Guitar Solo With Only Triads - Jazz Blues: Jens Larsen

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The document discusses using only triads (3 note chords) when soloing on guitar to create jazz lines. It provides examples of triads that can be used over different chords.

Triads are 3 note chords that consist of the root, third, and fifth of a scale. The document shows how triads can be used instead of single notes when soloing to create interesting lines. It provides examples of triads that fit over different jazz chords.

The document discusses triads in root position, first inversion, and second inversion. It provides examples of these different triad positions.

Guitar Solo With Only Triads - Jazz Blues

Jens Larsen
Standard tuning
 = 132

(  =   )
Example 1 - Triads for F7

F7


     
1
   2

     
3
    
el.guit.

8 10
 7 8 10
7 8 10
7 10 7 10
8
10
8 7 10
8 10 8

Example 2 - Triads for Bb7

B7
    

        
  
4 5 6

   
8 10
8 9 11 9 9 8 11
 8 10
7 8 10
8
7 10 7 10 10

Example 3 - Triads for F7b9

F7  9  13
7
   8

  
9
     
         
7 7 10
 7 8 10
6 8 10
7 10 7 10
8
10
8 8
8 9 8

Example 4 - Triads for Bdim

Bdim 
           
    
10 11 12

   
7 7 10
8 9 12 9 9 9
 9 10
7 8 10
9
7 10 7 10 10

Example 5 - Triads for D7b9

D7  9  13
  
  
13 14 15

              
7 10
 7 8 10
7
7 7 10 7 10
8 8
6 9 10 9 9
10 10

1/3
Example 6 - Triads for Gm7

Gm7
16
   17  18  
    
       

8 10
 7 8 10
7 9 10
8
7
8
7 10 7 10
10 10

Example 7 - Triads for C7alt

C7alt
       
   
 19
      20
    21


9 9 12
9 11 13 9 9 13 11 11
 10 11
8 9 11
11
9 9 11

Example 8 - Blues Solo Transcription

F7  B7 F7 F7(  9)
  
22 23    24     25      
    
8 13 10
10 9 10 10 10 7 10
 10 7 10 8 8

B7 Bdim F7 D7

26     27
    28
   29     
       
8 7 8 8
6 6 9 (6) 9 6 10 7 10 7
 10

Gm7 C7alt F7 D7 Gm7 C7 F7

 30
     31
    
  32        33        34 
          
  
6 10 9 6 9 4
6 6 8 7 5 6 7 8 9 8 (8)
 8
7 5 8
10
10
8
9
8
9
8
8
7
(8)
(7)

Example 9 - F7 scale - Diatonic triads - root position


35
   36
        37        
     
8
8 10 8 11 10
 7 10 8
7
7 10
8
8
7 10
10
8 7 10 8 10
8 10

2/3
Example 10 - F7 scale - Diatonic triads - 1st inversion
 
38
  39  
 
 40      
         

8 10
8 10 11 8 10
 7
7
8
8
7 10
10
8
7
10
8 7 10 8 10
8 10

Example 11 - F7 scale - Diatonic triads - 2nd inversion 


         
41

  

 

 
42
     43

8 10
8 10 8 11 10 11
 8
7
10
8
7
7 10
8
8
10
10 7 8 10
8 10

Example 12 - F major triad in this position  


44
 
   
8
10
 7 10
10
8
8

Example 13 - The triad position in inversions


  
45
  46    
      
8
10 10
 7 7 10 7 10
10
10
10 10
8 8
8

Example 14 - The Diatonic triads in 3 1 5 pattern



          
3
47
       48

     
3 3 3 3
3 3 3

8
8 10 8 11 10
 7 10 8
7
10 7
8 7
8
10 8
10
10 7 8 10
8 10

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