Ode To Autumn

Download as docx, pdf, or txt
Download as docx, pdf, or txt
You are on page 1of 2

Ode to Autumn

This sensual masterpiece was written in 1819 by john Keats, filled with vivid description of
autumn season. In the words of Maria Connors “‘to autumn’ is an ode that centers the
aesthetics of nostalgia, depicting a speaker who chooses to celebrate a season of change as a
key stage in the rejuvenation of the natural world”.
First stanza is strained with the fullness, which is clearly visible from the imagery of burdened
vines, ripened fruits and swelled gourds. Because the very beginning of autumn season is the
time of the summer at its climax. The sun is called the ‘close-bosom friend’ of autumn as it
shines frequently during the autumn season and without it crops would not ripen and harvest
of autumn wouldn’t be possible.
The imagery here suggests the union of a male sun and the female autumn being close bosom
friends where autumn is ‘conspiring with him how to load and bless’. Trees are loaded with
apples, fruits are ripened to the core, gourds are swelled and plump hazel shells shows that
nature has been at hard work. Now autumn is getting charge and going to rule over the world.
Bees have done their jobs as their hives are overfull. Their juicy nectar sucking will not be
anymore since flowers will not bloom in the autumn.
The second stanza opens up with a rhetorical question “who hath not seen thee oft amid thy
store?". The developmental process of season is continued and it’s the time now to harvest
which was sowed. Here autumn is personified with a woman. “ideology and audience response
to death in Keats ‘to autumn’ Mark Bracher suggests that the images of reaping, winnowing,
thrashing and pressing all refer to different acts of separation that occur in harvesting and thus
embody the traditional significance of death as a limiting, separating event’. The young poet
who is fighting with the death didn’t forget to mention here too.
Whoever wants to find autumn can look on the floor of barn where grains would be stored as
everything shed in autumn and only the stores are abundant with the variety of nuts and grains.
Autumn is enjoying by letting her hair free in the wind. An impression of bodily existence of
autumn can be observed by the reader due to the personified imagery of lying asleep, resting in
the fields watching cider-press.
Autumn has ‘drowsed with the fume of poppies’. She has gleaned her hard work and crossing
the brook with the load on her head. The final image of the winter watching ‘the last oozing
hours by hours’ is complementing with the summers end, over-briming of clammy cells at the
end of the first stanza. Nothing lasts forever and it reminds of the cycle of seasons where one
comes and bid farewell to the other.
The imagery of third stanza, ‘soft-dying day’, ‘wailful choir’ and ‘the light wind lives or dies’
gives the idea of things approaching to the end. His thoughts return to the spring and again asks
a question ‘where are the songs of spring?’. Then forgets his nostalgic feeling and praise the
music of the autumn which has its own tune and melody and can’t be devoid in front of spring
season. The scene of ‘barred clouds’ sky and land gives the visual details of spatial and
temporal emptiness.
The ‘wailful choir’ of small gnats in the dying day is creating more sadness in the silent eve of
autumn. The sensuous poet here too, shows his mastery over using the five senses and engage
the reader in every aspect in the reading process. The hedge-cricket and the robin red-breast
are communicating and flying swallows twittering and chirping in the sky giving the signal that
winter is coming. All this is linked to a recognition of the path that was taken to get there
leaving the reader with the comforting reminder that good things are never gone forever.

You might also like