Verse 1: Piano + Voice Arrangement

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At a glance
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The song discusses feelings of heartbreak and longing for a past lover.

The song is about reminiscing over a past relationship and feeling stuck in the past.

The song uses a piano and vocal arrangement with chord progressions and a verse-chorus structure.

run

Words and Music by


George Miller [ASCAP],
Justin Parker [PRS],
Daniel Wilson [ASCAP]
joji

 slow 
arranged by Michael Millo

      

piano + voice arrangement
 = 54

             
           
E- B7/F♯ G A-

              
    


   


                      
verse 1

 
5

      
                 
   
I fell for your mag ic, I tas ted your skin.
A-

   legato sim.     
   
meno 
poco 

   


 

 

   


           
9

Andthough this is trag ic, at least I foundthe end.

                 

 
  
( E- )

   
E- B7/F♯ G A-/C

    
         
poco 

   

fair use is acceptable usage of material no copyright infringement intended


© 2020 88Rising Publishing, Kobalt Music Services America Inc.,
Young Rubbish, Concord Sounds, and Concord Music Publishing LLC
all rights reserved

                     

13

                
I wit nessedyour madness, you shedlight on my sins..

           
chord pattern sim.

     
   
 poco 

   

 
 

            
        
17

            
     

And if we share in this sad ness, thenwhere have you been? I

 


   
  

   

  
20


     
know you're not in


   
      
   


marcato


                 
   
chorus
21


            
love like you used to be. (I)guessI'm not the one that you

   
   

      
    
   


      
 

2
      

24

  
  
used to think. So you just

 
   
  


       
()

        
 
25


  
  
          
run. I know that I'm

     
      
             
         
     
     

   
                     
  

   
29


                
stuck inthis mis er y, (I)guessI'm not e nough, likeyou used to think.So I'll just

      
                 
        


   
   

         
 

  
  
33

         
      
    
run.

       
   


        
          
     
     

  
  

3

  
verse 2

                  

37 3

Youbathe in your vic t'ry, youblew out all my fumes.

     
  

     
r.h.  

    

                     
    
     
4

     

 
poco 

         
         
  
41

  
             

And if I took on the plan et, will I pay my dues?

          
 

               

      
        
 


   poco 

                    
 
45 3

       
             
Your love was a mys t'ry, yeah,my love is a fool.

     
meno 

   

       
           
       
   
     

              
poco 

  
         
  
49

   
           
And I tra vel the coun try just to get to you. I know you're not in

        
marcato
  
            

            
  

   
  
4

                 
   
chorus
53

             
 
            
love like you used to be. (I)guessI'm not the one that you

            
       

      

      
 


56

    
   
used to think. So you just

   
 



 
     
()

        
 
57

   
   
           
 
  
run. I know that I'm

     

            
          
     
     

   
                     
  

   
61

               
              
stuck inthis mis er y, (I)guessI'm not e nough, likeyou used to think.So I'll just

   

       

     
 

        

       

 

5
         

65

   
        
      

   
       
run. A-

   


 
       
       
        
         

  
       

     
outro vamp


69

 
             
   
E- 3 B7/F♯ E-/G 3 A-

 
  
 
  
  


     

adapted off record

  
   

     
   


73

                
               
    
3

 
chord pattern sim.

     
            
3

  
3 3 3

  
   

   
        
    


77

          
        
    
                  
And I tra vel the coun try.

      

              
5

    
    
   
   
6
              
          
81

    


                      
And I tra vel the coun try justto get to you. Iknow you'renot in

 
                  

 
                  
cresc. 3


until end

  
   

             
   

      
85



               

          
love Iknow you'renot in love Iknow you'renot in

         
  
   
   



       
          
      
      
   
     
   
    
   


89

 
 
love.


 

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