A Handy Jazz Guitar Chord Chart Reference
A Handy Jazz Guitar Chord Chart Reference
A Handy Jazz Guitar Chord Chart Reference
Introduction
What about symbols with 9th, 11th and 13th ?
(and all the other complicated stuff...)
Yes, I know, some jazz chords symbols can look like postal codes! It's normal... The thing is, the chords
are always categorized according to their basic "7th" sound.
If you see a "Dbmin9" symbol, you will still find it in the minor section of this jazz guitar chord chart.
So, please select the appropriate chord category from the table of content below ...
This is called transposition. It's easy on the guitar... (at least when you know the notes on the biggest
strings of the instrument.)
Minor
(7th, 6th, 9th and 11th)
Dominant
(7th, 9th and 13th)
Diminished 7th
(seen with a "o7" sign)
Altered dominants
(7th chords
with b9 or #9
or b5 or #5
or #11 or b13)
Table of Contents
Introduction...........................................................................................................................................1
Major.....................................................................................................................................................3
Major 7th..........................................................................................................................................3
Major 6th..........................................................................................................................................3
Minor.....................................................................................................................................................4
Minor 7th..........................................................................................................................................4
Minor 6th (or min 13th)....................................................................................................................4
Minor 9th and Minor 11th ...............................................................................................................4
Altered Dominants................................................................................................................................7
Dom 7th : (#11) or (b5) AND (#9) AND (#5) or (b13)....................................................................7
Dom 7th : (b9, b13) AND (b9, b5) AND (b5, #9) AND (#5, b9) AND (#5, #9) .............................8
Where To Go Next?...............................................................................................................................9
Major 7th
On the top line we have drop 2 voicings. The bottom has drop 3 voicings (with string skip) Carefull
with the string skipping, really mute that string!
Major 6th
Lower-left and upper-right corners are more common. Please notice that the Cmaj6 (often written
simply as C6) contains the same notes as the Am7 chord... C E G A !
Minor 7th
Minor 6th
(or Minor 13th)
Please notice that the Cmin6 (often written simply as Cm6 or C-6) contains the same notes as the Am7
(b5) chord... C Eb G A !
Dominant 7th
Dominant 9th
Learn to play the bottom right voicing higher on the fretboard (w/o the open string).
Dominant 13th
Diminished
How to identify diminished 7th chords... often printed on charts as :
• dim7
• diminished(b5)
• with this symbol :
Since diminished chords are symmetrical structure (construction = 3 stacked minor triads) all the notes
in the voicing can considered to be the root. It's means that Cdim7 = Ebdim7 = Gbdim7 = Adim7.
F# = Gb
Therefore #11 = b5
Please note that it's more convenient NOT to play the root in the C7(#9) shape on the left. I indicated it
anyways with a red dot, but it's optional.
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