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Periodo Colonial

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SPANISH-AMERICAN LITERATURE: THE COLONIAL PERIOD

Author(s): Peter T. Bradley


Source: The Year's Work in Modern Language Studies , 1981, Vol. 43 (1981), pp. 473-475
Published by: Brill

Stable URL: http://www.jstor.com/stable/20867585

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Latin-American Studies 473
SPANISH-AMERICAN LITERATURE
THE COLONIAL PERIOD
By Peter T. Bradley, Lecturer in Spanish and Latin-A merican
Studies in the University of Newcastle upon Tyne

i. General
A. W. Ashhurst, La literatura hispanoamericana en la critica espanola, M,
Gredos, 1980, 643 pp., offers a fair coverage of the colonial era and
suggests a general reluctance on the part of Spanish critics to
recognize the separate identity of Spanish-American authors. Les
Cultures iberiques en devenir. Essaispublies en hommage a la memoire de Marcel
Bataillon (iSg^-igjj), Paris, Singer-Polignac, 1979, 783 pp., contains
important contributions on Las Casas and his times, the structure of
Lopez de Gomara's Historia general, autografos of Sor Juana and the
Relation of Pedro Pizarro. C. O. Stoetzer, 'Historia intelectual del
periodo colonial', RIAB, 29, 1979:171-96, lists works in many cases
relevant to the literary history of the period, and S. C. Mohler, ib., 28,
1978:259-73, presents a survey of colonial publishing. See alsoj. D.
Maciel etaL, *La literatura virreinal: antologia, BA, Centro Editor, 1979,
122 pp.
2. Pre-Columbian
T. D. Rebolledo discusses the Nahuatl poetry of Macuilxochitl,
'probably the only known woman poet of the pre-Columbian era', in
RIAB, 28, 1978:283-89. There are the following important recent
editions of codices: Codex en cruz, ed. C. E. Dibble, Salt Lake City,
Utah U.P., 148 pp., comprising a volume of texts of Aztec MSS and
an atlas; The Codex Perez and the Book of Chilam Balam of Manx, transl.
and ed. E. R. Craine and R. C. Reindorp, Norman, Oklahoma U.P.,
1979, xxi 4- 207 pp., a useful but not definitive English version of
Yucatecan documents; Cddice Tudela, ed. J. Tudela de la Orden, 2
vols, M, Cultura Hispanica, 1980, which lists and evaluates Mexican
codices in general and publishes a facsimile edition of this text; and El
cddice vindobonensis, ed. J. L. Melgarejo Vivanco, Xalapa, Veracruz
U.P., 1980, 156 pp. Note also E. Bendezu Ay bar, Literatura quechua,
Caracas, Ayacucho, 1980, 450 pp.

3. Historians
F. Pease, 'Felipe Guaman Poma de Ayala: mitos andinos e historia
occidental', Caravelle, 37:19-33, is a detailed analysis of the interac
tion of these elements in the Nueva coronica. The latter is carefully
interpreted as a demonstration to the Spanish Crown of the benefits,

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474 Latin-American Studies

both to Indians and Spaniards, of ethnic separation in Peru, by S.


Castro-Klaren in Revlb, 114-15:45-67. Renewed interest in this
writer has produced two worthy editions: Nueva cronicay buen gobierno,
transl. and ed. F. Pease, 2 vols, Caracas, Ayacucho, 1980, and Nueva
coronica y buen gobierno, transl. J. Urioste, ed. J. V. Murra and R.
Adorno, Mexico, Siglo XXI. J. Pla puts forward hypotheses related
to the linguistic formation of Ruy Diaz de Guzman in CA, 238:
192-205. F. Cantu, Pedro Cieza de Leon e il eDescubrimientoy conquista del
Peru3 (Studi di storia moderna e contemporanea, 8), Ro, Istituto
Storico Italiano, 1979, is based on the discovery of an autograph MS
in the Vatican Library which has made possible this first full version
of C.'s work, including 28 previously unpublished chapters, and is
prefaced by a sound introduction. A new journal, Letterature d3America,
Rome, presents L. Pranzetti on Tl naufragio come metafora' in the
work of Cabeza de Vaca, 1, no. 1, 1980, S. Benso on 'Le metamorfosi
di Cibola' by the chroniclers, and an analysis of accounts of the
journey of Lope de Aguirre by R. Cambra and A. Morino, ib., 2, no. 6.
J.-P. Duviols describes how Columbus and Vespucci portray Indians
of the New World, in LNL, 236:39-53. G. Marchetti, Cultura indigena e
integrazione nazionale (la 'Storia antica del Messico3 di F. J. Clavijero),
Albano Terme, Venice, Piovan, 1980, 126 pp., is a fine critical
analysis. With reference to Las Casas, J. von Stackelberg examines
the source and development of the 'Legende vom "Apostel der
Indios" als Initiator des Negersklavenhandels', in Iberoromania,
13:30-46. Novelesque elements in Garcilaso el Inca's La Florida are
the theme for D. Puccini, in *RNC, 240, 1979. J. Durand considers
'Peru y Ophir' in G.'s work, in *Hist6rica, Lima, 3, no. 2, 1979. He is
considered a pioneer in the literary field by J. B. Fernandez, in Revista
Universitaria de Letras, Mar del Plata, 1, no. 2, 1979, and his work as
translator is examined by J. Moreli Pando in Estudios sobre el mundo
latinoamericano, Ro, Centro di Studi Americanistici, 247 pp. Fray
Toribio de Motolinia, Relation de los ritos antiguos, idolatriasy sacrificios de
los indios de la Nueva Espana, ed. J. O. Aragon, 2 vols, Mexico,
Biblioteca del Monasterio de San Lorenzo El Real de Escorial-Hispa
nic Society of America, 1979, consists of an annotated palaeographic
transcription of the 16th-century Mexico City MS and a photo
graphic facsimile. Fray J. de Alcala, La relation de Michoacdn, ed. F.
Miranda, Morelia, Fimax, 1980, xlv + 398 pp., utilizes different types
of print to separate the Indian original and the comments of Alcala.

4. Poetry
R. Lagos seeks to prove that the non-American and the sentimental
episodes of La araucana form an integral part of the poem as a result of

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Spanish-American Literature: Colonial Period 475
modifications by Ercilla to his original 'programacion epica', in CA,
238:157-91. The five best, of twelve anonymous poems discovered in
MS form in Guatemala, are reproduced with comments by W. L.
Felker, in Hispanofila, 73:69-78. The scarcity of such material rather
than their literary merit is the main source of interest. A. de
Colombi-Monguio uncovers fascinating influences and imitations in
the poem 'Cancion a un desengano' of Matias de Bocanegra, in
Thesaurus, 36:23-43. Whereas previous critics refer to the confused
pattern of Bernardo de Balbuena's Bernardo, G. Trivifios postulates a
unifying central theme of nationalistic sentiment, in CA, 236:79-102.
The 'tone' and 'tenor' of the poetry of Castellanos surprisingly
appears in Proceedings of the Pacific Coast Council on Latin American Studies,
6. Revolution in the Americas, San Diego, The Campanile Press, 1979,
280 pp. As an aid to encouraging the correction of some mistaken
criticism of Pedro de Ona, J. Roman-Lagunas makes a useful list of
his works and relevant bibliography, in RIAB, 31:345-65. There is a
handy edition of Sor Juana Ines de la Cruz, Sonetos y endechas, B,
Labor, 1980, 181 pp., with a perceptive introduction by R. Chacel
and a helpful prologue and notes by X. Villaurutia. See also F. de la
Maza, *Sor J. I. de la Cruz ante la historia, ed. E. Trabulse, Mexico,
UNAM, 1980, 612 pp.

5. Prose
J. G. Johnson briefly traces picaresque elements in Sigiienza y
Gongora's Los infortunios de Alonso Ramirez, in HisC, 64:60-67.

6. Drama
CM. Suarez Radillo, El teatro barroco hispanoamericano. Ensayo de una
historia critico-antoldgica, 3 vols, M, Porrua Turanzas, describes the
distinctive features of the baroque throughout the regions of Spanish
America, comments on selected texts and displays the results of years
of dedication to the theatre and its study. J. Concha sets Alarcon's La
cueva de Salamanca against social and political conflicts of the times, in
Revlb, 114-15:69-81. Note also O. Arroniz, * Teatro de evangelization en
Nueva Espana, Mexico, UNAM, 1980, 255 pp.

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