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    Ballade No. 1 in C-Sharp Major

    Uploaded by

    Pablo Nieva
    The document is a musical score for a ballade in C-sharp major composed by Jack B. Holt. It contains musical notation across 32 lines, including time signatures, key signatures, notes, dynamics, and other musical markings. The piece seems to have an introduction followed by several verses set to music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Ballade No. 1 in C-Sharp Major

    Uploaded by

    Pablo Nieva
    64 views4 pages
    The document is a musical score for a ballade in C-sharp major composed by Jack B. Holt. It contains musical notation across 32 lines, including time signatures, key signatures, notes, dynamics, and other musical markings. The piece seems to have an introduction followed by several verses set to music.

    Original Title

    Ballade_No._1_in_C-Sharp_Major

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

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    The document is a musical score for a ballade in C-sharp major composed by Jack B. Holt. It contains musical notation across 32 lines, including time signatures, key signatures, notes, dynamics, and other musical markings. The piece seems to have an introduction followed by several verses set to music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    64 views4 pages

    Ballade No. 1 in C-Sharp Major

    Uploaded by

    Pablo Nieva
    The document is a musical score for a ballade in C-sharp major composed by Jack B. Holt. It contains musical notation across 32 lines, including time signatures, key signatures, notes, dynamics, and other musical markings. The piece seems to have an introduction followed by several verses set to music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
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    Ballade

    No. 1 in C-Sharp Major


    Opus 6 No. 3

       
    Jack B. Holt

           
        
      
         
    Adagio

                     
     
                  
      

     
                          
     
    11

                          



    ()

        
               
                
            
    17

           


                                   
    

      
    ()


    

        
            
                
    27

                      
            
    

               

    ()

        
     
                
                 
    32

     
      
      
                        
          
        
    

    Jack B. Holt - All Rights Reserved



       Accel. 

     
           
        
    40 Moderato

                


                   

                      

    
       
      
       
    46

                   
           
                          

    ()

                
      
    55

     
                                              
     
    ()

      
            
        
    62


        
                     
     

    ()

    

          
     
       
                        

    68

    ()   
                   
                
      

    2 Jack B. Holt - All Rights Reserved


                    
       
               
    75

                     
                         

                     
      
              
                
             
      
        
    78

                    


                      
              

                  

          

      
         
       


    85

           


                  

      

                     

    
         
       
    92 

             

                                   
       

    ()


             
      
    101 

    
     
                         
    ()

     

    Jack B. Holt - All Rights Reserved 3


         
     

           
        
        

    
    108

       
        
                    
    ()

       
       

    

         
         
    115 

          


    
    ()

    

    4 Jack B. Holt - All Rights Reserved

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