Reconstructive Memory
Reconstructive Memory
Reconstructive Memory
Bartlett found that subjects retained the overall gist of the story but that
they also revised the story, systematically omitting and modifying details.
For example, subjects omitted mystical references, such as ghosts, which
are not part of Westerners' worldview; they embellished other details. In
the original story, the second Indian declined to join the party because his
relatives would not know his whereabouts. By the tenth retelling, one
subject explained that this Indian refused because his elderly mother was
dependent on him, a revision that manifests Western concepts of a son's
responsibilities in general and perhaps that subject's family ties in
particular. Another common change was that subjects tended to add a
moral, possibly because stories in Western culture often have morals.
Bartlett concluded, "Remembering … is an imaginative reconstruction, or
construction, built out of the relation of our attitude towards a whole mass
of organized past reactions or experiences" (p. 213).
Bartlett's study exemplifies how time and retelling distort the memory of
stories. Another study conducted in the early 1930s using ambiguous
drawings showed that what we are told that we are viewing easily distorts
visual material. If people are shown two circles and a line and are told that
the picture represents either glasses or dumbbells, subjects' later
drawings of the original picture will assume the suggested appearance
(Carmichael, Hogan, and Walter, 1932).