Al Galope BND I-IV

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The document provides a musical transcription of a piece called 'Milonga Bandoneón' with tempo, dynamics and expression markings.

The musical piece being transcribed is called 'Milonga Bandoneón'.

The tempo markings indicated are 'Al Galope' which means 'at a gallop' and other markings like 'q = 100'.

Bandoneón I+IV

Al Galope L. Federico / D. Rulio


version OTRA 27/1/11
Milonga Versión: L. Federico
Transcripción y adaptación: C. Constantini/F.Bruno
A
      
q = 100
   
0 1
     
              

 
 
mf f mf
            
        


f  mf
6     
             
    
f

                                


f
11
                       
             
 f          f

  
 
     
         
mf
         


B
17
            
  
fraseo

       

   
   

    
sfz
   
 sfz      
mf
     


            
            

23

fraseo

      
             f      

 
       
 



                        
28
  
     
 
 
          
sfz 
             
   
V.S.

2 Bandoneón I+IV

       
32
           
                
                          
         


C
37
    
                       

p f
 
                        


42
    
                  
   
 
                    



47
           
         
           
 f    
mf
        
 

             
   


D
    
 
          
52
          
fraseo

         
   
 

      f         
sfz
      mf
        
sfz
 


59   fraseo
                   
     
   
            

          
  

Bandoneón I+IV 3

 
64
                            
   

f        
             
sfz
 


68
                       
              

                  
   
                
  


E
           
73

         


             
    
         
      
p f
                
        


(Dm) (A7) (Dm)

79          
        
        
 
                               



84

       3  3
   
3
           
     

  

                  
        
 


3 3 3

88
              

        
  
        
     

            
 



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