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    Cotemporary ART Production: Chapter V - Lesson I

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    David Hero Barrientos
    The document summarizes the key roles in a production team for creating multimedia productions. It discusses the writers who develop the concept and script, the director who oversees the project and works with actors and crew, the choreographer who designs dance movements, and the actors/performers who interpret roles. It also mentions the importance of developing a clear concept or theme, structuring an effective presentation, and gathering feedback to improve the production.

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    Cotemporary ART Production: Chapter V - Lesson I

    Uploaded by

    David Hero Barrientos
    42 views15 pages
    The document summarizes the key roles in a production team for creating multimedia productions. It discusses the writers who develop the concept and script, the director who oversees the project and works with actors and crew, the choreographer who designs dance movements, and the actors/performers who interpret roles. It also mentions the importance of developing a clear concept or theme, structuring an effective presentation, and gathering feedback to improve the production.

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    COTEMPORARY_ART_PRODUCTION.pdf

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    The document summarizes the key roles in a production team for creating multimedia productions. It discusses the writers who develop the concept and script, the director who oversees the project and works with actors and crew, the choreographer who designs dance movements, and the actors/performers who interpret roles. It also mentions the importance of developing a clear concept or theme, structuring an effective presentation, and gathering feedback to improve the production.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    42 views15 pages

    Cotemporary ART Production: Chapter V - Lesson I

    Uploaded by

    David Hero Barrientos
    The document summarizes the key roles in a production team for creating multimedia productions. It discusses the writers who develop the concept and script, the director who oversees the project and works with actors and crew, the choreographer who designs dance movements, and the actors/performers who interpret roles. It also mentions the importance of developing a clear concept or theme, structuring an effective presentation, and gathering feedback to improve the production.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 15

    COTEMPORARY

    ART
    PRODUCTION
    CHAPTER V - LESSON I
    Production Team
    Writers
    Actors/Performers
    Backstage Crew
    Concept
    Plan
    Presentation
    Feedback
    MULTIMEDIA PRODUCTION
    In basic terms, multimedia production is any sort of
    production that uses imagery and a combination of
    text, audio, and graphics to tell a story. This story
    might be the sale of a product, or it might be the
    narration of an event.
    The Production Team
    A masterpiece without
    master is not an art.

    A production team comprises


    of different artists who works
    in collaboration. An art
    produces by the artists such as
    painters, drafter, muralists, and
    the like for visual designers &
    many others.
    Every work of art has a brain &
    a heart that have fueled it to
    life
    In order to create your own
    production masterpiece, you must
    explore the roles & responsibilities of
    the people behind the masterpieces -
    the production team.
    THE WRITERS
    The creation and development of
    the concept & the script that will
    be used in the performance.
    THE WRITERS
    HELPS THE
    RESPONSIBLE FOR
    PRESENTATION
    PUTTING INTO
    TROUGH LINES TO BE
    WRITING THE ENTIRE
    STRAIGHT TO THE
    PLAN
    POINT

    INCLUDING THE IDEAS OF THE


    DIRECTOR & CHOREOGRAPHER, TURN A DIRECTOR WHICH
    THE THEME INTO A NARRATIVE, MAKE INCLUDED IN THIS TEAM
    THE SPEAKING LINES OF THE ACTORS
    CLEA, SIMPLE, EASY TO UNDERSTAND,
    COMPOSED THE ADRESS
    & ALIGNED WITH THE CONCEPT FOR THE CLASS TO WORK
    THE DIRECTOR
    THE DIRECTOR IS THE OVERALL
    SUPERVISOR OF THE TEAM. HE/SHE
    RESPONSIBLE FOR TURNING THE
    CONCEPT (THE SCRIPT) INTO REALITY
    THE DIRECTOR
    HE/SHE WORKS WITH
    HE/SHE FORMS THE
    THE ACTORS & THE
    CAST & ASSIGNS
    ENTIRE CREW TO CARRY
    ROLES TO THE
    ART THE VISION, & WITH
    ACTORS;
    THE OTHERS.

    A DIRECTOR ENSURES
    & CHOOSES THE VENUE, SET DESIGN,
    COLORSCHEME, COSTUMES, PROPS,
    THAT THE PROJECT
    LIGHTNING & SOUND EFFECTS, ETC. CARRIES OUT UNTIL ITS
    FINISH.
    THE CHOREOGRAPHER
    THE CHOREOGRAPHER DESIGNS & ARRAGES THE
    DANCE STEPS & MOVEMENTS OF INDIVIDUAL
    PERFORMERS & ENVISIONS THE ENTIRE ENSEMBLE AS
    A WHOLE PIECE.
    THE CHOREOGRAPHER

    HE /SHE SEES TO IT PROVIDES THE THE


    THAT CHOREOGRAPHY FRAMEWORK FOR THE CHOREOGRAPHER
    MATCHES / LINE WITH DANCE BUT ALLOWS MUST ALSO SHOW A
    THE THEME. THE DANCERS THE PLEASANT,
    FREEDOM TO SUGGEST AGREEABLE MANNER.
    & DEMOSTRATE A STEP
    THE ACTORS /
    PERFORMANCE
    THE ACTORS OR PERFORMERS HAVE
    MORE DEFINED ROLES.

    THEY MUST DO WHAT THE DIRECTOR


    OR CHOREOGRAPHER ASK THEM TO.

    THE LEAD ACTORS/PERFORMERS


    MAY IMPROVISE & MAKE THEIR OWN
    INTERPRETATION OF THE ROLE.

    THE SUPPORTING CAST HAS TO


    FOLLOW STRICTLY THE
    INSTRUCTIONS OF THE
    DIRECTOR/CHOREOGRAPHER.
    THE CONCEPT
    WHEN YOU ARE GIVEN A PROBLEM TO
    SOLVE, YOU START FIRST WITH SEVERAL
    IDEAS OF HOW TO SOLVE IT.

    There are several ways, but the common


    way is to do some brainstorming,
    getting as ideas as possible - from the
    usual ones to the wild, crazy, weird, even
    nonsensical ones.

    The ideas & concepts will eventually


    become theme when the best ideas are
    selected. This theme then turned into
    narrative for the production.
    THE PRESENTATION
    A PRESENTATION ANY OTHER
    PRESENTATION SHOULD BE STRUCTURED
    WITH THE PURPOSE IN MIND. THE
    PRESENTATION MUST SUMMARIZED IN ANY
    FORM ART & SHOULD TO GET THE
    AUDIENCE INTERESTED (LIKE A TRAILER), IS IT
    TO EDUCATE THE AUDIENCE ON THE
    PROCESS OF THE MOVIE’S CREATION.
    ALWAYS PUT YOURSELF IN YOUR AUDIENCE’S
    PERSPECTIVE. MAKE SURE THE PURPOSE OF
    YOUR PRESENTATION IS CLEAR ON WHAT
    YOU WANT TO CONVEY. GIVING THEM THE
    RIGHT AMOUNT OF INFORMATION TO
    ACCOMPLISH YOUR PURPOSE.
    THE FEEDBACK

    PARTICIPANTS GIVE FEEDBACK IS ALL


    THE MEMBERS MEET
    THEIR COMMENTS THE DIRECTOR & ALL ABOUT CONSTRUCTIVE
    THE FEEDBACK .
    ON WHAT HAVE THE SATKEHOLDERS CRITICISM. IT SHOULD
    FEEDBACK IS
    GONE WELL & WHAT IN THE PRODUCTION BE GIVEN IN AN
    NEEDED TO GET
    HAVE NEEDED FACILITATES OBJECTIVE MANNER &
    INFORMATION ON
    SOME FEEDBACK. MUST NOT BE TAKEN
    THE RESULT OF THE
    ADJUSTMENTS PERSONALLY.
    PRESENTATION

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