The document discusses three Filipino movie series - Pedro Penduko, Amaya, and Indio - that showcase Philippine culture, history, and identity. Pedro Penduko is about a boy who discovers he has special powers. Amaya is set in the 1500s and depicts pre-colonial society and the struggle for power. Indio tells the story of a demigod son of a goddess who fights against Spanish colonizers. Together these series combine Philippine history and mythology to portray the country's pre-colonial beliefs, traditions, and way of life before the arrival of Christianity.
The document discusses three Filipino movie series - Pedro Penduko, Amaya, and Indio - that showcase Philippine culture, history, and identity. Pedro Penduko is about a boy who discovers he has special powers. Amaya is set in the 1500s and depicts pre-colonial society and the struggle for power. Indio tells the story of a demigod son of a goddess who fights against Spanish colonizers. Together these series combine Philippine history and mythology to portray the country's pre-colonial beliefs, traditions, and way of life before the arrival of Christianity.
The document discusses three Filipino movie series - Pedro Penduko, Amaya, and Indio - that showcase Philippine culture, history, and identity. Pedro Penduko is about a boy who discovers he has special powers. Amaya is set in the 1500s and depicts pre-colonial society and the struggle for power. Indio tells the story of a demigod son of a goddess who fights against Spanish colonizers. Together these series combine Philippine history and mythology to portray the country's pre-colonial beliefs, traditions, and way of life before the arrival of Christianity.
The document discusses three Filipino movie series - Pedro Penduko, Amaya, and Indio - that showcase Philippine culture, history, and identity. Pedro Penduko is about a boy who discovers he has special powers. Amaya is set in the 1500s and depicts pre-colonial society and the struggle for power. Indio tells the story of a demigod son of a goddess who fights against Spanish colonizers. Together these series combine Philippine history and mythology to portray the country's pre-colonial beliefs, traditions, and way of life before the arrival of Christianity.
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Philippines was colonized by different countries because of its
beauty, that’s why we have different kinds of cultures, traditions and
beliefs that still exist today. The diversity and richness of Philippine literature evolved side by side with the country’s history. Here are some series of Filipino movies that showcase our culture, history and our identity. First is the movie Pedro Penduko. Pedro Penduko is a superhero in the Filipino comic created by Francisco V. Coching. Starring of Matt Evans as Pedro Penduko, Melisa Ricks as Hiyas, Jake Cuenca as Napoleon and many more. The series of Pedro Penduko is about a normal boy with no powers. He is a supporter of their family but he is a coward. In the Teleserye, Pedro is the son of a mortal and a lambana (fairy). He finds out that he has a unique strength and ability to fight and the skills to see spirits. His journey began in searching in his missing father. In order to save his father, he has to have the power of the “mutya ng saging”. Mutya is a medallion that was given to Pedro to provide him special powers. The medallion secretes out oil which indicates that Pedro walked near by an enemy in disguise. Pedro from the cowardly show-off into a brave, responsible hero, whom is ready to help anyone in need. He went through many trials and adventures, in each journey he encountered and fought many preternatural creatures. Pedro fell inlove with an immortal Hiyas, but Hiyas’s father made an agreement with the Dalaketnons in order to have peace and unity in the way Hiyas would marry Napoleon. Dalaketnons were bad engkantos. They appeared as tall and handsome males and beautiful females. Some believe that the only way to Dalaket, their dwelling place is by entering the Dalaket trees. They have normal contact with humans. In the end, Hiyas and Pedro fought for their love and Napoleon became an ally of the Floreshkans. When Pedro returned, He decided to live a normal life and Hiyas asked the queen of Floreshkans if she could be a human and live with Pedro. Second is the movie series Amaya. Amaya is a Philippine television drama period series produced by the GMA Network. Amaya is a Filipino historical fiction that is set in the pre-colonial period of 1500s. It was Created and developed by Suzette Doctolero and directed by Mac Alejandro. It was the very first dubbed epicserye on Philippine television. They try to recreate or revive again the ancient elements of early Filipino culture from the architecture, to fashion, weapons and jewelry. There is a king named Rajah Mangubat. He was known as the undefeated notorious leader of chief captains. There is a priestess/babaylan that prophesizes that he would be killed by a woman with a twin snake. All pregnant woman in his village was killed, he did not know that the baby girl he has been looking for has been born in Datu Bugna’s territory. Amaya is Datu Bugna’s daughter from Dal’lang the uripon(slave). Amaya became a binukot(hidden princess) as to their culture. Rajah Mangubat found out that what he was looking for was in Datu Bugna’s territory, so he killed Datu Bugna. Amaya take revenge for the death of her father, not only to his father but also to giving rights to their ancestors and to those who deserve to be leaders. The series did not only show that early Filipinos, especially the pre- Hispanic times Filipinos have their own culture, system of governance and accountability but also the personal and struggles for freedom and responsibility. The series also showed the eternal greed for power. Third is the movie series Indio. Indio is also a Filipino historical drama-epic fantasy created and developed by Suzette Doctolero and produced by GMA Network, directed by Dondon Santos. Indio is a Filipino mythology. The main cast is Sen. Ramon “Bong” Revilla who played the role of Malaya/Simeon/Indio. The story begins during the pre-colonial period, where natives and diwatas(gods) are living together in harmony. In the series, the Goddess Ynaguiguinid, the Goddess of war and battle, falls in love with a mortal warrior Hangaway, and had a demigod son named Malaya. The Spaniards arrived and plundered the village in which Ynaguiginid and Hangaway lived in, whose aim is to spread Christianity and at the same time, to take control of the strategic routes and the resources of the archipelago. They fought against the Spaniards, Hangaway and Ynaguiginid fight for their lives to protect their son and their village. In the end, the Goddess Ynaguiginid dies to save the life of her lifeless son, but before she died, she passes her powers to the swaddled baby to survive. Malaya brought to his adoptive parents, Tarong and Linang by the Goddess Magayon, the Diwata of flying animals and whose becomes a guardian to Malaya. As the Spaniards continues to conquest the islands, Indio tells the story of Malaya’s quest to take back his land’s freedom and identity. In conclusion, the three series is a combination of Philippine history and Filipino mythology. During the pre-Colonial and the early colonization of Spaniards where the Diwata, the Gods and Goddesses, are still worshiped and believed as well as our indigenous beliefs prior to the arrival of Christianity. The difference between the three series is their lifestyle and beliefs. Like in the series Amaya, it really showed that we can all be proud of our early pre-Spanish culture. However, by knowing our Philippine history, we learn to appreciate the efforts of our ancestors and the development of our country. Nowadays, young people need to learn the importance of history in the Philippines when it comes to culture, beliefs and literature, because this is the wealth of our country.