Angkor Wat: Surigao Education Center
Angkor Wat: Surigao Education Center
Angkor Wat: Surigao Education Center
Km 2, Surigao City
ANGKOR WAT
(Report Paper)
Reporter by:
Herjay R. Sulapas
Introduction
Angkor Wat combines two basic plans of Khmer temple architecture: the temple-
mountain and the later galleried temple. It is designed to represent Mount Meru,
home of the devas in Hindu mythology: within a moat more than 5 kilometres (3
mi) long and an outer wall 3.6 kilometres (2.2 mi) long are three rectangular
galleries, each raised above the next. At the centre of the temple stands a quincunx
of towers. Unlike most Angkorian temples, Angkor Wat is oriented to the west;
scholars are divided as to the significance of this. The temple is admired for the
grandeur and harmony of the architecture, its extensive bas-reliefs, and for the
numerous devatas adorning its walls.
Background
Angkor Wat, the largest monument of the Angkor group and the best preserved, is
an architectural masterpiece. Its perfection in composition, balance, proportions,
relief's and sculpture make it one of the finest monuments in the world.
Wat is the Khmer name for temple (the French spelling is "vat "), which was
probably added to "Angkor "when it became a Theravada Buddhist monument,
most likely in the sixteenth century. After 1432 when the capital moved to Phnom
Penh, Angkor Wat was cared for by Buddhist monks.
It is generally accepted that Angkor Wat was a funerary temple for King
Suryavarman II and oriented to the west to conform to the symbolism between the
setting sun and death. The bas-reliefs, designed for viewing from left to right in the
order of Hindu funereal ritual, support this function.
Unlike most Khmer temples, Angkor Wat is oriented to the west rather than the
east. This has led many (including Maurice Glaize and George Coedès) to
conclude that Suryavarman intended it to serve as his funerary temple. Further
evidence for this view is provided by the bas-reliefs, which proceed in a counter-
clockwise direction—prasavya in Hindu terminology—as this is the reverse of the
normal order. Rituals take place in reverse order during Brahminic funeral
services. The archaeologist Charles Higham also describes a container which may
have been a funerary jar which was recovered from the central tower. It has been
nominated by some as the greatest expenditure of energy on the disposal of a
corpse. Freeman and Jacques, however, note that several other temples of Angkor
depart from the typical eastern orientation, and suggest that Angkor Wat's
alignment was due to its dedication to Vishnu, who was associated with the west.
Drawing on the temple's alignment and dimensions, and on the content and
arrangement of the bas-reliefs, researcher Eleanor Mannikka argues that the
structure represents a claimed new era of peace under King Suryavarman II: "as the
measurements of solar and lunar time cycles were built into the sacred space of
Angkor Wat, this divine mandate to rule was anchored to consecrated chambers
and corridors meant to perpetuate the king's power and to honour and placate the
deities manifest in the heavens above." Mannikka's suggestions have been received
with a mixture of interest and scepticism in academic circles. She distances herself
from the speculations of others, such as Graham Hancock, that Angkor Wat is part
of a representation of the constellation Draco.
The Angkor Wat temple's main tower aligns to the morning sun of the Spring
Equinox.Angkor Wat is the prime example of the classical style of Khmer
architecture—the Angkor Wat style—to which it has given its name. By the 12th
century Khmer architects had become skilled and confident in the use of sandstone
(rather than brick or laterite) as the main building material. Most of the visible
areas are of sandstone blocks, while laterite was used for the outer wall and for
hidden structural parts. The binding agent used to join the blocks is yet to be
identified, although natural resins or slaked lime has been suggested.
The temple has drawn praise above all for the harmony of its design. According to
Maurice Glaize, a mid-20th-century conservator of Angkor, the temple "attains a
classic perfection by the restrained monumentality of its finely balanced elements
and the precise arrangement of its proportions. It is a work of power, unity and
style."
In designing Angkor Wat in this way, King Suryavarman II and his architects
intended for the temple to serve as the supreme abode for Vishnu. Similarly, the
symbolism of Angkor Wat serving as an axis mundi was intended to demonstrate
the Angkor Kingdom's and the king's central place in the universe.
A sandstone causeway crosses the moat on its western side. The stylistic elements
of the complex are characteristic of Khmer architecture and include the ogival,
lotus bud-shaped towers, half-galleries, axial galleries, connecting enclosures and
cruciform terraces.
Khmer Architecture
Angkor Wat is the prime example of the classical style of Khmer architecture—the
Angkor Wat style—to which it has given its name. By the 12th century Khmer
architects had become skilled and confident in the use of sandstone (rather than
brick or laterite) as the main building material.
It is generally accepted that Angkor Wat was a funerary temple for King
Suryavarman II and oriented to the west to conform to the symbolism between the
setting sun and death. The bas-reliefs, designed for viewing from left to right in the
order of Hindu funereal ritual, support this function.
Architectural Plan
The plan of Angkor Wat is difficult to grasp when walking through the monument
because of the vastness. Its complexity and beauty both attract and distract one's
attention. From a distance Angkor Wat appears to be a colossal mass of stone on
one level with a long causeway leading to the center but close up it is a series of
elevated towers, covered galleries, chambers, porches and courtyards on different
levels linked by stairways.
The height of Angkor Wat from the ground to the top of the central tower is greater
than it might appear: 213 meters (699 feet), achieved with three rectangular or
square levels (1-3) each one is progressively smaller and higher than the one below
starting from the outer limits of the temple.
Covered galleries with columns define the boundaries of the first and second
levels. The third level supports five towers –four in the corners and one in the
middle and these is the most prominent architectural feature of Angkor Wat. This
arrangement is sometimes called a quincunx. Graduated tiers, one rising above the
other, give the towers a conical shape and, near the top, rows of lotuses taper to a
point.
Conclusion/Recommendation
Along the way you can find small stalls selling drinks and food, to avoid
dehydration carry water with you all the time. Last, but not least, dress
respectfully. Angkor Wat is more than an archeological site, it's a temple, the
symbol of a civilization and people's belief, so cover your shoulders and avoid
miniskirts.