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    Embellishment of The Cadenza Composta

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    Emma Godemont
    The document is from a music academy and discusses embellishing cadences. It provides examples of simple cadences and compound cadences, with the compound cadence involving a suspension. It then shows several possible embellishments of the compound cadence based on student examples, and includes examples from Corelli of using a 6/5 chord on the mediant note to embellish the cadence.

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    Embellishment of The Cadenza Composta

    Uploaded by

    Emma Godemont
    90 views6 pages
    The document is from a music academy and discusses embellishing cadences. It provides examples of simple cadences and compound cadences, with the compound cadence involving a suspension. It then shows several possible embellishments of the compound cadence based on student examples, and includes examples from Corelli of using a 6/5 chord on the mediant note to embellish the cadence.

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    20171024 Embellishment of the cadenza composta

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    The document is from a music academy and discusses embellishing cadences. It provides examples of simple cadences and compound cadences, with the compound cadence involving a suspension. It then shows several possible embellishments of the compound cadence based on student examples, and includes examples from Corelli of using a 6/5 chord on the mediant note to embellish the cadence.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    90 views6 pages

    Embellishment of The Cadenza Composta

    Uploaded by

    Emma Godemont
    The document is from a music academy and discusses embellishing cadences. It provides examples of simple cadences and compound cadences, with the compound cadence involving a suspension. It then shows several possible embellishments of the compound cadence based on student examples, and includes examples from Corelli of using a 6/5 chord on the mediant note to embellish the cadence.

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    You are on page 1of 6

    24/10/2017

    Conservatorium Maastricht
    Maastricht Academy of Music

    THE SPIRIT OF
    PARTIMENTO PLAYING II

    CADENCES

    HRM 2A
    2017-2018

    24/10/2017 HRM2A - Partimento 2

    1
    24/10/2017

    Embellishment of a cadenza composta

    24/10/2017 HRM2A - Partimento 3

    Cadenza semplice (literally 'simple', 'easy' cadence).


    The upper voices could be exchanged. The melodic
    patterns (3-)2-1 (or 3-2-3) and 1-7-1 are always called
    tenor and soprano cadence, regardless the actual voice
    that sings one of these patterns.

    24/10/2017 HRM2A - Partimento 4

    2
    24/10/2017

    Cadenza composta (literally 'compound' cadence). A


    suspension is always added above n in the bass. The
    most typical note to suspend is the leading tone. The
    result is a 4-3 suspension against the bass.

    24/10/2017 HRM2A - Partimento 5

    Cadenza composta

    => find several embellishments of the bass

    24/10/2017 HRM2A - Partimento 6

    3
    24/10/2017

    Cadenza composta

    several possible embellishments, based on and inspired


    by student realizations during the lecture

    24/10/2017 HRM2A - Partimento 7

    Cadenza composta

    several possible embellishments, based on and inspired


    by student realizations during the lecture

    24/10/2017 HRM2A - Partimento 8

    4
    24/10/2017

    Embellishment of a cadenza composta

    Examples from the master: the 6/5 chord on m

    24/10/2017 HRM2A - Partimento 9

    Corelli, op. 1 no. 1

    24/10/2017 HRM2A - Partimento 10

    5
    24/10/2017

    24/10/2017 HRM2A - Partimento 11

    24/10/2017 HRM2A - Partimento 12

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