Sony Procam-Family-Brochure

Professional
Camcorder
Family
XDCAM™ Handy Camcorders
NXCAM™ Camcorders
Accessories
*4K: 3840×2160pix
Connect this product to HDR (HLG) compatible TV via HDMI cable and turn to HDR (HLG) mode by
TV when displaying HDR (HLG) movie.
XDCAM™ Full Line-up
PXW-FS7M2/PXW-FS7M2K PXW-FS7 PXW-FS5M2/FS5M2K
Camera Section
Imaging Device (Type) Exmor Super35 CMOS Exmor Super35 CMOS Exmor Super35 CMOS
Approx. 8.3M 3840 (H) x 2160 (V) (16:9) Approx. 8.3M 3840 (H) x 2160 (V) (16:9) Approx. 8.3M 3840 (H) x 2160 (V) (16:9)
Effective Picture Elements (Video)
Approx. 8.4M 4096 (H) x 2160 (V) (17:9) Approx. 8.4M 4096 (H) x 2160 (V) (17:9) Approx. 8.4M 4096 (H) x 2160 (V) (17:9, at RAW output)
Built-in Optical Filters Clear, 1/4, 1/16, 1/64, Variable (1/4 to 1/128) Clear, 1/4, 1/16, 1/64 Clear, 1/4, 1/16, 1/64, Variable (1/4 to 1/128)
Slow & Quick Motion Function Yes

XAVC-I mode 1920x1080: 1 to 180 frames (59.94p, 29.97p, XAVC-I mode 1920x1080: 1 to 180 frames (59.94p, 29.97p, [60i] Frame rate selectable 120, 240, 480, 960 fps
Slow Motion
23.98p), 1 to 150 frames (50p, 25p) 23.98p), 1 to 150 frames (50p, 25p) [50i] Frame rate selectable 100, 200, 400, 800 fps
Gain -3, 0, 3, 6, 9, 12, 18 dB, AGC -3, 0, 3, 6, 9, 12, 18 dB, AGC 0, 3, 6, 9, 12, 15, 18, 24, 27, 30 dB, AGC
Gamma Curve Selectable
0.16 lux [60i] (IRIS F1.4, GAIN Auto, Shutter Speed 1/24)
Minimum Illumination 0.7 lx (+18dB, 23.98P, Shutter OFF, ND Clear, F1.4) 0.7 lx (+18 dB, 23.98p, Shutter OFF, ND Clear, F1.4)
Lens
Lens Mount E MOUNT
Zoom Ratio
Focal Length
Iris
Filter Diameter
Input/Output
Audio Input XLR-type 3-pin (female) (x2) XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable
HDMI Output Type A (x1)

BNC type (x1), 3G/HD/SD selectable, FS RAW via SDI
SDI Output BNC (x2), 3G/HD/SD selectable BNC (x2), 3G/HD/SD selectable
connector
Composite Output No Integrated into Multi/Micro USB jack (x1)
GENLOCK-IN Option
Audio Output No Integrated into Multi/Micro USB jack (x1)
TC In/Out Option No
Remote Stereo mini-mini jack (ø2.5 mm) (x1)
MI Shoe Yes (x1)
Headphone Output Stereo mini jack (x1)
Wired LAN No RJ-45 (x1), 1000BASE-T, 100BASE-T, 10BASE-T
Monitoring / Built-in Microphone & LED

0.39 type OLED: Approx. 1.44M dots
Viewfinder / LCD 3.5 inch type: Approx. 1.56M dots 3.5 inch type: Approx. 1.56M dots
3.5 type: Approx. 1.56M dots
Built-in Microphone Omni-directional monaural electret condenser microphone Omni-directional electret condenser microphone Omni-directional stereo electret condenser microphone
Built-in LED Light No
Media
XQD Card slot (x2), SD Card slot (x1) for saving configuration XQD card slot (x2), SD card slot (x1) for saving Memory Stick Pro Duo™ and SD/SDHC/SDXC compatible
Internal Memory/Type
data configuration data (x1), SD/SDHC/SDXC (x1)
General
Battery-type BP-U
Approx. 6 hrs, 40 min. [60i] Approx. 6 hrs, 45 min. [50i]
Approx. 3 hrs with BP-U90 battery (while recording XAVC-I Approx. 3 hrs with BP-U90 battery
with BP-U90 battery
Battery Operating Time QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using (while recording XAVC-I QFHD 59.94p, SELP28135G Lens,
(While recording with LCD On, EVF Off when the external
external device) Viewfinder ON, not using external device)
device connector is not used.)
Wireless functions Wi-Fi remote control Streaming/FTP/Wi-Fi remote control and monitoring
NFC NFC Forum Type 3 Tag compliant
GPS Yes
Weight Approx. 2.0 kg (Approx. 4 lb 6.5 oz) (body only) Approx. 2.0 kg (Approx. 4 lb 6.5 oz) (body only) Approx. 830 g (Approx. 1 lb 13.2 oz) (body only)
Approx. 158.9 x 245.2 x 247 mm Approx. 156 × 239 × 247 mm Approx. 111.3 x 128.7 x 172.4 mm
Dimension (W × H × D) (Approx. 6 3/8 × 9 3/4 × 9 3/4 inches) (body without (Approx. 6 1/4 × 9 1/2 × 9 3/4 inches) (Approx. 4 1/2 x 5 1/8 x 6 7/8 inches)
protrusions) (body without protrusions) (body only including the projecting parts)
2
PXW-FS5 PXW-Z280 PXW-Z190
Camera Section
Imaging Device (Type) Exmor Super35 CMOS 1/2 type back-illuminated Exmor R 3CMOS sensor 1/3 type back-illuminated Exmor R 3CMOS sensor
Approx. 8.3M 3840 (H) x 2160 (V) (16:9)
Effective Picture Elements (Video) Approx. 8.4M 4096 (H) x 2160 (V) (17:9, at RAW output) 3840 (H) x 2160 (V) (16:9)
*Required Option CBKZ-FS5RIF
Built-in Optical Filters Clear, 1/4, 1/16, 1/64, Variable (1/4 to 1/128)

[60i] Frame rate selectable 120, 240, 480, 960 fps [60i]1 to 60fps (1fps units)
Slow Motion
[50i] Frame rate selectable 100, 200, 400, 800 fps [50i]1 to 50fps (1fps units)
Gain 0, 3, 6, 9, 12, 15, 18, 24, 27, 30 dB, AGC -3, 0, 3, 6, 9, 12, 15, 18 dB, 42 dB (Turbo Gain ON), AGC -3, 0, 3, 6, 9, 12, 15, 18 dB, 30dB (Turbo Gain ON), AGC

0.18 lux [50i] (IRIS F1.4, GAIN Auto, Shutter Speed 1/25) 0.0013 lx (typical) (1920 x 1080/59.94i mode, F1.9, +42 dB 0.01 lx (typical) (1920 x 1080/59.94i mode, F1.6, +30 dB gain,
Minimum Illumination
1.28 lux [60i] (IRIS F4.0, GAIN Auto, Shutter Speed 1/24) gain, High Sensitivity Mode, with 64 frame accumulation) High Sensitivity Mode, with 64 frame accumulation)
Lens
Lens Mount E MOUNT Fixed
Zoom Ratio 17x (optical), servo/manual 25x (optical), servo/manual
Focal Length 5.6 - 95.2 mm (35 mm equivalent: 30.3 - 515 mm) 3.7 - 92.5 mm (35 mm equivalent: 28.8 - 720 mm)
Iris F1.9 - F16 and close auto/manual selectable F1.6 - F11 and close auto/manual swichable
Filter Diameter M77 mm, pitch 0.75mm M 82 mm, pitch 0.75 mm
Input/Output
Audio Input XLR-type 3-pin (female) (x2) XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable
SDI Output BNC type (x1), 3G/HD/SD selectable BNC (x1), 12G/3G/HD/SD selectable BNC (x1), 3G/HD/SD selectable
Composite Output Integrated into Multi/Micro USB jack (x1) Yes (switchable to GENLOCK IN)
GENLOCK-IN NO BNC (x1) (switchable to Video out) 1.0 Vp-p, 75Ω NO
Audio Output Integrated into Multi/Micro USB jack (x1)
TC In/Out No BNC (x1)
Remote Stereo mini-mini jack (ø2.5 mm) (x1)
MI Shoe Yes (x1) Yes (x2)
Wired LAN RJ-45 (x1), 1000BASE-T, 100BASE-T, 10BASE-T

0.39 type OLED: Approx. 1.44M dots 0.5 type OLED: Approx 2.36M dots 0.39 type OLED: Approx 2.36M dots
Viewfinder / LCD
3.5 type: Approx. 1.56M dots 3.5 type: Approx. 1.56M dots 3.5 type: Approx. 1.56M dots
Built-in Microphone Omni-directional stereo electret condenser microphone
Media
Memory Stick Pro Duo™ and SD/SDHC/SDXC compatible
Memory Stick Pro Duo™ and SD/SDHC/SDXC compatible ExpressCard/34 slot (x2) (for XAVC/MPEG2/AVCHD,DV)
Internal Memory/Type (x1) (for XAVC/MPEG2/AVCHD, DV), SD/SDHC/SDXC (x1) (for
(x1), SD/SDHC/SDXC (x1) SD/SDHC(x1) (for Proxy, Utility)
XAVC/MPEG2/AVCHD, DV), SD/SDHC)(x1)(for Proxy, Utility)
General
Battery-type BP-U
Approx. 6 hrs, 40 min. [60i] Approx. 6 hrs, 45 min. [50i] with
Approx. 3 hrs, 15 min. with BP-U90 battery Approx. 3 hrs, 15 min. with BP-U90 battery
BP-U90 battery
Battery Operating Time (While recording with LCD Off, EVF On when the external (While recording with LCD Off, EVF On when the external
(While recording with LCD On, EVF Off when the external
device connector is not used.) device connector is not used.)
device connector is not used.)
Wireless Functions Streaming/FTP/Wi-Fi remote control and monitoring
NFC NFC Forum Type 3 Tag compliant
GPS Yes
Weight Approx. 830 g (Approx. 1 lb 13.2 oz) (Body only) Approx. 2.6 kg (Approx 5 lb 11.7 oz) (body only) Approx. 2.3 kg (Approx. 5 lb 1.1 oz) (body only)
Approx. 178.4 × 202.0 × 426.3 mm Approx. 190.0 × 202.0 × 419.7 mm

Approx. 111.3 × 128.7 × 172.4 mm
(Approx. 7 1/8 x 8 x 16 7/8 inches) (With the accessories (Approx. 7 1/2 x 8 x 16 5/8 inches) (With the accessories
Dimension (W × H × D) (Approx. 4 1/2 × 5 1/8 × 6 7/8 inches)
(lens hood, eyecup), excluding the grip belt and including (lens hood, eyecup), excluding the grip belt and including
(body only including the projecting parts) the projecting parts) the projecting parts)
3
PXW-Z150 PXW-Z90 PXW-X70
Camera Section
Imaging Device (Type) 1.0-type Exmor RS CMOS 1.0-type Exmor RS CMOS 1.0-type Exmor R CMOS
Effective Picture Elements (Video) Approx. 14.2M 3840 (H) x 2160 (V) (16:9) Approx.14.2M 3840 (H) x 2160 (V) (16:9) Approx. 14.2M 3840 (H) x 2160 (V) (16:9)
Built-in Optical Filters Clear, 1/4, 1/16, 1/64 Clear, 1/4, 1/16, 1/64 Clear, 1/4, 1/16, 1/64
[60i]: 1080p: Frame rate selectable 240,480,960fps

Slow Motion [60i]: XAVC HD: 120 fps [50i]: XAVC HD: 100 fps No
[50i]: 1080p: Frame rate selectable 250,500,1000fps
Gain -3, 0, 3, 6, 9, 12,15, 18, 21, B6, 27, 30, 33 dB, AGC -3, 0, 3, 6, 9, 12,15, 18, 21, 24, 27, 30, 33 dB, AGC -3, 0, 3, 6, 9, 12,15, 18, 21, 24, 27, 30, 33 dB, AGC
Minimum Illumination 1.7 lux (LOW LUX mode) 1.7 lux (LOW LUX mode) 1.7 lux (LOW LUX mode)
Lens
Lens Mount FIXED
12x (optical), servo 12x (optical), servo 12x (optical), servo
Zoom Ratio [HD] 24x Clear image zoom, [HD] 24x Clear image zoom, [HD] 24x Clear image zoom,
[4K] 18x Clear image zoom [4K] 18x Clear image zoom [4K] 18x Clear image zoom (with CBKZ-X70FX)
Focal Length f = 9.3 - 111.6 mm (35 mm equivalent: 29.0 - 348 mm) (16:9) f=9.3 - 111.6 mm (35 mm equivalent: 29.0 - 348 mm) (16:9) f=9.3 - 111.6 mm (35 mm equivalent: 29.0 - 348 mm) (16:9)
Iris F2.8 - F4.5 auto/manual selectable F2.8 - F4.5 auto/manual selectable F2.8 - F4.5 auto/manual selectable
Filter Diameter M62 mm M62 mm M62 mm
Input/Output
Audio Input XLR-type 3-pin (female) (x2) XLR-type 3-pin (female) (x2) XLR-type 3-pin (female) (x2)
SDI Output BNC (x1), 3G/HD/SD selectable BNC (x1), 3G/HD/SD selectable BNC (x1), 3G/HD/SD selectable
Composite Output Integrated into Multi/Micro USB jack (×1), Composite 1.0Vp-p, 75Ω No Integrated into Multi/Micro USB jack (×1), Composite 1.0Vp-p, 75Ω
GENLOCK-IN No
Audio Output Integrated into Multi/Micro USB jack (x1), RCA pin (Monaural) (x1) Integrated into Multi/Micro USB jack Integrated into Multi/Micro USB jack
TC In/Out No
Integrated into Multi/Micro USB jack, Stereo mini-mini jack Integrated into Multi/Micro USB jack, Stereo mini-mini jack
Remote Stereo mini mini jack ø2.5mm (x1)
(ø2.5mm) (o2.5mm)
MI Shoe Yes (x1)
Wired LAN Use with VMC-UAM2 and CBK-NA1. Both sold separately. Use with VMC-UAM2 and CBK-NA1. Both sold separately. Use with VMC-UAM2 and CBK-NA1. Both sold separately.

0.39 type OLED: Approx. 1.44M dots 0.39 type OLED: Approx. 2.36M dots 0.39 type OLED: Approx. 1.44M dots
Viewfinder / LCD
3.5 type LCD monitor: Approx. 1.56M dots 3.5 type: Approx. 1.56M dots. 3.5 type LCD monitor: Approx. 1.56M dots
Built-in Microphone Omni-directional stereo electret condenser microphone.
Media
Memory Stick Pro Duo™ and SD/SDHC/SDXC compatible (x1), Memory Stick Pro Duo™ and SD/SDHC/SDXC compatible (x1), Memory Stick Pro Duo™ and SD/SDHC/SDXC compatible (x1),
Internal Memory/Type
SD/SDHC/SDXC (x1) SD/SDHC/SDXC x1 SD/SDHC/SDXC (x1)
General
Battery-type InfoLITHIUM L InfoLITHIUM V InfoLITHIUM V
Approx. 260 min. with NP-F770 battery (while recording with

Approx. 140 min. with NP-FV70A battery (while recording with Approx. 120 min. with NP-FV70 battery
Battery Operating Time LCD, XAVC 1080/60i, 50 Mbps) Approx. 400 min. with NP-F970
LCD, XAVC QFHD 2160/30p, 60Mbps) (while recording with LCD, XAVC 1080/60i, 50 Mbps)
battery (while recording with LCD, XAVC 1080/60i, 50 Mbps)
Wireless Functions QoS Streaming/Streaming/FTP/Wi-Fi remote control and monitoring QoS Streaming/Streaming/FTP/Wi-Fi remote control and monitoring QoS Streaming/Streaming/FTP/Wi-Fi remote control and monitoring
NFC Yes
GPS No
Approx. 1895 g (Approx. 4 lbs 3 oz) (body only)
Weight Approx. 2270 g (Approx. 5 lbs (with lens hood, eyecup, NP-F770 Approx. 1020 g (Approx. 2 lb 4.0 oz) (with lens hood,eyecup) Approx. 900 g (Approx. 1 lb 15 oz) (body only)
battery)
121.0 mm × 104.0 mm × 274.5 mm Approx. 120.7 × 103.5 × 274.3 mm

171.3 × 187.8 × 371.3 mm (6 3/4 × 7 3/8 × 14 5/8 inches)
(4 7/8 × 4 1/8 × 10 7/8 inches) (Approx. 4 7/8 × 4 1/8 × 10 7/8 inches)
Dimension (W × H × D) (With the accessories (lens hood, large eyecup), excluding the
(With the accessories (lens hood, large eyecup) ,excluding the (With the accessories (lens hood, large eyecup), excluding the
grip belt and including the projecting parts)
grip belt and including the projecting parts) grip belt and including the projecting parts)
4
NXCAM™ Full Line-up
HXR-NX80 HXR-NX200 HXR-NX100 HXR-NX5R HXR-MC2500
Camera Section
1.0-type back-illuminated Exmor R 3-chips 1/2.8 type Exmor CMOS
Imaging Device (Type) 1.0 type Exmor RS CMOS 1.0-type Exmor R CMOS 1/3.95 type Exmor R CMOS
CMOS sensor Sensor
Effective Picture Elements (Video) Approx.14.2M (16:9) Approx. 14.2 M (16:9) Approx. 14.2 M (16:9) Approx. 2.07M Approx. 6.14M (16:9)
Built-in Optical Filters Clear, 1/4, 1/16, 1/64 Clear, 1/4, 1/16, 1/64 Clear, 1/4, 1/16, 1/64 Clear, 1/4, 1/16, 1/64 No
Slow & Quick Motion Function Yes No
[60i]: 1080p: Frame rate selectable
[50i]: 1080p: Frame rate
240, 480, 960f ps
Slow Motion selectable No
[50i]: 1080p: Frame rate selectable
1.2.3.6.12.25, 50 fps
250, 500, 1000 fps
Gain -3, 0, 3, 6, 9, 12,15, 18, 21, 24, 27, 30, 33 dB, AGC -3, 0, 3, 6, 9, 12,15, 18, 21, 24, 27, 30, 33 dB, AGC -3, 0, 3, 6, 9, 12,15, 18, 21, 24, 27, 30, 33 dB, AGC -6, -3, 0, 3, 6, 9, 12, 15, 18, 21, 24, 27, 30 dB, AGC 0, 3, 6, 9, 12, 15, 18, 21, 24, 27, 30, 33 dB, AGC
Gamma Curve Selectable No
[60i] 1.6 lux (MAN setting: SS 1/30sec, Iris F1.8, Gain 33dB)
1.2lux (1/30 Shutter Speed, iris/gain [60i] 0.8 lux (MAN setting: SS 1/15sec, Iris F1.8, Gain 33dB)
Minimum Illumination 1.7 lux (LOW LUX mode) 1.7 lux (LOW LUX mode) 1.7 lux (LOW LUX mode)
Auto) [50i] 1.4 lux (MAN setting: SS 1/25sec, Iris F1.8, Gain 33dB)
[50i] 0.7 lux (MAN setting: SS 1/12sec, Iris F1.8, Gain 33dB)
Lens
Lens Mount FIXED
12x (optical), servo 12x (optical), servo/manual
12x (optical), 24x Clear image zoom, 20x (optical), 40x (Clear Image Zoom), 12x (Optical), 24x Clear image zoom,
Zoom Ratio [HD] 24x Clear image zoom, [HD] 24x Clear image zoom,
servo servo/manual 200x Digital zoom, servo/manual
[4K] 18x Clear image zoom [4K] 18x Clear image zoom
f=9.3 - 111.6 mm f = 9.3 - 111.6 mm f = 9.3 - 111.6 mm f=4.1 - 82.0mm f = 2.9-34.8 mm
Focal Length
(35mm equivalent: 29.0 - 348 mm) (16:9) (35mm equivalent: 29.0 - 348 mm) (16:9) 35mm equivalent: 29.0 - 348 mm) (16:9) (35mm equivalent: 28.8 - 576 mm) (16:9) (35mm equivalent: 26.8 - 326.1 mm) (16:9)
Iris F2.8 - F4.5 auto/manual selectable F2.8 - F4.5 auto/manual selectable F2.8 - F4.5 auto/manual selectable F1.6 (Wide) - F3.4 (Tele) auto/manual selectable F1.8 - F3.4 auto/manual selectable
Filter Diameter M62mm M62 mm M62 mm M72 mm M37 mm
Input/Output
XLR-type 3-pin (female) (x2), line/ XLR-type 3-pin (female) (x2), line/ XLR-type 3-pin (female) (x2), line/
Audio Input XLR-type 3-pin (female) (×2) No
mic/mic +48 V selectable mic/mic +48 V selectable mic/mic +48 V selectable
BNC type (x1), BNC (x1), 3G/HD/SD
SDI Output No No
selectable
Composite Output No BNC (x1)
GENLOCK-IN No
Audio Output Integrated into Multi/Micro USB jack RCA pin RCA pin Stereo mini jack (x1) RCA pin
TC In/Out No
Integrated into Multi/Micro USB jack,
Remote Stereo mini mini jack ø2.5 mm (x1)
Stereo mini-mini jack (ø2.5 mm)
MI Shoe Yes (x1)
Option
Wired LAN *required VMC-UAM2 USB adapter No
cable and network adaptor kit CBK-NA1
0.39 type OLED: Approx. 2.36M dots 0.24 type LCD: Approx. 1.56 M dots. 0.24 type LCD: Approx. 1.56 M dots. 0.39-inch* type OLED (1.0cm) Approx. 1.44 M dots 0.39 type OLED: Approx. 1.44M dots
Viewfinder / LCD
3.5 type: Approx. 1.56M dots. 3.5 type LCD monitor: Approx. 1.56 M dots. 3.5 type LCD monitor: Approx. 1.56 M dots. 3.5-inch* type (8.8cm) Approx. 1.56 M dots. 3.0 type LCD monitor: Approx. 921K dots.
Built-in Microphone Omni-directional stereo electret condenser microphone.
Built-in LED Light No Yes No
Media
Memory Stick Pro Duo™ and SD/ Memory Stick Pro Duo™ and SD/ Memory Stick Pro Duo™ and SD/ Memory Stick Pro Duo™ and SD/ Flash Memory 32GB
Internal Memory/Type SDHC/SDXC compatible (x1), SD/ SDHC/SDXC compatible (x1), SD/ SDHC/SDXC compatible (x1), SD/ SDHC/SDXC compatible (x1), SD/ Memory Stick Pro Duo™ and SD/
SDHC/SDXC x1 SDHC/SDXC (x1) SDHC/SDXC (x1) SDHC/SDXC (x1) SDHC/SDXC compatible (x1)
General
Battery-type InfoLITHIUM V
Approx. 150 min. with NP-F570 battery Approx. 240 min. with NP-F770 battery
Approx. 155 min. with NP-FV70A battery Approx. 345 min. with NP-F770 battery
(while recording with LCD, AVCHD 1080/50i FX) (while recording with LCD, AVCHD 1080/60i FX) Approx. 285 min with NP-F570 battery
Battery Operating Time (while recording with LCD, XAVC S 4K (while recording with LCD, AVCHD
Approx. 240 min. with NP-F570 battery Approx. 440 min. with NP-F770 battery (video light Off)
2160/30p, 60Mbps) 1080/60i FX)
(while playing with LCD, AVCHD 1080/50i FX) (while playing with LCD, AVCHD 1080/60i FX)
Wireless Functions Streaming/Wi-Fi remote control No Wi-Fi remote control
NFC Yes No NFC Forum Type 3 Tag compliant
GPS No
Approx. 1800 g (Approx. 3 lb 15 oz ) (body) Approx. 1900 g (Approx. 4 lb 3 oz) (body) Approx .2110 g (Approx. 4 lb 10 oz) (body)
Approx. 955 g (Approx 2 lb 1.7 oz) Approx. 2.80 kg (Approx. 6 lb 2.8 oz)
Weight Approx. 2100 g (Approx. 4 lb 10 oz) (with Approx. 2100 g (Approx. 4 lb 10 oz) (with Approx. 2500 g (Approx. 5 lb 8 oz) (with
(with lens hood,eyecup) (body)
lens hood, ,eyecup, NP-F570 battery) lens hood, eyecup, NP-F770 battery) lens hood, eyecup, NP-F770 battery)
121.0mm × 104.0mm × 274.5mm 171.3 × 187.8 × 371.3 mm Approx. 171.3 × 187.8 × 371.3 mm 176.0 × 199.5 × 385.0 mm
(4 7/8 × 4 1/8 × 10 7/8 inches) (6 3/4 x 7 1/2 x 14 5/8 inches) (Approx. 6 3/4 × 7 3/8 × 14 5/8 inches) (7 × 7 7/8 × 15 1/4 inches) Approx. 265.0 × 235.0 × 455.0 mm
Dimension (W × H × D) (With the accessories (lens hood, large (With the accessories (lens hood, large (With the accessories (lens hood, large (With the accessories (lens hood, large (Approx. 10 1/2 × 9 3/8 × 18 inches)
eyecup) ,excluding the grip belt and eyecup), excluding the grip belt and eyecup), excluding the grip belt and eyecup), excluding the grip belt and (body)
including the projecting parts) including the projecting parts) including the projecting parts) including the projecting parts)
5
Recording Format
PXW-FS7M2/PXW-FS7M2K PXW-FS7 PXW-FS5M2/FS5M2K PXW-FS5 PXW-Z280 PXW-Z190 PXW-Z150
NTSC / PAL Switchable

Switchable
Recording Format (Video)

59.94p: 600Mbps, 59.94p: 600Mbps,
50p: 500Mbps, 50p: 500Mbps,
XAVC Intra 29.97p: 300Mbps, 29.97p: 300Mbps,
4096 x 2160 25p: 250Mbps, 25p: 250Mbps,
23.98p: 240Mbps 23.98p: 240Mbps
(after Upgrade in Mar.2015) (after Upgrade in Mar.2015)
59.94p: 600Mbps, 59.94p: 600Mbps, 59.94p: 600Mbps,
50p: 500Mbps, 50p: 500Mbps, 50p: 500Mbps,
XAVC Intra
29.97p: 300Mbps, 29.97p: 300Mbps, 29.97p: 300Mbps,
3840 x 2160
25p: 250Mbps, 25p: 250Mbps, 25p: 250Mbps,
23.98p: 240Mbps 23.98p: 240Mbps 23.98p: 240Mbps
59.94p: 222Mbps, 59.94p: 222Mbps, 59.94p: 222Mbps ,
50p: 185Mbps, 50p: 185Mbps, 50p: 185Mbps ,
XAVC Intra
59.94i, 29.97p: 111Mbps, 59.94i, 29.97p: 111Mbps, 59.94i, 29.97p: 111Mbps,
1920 x 1080
50i, 25p: 112Mbps, 50i, 25p: 112Mbps, 50i, 25p: 112Mbps,
23.98p: 89Mbps 23.98p: 89Mbps 23.98p: 89Mbps
XAVC Intra
59.94p:111Mbps, 50p: 112Mbps
1280 x 720
XAVC-Long 59.94p, 50p: 150Mbps, 59.94p, 50p: 150Mbps, 29.97p, 25p, 23.98p: 29.97p, 25p, 23.98p: 100Mbps, 29.97p, 25p, 23.98p: 100Mbps,
59.94p, 50p, 29.97p,25p, 23.98p: 150Mbps
3840 x 2160 29.97p, 25p, 23.98p: 100Mbps 29.97p, 25p, 23.98p: 100Mbps 100Mbps/60Mbps 60Mbps 60Mbps
59.94p, 50p: 50Mbps/35Mbps 59.94p, 50p: 50Mbps/35Mbps

59.94p, 50p, 59.94i, 50i, 29.97p, 59.94p, 50p, 59.94i, 50i, 29.97p, 59.94i, 50i: 50Mbps/35Mbps/ 59.94i, 50i: 50Mbps/35Mbps/ 59.94p, 50p, 59.94i, 50i, 29.97p,
XAVC-Long 59.94i, 50i: 50/35/25Mbps,
25p, 23.98p: 50/35Mbps, 25p, 23.98p: 50/35Mbps, 25Mbps 25Mbps 25p, 23.98p: 50Mbps, 35Mbps
1920 x 1080 59.94p, 50p, 29.97p, 25p, 23.98p: 50/35Mbps
59.94i, 50i: 25Mbps 59.94i, 50i: 25Mbps 29.97p, 25p, 23.98p: 50Mbps/ 29.97p, 25p, 23.98p: 50Mbps/ 59.94i, 50i: 25Mbps
35Mbps 35Mbps
XAVC-Long
59.94p, 50p, 50Mbps 59.94p, 50p: 50Mbps 59.94p, 50p:50Mbps 59.94p, 50p: 50Mbps
1280 x 720
XAVC S 4K
3840 x 2160
XAVC S
1920 x 1080
MPEG HD422 59.94i, 50i, 29.97p, 25p, 23.98p: 59.94i, 50i, 29.97p, 25p, 23.98p: 59.94i, 50i, 29.97p, 25p, 23.98p: 59.94i, 50i, 29.97p, 25p, 23.98p:
Optional *required CBKZ-SLMP Optional *required CBKZ-SLMP
1920 x 1080 50Mbps 50Mbps 50Mbps 50Mbps
MPEG HD422 59.94p, 50p, 29.97p, 25p, 59.94p, 50p, 29.97p, 25p, 59.94p, 50p, 29.97p, 25p, 59.94p, 50p, 29.97p, 25p,
1280 x 720 23.98p: 50Mbps 23.98p: 50Mbps 23.98p: 50Mbps 23.98p: 50Mbps
MPEG HD420 59.94i, 50i, 29.97p, 25p, 23.98p: 59.94i, 50i, 29.97p, 25p, 23.98p:
1920 x 1080 35Mbps 35Mbps
MPEG HD420 59.94p, 50p, 29.97p, 25p,

Optional *required CBKZ-SLMP Optional *required CBKZ-SLMP 59.94i, 50i: 35Mbps
1440 x 1080 23.98p: 35Mbps
MPEG HD420 59.94p, 50p, 29.97p, 25p,
Optional *required CBKZ-SLMP Optional *required CBKZ-SLMP 59.94p, 50p: 35Mbps
1280 x 720 23.98p: 35Mbps
MPEG IMX50
720 X 486
MPEG IMX50
720 x 576
59.94p, 50p, 59.94p, 50p,

PS mode (28Mbps) PS mode (28Mbps) 59.94p, 50p: 28Mbps,
AVCHD™
59.94i/50i/29.97p/25p/23.98p, 59.94i/50i/29.97p/25p/23.98p, 59.94i, 50i, 29.97p, 25p, 23.98p:
1920 x 1080
FX mode (24Mbps) FX mode (24Mbps) 24Mbps, 17Mbps
FH mode (17Mbps) FH mode (17Mbps)
AVCHD
1440 x 1080
59.94p, 50p, 59.94p, 50p,

AVCHD FX mode (24Mbps) FX mode (24Mbps) 59.94p, 50p: 24Mbps, 17Mbps,
1280 x 720 FH mode (17Mbps) FH mode (17Mbps) 9Mbps
HQ mode (9Mbps) HQ mode (9Mbps)
DVCAM®
59.94i, 29.97p (NTSC): 25Mbps 59.94i (NTSC): 25Mbps
720 x 480
DVCAM
50i, 25p (PAL): 25Mbps 50i (PAL): 25Mbps
720 x 576
1920 x 1080: 9Mbps,
1280 x 720: 9Mbps,
1280 x 720: 9Mbps, 6Mbps 1280 x 720: 9Mbps,
PROXY H.264 640 x 360: 3Mbps,
640 x 360: 3Mbps 640 x 360: 3Mbps
480 x 270: 1Mbps, 500Kbps
480 x270: 1Mbps, 500Kbps
MP4
6
PXW-Z90 PXW-X70 HXR-NX80 HXR-NX200 HXR-NX100 HXR-NX5R HXR-MC2500
NTSC / PAL Not Switchable

Switchable
Switchable PAL NTSC PAL NTSC PAL NTSC PAL
Recording Format (Video)
XAVC Intra
4096 x 2160
XAVC Intra
3840 x 2160
XAVC Intra
1920 x 1080
XAVC Intra
1280 x 720
29.97p, 25p, 23.98p: 100Mbps.
XAVC-Long 29.97p, 25p, 23.98p: 100Mbps,
60Mbps with CBKZ-X70FX
3840 x 2160 60Mbps
firmware option
59.94p, 50p, 29.97p, 25p, 59.94p, 50p, 29.97p, 25p,

XAVC-Long 23.98p: 50Mbps, 35Mbps 23.98p: 50Mbps, 35Mbps
1920 x 1080 59.94i, 50i: 50Mbps, 35Mbps, 59.94i, 50i: 50Mbps, 35Mbps,
25Mbps 25Mbps
XAVC-Long
59.94p, 50p: 50Mbps 59.94p, 50p:50Mbps
1280 x 720
XAVC S 4K 29.97p, 25p, 23.98p: 100Mbps,
25p, 100Mbps/60Mbps
3840 x 2160 60Mbps
119.88p, 100p: 100Mbps,
59.94p, 59.94p,
60Mbps
XAVC S 29.97p, 50p, 25p, 29.97p, 50p, 25p,
59.94p, 50p: 50/25Mbps 50p, 25p, 50Mbps
1920 x 1080 23.98p, 50Mbps 23.98p, 50Mbps
29.97p, 25p: 50/16Mbps
50Mbps 50Mbps
23.98p: 50Mbps
59.94i, 50i, 29.97p, 25p, 23.98p: 59.94i, 50i, 29.97p, 25p, 23.98p:
MPEG HD422
50Mbps 50Mbps
1920 x 1080
MPEG HD422 59.94p, 50p: 50Mbps 59.94p, 50p: 50Mbps
1280 x 720 (Optional *required CBKZ-SLMP Optional *required CBKZ-SLMP
59.94i, 50i, 29.97p, 25p, 23.98p: 59.94i, 50i, 29.97p, 25p, 23.98p:
MPEG HD420
HQ mode (35Mbps) HQ mode (35Mbps)
1920 x 1080
(Optional *required CBKZ-SLMP Optional *required CBKZ-SLMP
MPEG HD420 59.94i, 50i: HQ mode (35Mbps) 59.94i, 50i: HQ mode (35Mbps)
1440 x 1080 Optional *required CBKZ-SLMP Optional *required CBKZ-SLMP
MPEG HD420 59.94p, 50p: HQ mode (35Mbps) 59.94p, 50p: HQ mode (35Mbps)
1280 x 720 Optional *required CBKZ-SLMP Optional *required CBKZ-SLMP
MPEG IMX50
720 x 486
MPEG IMX50
720 x 576
59.94p, 59.94p,
59.94p, 50p: PS mode (28Mbps) 59.94p, 50p: PS mode (28Mbps) 50p, 50p, 50p, 59.94p: 28Mbps
PS mode (28Mbps) PS mode (28Mbps) 50p: 28 Mbps
59.94i, 50i: FX mode (24Mbps), 59.94p, 50p: 28Mbps, 59.94i, 59.94i/50i: FX mode (24Mbps), PS mode (28 Mbps) PS mode (28Mbps) PS mode (28Mbps) 59.94i/29.97p/
AVCHD 59.94i/29.97p/ 59.94i/29.97p/ 50i/25p,
FH mode (17Mbps) 50i, 29.97p, 25p, 23.98p: FH mode (17Mbps) 50i/25p, 50i/25p, 50i/25p, 23.98p:
1920 x 1080 23.98p, 23.98p, 24Mbps,
29.97p, 25p, 23.98p: FX mode 24/17Mbps 29.97p/25p/23.98p: FX mode FX mode (24 Mbps) FX mode (24Mbps) FX mode (24Mbps) 24Mbps,
FX mode (24Mbps) FX mode (24Mbps) 17Mbps
(24Mbps) (24Mbps) FH mode (17 Mbps) FH mode (17Mbps) FH mode (17Mbps) 17Mbps
FH mode (17Mbps) FH mode (17Mbps)
50i, 59.94i, 50i, 59.94i, 50i,
AVCHD
59.94i, 50i: LP mode (5Mbps) 59.94i, 50i: LP mode (5Mbps) HQ mode (9 Mbps) HQ mode (9Mbps) HQ mode (9Mbps) HQ mode (9Mbps) HQ mode (9Mbps)
1440 x 1080
LP mode (5 Mbps) LP mode (5Mbps) LP mode (5Mbps) LP mode (5Mbps) LP mode (5Mbps)
50p, 59.94p, 50p, 59.94p, 50p,
59.94p:
AVCHD 59.94p, 50p: 24Mbps/ FX mode (24 Mbps) FX mode (24Mbps) FX mode (24Mbps) FX mode (24Mbps) FX mode (24Mbps) 50p: 24Mbps,
59.94p, 50p: HQ mode (9Mbps) 59.94p, 50p: HQ mode (9Mbps) 24Mbps,
1280 x 720 17Mbps/9Mbps FH mode (17 Mbps) FH mode (17Mbps) FH mode (17Mbps) FH mode (17Mbps) FH mode (17Mbps) 17Mbps, 9Mbps
17Mbps, 9Mbps
HQ mode (9 Mbps) HQ mode (9Mbps) HQ mode (9Mbps) HQ mode (9Mbps) HQ mode (9Mbps)
DVCAM®
59.94i (NTSC): 25Mbps 59.94i, 25 Mbps 59.94i, 25 Mbps 59.94i, 25 Mbps
720 x 480
DVCAM
50i (PAL): 25Mbps 50i, 25 Mbps 50i, 25Mbps 50i, 25Mbps 50i, 25Mbps
720 x 576
1280 x 720: 9Mbps,

1280 x 720: 9Mbps, 1280 x 720:9Mbps,
PROXY H.264 640 x 360: 3Mbps
640 x 360: 3Mbps 640 x 360:3Mbps
(ver 2.0 or above)
MP4
7
SELP18110G sold separately
PXW-FS7M2/PXW-FS7M2K
Ultimate Super35 versatility
FS7 II dramatically improves your experience of Freedom to shoot & move with Electronic Auto
shooting Variable ND
How did we improve on our bestselling FS7? We listened to our Shooting with FS7 II is a truly liberating experience – shoot and
users to create an advanced version of the FS7 with technical, move with no need to worry about changing light conditions,
mechanical and ergonomic enhancements to take your no time wasted fiddling with exposure settings or changing
products to even greater heights. A host of enhancements, filters. Sony’s unrivalled technology continuously adjusts the
from an all-new lens mount to Electronic Auto Variable ND density of the electronic ND Filter without losing resolution while
system and enhanced ergonomics, transform the possibilities maintaining color balance. See FS7 II in action for yourself to
of what you can do. discover how Sony has transformed shooting on the move.
Shoot and move. Handheld, shoulder-mount or suspended
from a gimbal. FS7 II delivers the spectacular imagery you
expect from Sony.
E mount flexibility extended

E-mount offers unsurpassed compatibility with Sony’s E-mount
lenses, along with simple third-party adapter for PL Mount cinema
lenses, SLR and DSLR glass, and even classic rangefinder lenses.
And for FS7 II there’s an all-new lever lock design. Simply put the
lens in place and rotate the collar until it locks in place. A lens Super 35/APS-C power zoom for 4K movies
release lever provides added security. The process of switching
lens can be simplified to save time. And of course, the E-mount SELP18110G powered zoom lens delivers optimum performance
can take cinema lenses and SLR lenses with a third party adapter, in Super 35/APS-C moviemaking applications, starting at 18 mm
as well as Sony’s E-mount and A-mount lenses. Whatever your wide-angle and extending through an impressive 6.1x zoom
lens requirements, FS7 II has you covered. range with a constant F4 maximum aperture.
Mount System
8
G Lens optical performance suitable for 4K throughout the zoom 180 fps High Frame Rates
range. High Frame Rate shots can turn everyday actions into slow-
• Lag-free mechanical manual zoom for high-level, versatile motion ballet, a visual feast of elegant movement. The FS7 II
zoom control. delivers a maximum of 180 frames per second (fps) continuous
• Refined manual focus operation for subtle adjustment. shooting in Full HD. If your project plays at the cinematic 24
• Optical SteadyShot image stabilization helps keep images fps, you get beautiful 7.5x Super Slow Motion. There's no
blur-free as well as minimizing the need to boost ISO in low sacrifice in bit depth and no "windowing" of the sensor. So
light conditions. there's no crop factor, no loss in angle of view. The camera
• Compact, lightweight design ideal for active shooting and also performs Slow & Quick (S&Q) motion from 1 to 180 fps in
when using gimbals. 1 fps increments. So you can alter the narrative by selectively
• Reliable in challenging conditions with a sealed dust and speeding up or slowing down the action.
moisture-resistant design.
You also have the choice of purchasing the FS7 II on its own
Luxurious color at money-saving bitrates
(PXW-FS7M2) or with SELP18110G lens (PXW-FS7M2K). Long-form projects shine with Sony's XAVC™ L (Long GOP)
recording system. Record luxurious QFHD at 59.94p/50p at
a maximum bit rate of 150 Mbps. Or take advantage of the
superior grayscale rendition of 10-bit High Definition, plus the
uncompromised detail of 4:2:2 color – all at budget-friendly
data rates of 50, 35 or even 25 Mbps in HD mode. You can
also record on-board 4K (4096x2160) at cinema standard
24p, 59.94p, 50p, 29.97p, 23.98p or 25p. The camera captures
different color spaces, including the wide ITU-R BT.2020 for
Ultra High Definition.
Other formats include XAVC I (Intra) 4K at 600 Mbps, QFHD
(3840x2160) and Full HD (1920x1080), plus the well-accepted
MPEG HD 422, Apple ProRes 422 (with XDCA-FS7 extension
unit, sold separately), and even outboard RAW recording (with
XDCA-FS7 and outboard recorder, sold separately).
Shoulder mount comfort and control

FS7 delivered a revolution in ergonomics, but we listened
to cinematographers to make FS7 II even more comfortable
to use, especially when operating for hours in the field. The
number of assign buttons is increased from six to ten, all
extra large, while the LCD monitor arm and mic holder can
be swapped for left-eye shooting. The telescoping arm offers
even more settings, allowing the camcorder to be mounted
closer to your body. You no longer need a tool for adjustments.
You can be sure the remarkable Sony smart grip is always at
hand with all the key controls at your fingertips.
Next-generation memory
Long-form programs need media that's both reliable and
affordable. As specified by the CompactFlash Association,
XQD™ memory cards score big on both accounts. Reliability
comes from in-camera recovery. You get very low cost-per-
minute compared to CFast™ cards.
Sony’s G-Series XQD card extends these benefits with “EB
Stream” technology for a blistering 400 Mbps write-speed
and 440 Mbps read-speed. Using our 256GB G-Series card,
you can record approximately 45 minutes of 4K footage at 60P
or 3.5 hours at 30P in 2K. And when it’s finally time to swap out
cards, it’s now even easier – on FS7 II the card protrudes by a
more easily pinchable 8mm.
9
PXW-FS7
Solid-State Memory Camcorder
High-sensitivity 4K Super35 Exmor CMOS Sensor Supports Various Formats
The FS7 is equipped with a Super 35 Exmor CMOS Sensor with The FS7 supports two formats, XAVC and MPEG-2 HD 422, which
approximately 11.6 million total pixels and 8.8 million effective can be selected to suit the application. Two XAVC compression
pixels. The high image readout speed of the image sensor allows systems (IntraFrame and Long GOP) are provided through an
the FS7 to support 4K motion- picture shooting and Super Slow H.264/MPEG-4 AVC codec. IntraFrame supports recording with
Motion. The sensor also realizes a high sensitivity of ISO2000 and 4:2:2 10-bit sampling for 4K and Full HD, as well as a high bit rate
a wide dynamic range of 14 stops. Thanks to its full-pixel readout of up to 600 Mbps*3. In Long GOP, image quality and recording
capability without pixel binning and sophisticated camera time are balanced to allow Full HD shooting with 4:2:2 10-bit
processing, jaggies and moiré are minimized. sampling at 50, 35 or 25 Mbps, making this format suitable for
longer duration shooting. Support is also provided for the MPEG2
HD 422 recording format which is mainly used at broadcast
stations around the world. Supported formats and bit rates are
indicated below.
*3 During 4K 59.94 fps recording.
Support for S-Gamut3.Cine/S-Log3,

S-Gamut3/S-Log3 and Other Log Curves
The FS7 supports such log gamma curves as S-Gamut3. Cine/S-
Log3 and S-Gamut3/S-Log3. Due to the fact that 18% gray is set
at a bright level, S-Log3 is noted for delivering a wider dynamic
range than the 1300% achieved by S-log2 incorporated in a
Full HD Recording with Super Slow Motion camera such as the NEX-FS700R, a difference equal to 1.5 stops.
The FS7 offers Continuous Recording at Full HD image quality The log gamma itself is close to Cineon log, so color correction is
and a frame rate of up to 180fps. This makes it possible to attain easier to perform and it is possible to achieve the look of film. In
up to 7.5x Super Slow Motion when played back at 23.98fps. addition, compared to the color gamut of S-Gamut3.Cine, which
Furthermore, support for unlimited shooting at Super Slow is geared toward reproducing the wide color gamut of DCI-P3
Motion means no more mistimed shots leading to extra takes. It color space used in digital cinema,the color gamut of S-Gamut3
also lets you pick out footage at exactly the point that you want. is geared toward the reproduction of almost all actual colors, and
is thereby suitable for archival purposes. In latest version, S-log2
Internal Recording in 4K*1 Resolution at 60fps*2 which is popular among cinematographers and videographers is
supported as well.
The FS7 supports internal recording at 4Ki resolution as well as a
wide range of frame rates (59.94p, 50p, 29.97p, 25p, and 23.98p). Two XQD Media Slots Support Simultaneous and
Relay Recording
*1 Support for QFHD 3840 x 2160 resolution will be available by the date of launch.
4096 x 2160 resolution support will be provided by firmware update scheduled
for early 2015. Built-in Multi-Interface (MI) Shoe
*2 59.94fps
Mount System
10
Built-in ND Filter Unit Extension Unit "XDCA-FS7" for Shooting Support
Clear, 1/4 (2eV), 1/16 (4eV), and Extension Unit "XDCA-FS7" can be connected directly to the PXW-FS7
1/64 (6eV) to enable the use of functions that support the operator's shooting
style or workflow.
Support for
XDCA-FS7
4-channel Audio
Input and Recording
Flexible Design Supports

VCT-FS7
a Wide Range of Shooting Styles
The FS7 is equipped with a shoulder pad for stable shoulder-style
shooting. Users can also choose other supported shooting styles
including handy style, chest style (using the curved rear part of
the FS7), tripod shooting, etc. depending on conditions RAW Output for External 4K/2K RAW Recording
The FS7’s FS RAW Interface can be connected to an HXR-IFR5
interface unit and RAW AXS-R5 recorder to enable external
4K/2K RAW recording. The interface also allows the use of
compatible third-party external recorders. Full HD footage
shot with the unit is time code-synchronized to allow offline
editing of the content.
Precise Timecode Synchronization Provided by

Genlock
Timecode In/Out Functions
Support for Apple ProRes 422 Recording

The FS7 now supports ProRes recording* (ProRes 422 HQ
and ProRes 422)**, providing an easy-to-use environment for
those accustomed to the ProRes workflow. * ProRes recording
requires attachment of the optional XDCA-FS7 extension unit
and a compatible optional power supply (BP-FL75 V-mount
battery, etc.) ** This function does not support simultaneous
recording, S&Q recording, Picture Cache Rec or other special
shooting functions. The corresponding frame rates are listed
below.
Format Resolution Wrap Frame-Rate

59.94i
29.97p
ProRes 422 HQ 1920 × 1080 MOV 23.98p
50i
25p
59.94i
29.97p
ProRes 422 1920 × 1080 MOV 23.98p
50i
25p
11
PXW-FS5M2/FS5M2K
New look for unbounded creativity
Stunning New Super 35 Look 4K Super 35 Exmor™ Sensor
FS5 II’s all-new default look is specifi- • 4K resolution: 11.6 million total pixels and 8.8 million* effective pixels deliver 4K resolution.
cally tuned to meet the requirements of • Super 35 size sensor offers ‘bokeh,’ the defocussed backgrounds made
today’s content creators with rich mid- possible by shallow depth of field, as well as excellent low-light sensitivity.
• 14 stops of exposure latitude deliver powerful grayscale rendition
range colours, alluring facial tones and
without crushing shadow detail or blowing out highlight detail.
a softer tonal look tuned with the same
• Record 10bit 4:2:2 in Full HD at up 50Mbps internally.
expertise as Sony’s world-leading VENICE digital cinematography cam- • Record 4K at 60**/50 fps in FS-RAW via a compatible third-party external recorder.
era. Straight out of the camera your content will look fresh and vivid, * RAW output **59.94.
with subjects that really stand out, while still retaining plenty of latitude
for post production refinement due to the high performance Super 35 Mount Flexibility
Exmor™ sensor.
Built-in electronic Variable ND Filters
High Frame Rate (HFR) Recording Creative Picture Profiles
FS5 II delivers stunning slow motion imagery, including four seconds of FS5 II features an all-new default look with beautiful highlights and
120fps in 4K, continuous 240fps in 2K RAW when used in partnership with subtle, well rendered facial tones for more emotive visuals where your
a compatible third-party external recorder. subjects naturally stand out. There’s also an addi-
FS5 II also offers High Frame Rate (HFR) cache recording at Full HD 10bit tional nine Picture Profiles, including ones custom-
4:2:2 image quality and a frame rate of up to 240 fps (8 second cache ised for S-Log2, S-Log3 and a profile specifically
recording) and continuous 120fps internal recording in Full HD. tuned to provide vibrant, high contrast visuals for FS5 II
creators who desire a DSLR-stlye look. FS5
Resolution Frame rate Internal/output Continuous / Burst gamma chart (simulated)
4K
60* / 50 Output FS RAW Continuous Clear Image Zoom
(4096x2160)
120 / 100 Output FS RAW Burst four seconds Once you’ve zoomed in at maximum optical magnification, Pixel Super
2K 240 / 200 Resolution technology can enlarge the image by additional 200% in Full
Output FS RAW Continuous
(2048x1080) / 120 / 100
HD. It is also compatible with fixed focal length lenses, so you can zoom
Internal recording Continuous, or burst
120 / 100
Full HD XAVC HD 422 10bit sixteen seconds into a scene while using a prime lens.
(1920x1080) Internal recording
240 / 200 Burst eight seconds
XAVC HD 422 10bit Lightweight, Modular and Robust
* 59.94
Versatile Monitoring
Spectacular HDR Performance
Networked for High Mobility
Demand for HDR content is increasing and FS5 II offers you a choice
• Live stream from any event thanks to a choice of Wi-Fi or built-in wired LAN.
of two powerful workflows. A phenomenal fourteen stops of exposure
• Control FS5 II from your smartphone or tablet.
latitude ensures the highest fidelity in capturing highlights and details • Built-in NFC supports one-touch authentication possible with appropriate devices.
within shadows. • Be first with breaking news thanks to a built-in wired LAN jack for high-
• Instant HDR Workflow is all about speed. Shoot, edit and view content in speed FTP transfer of full resolution content.
Hybrid Log-Gamma (HLG) to deliver content quickly without compromising • GPS function automatically records GPS data.
on imaging expression and quality of content.
Dual SD card slots with independent record control
• S-Log2/3 is the proven choice for premium applications where you wish to
capture as much data as possible for the ultimate flexibility in grading. Multi-interface (MI) Shoe
Dual XLR inputs
TM
Mount System
12
PXW-FS5
Grab and Shoot with Handheld Super35 Ultimate Mobility
A handheld camera should be able to get you into tight places. To The FS5 is a radical re-imagining of the FS7 for unsurpassed on
work in your lap. To move with the talent. To shoot high and low the go shooting in the most demanding of conditions. With a
angles with equal agility. And a handheld camera should func- body-only weight less than half the FS7 at 0.83kg, you can shoot
tion beautifully against your chest comfortably steadied by your almost anywhere. Handheld operation is simply exceptional as
right hand with all the controls at your fingertips. Sony’s extraor- the superbly balanced chassis is easily configured to shoot from
dinary PXW-FS5 does all of this, and more. high to low angles thanks to a flexible, rotatable grip and a LCD
viewfinder that can be mounted in no less than nine locations.
Mount Flexibility 1 lb 12 oz
Sony’s mount system offers unsurpassed compatibility with
both Sony and third-party lenses. The FS5’s E-Mount can take
Cinema lenses and SLR lenses with a third party adaptor, as well
(0.8Kg)
as Sony’s E-mount and A-mount lenses. So whether buying new
lenses, or making use of lenses you’ve already purchased, the
FS5 makes it easy.
E-mount
Lenses
+
Rotatable Grip
A-mount
Lenses
LA-E series mount adaptors
+ Other Lenses
Third party adaptor
Versatile Monitoring
Mount System
13
4K Super35 Exmor® Sensor Color, Contrast and the XAVC Codec
The FS5 is built around a Exmor CMOS Sensor that offers all the When quality is everything, make the most of the FS5’s Super35
benefits of a large format sensor in combination with the ex- Exmor sensor and shoot 100Mbps 4K (3840 x 2160) using Sony's
ceptional image readout speeds required for 4K motion-picture advanced XAVC (Long GOP) recording system. In the future, there
shooting and Super Slow Motion. will even be the option to record RAW externally (details to be an-
nounced). If you need a fast turnaround, switch to Full-HD (1920
x 1080)- recording at up to 60p XAVC 10bit 4:2:2 50Mbps. The
RAW Output Option* FS5 has the flexibility to suit how you need to work, today and
Sony’s FS RAW allows user to record 4K (4096x2160) 60p/50p tomorrow.
and continuous 2K (2048x1080) 240fps/200fps on an external
recorder.
Note: Since lens compensation is not compliant with RAW output, distortion might appear
Built-in Electronic Variable ND Filter / Auto ND
under specific condition with use of the SELP18105G, part of PXW-FS5K kit lens. The FS5 is the world's first Super 35mm camcorder* with a
* Requires Version 2.0 firmware or above, plus CBKZ-FS5RIF upgrade kit.
built-in electronic variable Neutral Density (ND) filter, further
expanding the depth of field capability of its large format
10
sensor. Unlike conventional optical ND filters, the electronic
ND filter on the FS5 can be controlled from 1/4ND to 1/128ND
Full HD bit linearly. This makes the FS5 ideal for fast-moving shoots in
changeable environments - there’s no need to change filters as
lighting conditions change and variable control makes it easy
to keep depth of field under control. Furthermore, ND filter can
High Frame Rate (HFR) Recording be set to Auto* to automatically keep the best exposure while
The FS5 offers High Frame keeping the aperture and depth of field.
Rate (HFR) cache record-
*Requires Version 2.0 firmware or above.
ing at Full HD 10bit 4:2:2
image quality and a frame
1/128
rate of up to 240 fps. The
8-second cache record-
ND
ing means no more mis-
timed shots leading to
extra takes. It also lets
you pick out footage at
exactly the point that you
want. It is also possible to
record 120 fps with up to
16-second cache record-
ing. Higher frame rates of
480 fps and 960 fps are
also possible
240 fps
(Actual images)
Instant HDR workflows

Shoot, edit and view HDR content in HLG without the need for
additional colour grading*.
Std. Gamma, ISO1000 F2, No ND Filter (Clear)
As the expanding need for HDR content continues, internet
video platforms and professionals producing corporate or
event content are paying more attention to the added value of
HDR. They need to deliver content quickly, without compromis-
ing on imaging expression and quality of content. To meet this
demand, the PXW-FS5 offers HLG (Hybrid Log Gamma) curve
and BT.2020 color space shooting, in addition to S-Log3, for
easy file-based workflows, whilst achieving the image quality
of HDR. This simple workflow enables the shooting, editing
and viewing of HDR content in HLG, without devoting a lot of
time to post-production work and additional color grading.
* HLG/BT.2020 compatible display required.
Std. Gamma, ISO1000 F2, 1/128ND
14
PXW-Z280
World’s first 4K 3-chip Camcorder with 1/2-type Exmor R™ CMOS Image
Sensors, Redefines Handheld Production Image Quality and Workflow
World-leading Handheld 4K 50p/60p* Performance Face Detection Autofocus (AF)
Capture the whole scene with PXW-Z280. An all-new 4K 3CMOS This feature is important especially in more demanding 4K shoot-
1/2-type sensor delivers a deep depth of field with image quality, ing applications, such as recording interviews or lectures, helping
contributing to high resolution, high sensitivity of F12 (59.94p) , a specific person subjects automatically stay in pin-sharp focus.
and wide dynamic range. 4K 4:2:2 10-bit adds vivid imagery and
delicate color gradation.
*59.94p
Instant HDR Workflow

Shoot, edit and view HDR content in HLG without the need for
additional colour grading. Premium content services are switch-
Face Detection AF
ing to HDR and the PXW-Z280 is ready with Hybrid Log-Gamma
(HLG) recording, which allows you to easy file-based workflows,
whilst achieving the image quality of HDR in addition to S-Log3. Revolutionary Networking Capabilities
This simple workflow enables the shooting, editing and viewing Based on the technology developed for Sony’s cloud-based ENG
of HDR content in HLG without devoting a lot of time to post- service, “XDCAM air,” the new camcorder uses Sony’s Quality
production work and additional colour grading. of Service (QoS) for live distribution of high-quality broadcast
content using a Dual Link connection multiplexing two cellular
Built-in Electronic Variable ND Filters networks, assigning Planning Metadata and browsing and get-
ting clips in the recording media on camcorders from a distant
Sony’s ground-breaking integration of electronic variable ND Fil-
broadcast station via the cloud.
ters into the body of a camcorder enables fast, agile shooting.
Moving from shadowy interiors to bright sun-lit exteriors is no
problem. Unlike conventional optical ND filters, the electronic ND The Complete Package for Professional
filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND Advanced XAVC-Long and XAVC Intra for 4K QFHD and HD, plus
linearly while ND Filters can be set to fully auto. You can even MPEG HD422,MPEG HD and DVCAM to support any workflow.
manually adjust Depth of Field using the iris lens ring, while re- Four-channel audio recording with independent volume dials
lying on the camcorder to maintain constant exposure without enables precise control of external input audio and an attached
changing gain nor shutter speed. MI shoe microphone. 12G-SDI enables 4K 50p / 60p transfer be-
tween long distance using only one
17x Professional Zoom Lens with Three Independent BNC cable and dual MI shoes provide
cable-less connection with Sony’s
Rings with End-stop and Sensor Cropping Extender UWP-D series wireless microphone
The PXW-Z280 is equipped with a 17x professional zoom lens receiver and use of a video light at
able to zoom from 30.3mm to 515mm (35mm equivalent). The the same time.
1/2-inch type lens has three independent control rings with end-
stop, which allows manual control of focus, zoom and iris, making Dual MI Shoe
for better and faster adjustment. * HVL-LBPC and URX-P03D are optional
15
PXW-Z190
4K Handheld Camcorder with all-new 1/3-type 3CMOS with 4K 50p/60p*
recording capability, 25x zoom lens and advanced Face Detection AF
* 59.94p
4K 50p/60p Performance Built-in electronic Variable ND Filters
The newly developed three 1/3-type Exmor R CMOS image sen- Moving from shadowy interiors to bright sun-lit exteriors is no
sors capture RGB light independently and deliver 4K 50p/60p problem. PXW-Z190 can be controlled from 1/4ND to 1/128ND
imagery with high resolution and a wide range of gradation. In linearly while ND Filters can be set to fully auto. You can even
HD shooting, 4:2:2 10-bit ensures vivid and rich color content. manually adjust Depth of Field using the iris lens ring, while re-
lying on the camcorder to maintain constant exposure without
25x Optical Zoom Lens with Three Independent Rings changing gain nor shutter speed.
The PXW-Z190 is equipped with a 25x professional zoom lens
able to zoom from 28.8mm to 720mm (35mm equivalent), with Dual Multi-Interface (MI) Shoe and 4ch Audio Input
three independent control rings, which allows manual control of
focus, zoom and iris, making for better and faster adjustment. Instant HDR Workflow
The image can be enlarged without any picture degradation in Shoot, edit and view HDR content in HLG without the need for
an HD mode and a 50x zoom equivalent image is captured with additional colour grading. Premium content services are switch-
sensor cropping extender. ing to HDR and the PXW-Z190 is ready with Hybrid Log-Gamma
(HLG) recording for easy file-based workflows, whilst achieving
the image quality of HDR.
Network Workflow Flexibility

Install the free “Content Browser Mobile” app on your smart-
phone to operate the camera remotely controlling Iris, Zoom,
Focus WB and other functions from the palm of your hand. The
PXW-Z190 is also easily upgraded to offer all the below features
with optional CBKZ-SLNW1.
• High quality QoS Streaming to Network RX station**.
• XDCAM air secure wireless workflow.
• MPEG TS UDP streaming to peripheral common receiver.
25x optical zoom
• FTP Transfer of proxy and high resolution clip to remote servers.
• Trimming proxy and high resolution clip prior to sharing.
Advanced Face Detection AF A Wealth of Formats and Features for Professional

The PXW-Z190 features newly developed Face Detection AF, select- The PXW-Z190 covers a wide range of main formats including
able from Face Priority AF or Face Only AF. Simply keep the person in XAVC-Long, DVCAM. In addition to these formats, MPEG HD 422
frame and however you move to obtain a better angle, you can be and MPEG HD are available with an optional license. Proxy 1080i
confident the PXW-Z190 will keep your subject in pin-sharp focus. up to 9Mbps can be utilized for 4K and HD simultaneous recording.
** Optional
**
16
PXW-Z150
4K Handheld Memory Camcorder
Imaging performance with Exmor RS™ sensor Instant HDR workflows
To deliver imaging performance previously impossible for a compact Shoot, edit and view HDR content in HLG without the need for additional
camcorder, Sony has developed the world's first 1.0-inch type stacked colour grading*.
CMOS image sensor that delivers amazing imaging performance profes- As the expanding need for HDR content continues, internet video plat-
sionals have come to expect. forms and professionals producing corporate or event content are paying
more attention to the added value of HDR. They need to deliver content
quickly, without compromising on imaging expression and quality of con-
Exmor RS sensor tent. To meet this demand, the PXW-Z150 offers HLG (Hybrid Log Gamma)
Advanced ‘stacked' sensor design allows for a larger signal processing area without curve and BT.2020 color space shooting for easy file-based workflows,
reducing pixel size within a compact chassis. whilst achieving the image quality of HDR. This simple workflow enables
the shooting, editing and viewing of HDR content in HLG, without devot-
Exmor R Exmor RS
ing a lot of time to post-production work and additional color grading.
1.0-inch type Flexible 4K and Full HD recordings

Stunning 4K picture performance is supported with 4K QFHD (3840x2160)
XAVC Long GOP at 100Mbps, while integration with established broadcast
workflow is simplified with Full HD recording in XAVC Long GOP(4:2:2/10bit
Pixel area Hi-speed signal processing circuit 50Mbps) and MPEG-2 HD (50Mbps/35Mbps). You can even use AVCHD to
further expand workflow flexibility.
Networked for high mobility

Sony's G lens with maximum 24× zoom The PXW-Z150 has advanced networking capabilities that give you more
To maximize the quality of your images, the PXW-Z150 has a stunning mobility in your work, allowing you to FTP files directly from the cam-
optical 12x zoom lens that offers high resolution and contrast across the corder or live stream from any event using built-in Wi-Fi® features with
entirety of the image. Sony’s advanced Clear Image Zoom feature doubles no accessories required. Sony’s unique QoS technology*1 dramatically
magnification to 18x when shooting in 4K QFHD and 24x in HD, to fully improves the clarity that’s possible on a wireless connection, giving you
exploit the imaging capabilities of the PXW-Z150's large 1.0-inch type better pictures even with the limitations of today’s real-world networks.
stacked sensor. You can also remotely control the PXW-Z150 with a smartphone or tab-
let, including the ability to adjust settings such as focus, zoom, iris, REC
START/STOP and more using Sony’s Content Browser Mobile*2 software.
Compact and lightweight body
The PXW-Z150 is ergonomically designed to provide a lightweight and High resolution monitoring
easy-to-use shooting experience. Three manual, independent lens rings The PXW-Z150 gives you precise monitoring and low latency, however you
enable smooth, natural adjustment of focusing, zooming and iris control. choose to shoot, with its advanced, wide viewing-angle and high contrast
The camcorder can also be used in full-auto mode or completely manual 0.39 type 1440K dots OLED electronic viewfinder (EVF) with large eye-cap,
for maximum creative control. Exceptional 6.3W power efficiency offers and an easily adjustable, flip-out 3.5-inch*3 type 1550K dots LCD panel.
high performance within a compact handheld body style without com-
promising battery life. Up to 400 minutes with optional NP-F970 battery.* Multi-Interface (MI) Shoe
* While recording XAVC 1080/50i or 60i, 50Mbps with LCD on. The PXW-Z150 takes advantage of Sony’s flexible built-in Multi-Interface
(MI) Shoe, which provides power, signal connections and coordinated
on/off switching to compatible accessories from Sony. For example, you
can connect and control Sony's wireless microphone systems such as the
UWP-D11 or UWP-D12 or attach the HVL-LBPC light.
*1 QoS will initially require a firmware update and PWS-100RX1 receiver.
*2 The Content Browser Mobile application can be downloaded at no additional cost from
the Google Play Store or App Store.
*3 Viewable area measured diagonally.
17
PXW-Z90
1.0 type Exmor RS CMOS sensor palm-sized XDCAM 4K camcorder with
XAVC, Fast Hybrid AF, Instant HDR Workflow & 3G-SDI
Revolutionary imaging performance with Exmor RS Instant HDR workflows
Exmor RS is a Sony's CMOS image sensor Shoot, edit and view HDR content in HLG without the need for
that adopts a unique "back- illuminated and additional colour grading*.
stacked structure. A large 14.2-megapixel As the expanding need for HDR content continues, internet
(effective) 1.0-type stacked CMOS image video platforms and professionals producing corporate or event
sensor delivers beautiful background content are paying more attention to the added value of HDR.
bokeh defocus effects and superior They need to deliver content quickly, without compromising
sensitivity for capturing high-quality on imaging expression and quality of content. To meet this
images with less noise, even under dark or demand, the PXW-Z90 offers HLG (Hybrid Log Gamma) curve
bright conditions. This sensor integrates and BT.2020 color space shooting, in addition to S-Log3, for easy
up to 273 phase-detection AF points that file-based workflows, whilst achieving the image quality of HDR.
densely cover approx. 84% of the image This simple workflow enables the shooting, editing and viewing
area, for precise tracking of subjects of HDR content in HLG, without devoting a lot of time to post-
throughout the shooting frame. production work and additional color grading.
Enhanced Fast Hybrid auto focus captures action

Enhanced Fast Hybrid auto focus (AF) is comprised of a number Stunning slow motion in Full HD
of features: Phase-detection AF with up to 273 reference High Frame Rate shots can turn everyday actions into slow motion
points covering approximately 84% of the image area, face ballet and the PXW-Z90 delivers up to 120 frames* per second
detection and lock-on auto focus technology to estimate subject (fps) in Full HD, giving you a maximum of 5 times slow motion
movement. They all work together seamlessly to capture fast- expression. There’s no sacrifice in bit depth and no “windowing”
moving subjects with amazing sharpness. of the sensor. So there’s no crop factor, no loss in angle of view.
Higher frame rates** are also possible at specific resolutions.
* 120fps (NTSC)/100fps (PAL)
** 240, 480, 960 (NTSC)/250, 500, 1000fps (PAL)
Broadcast quality 4K (QFHD) and HD

The PXW-Z90 allows you to record a wide range of 4K (QFHD) and
HD formats for maximum flexibility from this stunning palm-sized
camcorder. The Z90 supports XAVC QFHD 100Mbps recordings
at 30p/25p/24p, XAVC HD Long GOP 422 50Mbps, MPEGHD422
50Mbps*, MPEGHD420 35Mbps and AVCHD.
* MPEG HD recording requires optional licence (CBKZ-SLMP) upgrade.
18
Networked for high mobility Dual XLR inputs
The PXW-Z90 comes with 5GHz* and 2.4GHz Wi-Fi as standard – Two XLR inputs reject electromagnetic interference for unhindered
simply turn on and log onto your preferred network to enable a audio. Switchable phantom power supports mics that need it,
host of advanced wireless production features: while true input level controls put you in charge of sound.
* 5GHz support dependent on country/regional regulation.
Remote operation
Ustream® Direct Streaming allows you to share scenes as they
The PXW-Z90 has a featured remote interface (2.5 mm stereo
happen with high quality picture and sound without a switcher.
mini-mini jack) wired interface. Using a wired remote controller
QoS Streaming to XDCAM air allows images to be streamed live
such as the RM-1BP or RM-30BP the focus, zoom, rec start/stop
from the camcorder for viewing at a remote location.
and rec review can be controlled remotely.
FTP Transfer allows content files recorded with MPEG HD
422/420 proxy feature (CBKZ-SLMP required) and other content Dual media slots
files shot in XAVC (QFHD/FHD) and AVCHD formats to be sent over To extend recording time and workflow
the internet for remote storage on an FTP server. flexibility, the PXW-Z90 is equipped with
XDCAM air can upload proxy footage to the cloud from multiple two memory card slots and is compatible
camera operators in the field, so editing can start immediately. with SDXC and SDHC cards.
Uploaded content can be accessed securely from any location. Relay mode automatically switches
News teams can even start logging clips while shooting’s recording from the first to the second memory card when the first
still going on, saving even more valuable time when a story’s is full; Simul mode allows simultaneous recording to two memory
breaking. cards (for example to create an immediate back-up version).
Wi-Fi/NFC (Near Field Communication) with Content Browser The PXW-Z90’s two Start/Stop buttons on the handle grip and
Mobile™ allows the PXW-Z90 to be remotely controlled from camcorder body can independently start and stop recording on
a smartphone or tablet computer (iOS 9.0 - 10.3 or Android 4.4 different memory cards while recording in Simul mode.
through 7.1) via a Wi-Fi connection. One-touch authentication is
also possible with smartphones that offer NFC connectivity Multi-Interface (MI) Shoe
* The Content Browser Mobile™ application can be downloaded from the Google Play The PXW-Z90 takes advantage of Sony’s
Store or App Store. Wi-Fi operation cannot be guaranteed with all smartphones and flexible Multi-Interface (MI) Shoe, which
tablet computers.
provides power, signal connections and
Wired LAN connection allows the PXW-Z90 to be connected to coordinated on/off switching to compatible
the internet over a wired connection via the separately available various Sony accessories.
VMC-UAM2 USB adapter cable and network adaptor kit (CBK-
NA1), allowing files to be streamed or transferred by FTP. Wide choice of connections
The PXW-Z90 offers numerous connections
Wide-angle zoom lens with great control to suit the broadcast workflow, including
3G HD-SDI, HDMI®, Multi/Micro USB jack
The PXW-Z90 is supplied with a fixed 29mm wide-angle ZEISS
and composite output. The Rec Trigger
Vario-Sonnar T* lens, ideal for capturing panoramic landscapes.
signal can be sent through SDI and HDMI to
The 12x optical zoom can be increased to 18x with Clear Image
link an external recording device. HDMI/SDI/composite output is
Zoom, maintaining full QFHD resolution using Super Resolution
possible during QFHD recording*.
Technology or 24x in HD. In addition, the Digital Extender can
* HDMI supports up QFHD resolution, 3G-SDI supports up to HD resolution. Composite
double this range again, up to 48x zoom. is SD-only.
The camcorder’s lens ring enables
smooth, natural adjustment of Simple live solution
focusing or zooming, depending The PXW-Z90 is designed to work
on which mode is selected; while seamlessly with Sony’s MCX-500
the manual dial and buttons on the Multi Camera Live Producer, a robust
side of the body allow swift and and cost-effective switcher that makes
easy adjustment of IRIS (aperture), it easy for one person to run a multi-camera
ISO/GAIN and shutter speed. live event shoot. When used with the MCX-500 and
Remote Commander RM-30BP, a Tally indicator will automatically
Superb quality monitoring with enhanced OLED appear on each PXW-Z90’s LCD panel and viewfinder – a red icon
viewfinder indicates when the shot is live (PGM) while Green indicates preview
mode (PVW). The MCX-500 supports up to 9 video inputs, 5 channel
You have superb monitoring options with the Z90: an enhanced stereo inputs including XLR with both internal recording and live
0.39-type 2359K dot OLED viewfinder and 3.5-type 1550K dot streaming via Ustream™, Facebook Live, and Youtube Live*.
LCD. The super high resolution OLED viewfinder offers excellent * Facebook live and YouTube live available with V2.0 firmware
quality brightness, contrast and response, giving you better
precision of manual focus operations and eliminating any Wirelessly Synchronise Multiple Camcorders
colour-breaking phenomenon. The LCD gives you further flexible
When shooting with multiple camcorders, you can synchronize the
composition options.
timecode of each camcorder using Content Browser Mobile™ (CBM)
smartphone application* with optional CBKZ-WTCL upgrade. With this
feature, all camcorders
can synchronise to the
primary camcorder you
select or to a manually
set time – whichever
you prefer.
* Version 3.0 Content Browser
Mobile™ is required.
19
PXW-X70
1.0 type Exmor R CMOS Compact Solid-State Memory Camcorder
1.0-inch type Exmor® R CMOS Sensor with a Wide Variety of Recording Format Capabilities
Resolution of 20 Megapixels Including XAVC Long GOP (MXF)
The Exmor R CMOS sensor with 1.0-inch type picture elements delivers The PXW-X70 provides multiple choices depending on the application
high resolution and minimal noise even when shooting in low-light required, including XAVC, AVCHD™, and DV® file based recording. When
conditions. The 20-megapixel sensor comfortably supports 4K reso- recording in XAVC, the PXW-X70 uses the MXF file format, efficiently com-
lution, and 4K recording requires purchase of an optional 4K Upgrade pressing Full HD (1920 x 1080) resolution using the MPEG-4 AVC/H.264
License (CBKZ-X70FX). CODEC. Image sampling is 4:2:2 10-bit with high-efficiency Long GOP
compression at 50 Mbps, 35 Mbps, or 25 Mbps. Moreover, the ability to
29-mm Wide-angle Carl Zeiss Vario-Sonnar T* Lens with record in AVCHD format, which is widely used already, provides playback
12x Optical Zoom (Maximum 48x Zoom) compatibility with wide range of consumer electronics equipment.
The wide-angle 29-mm ZEISS Vario-Sonnar T* lens ensures stunning qual-
ity to the very corners of the image and offers 12x optical zooming that can 3.5-inch* type LCD Panel and 0.39-inch* type OLED
be increased to 24x via Clear Image Zoom. Magnification can be further
Viewfinder
increased to 48x by Digital Extender, which takes full advantage of the
20-megapixel high-resolution image sensor. From wide-angle to tele- Four Position (clear, 1/4, 1/16, 1/64) Switchable
photo shooting, this lens enables various professional level applications.
Additionally, seven shutter blades contribute to impressive background
bokeh.
Compatibility with HDMI and 3G-SDI Output
Wi-Fi and Wireless Functions for Remote Control XLR Handle Unit
Streaming
This feature allows images to be streamed live from the PXW-X70 for view- Dual Media Slots
ing at a remote location. Data transfer rate, specified by two image quality
menu settings (9Mbps and 3Mbps), can be selected to suit the network
Picture Profile Function
environment being used.
FTP Transfer Compatible Accessories Attached to the Multi-
This feature supports FTP file transfers on the PXW-X70, allowing content Interface (MI) Shoe
files recorded with the XAVC Proxy Recording feature and other content
files shot in XAVC (4K/HD) and AVCHD formats to be sent over the Internet Optional 4K Upgrade License “CBKZ-X70FX”
for remote storage on an FTP server. CBKZ-X70FX is the Upgrade License which enables 4K recording on the
Wired LAN Connection PXW-X70. Firmware version 2.0 is required for use of the Upgrade License.
When wireless LAN is unavailable, this feature allows the PXW-X70 to be * Viewable area measured diagonally.
connected to the Internet over a wired connection via a USB adapter cable
“VMC-UAM2” and Network adaptor kit “CBK-NA1R', both sold separately, Optional MPEG2HD Upgrade License "CBKZ-SLMP"
allowing files to be streamed or transferred by FTP. CBKZ-SLMP is the Upgrade License which enables MPEG2HD recording
on the PXW-X70. Firmware version 3.0 is required for use of the Upgrade
XAVC Proxy Recording
License.
Proxy recording supports the use of a low-bit-rate video file in place of an
XAVC format, high-bit-rate file with the same timecode.
* Requires Version 3.0 firmware or

above, plus CBKZ-SLMP upgrade kit.
20
HXR-NX80
1.0 type Exmor RS CMOS sensor palm-sized NXCAM 4K camcorder with
XAVC S, Fast Hybrid AF, & Instant HDR Workflow
Revolutionary imaging performance with Exmor RS Instant HDR workflows
Exmor RS is a Sony's CMOS image sensor Shoot, edit and view HDR content in HLG without the need for
that adopts a unique "back- illuminated and additional colour grading*.
stacked structure. A large 14.2-megapixel As the expanding need for HDR content continues, internet
(effective) 1.0-type stacked CMOS image video platforms and professionals producing corporate or event
sensor delivers beautiful background content are paying more attention to the added value of HDR.
bokeh defocus effects and superior They need to deliver content quickly, without compromising
sensitivity for capturing high-quality on imaging expression and quality of content. To meet this
images with less noise, even under dark or demand, the HXR-NX80 offers HLG (Hybrid Log Gamma) curve
bright conditions. This sensor integrates and BT.2020 color space shooting, in addition to S-Log3, for easy
up to 273 phase-detection AF points that file-based workflows, whilst achieving the image quality of HDR.
densely cover approx. 84% of the image This simple workflow enables the shooting, editing and viewing
area, for precise tracking of subjects of HDR content in HLG, without devoting a lot of time to post-
throughout the shooting frame. production work and additional colour grading.
Enhanced Fast Hybrid auto focus captures action

Enhanced Fast Hybrid auto focus (AF) is comprised of a number Stunning slow motion in Full HD
of features: Phase-detection AF with up to 273 reference High Frame Rate shots can turn everyday actions into slow motion
points covering approximately 84% of the image area, face ballet and the HXR-NX80 delivers up to 120 frames* per second
detection and lock-on auto focus technology to estimate subject (fps) in Full HD, giving you a maximum of 5 times slow motion
movement. They all work together seamlessly to capture fast- expression. There’s no sacrifice in bit depth and no “windowing”
moving subjects with amazing sharpness. of the sensor. So there’s no crop factor, no loss in angle of view.
Higher frame rates** are also possible at specific resolutions.
* 120fps (NTSC)/100fps (PAL)
** 240, 480, 960 (NTSC)/250, 500, 1000fps (PAL)
Professional quality 4K (QFHD) and HD

The HXR-NX80 allows you to record a wide range of 4K (QFHD)
and HD formats for maximum flexibility from this stunning palm-
sized camcorder. The NX80 supports XAVC S 4K 100/60 Mbps
recordings at 30p/25p/24p, XAVC S and AVCHD.
21
Networked for high mobility Remote operation
The HXR-NX80 comes with 2.4GHz Wi-Fi as standard – simply The HXR-NX80 has a featured remote interface (2.5 mm stereo
turn on and log onto your preferred network to enable a host of mini-mini jack) wired interface. Using a wired remote controller
advanced wireless production features: such as the RM-1BP or RM-30BP the focus, zoom, rec start/stop
Ustream® Direct Streaming allows you to share scenes as they and rec review can be controlled remotely.
happen with high quality picture and sound without a switcher.
Wi-Fi/NFC (Near Field Communication) with Content Browser Dual media slots
Mobile™ allows the HXR-NX80 to be remotely controlled from To extend recording time and
a smartphone or tablet computer (iOS 9.0 - 10.3 or Android 4.4 workflow flexibility, the HXR-NX80
through 7.1) via a Wi-Fi connection. One-touch authentication is is equipped with two memory card
also possible with smartphones that offer NFC connectivity slots and is compatible with SDXC
* The Content Browser Mobile™ application can be downloaded from the Google Play and SDHC cards.
Store or App Store. Wi-Fi operation cannot be guaranteed with all smartphones and Relay mode automatically switches
tablet computers.
recording from the first to the
second memory card when the
Wide-angle zoom lens with great control first is full; Simul mode allows
The HXR-NX80 is supplied with a fixed 29mm wide-angle ZEISS simultaneous recording to two memory cards (for example to
Vario-Sonnar T* lens, ideal for capturing panoramic landscapes. create an immediate back-up version). The HXR-NX80’s two
The 12x optical zoom can be increased to 18x with Clear Image Start/Stop buttons on the handle grip and camcorder body can
Zoom, maintaining 4K resolution using Super Resolution independently start and stop recording on different memory
Technology or 24x in HD. In addition, the Digital Extender can cards while recording in Simul mode.
double this range again, up to 48x zoom.
The camcorder’s lens ring Multi-Interface (MI) Shoe
enables smooth, natural
The HXR-NX80 takes advantage of
adjustment of focusing or
Sony’s flexible Multi-Interface (MI)
zooming, depending on
Shoe, which provides power, signal
which mode is selected;
connections and coordinated on/
while the manual dial and
off switching to compatible various
buttons on the side of
Sony accessories. For example, you
the body allow swift and
can connect and control Sony UWP-D
easy adjustment of IRIS
wireless microphone systems (sold
(aperture), ISO/GAIN and
separately).
shutter speed.
Superb quality monitoring with enhanced OLED Simple live solution

viewfinder The HXR-NX80 is designed to work
seamlessly with Sony’s MCX-500
You have superb monitoring options with the NX80: an enhanced Multi Camera Live Producer,
0.39-type 2359K dot OLED viewfinder and 3.5-type 1550K dot a robust and cost-effective
LCD. The super high resolution OLED viewfinder offers excellent switcher that makes it easy for
quality brightness, contrast and response, giving you better one person to run a multi-camera
precision of manual focus operations and eliminating any live event shoot. When used with
colour-breaking phenomenon. The LCD gives you further flexible the MCX-500 and Remote Commander RM-30BP,
composition options. a Tally indicator will automatically appear on each HXR-NX80’s
LCD panel and viewfinder – a red icon indicates when the shot
is live (PGM) while Green indicates preview mode (PVW). The
MCX-500 supports up to 9 video inputs, 5 channel stereo inputs
including XLR with both internal recording and live streaming via
Ustream™, Facebook Live, and Youtube Live*
* Facebook live and YouTube live available with V2.0 firmware
Easily Synchronise Multiple Camcorders

When shooting with multiple camcorders, you can synchronize
the timecode of each camcorder using Content Browser Mobile™
(CBM) smartphone application* with optional CBKZ-WTCL
upgrade. With this feature, all camcorders can synchronise to
the primary camcorder you select or to a manually set time –
whichever you prefer.
* Version 3.0 Content Browser Mobile™ is required.
Dual XLR inputs

Two XLR inputs reject electromagnetic interference for
unhindered audio. Switchable phantom power supports mics
that need it, while true input level controls put you in charge of
sound.
22
HXR-NX200
1.0-type Exmor R™ CMOS Sensor delivers 4K Superb Image with
Beautiful Color Reproduction
3 independent manual lens rings, 24x zoom (FHD Clear Image Zoom)
4K or HD : Simply Superb Image Quality ables beautiful background bokeh to enable you to focus on what you
A large, 20 megapixel* 1.0-type sensor delivers stunning image qual- want to show and defocus the rest of the image.
ity in 4K (3840x2160) or Full-HD. Its 1.0-type sensor is brighter, has * 14.2 million effective pixels
** LOW LUX mode low noise and good low-light sensitivity
higher resolution and offers beautiful de-focused background.
Beautiful Colour Reproduction Sony G Lens with 24x Clear Image Zoom (FHD)
A fixed 29mm wide-angle lens with 12x optical zoom makes it easy
Natural facial tone and rich mid-
to capture even the most expansive landscape scenes while also of-
range colours deliver vivid, yet
fering superb clarity and sharpness – maximizing the performance
true-to-life imagery regardless
of the NX200’s large 1.0 type sensor. In addition, zoom performance
of exposure setting. It’s perfect
can be doubled at any point with a digital extender. The G Lens is
for capturing live music, semi-
Sony’s own camera lens family, designed and manufactured to the
nars and weddings with a look
high standards of optical performance.
that’s ready to share as soon as you export.
Multi-format Recording with 100Mbps XAVC S 4K,
The Professional’s Choice
HD and DV
There’s no need to choose between professional features and superb
4K imaging at an entry level price-point. Advanced manual controls, NX200 offers superb all-round performance whatever your workflow.
including three independent manual lens rings, built-in 4-step ND For 4K or Full-HD production, XAVC S offers stunning picture qual-
filters and class-leading 4K and Full-HD performance make NX200 ity, but also workflow flexibility and storage efficiency. Compared
a choice you can rely upon for live events, corporate, education and to AVCHD, XAVC S captures more details and less noise thanks to
wedding videography. the higher bitrate, while also being supported by all the major non-
linear editors. NX200 also offers the option to record in AVCHD or
DV, making it easy to integrate your content into existing workflows.
3Position ND Filter
(1/4ND, 1/16ND, 1/64ND) NX200 offers recording frame rates of 25p 4K:QFHD (3840*2160),
50p/50i/25p Full HD, and 50i DV
Iris Ring
Simple Live Solution
Zoom Ring
NX200 is designed to work seamlessly with Sony’s MCX-500 Multi
Focus Ring
Camera Live Producer, a robust and cost-effective switcher that
makes it easy for one person to run a multi-camera live event shoot
in HD. When used with the MCX-500 and Remote Commander
Stunning Quality from a Large 1.0-type Sensor RM-30BP, a tally indicator will automatically appear on each NX200’s
NX200’s single 20 megapixel* 1.0-type Exmor R CMOS sensor is ap- LCD panel and viewfinder – a red icon indicates when the shot is live
proximately the same size as a 16mm film frame. The key benefit of (PGM) while green indicates preview mode (PVW). The MCX-500 sup-
this large size is low noise and less blur because more light reaches ports up to nine video inputs, five channel stereo inputs, five chan-
the sensor, offering clear and steady pictures even in a dark scene nel stereo inputs including XLR with both internal recording and live
with minimum illumination 1.7 lux**. The large sensor size also en- streaming via Facebook Live and YouTube Live.
23
HXR-NX5R
Full-HD 3CMOS Compact Camcorder
Sony’s HXR-NX5U was a classic: our first NXCAM® camcorder and Everything you need
a landmark in the transition from tape to memory recording. Now
Forget about expensive accessories: the NX5R’s built-in features
that classic is reborn in the form of Sony’s new HXR-NX5R. With
include an adjustable brightness LED video light, 3G-SDI terminal
enhanced features like Wi-Fi® file transfer, OLED viewfinder and
with Full HD 60p output and advanced Multi-Interface (MI) Shoe
MI shoe, the NX5R is a worthy successor. It’s the ideal tool for doc-
to power and control key accessories. The HXR-NX5 and HXR-
umentaries and corporate assignments, weddings and events,
NX3’s accessories are fully compatible,* including Sony’s popu-
nature, sports and journalist newsgathering.
lar L-Series batteries, so your existing investment is protected.
Stunning pictures made easy Widely available consumer SDHC and SDXC media make shooting
with NX5R both economical and convenient.
Designed to get the job done quickly and efficiently, the NX5R’s
* HXR-FMU128 is not supported as dual-relay recording has been built into NX5R.
advanced three 1/2.8-type Full HD Exmor® CMOS system can be
relied upon to deliver sharp, cleanly focused imagery in almost
any shooting scenario. Recorded images are remarkably life- Features
like in texture and detail, while shooting is fast and hassle-free
with all the NX5R’s key functions right at your fingertips. Direct Rich color imagery
Menu options display on-screen, so shooting parameters can be The NX5R offers latest-generation imaging performance, with
changed quickly and conveniently without taking your eyes off Full-HD progressive image capture rather than the interlaced out-
the action. put of the original HXR-NX5. Its three 1/2.8-type Full HD Exmor
CMOS sensors provide 2.07 million effective pixel count at the
Working smarter 16:9 aspect ratio. Red, blue, and green light are independently
The NX5R’s advanced network functions mean there’s no need captured by separate image sensors, contributing to high resolu-
for expensive add-on's to take advantage of new business option, high sensitivity and wide dynamic range. An advanced LSI
portunities or speed-up your workflow efficiency. The HXR-NX5R (featuring intelligent noise reduction, enhanced detail reproduc-
is ready to go straight out of the box, whatever the business option and distortion correction technologies) delivers remarkably
portunity today or tomorrow – live streaming events, multi-cam- life-like images.
era shoots and FTP’ing breaking news to your editor are all just
a button press away.
Simple multi-camera shoots

The NX5R is also an ideal partner for Sony's innovative MCX-500
Multi Camera Live Producer* – an affordable, easy-to-operate
and full-featured switcher that delivers broadcast quality results.
Expand your business with multi-camera shoots for live presen-
tation, live streaming and recording across a wide number of ap-
plications.
* RM-30BP Remote Commander required for advanced integrated functionality.
24
Built-in LED lighting Get closer with 40x zoom
An easily adjustable brightness LED video light is positioned just The NX5R’S high-performance Sony G lens offers an expansive 28.8
above the camcorder’s built-in microphone, providing convenient mm (35mm full-frame format equivalent) angle of view at the wide
illumination for a wide range of shooting situations and minimiz- end and a stunning 40X zoom.
ing the need to carry external lighting equipment. Illumination is The 20x optical zoom range will easily cover most shooting situations,
approximately 200 lux/1m (approx. 800 lux/0.5m) with a beam but when more reach is required, Sony’s advanced Clear Image Zoom
angle of 30° and a color temperature of approximately 5500K. employs Super Resolution Technology to double your optical zoom
up to 40x while still delivering exceptional image quality.
*An external microphone connected via the XLR connector may cast a shadow if used simul-
taneously with the built-in LED video light.
(Simulated images) Optical Zoom Clear Image Zoom
Multi-format recording
Networked for high usability The NX5R is designed to provide exceptional performance for Full HD
productions, recording in AVCHD and DV to support proven legacy
Live internet stream from any event using hassle-free live stream- workflows, as well as the newer, more advanced XAVC S at 50Mbps.
ing service such as Ustream™ or a generic streaming mode for a XAVC S offers stunning picture quality, but also workflow flexibility
local area network for a secure corporate presentation. and storage efficiency. In XAVC S, the NX5R uses the MP4 file format,
Remote control makes the NX5R perfect for multi-camera shoots. sampling at 50Mbps. Compared to AVCHD, XAVC S 50Mbps captures
Mount on a tripod and use your smart phone or tablet to monitor more details and less noise, thanks to the higher bitrate.
and control focus, zoom, iris, REC START/STOP and more.*
FTP allows you to click and send Full-HD content to your editor for Format Color space/bit rate Max rate
fast-breaking news stories.
* Sony’s Content Browser mobile application can be downloaded from the Google Play XAVC S 4:2:0/8 bit 50 Mbps
Store or App Store. HD
AVCHD 4:2:0/8 bit 28 Mbps
SD DV DV 4:1:1 (60Hz)/8bit (NTSC) 25 Mbps
Flexible controls
All of the NX5R’s key functions are at
your fingertips – from intuitive Direct
Menu controls to a responsive joy-
stick on the hand grip. Direct Menu
options display on-screen, so shoot-
Wide choice of connections including
ing parameters can be changed
3G-SDI quickly and conveniently without
The NX5R provides all the connectivity op- taking your eyes off the action.
tions professionals expect, including 3G-
SDI (Full HD 60p output), plus REMOTE, Precision monitoring
composite (BNC) and audio XLR terminals.
However you choose to shoot, the
NX5R adapts to fit your style. It has a
Multi-Interface (MI) Shoe high visibility wide viewing angle and
high contrast 0.39-type 1440K OLED
The NX5R takes advantage of Sony’s flexible
viewfinder and an easily adjustable,
Multi-Interface (MI) Shoe, which provides
flip-out 3.5-inch* type 1550K LCD, for
power, signal connections and coordinated
precision monitoring and low latency.
on/off switching to compatible Sony acces-
*Viewable area measured diagonally.
sories. For example, you can connect and
control Sony’s UWP-D wireless microphone
Perfect partnership
systems (sold separately).
The NX5R was designed alongside
Dual media slots Sony’s MCX-500 Multi Camera Live
Producer, a robust and cost-effec-
To extend recording time and workflow flex-
tive switcher that makes it easy for
ibility, the NX5R has dual media slots com-
one person to run a multi-camera
patible with SDXC and SDHC cards as well
live event shoot. When used with
as Memory Stick PRO Duo™ (Mark 2) and
the MCX-500 and optional RM-30BP
PRO-HG Duo.™ Relay mode automatically
Remote Commander, a Tally indica-
switches recording from the first to the sec-
tor will automatically appear on each NX5R’s LCD panel and Elec-
ond memory card when the first is full; Simul
tronic Viewfinder – a Red icon indicates when the shot is live (PGM)
mode allows simultaneous recording to two
while Green indicates preview mode (PVW). The MCX-500 supports
memory cards (for example, to create a back-up). Start/Stop buttons
up to 9 video inputs, 5 channel stereo inputs including XLR with
on the NX5R’s handle grip and camcorder body can independently
both internal recording and live streaming via Ustream™ service.*
start and stop recording on different memory cards in Simul mode.
*Service agreement purchased separately.
25
HXR-MC2500
Highly-sensitive Exmor™ R CMOS Sensor and Built-in LED High Contrast 1.44 Million Dots OLED Viewfinder and 0.92
Light Million Dots 3-inch* Wide LCD Panel
The HXR-MC2500 is capable of shooting clearly even in * Viewable area measured diagonally.
low-light or indoor environments. Its highly-sensitive Ex-
mor R CMOS sensor adopts a back-illuminated technology 32GB internal flash memory and low power consumption
that enables the image sensor to utilize incidental light more A 32GB internal flash memory storage system on board of the
efficiently (minimum illuminance of 0.8 lux* [60i], 0.7 lux [50i]**). The HXR-MC2500 enables longer duration recording of more than
HXR-MC2500 is also equipped with a convenient built-in LED light for 150 minutes. In addition, by using a combination of the inter-
valuable extra illumination. nal flash memory and memory card in the MS/SD slot, recording
* Manual setting mode: Shutter Speed - 1/15 sec, F1.8, Gain33dB functions such as “Relay” and “Simultaneous” for backup can be
** Manual setting mode: Shutter Speed - 1/12 sec, F1.8, Gain33dB available. When Sony’s L-Series InfoLithium batteries (such as the
optional NP-F970) are used, the HXR-MC2500 is capable of con-
tinuous long recording of up to 14 hours.
26.8 mm Wide-Angle Lens
Multi-Interface (MI) Shoe

Expands options to use accessories without cables, such as the
UWP-D11 wireless micro phone receiver and XLR audio input by
XLR adapter
BNC Composite Terminal
TC/UB Implementation
Wi-Fi/NFC Functions for Seamless Connection to

Smartphones
The HXR-MC2500 can connect to mobile devices such as smart-
phones or tablets via a Wi-Fi connection, enabling monitoring
and remote control functions such as start/stop recording, zoom
control, iris control and touch auto focus. Furthermore, it is also
NFC-capable (Near Field Communications) to allow easy, one
touch wireless connections to compatible mobile devices.
26
MCX-500
Multi-Camera Live Producer
The MCX-500 is an affordable, uniquely user-friendly and flex- Mix between 8 video sources + 1 Title (total 9 inputs)
ible production switcher that makes it simple for a single op-
The switcher is designed to expand your operations for full con-
erator or small team to produce a broadcast-quality live event.
trol of a multi-camera shoot. There is no need to worry about
Multiple video inputs, including professional 3G-SDI, HDMI,®
swapping out inputs during a production – the MCX-500 fea-
Composite Video plus dedicated DSK, mean you can mix and
tures no less than 8 video inputs (plus dedicated Title input)
match as needed for each production.
to easily accommodate any small-to-medium sized production.
Inputs include professional 3G-SDI (x4), standard HDMI (x2) and
Smart controls with configurable LCD Touchscreen even composite video (x2), allowing you to connect a wide va-
If you’re running the show on your own, you need controls that riety of cameras and other equipment. A dedicated RGB Title
suit the way you work – intuitive and yet somehow also fully input allows you to connect a PC or Macintosh to use as a dedi-
featured. The MCX-500 achieves this by carefully thought-out cated source of titles for your production.
physical controls that you will find easy to operate without
looking away from the action for a second.
More advanced features can be tuned to your exact workflow
requirements and mapped to an LCD touch-screen control with
easily recognizable ICON buttons. Trigger the sophisticated ef-
fects you’ve pre-defined with a single touch on a user-defined Stream content live over the internet
ICON. It’s a robust, user-friendly system that’s easily extended The MCX-500 is ideal for live streaming events and productions.
to bring in additional team members as productions grow. The switcher allows you to live-mix the output of multiple sources
with direct streaming in real time us-
ing services such as Youtube Live and
Facebook Live. Share scenes as they
happen with high-quality picture and
sound, direct from the MCX-500 to a
router via Ethernet – no PC required.
Tally function
When used with the MCX-500 and Remote Commander RM-30BP,
a tally indicator will automatically appear on each compatible
Multi-view monitoring camcorder’s** LCD panel and viewfinder – a red icon indicates
See all your sources simultaneously on one display. The when the shot is live (PGM) while green indicates preview mode
switcher’s multi-view output makes it easy for you to see all (PVW).
your sources and outputs on a single screen. Monitoring on ** compatible camcorders: PXW-FS5 (ver4.0 or above), PXW-Z280, PXW-Z190,
the multi-view is always four inputs. PXW-Z150 (ver2.0 or above), HXR-NX5R, HXR-NX80, HXR-NX200 as of Sep 2018.
27
RM-30BP
Remote Commander
The RM-30BP is the successor to the RM-1000BP, one of the indus-
try’s first comprehensive, multifunctional remote commanders.
Ideal for freelancers and small-budget productions, the light-

weight remote can be handheld, placed on a table or attached
to a tripod arm for operation. The RM-30BP can control most
camera functions including:
• Lens control: one push auto / manual focus, iris and zoom
control
• Camera control: recording / display functions, shutter speed,
white balance - including six assignable buttons
• Playback and multi camera control (up to 3 cameras)
The RM-30BP can also be connected to the new MCX-500 for

multi-camera control directly from the switcher, and is compat-
ible with the HXR-NX5R and PXW-FS7 v4.0, with plans to intro-
duce compatibility for other camcorders from Sony. Check the
latest compatible camcorder on the Sony website.
28
FDR-AX700
1.0-type Exmor RS™ Sensor Handycam® with XAVC S™, Fast Hybrid AF, &
Instant HDR Workflow
Incomparable AF performance 4K HDR (HLG)* recording
The Fast Hybrid AF system with 273 phase-detection autofocus Produce movies of wide dynamic range without devoting a lot of
points covering approx. 84% of the frame swiftly locks onto and time to post-production work.
tenaciously tracks even fast subjects.
*1
High functionality
S-log2/S-log3 lets you capture far wider ranges of brightness and
colour for enhanced post-processing potential. With Super Slow
Advanced operation Motion*2 and Slow & Quick Motion*3, you can record within a vast
Take command of movie production with a wide range of manual range of speeds, from the most fleeting at up to 40x super slow
controls, as well as ergonomic button and grip design for fluid motion, to up to 60x quick motion videos.*
handheld shooting. The 2359k-dot high-resolution OLED Tru-
Finder™ and 3.5-type 1555k-dot Extra Fine LCD make it easy to Relative stops (from 18% gray) – video level (%)
preview and monitor shots in precise detail. A new menu system 18%
Gray
90%
White
1300% of
90% White
offers faster access and live setting preview. Dual slots are 100
106%
convenient for extended relay or simultaneous backup recording. 94%

80
Video level (%)
60
40 41%
32%
20 S-Log2
S-Log3 *2 Sound cannot be recorded. A Class 10
0
-8 -6 -4 -2 0 2 4 6 8 or higher SDHC/SDXC memory card is
required.
Relative stops from 18% gray
*3 Sound cannot be recorded. SDHC/SDXC

UHS-I (U3) memory card is required.
Other features
Built-in ND filters, Picture Profile, Zebra function, Peaking display,
Proxy recording, TC/UB, 4K movie playback capability on an HD
TV, manual setting for extra control, NIGHTSHOT, etc.
*1
*1 3840 x 2160 pixels. Connect this product to a HDR(HLG) compatible Sony TV via a USB cable when displaying HDR movies.
29
Ultra-high Sensitivity up to ISO 409600 with Wide
Dynamic Range and Internal 4K Movie Recording
••Ultra-high sensitivity up to ISO 409600*1 and wide dynamic
range for stills and movies, thanks to the 35mm full-frame
Exmor CMOS sensor with 12.2 megapixels*2
••Internal 4K (QFHD: 3840 x 2160)*3 movie recording in full-frame
format features full pixel readout*4 with no binning for higher
image quality
••Professional video features include S-Gamut3.Cine/S-Log3 pro-
file as well as XAVC S
••Full HD recording at 120fps and 4x/5x slow motion recording
••5-axis optical image stabilization extends the expressive poten-
tial of still and movie images
••Fast Intelligent AF with enhanced speed and accuracy performs
35mm full frame 16:9 in 4K / Full HD reliably in light as low as EV -4
••Full frame image sensor provides extensive control of plane of
focus for creative movie making
*1 Standard ISO range: 100-102400 for stills and movies.
Expandable ISO range: 50-409600 for stills, 100-409600 for movies.
*2 Approximate effective megapixels.
*3 Internal recording and HDMI output, both at 4K resolution, are available in full-frame format.
Super 35mm equivalent in Full HD
*4 1 In 29.97p (25p)/23.98p movie setting.
*5 The viewfinder magnification is approx. 0.78x (with 50mm lens at infinity, -1m-1).
3840 x 2160
RX0
Ultra-Compact Camera with Waterproof and
Shockproof Design
••15.3 megapixels*1 1.0-type stacked Exmor RS™ CMOS sensor with
DRAM chip
••24mm*2 F4 ZEISS® Tessar T* lens delivers high-resolution images
••Ultra-compact size, lightweight and rigid extra super duralumin body
••33 ft (10 m) waterproof*3, 6.5 ft (2.0 m) shockproof*3, 440 lbf/2,000 N
(200 kgf) crushproof*3
••Super slow motion movies*4 at high frame rates up to 960fps
(NTSC)/1000fps (PAL)
••Anti-distortion shutter of up to 1/32000 sec.
••Up to 16 fps*5 Continuous Shooting
••Picture Profile and S-Log2 gamma settings enable pro-style movie
expression
••Uncompressed high-quality 4K QFHD data can be recorded on an
Optional Camera Control Box CCB-WD1 external recorder.
••Ultra-compact size as RX0 ••Wireless*6 or Wired*7 multi camera control for multi-view applications
••Reliable wired multi-camera solution
*1 Approx., effective
••Multiple camera synchronization
*2 35mm format equivalent
*3 Sony’s test condition. Depending on usage conditions and circumstances, no guarantee is
made regarding damage to, malfunction of, or waterproof performance of this camera.
*4 Sound cannot be recorded when shooting slow motion. A Class 10 or higher micro SDXC or
SDHC memory card is required.
*5 In Speed Priority Continuous mode. Focus and exposure settings fixed at first shot.
*6 Requires PlayMemories Mobile ver. 6.1 to control up to 5 cameras and 6.2 or higher more than
6 cameras
*7 Requires optional accessories Camera Control Box CCB-WD1
30
Mount System for a Wide Selection of Lenses
E-mount Interchangeable Lens System
Sony's E-mount interchangeable lens system enables the attachment of Sony's lenses as well as other brand lenses that utilize third-party adapters.
Mount Adaptors
+ A-mount Lenses
Mount Adaptors
E-mount camera
+ Third party adaptor
Other Lenses
mount
E FE PZ 28-135mm F4 G OSS SELP28135G mount
E E PZ 18-110mm F4 G OSS SELP18110G
This top-quality powered zoom 18 to 110mm zoom (27-165mm
lens for 35mm full-frame and equiv. in 35mm full-frame format)
Super35 format cameras has been covers the most frequently
created to satisfy professional used range for Super 35mm/
moviemaking requirements, APS-C movies with a constant
including the high resolution 4K F4 maximum aperture. G Lens
format. Focus breathing and zoom optical performance delivers image
image shift have been reduced quality that is suitable for 4K
to an absolute minimum, while production throughout, right out
aspherical elements and advanced to the image periphery. Sony SMO
multi-coating technology design minimizes image shift due
effectively suppress aberration. Quiet operation is also a priority, so an SSM to lens operation, while high-level zoom control and refined focus add to
(Super Sonic wave Motor) drive system has been employed for precise, professional overall performance.
quiet zooming. Independent control rings for zoom, focus, and aperture are
provided for the first time in an lens. Built-in Optical SteadyShot® image
stabilization adds to the extraordinary performance of this outstanding lens. L ens groups/elements: 15/18
M inimum focus: 0.4 (W) - 0.95 (T) m (AF / MF) ;0.95 m (Full MF) m
L ens groups/elements: 12 / 18 F ilter diameter: 95 mm
M inimum focus: 0.4 m (AF) / 0.95 m (MF) S ize: 110 mm (diameter) x 167.5 mm (length)
F ilter diameter: 95 mm W eight: approx. 1105 g (Without tripod mount)
S ize: 105 mm (diameter) x 162.5 mm (length)
W eight: approx. 1190 g (without tripod mount)
Aspherical lens ED glass
Aspherical lens ED glass
28 mm focal length 135 mm focal length 18 mm focal length 110 mm focal length
100 100 100 100
80 80 80 80
Contrast (%)
Contrast (%)
Contrast (%)
Contrast (%)
60 60 60 60
40 40 40 40
20 20 20 20
0 4 8 12 16 20 0 4 8 12 16 20 0 3 6 9 12 0 3 6 9 12
Distance from optical center of lens (mm) Distance from optical center of lens (mm) Distance from optical center of lens (mm) Distance from optical center of lens (mm)
Max. aperture F8 aperture
Max. aperture F8 aperture
R 10 line pairs/mm R 30 line pairs/mm R 10 line pairs/mm R 30 line pairs/mm
T 10 line pairs/mm T 30 line pairs/mm T 10 line pairs/mm T 30 line pairs/mm R 10 line pairs/mm R 30 line pairs/mm R 10 line pairs/mm R 30 line pairs/mm
T 10 line pairs/mm T 30 line pairs/mm T 10 line pairs/mm T 30 line pairs/mm
(R: radial values, T: tangential values)
(R: radial values, T: tangential values)
mount
E FE 16-35mm F2.8 GM E FE 24-70mm F2.8 GM
mount
E FE 70-200mm F2.8 GM OSS
mount
SEL1635GM SEL2470GM SEL70200GM
Full XA Full XA Full XA
AF/MF Switch DDSSM AF/MF Switch Linear AF/MF Switch
Lens groups/elements: 13/16 Lens groups/elements: 13/18 Lens groups/elements: 18/23

M inimum focus: 0.28 m M inimum focus: 0.38 m M inimum focus: 0.96 m
F ilter diameter: 82 mm F ilter diameter: 82 mm Filter diameter: 77 mm
S ize: 88.5 mm (diameter) x 121.6 mm (length) S ize: 87.6 mm (diameter) x 136 mm (length) S ize: 88 mm (diameter) x 200 mm (length)
W eight: approx. 680 g W eight: approx. 886 g Weight: approx. 1480g (without tripod mount)
Full
35 mm full frame format APS-C/Super 35 format Circular aperture ED(Extra-low Dispersion) glass / Super ED Aspherical lens / Advanced aspherical lens
XAXA extreme aspherical lens Nano AR Coating Internal focusing DDSSM Direct Drive Super Sonic wave Motor Linear Linear Motor Super Sonic wave Motor
Smooth Motion Optics Power Zoom Rear focusing Optical Steady Shot Focus range limiter / Electronic Focus range limiter Focus hold button
AF/MF Switch Auto Focus / Manual Focus switch
31
Accessories
Battery and Charger BP-U Series
Specifications
BP-U90 BP-U60 BP-U60T BP-U30
Maximum voltage 16.4 V DC
Nominal voltage 14.4 V DC
Nominal capacity 85 Wh 57 Wh 28 Wh
Operating temperature -4°F to +113°F (-20°C to +45°C)
1 11/16 x 4 7/8 x 2 3/4 inches 1 11/16 x 3 1/4 x 2 3/4 inches 1 11/16 x 4 1/8 x 2 3/4 inches 1 11/16 x 1 13/16 x 2 3/4 inches
Dimensions (W x H x D)
(41.5 x 120.7 x 69.7 mm) (41.5 x 82.5 x 69.7 mm) (41.5 x 102.5 x 69.7 mm) (41.5 x 41.5 x 69.7 mm)
Weight 1 lb 6 oz (630 g) 15 oz (420 g) 16 oz (450 g) 8 oz (220 g)
Supplied accessory Operating Instructions (1)
BC-U2A BC-U1A
Two-channel Simultaneous Battery Charger Battery Charger
• Simultaneously charges two BP-U90/U60/U30 batteries • Charges one BP-U90/U60/U30 battery

• Can charge one battery while supplying DC power to a camcorder • 12 V DC power output
Specifications
BC-U2A BC-U1A
Power requirements 100 V AC to 240 V AC, 50/60 Hz
Power consumption 85 Wh 38 Wh
Operating temperature 32°F to 113°F (0°C to 45°C)
7 x 8 1/8 x 5 1/2 inches 5 1/8 x 1 13/16 x 3 7/8 inches

Dimensions (W x H x D)
(177 x 53.2 x 137 mm) (128 x 45 x 98 mm)
Weight 1 lb 7 oz (650 g) 12 oz (330 g)
DC output 12 V, 2.0 A
Number of mountable batteries 2 1
Chargable battery BP-U90/BP-U60/U30
Supplied accessories Operating Instructions (1), DC output cable (1), Warranty Booklet (1)
Approximate Charge Time

BC-U2A BC-U1A
Model name (capacity)
1 battery 2 battery 1 battery
BP-U90 (85 Wh) 190 190 220
BP-U60 (57 Wh) 150 150 170
BP-U30 (28 Wh) 130 130 130
unit: minutes
32
Battery and Charger L / V / W-Series
Batteries L-series
Specifications
NP-F970 AC-VQ1051D
Voltage 7.2 V AC Adapter / Charger compatible with L-series
Capacity 6300 mAh • InfoLITHIUM™ batteries
Performance 45 Wh
Batteries V-series
Specifications
NP-FV50A NP-FV70A NP-FV100A AC-VQV10
Voltage 7.3 V 7.3 V 7.4 V AC Adapter / Charger compatible with V-series
Capacity 950 mAh 1900 mAh 3410 mAh • Quick and easy charging for
InfoLITHIUM™ P/M/V series batteries
Performance 6.9 Wh 13.8 Wh 25.0 Wh
Batteries W-series
For series
Specifications
NP-FW50 BC-TRW
Voltage 7.2 V Battery Charger compatible with W-series
Capacity 1020 mAh • Quick and easy charging for

InfoLITHIUM™ W series batteries
Performance 7.3 Wh
Video Light Wireless LAN
HVL-LBPC CBK-WA100/WA101 CBK-NA1 CBK-WA02

Battery Video Light Wireless LAN Adapter Network Adapter Kit 5GHz/2.4GHz Wireless LAN
Adapter
33
Related Products
Recording Media
SBP-256/128/64E SBS-128/64/32G1C QD-G256/128/64/32E SF-G1/64/32/16UZ SF-G1/64/32UX2 MS-HX32B

SxS PRO+ Memory Card SxS-1 Memory Card XQD Memory Card SDXC/SDHC Memory Card SDXC/SDHC Memory Card Memory Stick® PRO-HG Duo™
QDA-EX1 MEAD-SD02 SBAC-UT100 SBAC-US30 MRW-E90 QDA-SB1

XQD Express Card Adapter SD Card Adapter for XDCAM Thunder bolt2 and USB3.0 USB3.0 reader/writer for SxS Card Reader for XQD and SD USB adapter for XQD
Reader/Writer for SxS
HXR-FMU128
128 GB flash memory recording unit
The HXR-FMU128 Flash Memory Unit is an optional solid-state memory recorder designed for
NEX-FS700, NEX-FS100 and NEX-EA50 camcorders, and attaches directly to the right side of the
camera with ease. Hybrid recording functionality is possible by being able to record on both the
HXR-FMU128 and Memory card at the same time. The unit also offers long recording times of up
to 10 hours at the highest HD quality (28Mbps) and 11 hours at 24 Mbps
Audio
UWP-D11 UWP-D12 UWP-D16
UTX-B03 URX-P03 UTX-M03 URX-P03 UTX-P03 UTX-B03 URX-P03
Bodypack Transmitter Portable Receiver Handheld Wireless Portable Receiver Plug-on Transmitter Bodypack Transmitter Portable Receiver
Microphone
URX-P03D SMAD-P3D SMAD-P3 1Channel use : ECM-VG1 ECM-MS2

2-channel Portable MI Shoe Adapter MI Shoe Adapter SMAD-P3 + URX-P03 with Camcorder Shotgun Microphone Stereo Microphone
2Channel use :
Receiver (For URX-P03D) (For URX-P03)
SMAD-P3D + URX-P03D with Camcorder
- Internal connection
- No need for separate audio cable
- Power supply from camera*1
- On/Off control from camera*1
*1 For details on cameras that support this unit, visit Sony's website: www.sony.com/professional.
34
LCD Picture Monitors
LMD-A240 LMD-A220 LMD-A170 LMD-B240 LMD-B170

Screen Size
24” (24.1”) 22” (21.5”) 17” (16.5”) 24” (23.8”) 17” (17.3”)
(Inch, Diagonal)
SDI Input 3G-SDI (x2) 3G-SDI (x2) 3G-SDI (x2) HD-SDI (x2) HD-SDI (x2)
HDMI Input l l l l l
Image Comparison Side by Side, False Color Side by Side, False Color Side by Side, False Color Side by Side Side by Side
Software
Catalyst Browse
Catalyst Browse is a free, simple viewing and logging tool exclusively

for all of Sony's Pro formats
Catalyst Browse offers simple media management functions such as browsing a collection of files
from a particular device, viewing in detail individual clips, viewing and editing metadata
associated with the media, source color space support for accurate viewing, basic color correction
and color looks, copying from the device to a local hard drive, transcoding files to a variety of
formats, and ingesting and exporting clip lists for Sony Professional Discs.
Catalyst Prepare
The fast, simple, reliable path form camera to post

The ultimate preproduction assistant that allows you to easily and intuitively browse your
camera, deck, or card reader, view clips, off-load the media for safe backup, view and edit
metadata, batch copy, batch transcode to a wide variety of pro formats, precisely perform first-
pass color correction, and more.
Catalyst Production Suite
Focused, fast production for 4K, RAW, and HD video

Catalyst Production Suite fuses powerful media preparation and fast, focused video editing to
provide the backbone for video productions. Catalyst Prepare paves your path from camera to
post production, while Catalyst Edit provides a lean, focused video editing environment. Both
support 4K and Sony's RAW media from beginning to end.
To find out more and download a free trial please see:

http://www.sonycreativesoftware.com/catalyst
35
Distributed by ©2018 Sony Corporation. All rights reserved.
Reproduction in whole or in part without written permission is prohibited.
Features and specifications are subject to change without notice.
The values for mass and dimension are approximate.
“SONY” is a registered trademark of Sony Corporation.
XDCAM, NXCAM, Memory Stick, Memory Stick PRO, Memory Stick Duo, Memory Stick PRO Duo,
Memory Stick Micro, AVCHD, DV, DVCAM, HDV, XAVC, Exmor, i.LINK, BRAVIA, , XGA OLED
TruFinder, SteadyShot, InfoLITHIUM, and the Sony logo are trademarks of Sony.
WiFi is a trademark of the WiFi Alliance
The terms HDMI and HDMI High-Definition Multimedia Interface, and the HDMI Logo are
trademarks or registered trademarks of HDMI Licensing Administrator, Inc. in the United States
and other countries.
All other trademarks are the properties of their respective owners.
*i.LINK is a trademark of Sony used only to designate that a product contains an IEEE1394 connector.
Not all products with an i.LINK connector will necessarily communicate with each other. For
information on compatibility, operating conditions, and proper connection, please refer to the
documentation supplied with any device with an i.LINK connector.
MK20093V5OHB18SEP

Sony Procam-Family-Brochure

Uploaded by

Copyright:

Available Formats

Sony Procam-Family-Brochure

Uploaded by

Document Information

Original Title

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Sony Procam-Family-Brochure

Uploaded by

Copyright:

Available Formats

Professional

Slow & Quick Motion Function Yes

Gamma Curve Selectable

Lens Mount E MOUNT

HDMI Output Type A (x1)

Audio Output No Integrated into Multi/Micro USB jack (x1)

Remote Stereo mini-mini jack (ø2.5 mm) (x1)

MI Shoe Yes (x1)

Headphone Output Stereo mini jack (x1)

Wired LAN No RJ-45 (x1), 1000BASE-T, 100BASE-T, 10BASE-T

Monitoring / Built-in Microphone & LED

Built-in LED Light No

NFC NFC Forum Type 3 Tag compliant

Slow & Quick Motion Function Yes

Gamma Curve Selectable

Lens Mount E MOUNT Fixed

Zoom Ratio 17x (optical), servo/manual 25x (optical), servo/manual

Filter Diameter M77 mm, pitch 0.75mm M 82 mm, pitch 0.75 mm

HDMI Output Type A (x1)

GENLOCK-IN NO BNC (x1) (switchable to Video out) 1.0 Vp-p, 75Ω NO

Audio Output Integrated into Multi/Micro USB jack (x1)

TC In/Out No BNC (x1)

Remote Stereo mini-mini jack (ø2.5 mm) (x1)

MI Shoe Yes (x1) Yes (x2)

Headphone Output Stereo mini jack (x1)

Wired LAN RJ-45 (x1), 1000BASE-T, 100BASE-T, 10BASE-T

Monitoring / Built-in Microphone & LED

Built-in LED Light No

NFC NFC Forum Type 3 Tag compliant

Approx. 178.4 × 202.0 × 426.3 mm Approx. 190.0 × 202.0 × 419.7 mm

[60i]: 1080p: Frame rate selectable 240,480,960fps

HDMI Output Type A (x1)

Monitoring / Built-in Microphone & LED

Approx. 260 min. with NP-F770 battery (while recording with

121.0 mm × 104.0 mm × 274.5 mm Approx. 120.7 × 103.5 × 274.3 mm

NTSC / PAL Switchable

Recording Format (Video)

59.94p, 50p: 50Mbps/35Mbps 59.94p, 50p: 50Mbps/35Mbps

MPEG HD420 59.94p, 50p, 29.97p, 25p,

59.94p, 50p, 59.94p, 50p,

59.94p, 50p, 59.94p, 50p,

NTSC / PAL Not Switchable

Recording Format (Video)

59.94p, 50p, 29.97p, 25p, 59.94p, 50p, 29.97p, 25p,

1280 x 720: 9Mbps,

E mount flexibility extended

Shoulder mount comfort and control

Support for S-Gamut3.Cine/S-Log3,

Flexible Design Supports

Precise Timecode Synchronization Provided by

Timecode In/Out Functions

Support for Apple ProRes 422 Recording

Format Resolution Wrap Frame-Rate

Third party adaptor

Instant HDR workflows

Instant HDR Workflow

Network Workflow Flexibility

Advanced Face Detection AF A Wealth of Formats and Features for Professional

1.0-inch type Flexible 4K and Full HD recordings

Lens groups/elements: 13/16 Lens groups/elements: 13/18 Lens groups/elements: 18/23