Ode To A Nightingale: Transience Vs Permamnence
Ode To A Nightingale: Transience Vs Permamnence
Ode To A Nightingale: Transience Vs Permamnence
"closely bound up with the theme of transience and permanence." Keats was, in essence, a
worshipper of beauty. It is his romantic urge that forces him, after acutely feeling the tragic
loss of all that is lovable and precious in life, in the inevitable flux of the world of reality, to
discover an imaginative resource of permanent beauty that would defy the decaying power
of time. In his "Ode on Melancholy", Keats realises the joy of beauty and the agony in its
decay. The sight of a morning rose gives as immense pleasure but it fades away as soon as
it occurs in our mind that the same rose will wither in the afternoon. Keats's mission is to
enjoy life where beauty is eternal and therefore in his poetry, he continually makes an
attempt to reconcile the contradiction between the mutability of human life and permanence
of art.
This conflict between sensuous beauty and eternity takes an acuter form in Keats's magnum
opus "Ode To A Nightingale." As the poet listens to the mellifluous song of the "light-winged
dryad", his "heart aches and a drowsy numbness pains his sense." The nightingale's joyous
melody is symbolic to the undying beauty of art. The intensity of the contrast between the
Nightingale's world and the painful, troubled and decaying human world is brought into sharp
focus in stanza three where Keats describes that the Nightingale "among the leaves" is free
from "The weariness, the fever and the fret" of the human world. Keats expresses his desire
to escape from a world where "Youth grows pale, spectre thin and dies" or "where beauty
can not keep her lustrous eyes or new love pine at them beyond tomorrow." Here the focus
is predominantly on the ephemeral character of all those that are precious in human life.
Human sorrow and suffering is mainly due to the fickleness and decay of youth, beauty,
health and love. The quickly perishable charms of life, under the ruthless domination of
"time's winged chariot" only leaves a sense of inconsolable gloom and despair.
Keats yearns to forget himself with liquor and live the reality-this veritable inferno. He seeks
to escape to the nightingale's world where beauty is eternal. Though at first he chooses wine
to forget the morbid reality and to escape "among the leaves" but soon he dismisses the
thought and pines to escape with "the viewless wings of poesy." As he rides on the wings of
imagination, he visualizes himself to have already reached there. His ecstasy is so intense
that he wishes to die in the middle of it as it is the only way of giving permanence to his state
of being at the apex of sensuous joy: "Now more than ever seems it rich to die/ To cease
upon the midnight with no pain."
Keats says that the nightingale is "immortal"-" not born for death" and its song is literally
timeless and defies all the barriers of space. The poet imagines that the nightingale which is
singing to him now, has gladdened the hearts of the monarchs and fools in ancient times,
relieved the gloom of Ruth's mind, and even consoled the captive princess of fairy tales.
Thus the imagination sweeps all over the universe and blends together the real and the
imaginary. In contrast to this, Keats seems to say, no human poet or singer can attain the
state of immortality like the nightingale.
The poem ends by admitting in a sensible manner the impossibility of achieving freedom
from the tethers of struggles and frustration through imagination for ever as "the fancy can
not cheat so well/As she is fam'd to do, deceiving elf." Earl Wasserman has rightly
observed:"The core of the poem is the search for mystery, the unsuccessful quest within its
darkness. And this leads only to an increasing darkness, or a growing recognition of how
impenetrable is mystery to mortals."
(Arijit Das)