The Road Not Taken

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The road not taken

Summary

The speaker stands in the woods, considering a fork in the road. Both ways are equally worn
and equally overlaid with un-trodden leaves. The speaker chooses one, telling himself that he
will take the other another day. Yet he knows it is unlikely that he will have the opportunity to
do so. And he admits that someday in the future he will recreate the scene with a slight twist:
He will claim that he took the less-travelled road.

Title: ironic, it anticipates regret and remorse. It is the main idea in the poem.

Form:

- 4 stanzas of five lines

- Dominance of the past tense


- Repetition of some words
- Rhythm: trochaic tetrameter
- End Rhyme: The rhyme scheme is abaab, cdccd, efeef, ghggh. It is a regular rhyming
scheme, different in every stanza. The rhymes are strict and masculine, with the
notable exception of the last line (we do not usually stress the -ence of difference).

Useful definitions:

- Rhyme scheme: is the abstract pattern of end-rhymes in a stanza usually notated with
lower case letters: the first line and all subsequent lines that rhyme with it are ‘a’, the
first line not to rhyme with ‘a’ and all subsequent lines that rhyme with it are ‘b’, and
so on.
- Masculine Rhyme: a single monosyllabic rhyme like thorn/scorn at the end of a line. It
is the commonest rhyme in English verse.
- Feminine rhyme: when words of two or more syllables rhyme it is known as feminine
or double rhyme
- Eg: Here lie I and my four daughters
- Killed by drinking Cheltenham waters.
- Had we but stuck to Epsom salts,
- We wouldn’t have been here in these vaults.
-

Theme: life choices

Frost’s concern in this poem is not as much to propose a solution to the dilemma or to advice
the readers to take the best road simply because that’s not possible given the fact that the two
roads as the poet describes them seem identical. What he seems more interested in is the
outcome of that initial life choice.

Imagery: paths: unpredictable future, ignorance of where each path will lead
Setting: “yellow wood” autumn season= midlife

Diction: - words are concrete

- Denotation: two paths: roads


- Connotation: two paths: hard decisions
- The Two Roads:
When he describes the two roads the speaker says that “the passing there / Had
worn them really about the same.” In fact, both roads “that morning lay / In leaves no
step had trodden black,” which means that neither of the roads is less travelled by. A
statement that stands in direct contradiction with the poet’s claim in the last stanza that
he has chosen the road less travelled by.

Relationship between form and content:

The poem at hand displays a perfect marriage of form and content. The regular rhyming
scheme insures the unity of every stanza and creates a sense of movement and evolution in the
poem. Many of its sentences are highly aphoristic but wrought from simple diction. It is base
on the central well known metaphor of the fork in roads as a metaphor for the difficulty of
choice in human life. All this makes the poem appealing and easily memorised.

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