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    Black and Blues

    Uploaded by

    Wyatt Prescott
    This document contains a trombone solo musical score consisting of 58 measures. The solo uses various techniques such as swing, slides, and vibrato. It moves between different rhythmic feels and explores the full range of the trombone through ascending and descending passages.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Black and Blues

    Uploaded by

    Wyatt Prescott
    3K views2 pages
    This document contains a trombone solo musical score consisting of 58 measures. The solo uses various techniques such as swing, slides, and vibrato. It moves between different rhythmic feels and explores the full range of the trombone through ascending and descending passages.

    Original Description:

    The trombone solo from black and blues from the Fairfield Central trombone section

    Copyright

    © © All Rights Reserved

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    PDF, TXT or read online from Scribd

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    This document contains a trombone solo musical score consisting of 58 measures. The solo uses various techniques such as swing, slides, and vibrato. It moves between different rhythmic feels and explores the full range of the trombone through ascending and descending passages.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    3K views2 pages

    Black and Blues

    Uploaded by

    Wyatt Prescott
    This document contains a trombone solo musical score consisting of 58 measures. The solo uses various techniques such as swing, slides, and vibrato. It moves between different rhythmic feels and explores the full range of the trombone through ascending and descending passages.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    You are on page 1of 2

    Trombone

    Solo

                  
                  
     = 130

     
    Swing

      

             
    3 3 3

         
    

      
                

    14

     
               
    3

       
    3 3 3

           
    
    20

               
    
    3 3

     
             
    
    25

                  
            
    3 3 3 3 3

                    
    
    30

     
                    
    3 3 3 3 3

                  
    
    35

           
          
    3 3

            
    
    41

                
     
    3 3 3

     
            
    
    46

    3 3 3 3 3
                    
    
              
    
    51

        
    3 3 3

                
        
           
    58

    3 3 3 3 3

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