The Road Not Taken
The Road Not Taken
The Road Not Taken
Summary
The speaker stands in the woods, considering a fork in the road. Both ways are equally worn
and equally overlaid with un-trodden leaves. The speaker chooses one, telling himself that he
will take the other another day. Yet he knows it is unlikely that he will have the opportunity to
do so. And he admits that someday in the future he will recreate the scene with a slight twist:
He will claim that he took the less-travelled road.
Title: ironic, it anticipates regret and remorse. It is the main idea in the poem.
Form:
Useful definitions:
- Rhyme scheme: is the abstract pattern of end-rhymes in a stanza usually notated with
lower case letters: the first line and all subsequent lines that rhyme with it are ‘a’, the
first line not to rhyme with ‘a’ and all subsequent lines that rhyme with it are ‘b’, and
so on.
- Masculine Rhyme: a single monosyllabic rhyme like thorn/scorn at the end of a line. It
is the commonest rhyme in English verse.
- Feminine rhyme: when words of two or more syllables rhyme it is known as feminine
or double rhyme
- Eg: Here lie I and my four daughters
- Killed by drinking Cheltenham waters.
- Had we but stuck to Epsom salts,
- We wouldn’t have been here in these vaults.
-
Frost’s concern in this poem is not as much to propose a solution to the dilemma or to advice
the readers to take the best road simply because that’s not possible given the fact that the two
roads as the poet describes them seem identical. What he seems more interested in is the
outcome of that initial life choice.
Imagery: paths: unpredictable future, ignorance of where each path will lead
Setting: “yellow wood” autumn season= midlife
The poem at hand displays a perfect marriage of form and content. The regular rhyming
scheme insures the unity of every stanza and creates a sense of movement and evolution in the
poem. Many of its sentences are highly aphoristic but wrought from simple diction. It is base
on the central well known metaphor of the fork in roads as a metaphor for the difficulty of
choice in human life. All this makes the poem appealing and easily memorised.