL 4 MODEL 5 MODEL 6


MODEL 7 MODEL 8 MODEL 9

MODEL 10 (Current Design)

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