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    Jimmy Blanton Jack The Bear

    Uploaded by

    jean breton
    The document is a musical score titled "Jack the Bear" composed by Duke Ellington. It contains musical notation across 122 lines, including chord progressions and time signatures. The score introduces the song's melody and chord changes and builds upon them throughout its length.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Jimmy Blanton Jack The Bear

    Uploaded by

    jean breton
    926 views2 pages
    The document is a musical score titled "Jack the Bear" composed by Duke Ellington. It contains musical notation across 122 lines, including chord progressions and time signatures. The score introduces the song's melody and chord changes and builds upon them throughout its length.

    Original Title

    jimmy blanton jack the bear

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

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    The document is a musical score titled "Jack the Bear" composed by Duke Ellington. It contains musical notation across 122 lines, including chord progressions and time signatures. The score introduces the song's melody and chord changes and builds upon them throughout its length.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    926 views2 pages

    Jimmy Blanton Jack The Bear

    Uploaded by

    jean breton
    The document is a musical score titled "Jack the Bear" composed by Duke Ellington. It contains musical notation across 122 lines, including chord progressions and time signatures. The score introduces the song's melody and chord changes and builds upon them throughout its length.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
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    Jack

    the Bear

                  
    Duke Ellington "Historically Speaking the Duke"

                 
       
     = 160 Intro

                
              
             
    
    6

                                      
      
    11

                                          
           
    19

                                          

    24

                                              
      
    31

                                         

    37


                                         

    44

                                      
       
    52

                          
     
    58 A♭7 D♭7
      

    67 A♭7 E♭7 A♭7 A♭7 D♭7

     
    
    78 A♭7 E♭7 A♭7 A♭7

      

    89 D♭7 A♭7 E♭7 A♭7 A♭7

           
      
                   
    100 D♭7 A♭7

        
                             

     
    106

                   
                  

    111

                       
     
       
    115

      
       
                 
      
    
     
           
     
    118

        

                 
         
    
    122

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