The Brutal Art - Catch Wrestling in Asia
The Brutal Art - Catch Wrestling in Asia
The Brutal Art - Catch Wrestling in Asia
Catch Wrestling became immensely popular across both sides of the Atlantic during the late 19 th
and early 20th century – thanks in particular to the travelling carnivals where catch wrestlers
would invite their audience to defeat them by a pin or a submission for a chance to win a reward.
In America, a very brutal hybrid of Catch known as ‘Rough and Tumble’ fighting where striking,
submissions, eye gouging, biting etc were allowed. Within Europe, one of the most prominent
hybrids is the 19th century ‘Catch-as-Catch-Can’ wrestling style that emanated from Lancashire.
This style got its name from its highly improvised approach where combatants catch any
opportunity they can, to pin or submit one another.
catch wrestlers liberally use pressure points against sensitive parts of the human body (known as
rippling) to set up techniques and keep opponents on the defensive. Catch wrestlers often
possesses a wide appreciation of body mechanics and demonstrates a flexible and innovative
mindset when it comes to submissions.
Josh Barnett, a champion catch wrestler, puts it nicely, "We try to punish you, break you down,
wear you out. You want to be as heavy on top as you can absolutely be, you want your opponent to
carry as much of your weight as you can because that's exhausting. It wears a person out. It doesn't
give them the opportunity to rest in a position and gather their wits. The other thing is using the
elbows, the shins, the bones of your body to crank and discomfort, apply pain to a person with the
properly used half of an elbow when you're on top in side control, you can maybe use the point of
the elbow to dislocate the mandible on somebody's face. Or drive into the orbital bone on their eye
socket and crack it. There's a lot of techniques like that. If a guy is too tough and he won't open up,
then you find a way to make him open up."
As Catch Wrestling has been proven to provide a strong base for Mixed Martial Arts (MMA)
fighting, increasing numbers of MMA fighters are
turning to Catch Wrestling to improve their ‘game’.
They are learning to draw from Catch’s wrestling
base to give them a strong, diverse, and effective
repertoire of takedowns. Once on the ground, these
MMA fighters learn to use Catch Wrestling to put
tremendous body weight pressure on their
opponents, as well as apply brutal techniques such
as cross-face, neck crank, leg lock, spinal twist, heel
hook, ‘ripping’ etc to inflict pain and make their
opponents miserable. It is little wonder that Catch
as a fighting style has been described the ‘brutal’ or ‘violent’ art - by both practitioners and
critics alike.
Some notable mixed martial artists who also trained in Catch Wrestling include Josh Barnett,
Frank Shamrock, Ken Shamrock, Dan Severn, Eric Paulson, Matt Hume and the legendary ‘Gracie
hunter’ Kazushi Sakuraba. Catch wrestler, Sakuraba, a former student of the legendary UK/
European Champion Billy Robinson, is the only fighter to have defeated four members of the
famed Gracie family: Royler Gracie, Renzo Gracie, Ryan Gracie and Royce Gracie.
Another important aspect of Catch is that many of these techniques would work just as well in a
street fight albeit with some small adaptations. For example, its preference to fight ‘top down’
rather than ‘bottom up’ from the guard position, means that Catch allows for fast mobility to go
back on one’s feet in street altercations where there may be more than one attacker. Catch’s use
of body weight and gravitational force is also most effective to tire out one’s opponent and
‘demotivate’ him from prolonging the fight. Furthermore, its brutal techniques (like cross face,
neck cranking, finger manipulations etc) of attacking pressure points or joints means that one is
able to achieve pain compliance a lot faster than in standard BJJ. This makes it an excellent
fighting style for practical applications in a street fight where finishing a fight fast can make the
difference between life and death.
One of the most foremost street style catch wrestlers is the ‘hooker’ Tony Cecchine. The late,
great champion wrestler, Lou Thesz, dubbed Tony Cecchine a ‘hooker’, recognizing Tony’s
submission and wrestling as the highest a catch wrestler could achieve. Tony Cecchine’s
American Catch Wrestling, while adaptable to sport competition, is first and foremost reality
based. His style of Catch Wrestling has been described as ‘raw’, ‘intense’ and ‘brutal’. I n 2006,
Tony Cecchine was recognized by Black Belt Magazine as one of the 20 Greatest Street Fighters in
the World.
Although influence by both Indian and Iranian wrestling in its early stages of evolution, Catch
Wrestling is at heart a European fighting style. Over time, Catch Wrestling in turn contributed to
Judo and later to the growth of Shooto, Shoot fighting, and Japanese Pro Wrestling. In 1914 for
example, when Ad Santel, the World Light Heavyweight Champion in catch wrestling defeated
Tokugoro Ito (5th degree black belt in Judo), the fight captured the imagination and interest of
Japanese for the European form of fighting. A steady stream of Japanese fighters travelled to
Europe to either participate in various tournaments or learn catch wrestling at European schools
such as the famed Billy Riley’s Snake Pit (Wigan). The legendary catch wrestler, Karl Gotch,
played a pivotal role in popularizing Catch Wrestling in Japan. However, outside Japan, Catch
Wrestling never quite caught on in the rest of Asia..….until now.
Kapap Academy Singapore is the top realistic self defense school in Singapore having trained over
83 schools and 123 companies (largely multinationals, statutory boards etc). In 2014, Yahoo!
Sports independently voted Kapap Academy Singapore as one of the top 5 martial arts schools in
Singapore. Of these 5 schools, Kapap Academy Singapore is the only school that focuses primarily
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are in essence, a community of social activists serving the larger communities we live in.
(contact@kapapasia.com or visit website: www.kapapsingapore.com).