Quick Guide:: How To Find Good Light For Portraits at Midday
Quick Guide:: How To Find Good Light For Portraits at Midday
Quick Guide:: How To Find Good Light For Portraits at Midday
HOW TO FIND
GOOD LIGHT
FOR PORTRAITS
AT MIDDAY
by DigitalPhotoMentor.com
How to Find Good Light for Portraits at Midday
You’ve probably heard you need to have good light for the look you want for the final portrait. You’ll also learn
portraits, right? Okay great, but what does that mean about open shade, quality of light, direction of light and
exactly, and how do you find that elusive good light? how to bring it all together so that you can work faster,
smarter, and with less gear. Let’s begin!
In this guide you’ll get some tips on how to recognize
different kinds of light, and make choices based on
1
Step #1
Quality of Light
You’re likely familiar with quantity of light, which is simply
how much light there is falling on your scene. But, how about the
quality of light? This is where the discussion begins about good
light.
Hard Light
Hard light is characterized by sharp edged shadows, high
contrast between light and dark, increased texture, and
more drama in your image. That means if you want a
portrait with lots of contrast and drama this is the type of
lighting you want.
2
Step #2
Find a Good
Background
Once you’re in the shade and have softer light, the next thing
you want to take a look at is your background. So many times I see a
great portrait ruined by a busy or distracting background. Look behind
your subject, or better yet take a test shot and review it on the camera.
So how do you fix that? This is where the “work smarter This could be a game changer for you, are you ready for
not harder” tip comes into play. Many photographers it? Here it comes - move the subject and the camera!
will plunk their subject down in front of a pretty That’s it. Reposition the subject, or move yourself and
background and try to fight with the lighting. They’ll the camera position, so that the background behind her
bring in a reflector or even multiple speedlights to try isn’t so problematic.
and overcome the lighting issues on the background.
Okay that’s much better! All I did was move to the other Open up your mind to possibilities once again. Take that
set of steps and turned the camera and myself around trash and make it look like a treasure. Make art out of
180 degrees to get a different background. garbage, possibly quite literally. Make lemonade out of
lemons. Okay, you get it, enough of the metaphors.
Often times, within the area you are shooting there will
be more than one option for setting up and camera The point is to take an object that perhaps you see every
angles. One thing I recommend is that you walk around day and photograph it in a way that makes it look new
your subject - literally! to you. Make the lighting perfect, put it on an unusual
background, just get really creative. If you are doing
By that I mean, put them into position and physically
these projects with a friend, swap hidden treasures. Find
walk all the way around them, having them turn their
three in your garage, they find three—then you either go
body/face and follow you. Watch how the light on their
out together to photograph all six, or do three each then
face changes and how the background looks. You might
switch.
find a much better angle around the other side from
your original spot. Don’t feel you need to stick with
working in the first spot you pick, see step five below for
more on this.
3
Step #3
Direction of Light
The next consideration you want to look at is the
direction of light. If you aren’t sure where the light is coming from
go stand where you want your subject and look back toward the
camera. Look for the brightest area around you (squint your eyes if
you can’t find it, that will help) - THAT is the direction of light.
Analyze how the light is falling on the subject. Is it coming from the
camera angle straight at your model? Is it off to the side, or from
overhead? Often the issue shooting at midday is overhead lighting
which will cause dark eyes, especially on people with deep set eyes
or raised brows.
Ideally you want the light to come from the side, which
will allow you to create nice portrait lighting patterns on
your model. By moving them or having them turn their
face slightly the pattern will change. But overhead or
direct straight on lighting will not give you those options
and flattering lighting.
Now you’ll notice one side of his face is in shadow, which
is fine – this is called Split Lighting. But there is light in
his other eye and you can see his iris clearly. If you can see
the light source reflected in the eyes that’s called a catch-
light and is what you want to happen! If there is no light
in the eyes they look dull and lifeless.
4
Step #4
5
Step #5
Adjust as Necessary
This last step is actually the key to having more success
on your portrait photo shoots. Photography is a journey, not a
destination. Do NOT expect to get everything perfect on the first
test shot - the pros don’t!
More Learning
If you found this guide helpful, you can get even more portrait
lighting help with our online photography class – Portrait Fundamentals.
Learn everything from exposure, what equipment to use, light ratios,
metering, using flash, and more.
For a little adventure and practical application, you might want to attend
one of our workshops where you will get small group instruction custom
tailored to meet your needs - get more information on workshops here. Or
join us on an adventure and see the world on an exotic photography tour -
see where we’re going next and get more info here.
Contact Us
Cheers,