A Rose For Emily: What's Inside
A Rose For Emily: What's Inside
A Rose For Emily: What's Inside
d In Context ..................................................................................................... 1
j Book Basics
from owning land, worked as tenant farmers or sharecroppers
and were forced to share the profits of their harvests with the
white landowners. As more and more people planted cotton,
AUTHOR supply outpaced demand and prices decreased—creating a
William Faulkner cycle of poverty throughout the southern states. Racial
tensions ran higher than ever as Jim Crow laws dictated a
YEAR PUBLISHED
policy of segregation and local vigilante groups used terror to
1930
enforce the discriminatory rules.
GENRE
Tensions escalated between genders as women defied the
Horror
"Cult of Domesticity" that had pervaded the 19th century.
PERSPECTIVE AND NARRATOR Rebelling against the notion that a woman's highest calling was
"A Rose for Emily" has a first-person plural narrator who to take care of the home and its inhabitants, many women put
speaks in the collective voice of the town. aside their aprons to further their education at institutions of
higher learning. Others began championing social causes, such
TENSE as the prevention of child abuse, the mitigation of poverty, and
"A Rose for Emily" is told in the past tense. an end to unsafe labor conditions. The suffrage movement
A Rose for Emily Study Guide Author Biography 2
gained traction. Many criticized women's more active roles and grotesque to illuminate the cultural and social issues
outside the home as a degradation of American ideals and unique to southern society.
values. This was particularly true in the South, where women
had historically been expected to uphold the image of the Common characteristics of Southern Gothic literature include:
a Author Biography
Flags in the Dust, and a minor character in "A Rose for Emily."
Southern Gothic that resonated with readers. Fellow writer and acquaintance
Sherwood Anderson (Winesburg, Ohio) suggested Faulkner
write about what he knew best: Mississippi. The creative
"A Rose for Emily" is classified as a short story in the Southern
floodgates opened. Faulkner mined his experiences as a son of
Gothic tradition. The Southern Gothic genre, popularized by
the South, as well as those of his family, to create a vast body
writers such as Flannery O'Connor and Tennessee Williams, is
of work that examines southern culture and its secrets. One of
an offshoot of Gothic literature. Characterized by a chilling
his greatest influences was his great-grandfather, Colonel
atmosphere of mystery and suspense, Gothic literature was
William Clark Falkner. Colonel Falkner—a veteran of the Civil
particularly popular from the late 18th century through the 19th
War—served as the inspiration for Colonel Sartoris, the mayor
century. Southern Gothic literature follows in the same eerie
of Jefferson in "A Rose for Emily," as well as a key character in
footsteps, but authors such as William Faulkner, Flannery
Sartoris, the first novel Faulkner set in the fictional
O'Connor, and Tennessee Williams aren't just trying to spook
Yoknapatawpha County. More stories about Yoknapatawpha
the reader for the thrill of it; they purposefully use the macabre
County followed, including Faulkner's most famous novel, The
h Characters
Emily Grierson
Miss Emily Grierson is born during the Civil War. Raised by her
very strict father, she ignores the cultural and social progress
exhibited by the New South, preferring to uphold the customs
and standards of the pre–Civil War days. She continues the
Grierson tradition of believing her social standing is higher than
it really is, and thanks to her father's insistence that no one
was good enough for his daughter, she remains unmarried and
uncourted into her 30s. Upholding the standards of the
Victorian woman—namely becoming a wife—is extremely
important to Miss Emily. This is why she allows herself to be
courted by Homer Barron, a man well below her class and a
northerner to boot. Homer, unfortunately, isn't a "marrying
man," so Miss Emily secretly kills him and keeps his body in a
bridal suite/tomb. She becomes a recluse after Homer's
disappearance, and the town doesn't discover her secret until
after her own passing 40 years later.
Character Map
Homer Barron
Northern carpetbagger;
suitor of Emily's
Mr. Grierson
Colonel Sartoris
Murderer Intimidator of Miss Emily's
Mayor of Jefferson
potential suitors
Tax absolver
Father
Antagonists Employer
Narrator
Collective voice of
the townspeople
Main Character
Minor Character
k Plot Summary
The Baptist minister speaks to Miss
Baptist minister Emily regarding her conduct with
Homer Barron.
The townspeople of Jefferson, Mississippi, gather for the
The Baptist minister's wife calls Miss funeral of Miss Emily Grierson. Miss Emily, a cold and
Baptist minister's
Emily's cousins in Alabama to report
wife cantankerous 74-year-old spinster, lived in Jefferson her entire
Miss Emily's conduct.
life. According to the narrator who represents the collective
voice of the town, Miss Emily is more of a monument to the
The Board of Aldermen essentially
Board of run the city of Jefferson. The past than a beloved neighbor.
Aldermen narrator presents them as one
character with a hive mentality. The narrative jumps back to late 1893, when Colonel Sartoris,
the mayor, tells Miss Emily she will not have to pay taxes, then
Miss Emily's two unnamed female jumps forward again 30 years to when the new generation of
cousins come from Alabama to government leaders sends her a tax bill. Miss Emily ignores it,
Cousins
speak with Miss Emily about her
relationship with Homer Barron. then later insists the Board of Aldermen speak with Colonel
Sartoris. The aldermen don't know what to do as Colonel
The druggist is intimidated into Sartoris has been dead for years.
Druggist
selling arsenic to Miss Emily.
The narrative goes back in time again, this time to 1895, two
years after the death of Miss Emily's father. Neighbors are
Mr. Grierson, Miss Emily's father,
Mr. Grierson prevents Miss Emily from being complaining about the unpleasant smell coming from Miss
courted during her youth. Emily's property. After a heated discussion about how to
handle the situation, the aldermen sneak over to Miss Emily's
The unidentified narrator speaks in house after dark and spread lime powder to neutralize the
Narrator the collective voice of the odor. The smell goes away in a few weeks.
townspeople.
It's clear the Griersons have fallen from their formerly high
Colonel Sartoris is the former mayor status in town, and the townspeople take pleasure in pitying
of Jefferson who assured Miss Emily
Colonel Sartoris the now-penniless Miss Emily. The narrator tells how Miss
she wouldn't have to pay taxes after
her father's death. Emily insisted her father was alive for three days after his
death in 1893, then she shut herself up in the house for six
Judge Stevens is the mayor of months following the funeral.
Judge Stevens
Jefferson after Colonel Sartoris.
Homer Barron, a Yankee—a term developed by southerners
during the Civil War to refer to their rivals from the Northeast
Plot Diagram
Climax
2 7
1
Resolution
Introduction
Falling Action
Introduction
6. Homer Barron's decomposed body is on the bed.
1. Jefferson's citizens gather for Emily Grierson's funeral.
Resolution
Rising Action
7. On the pillow beside him rests a long strand of gray hair.
2. In flashback readers learn Emily was told to pay her taxes.
Climax
Timeline of Events
1863
1893
Winter 1893
Summer 1894
Fall 1895
Fall 1895
1925
1937
"A Rose for Emily" does not follow the chronological structure
common to short stories. It bounces around in time, starting
Summary with Miss Emily's death and then delving into brief,
nonsequential flashbacks. These memories and observations
Miss Emily Grierson is dead. Everyone in Jefferson, the county add tension to the story while foreshadowing events to come.
seat of Yoknapatawpha County, Mississippi, attends the The purpose of this nonlinear structure isn't to relate a history
funeral, though the majority are there out of curiosity and of Miss Emily's life, but rather to engage the reader in the town
obligation rather than actual mourning. Born in the South gossip.
during the Civil War, Miss Emily is raised by her father. When
he dies in 1893, Miss Emily inherits the family's "big, squarish The tone of "A Rose for Emily" is set by the narrator, who
frame house that had once been white." Colonel Sartoris, the speaks in the collective voice of the townspeople. This third-
mayor at the time of Mr. Grierson's death, tells Miss Emily she person eyewitness account reveals no personal details, but a
no longer has to pay taxes in Jefferson because her father close reading of the text provides some basic information. The
"loaned money to the town." narrator is most likely a man, as evidenced by the way he
describes the townspeople's interest in Miss Emily's death. The
Thirty years pass and the next generation of city officials has men go to the funeral out of "a sort of respectful affection for a
no sympathy for Miss Emily, who earns no income. They send fallen monument" while the women go "mostly out of curiosity
her a tax notice followed by two formal letters requesting she to see the inside of her house." The narrator portrays the men
appear at the sheriff's office. She replies "on paper of an as upstanding citizens and the women as simply nosy. The
archaic shape" in handwriting that is "thin, flowing calligraphy in narrator is either a member of the Board of Alderman or has
faded ink" to say she no longer leaves the house for any close ties to someone who is, as he knows the details of the
reason. The tax bill is enclosed without comment. board's visit to Miss Emily's home as well as her interaction
with Colonel Sartoris 30 years earlier.
The Board of Aldermen, which effectively runs the town of
Jefferson, calls upon Miss Emily in person. These men are the The aldermen's visit to Miss Emily's house is the key to
first people in 10 years to cross the threshold of the decrepit understanding her psyche close to the end of her life. It's 30
house save for the black servant, Tobe. Miss Emily, dressed all years after the death of her father, and nothing in the house
in black, enters the parlor. Short and rotund she leans on a has changed. She dresses in the black clothes of mourning,
cane as she listens to their plea. Replying dispassionately, "I and a "tarnished gilt easel" in front of the fireplace bears a
have no taxes in Jefferson," she tells them to look in the city portrait of her father. The room is dusty, and the furniture is
records, then to take it up with Colonel Sartoris. The aldermen cracked. She thinks Colonel Sartoris is still alive and running
are at a loss for what to do as Colonel Sartoris has been dead the town. Though her body has gotten older to the point where
for 10 years. Tobe escorts them to the door. she almost looks dead herself, her mind is stuck in the past.
Her life has not advanced since her father's death—nor has her
understanding of the world around her.
Analysis
Miss Emily still adheres to the morals and values of the
William Faulkner is a master of the short story form, and he pre–Civil War South. She expects to be absolved of her debts
packs more information in a few short paragraphs than many because, decades earlier, her father was of some importance
writers can manage in the course of several pages. Instead of in town. She refuses to even acknowledge the tax bill, which
explicitly saying everything the reader needs to know about most likely stems from an old-fashioned belief that it is
Miss Emily and the town of Jefferson, Faulkner leaves implicit improper for women to talk about money. Miss Emily's proud
and icy demeanor while talking with the aldermen exposes her
conviction that she is still the beloved daughter of a powerful
Analysis
man. Outsiders, however, see only a crumbling mansion and a
The anecdote about the smell is the first clue as to what Miss
grumpy, aging recluse who clings to a lost way of life.
Emily is hiding in her house. It also serves as an insider's look
into the social and cultural hierarchy of an average southern
town in the 1890s. As in most other places in the United States,
Part 2 women were viewed as being less than their male
counterparts. In Jefferson their concerns and ideas are
automatically considered invalid, as illustrated by the way
Summary Judge Stevens shrugs off the woman who first raises the issue
about the smell at the Grierson house. It isn't until a man brings
The narrative flashes back 30 years. Townspeople notice a up the same topic that Judge Stevens does something about it.
terrible smell coming from somewhere on Miss Emily's Miss Emily isn't given the courtesy of addressing the smell on
property, and the aldermen aren't sure how to handle the her own; the aldermen simply trespass after dark and take
situation. Mr. Grierson died two years earlier, and there hasn't care of it themselves. The men of Jefferson dictate what is
been a sighting of 30-something Miss Emily's "sweetheart," appropriate for the women in town, even if those women are
Homer Barron, for several weeks. Miss Emily herself has not members of the men's families.
become a recluse. The only man living on the property is the
servant, Tobe. In the 1890s most of a woman's value to society directly
correlated to her ability to find (and keep) a marriage partner.
Eighty-year-old mayor Judge Stevens doesn't know what to At 30 Miss Emily is considered a spinster. Her father's death
do. One of the younger aldermen says they need to tell her to only highlights this social failing. Without him around she has
clean up the property. Judge Stevens is appalled by this no man to dote on. She understands this better than anyone
suggestion and asks the young man, "Dammit, sir, will you else, which is one of the reasons she refuses to admit her
accuse a lady to her face of smelling bad?" The aldermen father has died. Without him she means nothing to the world at
eventually decide to take care of the problem themselves and large.
sneak into Miss Emily's yard under the cover of night to spread
lime, a powder made of calcium hydroxide that neutralizes bad The world, even in Jefferson, is changing. "A Rose for Emily"
odors. As they creep around the yard they spot Miss Emily's addresses the evolving attitudes in the post–Civil War South.
silhouette in the window, watching their every move. The men are in one of two camps: the old guard, who run the
town, including Colonel Sartoris and Judge Stevens, and the
The townspeople think "the Griersons held themselves a little young up-and-comers who question the decisions of the town
too high for what they really were." Miss Emily's great-aunt elders. The narrator presents the younger men as being more
suffered from mental illness, and it seems like there might be progressive than their elder counterparts—they have no
something wrong with Miss Emily, too. After all she's still qualms with telling a woman to pay her taxes or suggesting
unmarried at the age of 30—a failing for women in this time she clean her property—but they are also portrayed as being
and place. At first her single status may have been because more brash and inconsiderate than the men who lead them.
her father didn't think anyone in town was good enough for his Faulkner is suggesting social progress comes at the expense
daughter, but surely this late in her life "she wouldn't have of gentility, one of the trademarks of the Old South. The more
turned down all of her chances if they had really materialized." years that pass the more the South loses the customs and
This sense of happiness about someone else's misfortune values that make it unique.
turns into pity after Miss Emily insists her father is still alive for
three whole days after his passing. The narrator says this is
understandable. Mr. Grierson had driven away every potential Part 3
suitor. Completely alone she has to "cling to that which had
robbed her, as people will."
Miss Emily disappears for a while after her father's death. Naturally the town gossips assume Miss Emily has become a
When she finally emerges from the house the townspeople "fallen woman." To put it more bluntly, they think she has had
think she looks "tragic and serene," particularly with her new, sex with Homer Barron. Women of this era were expected to
shorter haircut. Miss Emily's childlike hairstyle isn't the only maintain their honor and good virtue by not engaging in sexual
change in town; workmen are pouring concrete sidewalks, a relations before marriage. Flirtation was fine, but any hint of
first for Jefferson. The foreman is Homer Barron. He's from the sexual impropriety could severely damage a woman's
North, "a big, dark, ready man, with a big voice and eyes lighter reputation and her marital prospects. A rumor about
than his face." His unrestrained laughter attracts a lot of extramarital activities is one of the worst things that could
attention, and he quickly knows everyone in town. happen to a woman of Miss Emily's station. Her continuing
relationship with Homer effectively ruins any future prospects
To the surprise of everyone Homer and Miss Emily start taking
of matrimony with a proper southern gentleman.
buggy rides together on Sundays. It is originally thought Miss
Emily is just being gracious, for a Grierson "would not think This doesn't bother Miss Emily at first. "She carried her head
seriously of a Northerner, a day laborer." The older generation, high" even when she knew the townspeople were whispering
though, thinks Miss Emily's actions go way past the duties of about her. A year later however, her strong facade shows
noblesse oblige, or the responsibility of being considerate of cracks. When she turns up at the druggist's to buy the arsenic,
one's inferiors. Hushed rumors about Miss Emily and Homer she looks terrible. Her skin is "strained across the temples and
Barron start flying around town, all ending with "Poor Emily." about the eyesockets," a look that the narrator compares to
Yet Miss Emily carries her head high. Perhaps, the narrator how a lighthouse keeper appears after keeping watch for so
says, this was her way of demanding "the recognition of her long. In the convoluted timeline of Faulkner's narrative, this visit
dignity," showing "that touch of earthiness to reaffirm her takes place a year after Miss Emily and Homer became
imperviousness." romantically involved. Her cousins are visiting from out of town,
and Homer has disappeared for a while. Something is taking a
Miss Emily's "earthiness" with Homer reminds the narrator of a
physical toll on Miss Emily. It could be the arrival of her family,
separate incident a year later. Miss Emily, looking strained and
or, more likely, it's that she and Homer have courted for more
thinner than usual, asks the town druggist for arsenic. By law
than a year and he still hasn't proposed. The Griersons' recent
the druggist must find out the purpose of her purchase. Miss
fall from the upper echelons of society has made Miss Emily
Emily refuses to say. When she opens the package at home, it
more mindful than ever of what is expected from her as a
is labeled simply, "For rats."
woman, and the pressure to conform is apparent in her
appearance. She needs to marry, and fast. Homer Barron is her
last chance.
Analysis
Emily's association with Homer Barron causes a scandal in
Jefferson. He arrives in 1894, the year after her father's death. Part 4
The official period of Reconstruction following the Civil War
ended in 1877, but northerners still flocked to the South for job
opportunities. The end of the war didn't do much to change the Summary
attitudes of the die-hard Southerners. In Jefferson black
women are required to wear aprons in public, and the black The townspeople are convinced Miss Emily is going to kill
men paving the sidewalks are called derogatory names. herself with the arsenic. It is known around town Homer Barron
Northerners were just as suspect as blacks, perhaps even isn't a "marrying man," and their yearlong relationship hasn't
more so, and Homer's position as a day laborer puts him quite resulted in any public plans for the future. This is too much for
low on the rungs of the social ladder. Someone of Miss Emily's some of the ladies. They think Miss Emily is "a disgrace to the
self-proclaimed stature would normally be hard-pressed to find town," and they force the Baptist minister to talk to her about
her conduct. The talk obviously does not go well as the The narrator dances around the reason Homer won't marry
minister refuses to talk to anyone but his wife about it. His wife Miss Emily. It was "known that he drank with the younger men
writes to Miss Emily's cousins in Alabama. in the Elks' Club," and he said himself that "he liked men."
Today's reader understands these clues to imply that Homer
The arrival of the cousins seems to fix things. Miss Emily may be gay, but readers in the 1930s wouldn't have
purchases a man's toilet set—traditionally a comb, a mirror, and automatically jumped to that conclusion. Homer is portrayed as
a brush—and has the initials HB engraved on each piece. She a man's man, a burly beer drinker with a cigar clenched in his
also buys "a complete outfit of men's clothing, including a teeth. He doesn't fit to the stereotype of the effeminate gay
nightshirt." The townspeople take this as a sign Miss Emily and male still widely in circulation in the 1930s. Homosexuality was
Homer are married. Then they realize Homer is gone. They considered an abnormality during Faulkner's time. That's what
figure he is preparing a new home for Emily's arrival or at least makes his inclusion of a sympathetic character who may be
laying low until the cousins depart. Sure enough three days gay so surprising. It would have been easy to cast Homer
after the cousins leave Homer is seen on Miss Emily's Barron as the villain based on his implied sexual orientation
doorstep. He is never seen again. alone. Instead he is Miss Emily's prey.
Miss Emily, too, seems to have disappeared. When she finally Part 4 sees Miss Emily transform from a target of speculation
emerges six months later she is overweight, and her hair has to being "a tradition, a duty, and a care," as she is introduced in
started to turn gray. A few years later she offers children's Part 1. The disappearance of Homer Barron proves to the
china painting classes at her home to "the daughters and townspeople Miss Emily will not have a happy ending, and the
granddaughters of Colonel Sartoris's contemporaries." The older generation feels an obligation to help her in any small
lessons last a handful of years but are cut short by a lack of way they can. They send their daughters to china painting
students. Miss Emily becomes a recluse again. The town gets lessons, but the daughters go "in the same spirit that they were
free mail delivery, but Miss Emily refuses to have a mailbox or sent to church on Sundays" with money for the collection plate.
house numbers installed on the family home. A tax bill is sent This southern sense of obligation disappears when the older
to her every December, and every December it remains generation's daughters and sons grow up and become "the
unclaimed at the post office. At 74 she dies in a downstairs backbone and the spirit of the town." Their daughters do not
bedroom, "her gray head propped on a pillow ... moldy with age take lessons from Miss Emily; china painting, like the teacher
and lack of sunlight." herself, is useless and outdated. The younger generation's
attitude indicates Faulkner's thoughts about the cost of
progress. Social and cultural advancements—such as door-to-
Analysis door mail delivery—come at the expense of the things that
make a place or people so singular. In this case the values and
The townspeople of Jefferson are sympathetic to Miss Emily's
customs that gave the South its distinct character are pushed
plight. They understand the stress and loss of reputation
aside for generic American ideals.
associated with spinsterhood. Yet instead of offering to accept
her the way she is, they collectively decide "it would be the
best thing" if she killed herself. This seems barbaric to today's
reader, but in the 19th century suicide was one of the more
Part 5
acceptable means of reclaiming one's dignity after being
labeled as "fallen." Though men were actually three more times
likely than women to commit suicide, Victorian literature was Summary
filled with stories of female suicide. These fictional suicides
were a product of the cultural belief that women were weaker The news of Miss Emily's death spreads through the town, and
than men and thus less equipped to deal with the hardships of Tobe meets a group of women at the door. He shows them in,
life. Thanks to these stories people in the Victorian era then walks "right through the house and out the back," never to
(1837–1901) believed it was natural for a woman to want to kill be seen again. Miss Emily's Alabama cousins are sent for, and
herself if she couldn't uphold the ideals of a society obsessed the funeral takes place two days after their arrival. The whole
with the virtuous woman. town attends, young and old. The last living veterans of the
Civil War, who are older than Miss Emily, are convinced they thwarted by the ideals she held so dear.
came of age at the same time as the deceased woman, who
was born at the start of the war. The narrator observes they Part 5 of "A Rose for Emily" is notable not just for what is
are "confusing time with its mathematical progression, as the discovered in Miss Emily's house but also for the second
g Quotes
marked only by "a long strand of iron-gray hair."
Analysis
"Alive, Miss Emily had been a
Miss Emily didn't intend the arsenic for herself. Her target was tradition, a duty, and a care."
always Homer Barron. When her cousins come to town and
Homer disappears, she finally acknowledges he's not going to
— Narrator, Part 1
marry her. She's already lost one man—her father—and she's
not going to lose another. Some may view Homer's death as
the ultimate revenge of a woman wronged, but it can also be Miss Emily is more of a symbol to the citizens of Jefferson than
seen as an act of desperation. Miss Emily was terrified of being an actual person. She serves as a reminder of how life was in
alone again. She didn't just kill Homer. She constructed a the years before and following the Civil War. Though southern
beautiful bridal suite with all the trappings of a happy culture evolves, Miss Emily does not.
newlywed couple, then killed him in her home, possibly even in
that room, so she would have access to his corpse. She built
the fantasy life she had been so long denied by both her father "Not that Miss Emily would have
and Homer himself.
accepted charity."
Many interpretations of "A Rose for Emily" describe Miss Emily
as a necrophiliac, or someone who is sexually attracted to — Narrator, Part 1
dead bodies. The narrator gives no indication Miss Emily
engaged in such practices, only that "[t]he body had
Miss Emily embodies the stereotype of the upper-class
apparently once lain in the attitude of an embrace." Miss Emily
southern woman made of steel. Accepting financial help would
didn't want to have sex with Homer Barron's dead body; she
be even worse than admitting there is a problem in the first
just wanted someone, anyone, even a corpse, to lie next to her
place. Colonel Sartoris knows she won't swallow her pride to
during the long, lonely nights. By the looks of the empty pillow
ask for help, so he concocts a story about a debt the city owes
she slept next to him for many years. Homer's death isn't a
her father.
surprise to the citizens of Jefferson or the reader, but the
revelation about what Miss Emily did with the body comes as a
shock. Miss Emily isn't the bitter spinster the townspeople
think her to be, but a deeply lonely woman whose happiness is "It was another link between the
Miss Emily maintains her sense of dignity and class even when
gross, teeming world and the high
people in the town think she has been sleeping with Homer
and mighty Griersons." Barron. She is defiant in the face of gossip, and she doesn't
dignify their low thoughts with even the merest hint of
— Narrator, Part 2 acknowledgment.
"When she got to be thirty and The druggist's note on the box of arsenic indicates the poison
is to be used for rats. In a sense the druggist is right. Miss
was still single, we were ...
Emily uses the arsenic to kill the biggest rat in her life, Homer
vindicated." Barron, who does not marry her after an extensive courtship.
— Narrator, Part 2
"That ... which had thwarted her
The townspeople are not exactly happy Emily is still single but woman's life ... had been ... too
think that, due to the Griersons' high and mighty attitude, her
loneliness is somehow deserved.
furious to die."
— Narrator, Part 4
— Narrator, Part 2
"Daily, monthly, yearly we watched
Mr. Grierson prevented Miss Emily from marrying and the Negro grow grayer and more
surrounding herself with people who love her. She refuses to
acknowledge his death because he is literally the only person
stooped."
in her life and she cannot bear being alone. His status as family
patriarch is what earns her unwavering devotion. — Narrator, Part 4
opened it." story's timeline skips around the reader can ascertain Emily's
emotional state and the Griersons' status by the condition of
the house. When the reader first meets Miss Emily, the
— Narrator, Part 5
formerly grand house is described as "an eyesore among
eyesores" in a run-down, junk-filled neighborhood. In Part 2,
The narrator isn't a member of the party who breaks down however, the Grierson home is in pretty good condition save
Miss Emily's bedroom door. He says "they" instead of "we." for one thing: the smell of Homer Barron's rotting corpse. This
This indicates the great respect the narrator has for Miss blemish on an otherwise fine property indicates the fall from
Emily. Though he has no problem going into the room to see grace on the horizon. The appearance of the Grierson home is
what's there, he doesn't want to be the one to actually expose a physical representation of the family's status and Emily's
her secrets. descent into delusion and madness. By the end of Miss Emily's
life what used to be such a source of pride is now a source of
pity.
"The long sleep that outlasts love,
... conquers even the grimace of
love, had cuckolded him." Gray Hair
— Narrator, Part 5
Like the Grierson House hair color is used to indicate the
passing of time in "A Rose for Emily." Emily Grierson's original
Death has turned Homer Barron into a cuckold, or a man hair color is never stated, but when she finally emerges from
whose wife is cheating on him. Cuckold generally has a her house after Homer Barron's disappearance the narrator
negative connotation and is often used to emasculate the man notices "her hair [is] turning gray." The servant Tobe's hair also
it is used to describe. In this instance Emily's actions to ensure turns gray, and the townspeople track how long it has been
his fidelity have taken away his masculine authority. since Miss Emily was last seen by the color of his hair, "daily,
monthly, yearly."
As Miss Emily ages her hair grows "grayer and grayer" until it is
l Symbols a "vigorous iron-gray, like the hair of an active man." The
narrator's comparison of Emily's hair to that of a man is apt, as
is its description as "vigorous" and "iron-gray," vigor and iron
both indicating strength. Her hair starts to turn gray
immediately after Homer's disappearance, which coincides
with Emily's tacit refusal to take care of the smell on her through the war clung to the memories of life before it began.
property. By the time her hair is completely gray she is flat-out This is particularly true for former aristocrats like Miss Emily
refusing to cooperate with city officials on a number of issues. and Colonel Sartoris. Their families were prosperous and
The graying of her hair over time symbolizes the strengthening powerful before the war. For Miss Emily and Colonel Sartoris
of her will—iron-like —to live as she pleases, in defiance of preserving the ways of the "Old South" is a means of
social strictures. protecting the family legacy.
Faulkner and the narrator believe those who cling to the past
view it with rose-tinted glasses. Those who long for the past
Man's Toilet Set erroneously view it as "a huge meadow which no winter ever
quite touches." The past seems so much better than the
present because people do not remember it clearly thanks to
the "narrow bottle-neck of the most recent decade of years."
The toilet set, or grooming kit, Miss Emily purchases for Homer
As is the case with the very old men wearing their Civil War
Barron is a generous gift that represents the hope Emily has
uniforms to Emily Grierson's funeral, the passage of time blurs
placed on an anticipated union with Homer Barron. Usually
the reality of distant experiences. The past is never as good as
including a brush, a comb, and a mirror backed with silver,
it's remembered.
men's toilet sets were more than just toiletries; they were a
status symbol that indicated membership of the aristocracy.
Such a purchase would have been a major expense for a
woman with limited income, but the concept of maintaining her Tradition versus Progress
role as an aristocrat is important to Miss Emily. By marrying
Homer (and his money) she will be able to save the family's
name and position.
The citizens of Jefferson are divided into two camps: the older
She doesn't marry him, of course, and when the toilet set is generation, which upholds the traditions of the Old South, and
seen again it's in the bridal-suite-turned-tomb. The narrator's the younger generation, which is more focused on progress
description of the scene is one of immeasurable sadness. The than the way things were done in the past. These two parties
careful tableau arranged years before is covered in a thick continually butt heads about what is practical versus what is
layer of dust. The toilet mirrors the decay of the bridal suite. proper etiquette, particularly when it comes to dealing with
Disuse has tarnished the formerly shiny silver; the HB Miss Emily.
monogram is almost illegible. Its decay symbolizes the
crumbling of the ways of the Old South, the crumbling of the Southern gentility dictates women, particularly aristocratic
town's connection to the past, and the crumbling of the heart, women, be treated as if they were fragile objects requiring the
which had finally found an outlet in Homer Barron. utmost care. Colonel Sartoris's promise that Emily Grierson will
no longer have to pay taxes is an example of traditional
southern manners. He reasons a single female will have no
income of her own, and, as the daughter of a well-respected
Southern culture didn't change all at once after the Civil War,
Many southerners feared the North's influence following the
partly because specific customs and manners were an
Civil War. As the older generation in Jefferson passes on and
ingrained way of life and partly because those who lived
fades away, so do the manners and customs particular to the
Old South. These manners, which included deference to family disappearance. Once cowed into subservience by her father,
rankings, landowner graciousness, and a high degree of then forced to find a suitable husband by society, post–Homer
formality, existed because of a slave economy. Southern Barron Miss Emily suddenly poses a threat to the patriarchy
gentility conveniently overlooked the fact that their financial that had so long controlled her. She no longer allows anyone to
and social success was built on the blood and toil of slaves. tell her what to do—not the post office, not the Board of
When the ways of the Old South came crumbling down, the Aldermen. Faulkner uses Miss Emily to show how the
older generation refused to acknowledge its role in creating an patriarchy molded womanhood into a form that can easily be
unsustainable way of life and instead blamed the growing controlled.
influence of the North. Modern conveniences championed by
the younger generation, such as paved sidewalks and door-to-
door mail service, were scapegoats for the perceived
destruction of how things used to be. To the older generation Pleasure in Misfortune
in Jefferson the price of progress is the erasure of the charm
and character that had made the South such a singular place
for more than a century. To the younger generation progress is The Griersons' slide from southern aristocracy into a lower
a necessary part of economic and social recovery. class is a familiar theme in stories about the Civil War. Faulkner
adds another dimension to this riches-to-rags story by showing
how much the citizens of Jefferson delight in the inevitable fall
of the formerly mighty. This pleasure taken in the misfortune in
Patriarchy others, often referred to by the German term schadenfreude,
highlights the insecurities felt by those of lower social status.
For example, the narrator says that when the news spreads
Emily Grierson, like many women of the Victorian era, is a Mr. Grierson left his daughter practically nothing, "in a way,
victim of a society run entirely by men. The first and most people were glad. At last they could pity Miss Emily." Her fall
damaging male influence in her life is her father. Mr. Grierson makes them feel they are her equals or superiors, which in turn
uses the family's aristocratic lineage to effectively imprison his makes them feel better about themselves. Though not a
daughter in her own home by refusing any suitors who come to flattering depiction of so-called southern manners, the
the door on the grounds they're not good enough for his only townspeople's increasing interest in Miss Emily's failing is an
child. It is he, not Emily, who makes this judgment. She remains accurate portrayal of the ugly side of human nature.
imprisoned after his death. With no prospects for marriage and
no income of her own, she is forced to remain in the family's
crumbling mansion. Even after his death Mr. Grierson keeps a
tight grip on Emily's future. e Suggested Reading
Emily's father isn't the only controlling man in Jefferson.
Dilworth, Thomas. "A Romance to Kill For: Homicidal Complicity
Colonel Sartoris makes a law that "no Negro woman should
in Faulkner's 'A Rose for Emily.'" Studies in Short Fiction 36.3
appear on the streets without an apron" but doesn't make any
(1999): 251. Academic Search Elite. Web.
comments about the attire of black men. Judge Stevens
ignores the woman who complains about the smell at Miss Faulkner, William. A Rose for Emily. Logan: Perfection Learning,
Emily's house; the man who says the same thing with "diffident 1990. Print.
deprecation" is rewarded with action by the Board of
Aldermen. No matter their class, wealth, or color, women in Klein, Thomas. "The Ghostly Voice of Gossip in Faulkner's A
Jefferson are treated as less important than the town's men. ROSE FOR EMILY." Explicator 65.4 (2007): 229-32. Academic
Search Elite. Web.
This isn't unusual for the time period in which "A Rose for
Emily" was written and when it takes place. What is unusual is Walsh, Mo. "Why Southern Gothic Rules the World." The
the change in Miss Emily's demeanor after Homer Barron's Guardian. Guardian News and Media Limited. 4 Jul. 2015. Web.