Keynote Advanced - key

I. 7. d
1. underestimated 8. c
2. contagious 9. d
3. contribution 10. b
4. overcrowded
5. tasteful VII.
1. genuineness
II. 2. urge
1. inflow 3. extraneous
2. cakes 4. turmoil
3. rock 5. collaboration
4. blew 6. crowdsource
5. up 7. parable
8. vulnerable
III. 9. fraud
1. l 10. ingenious
2. d
3. g VIII.
4. k 1. How often had Mr Pitt been trying to call them?
5. h 2. Whose coffee did I/you spill on my dad's suit?
6. i 3. Which knee was Steven down on?
7. b 4. How many men work as teachers?
8. c 5. Who depends on other animals?
9. e
10. a IX.
1. D
IV. 2. C
1. I'd rather not take part in the project 3. B
2. She was prevented from going away for the 4. A
weekend by lack of money. 5. C
3. I would have had to pay more if I had stayed 6. D
another night. 7. B
4. What I decided to do was go to university after all.
5. Sally wishes she was able to / could visit her aunt X.
more often. 1. D
2. H
V. 3. E
1. d 4. G
2. b 5. A
3. c 6. C
4. a 7. F
5. b 8. B
6. c
7. b
8. c
9. d
10. a

VI.
1. a
2. c
3. b
4. d
5. a
6. b
 The Beauties of the Stone Age
Jane Howard views some works of ancient art
I have just come home after viewing some astonishing works of art that were recently discovered in Church Hole cave
in Nottinghamshire. They are not drawings, as one would expect, but etchings, and they depict a huge range of wild animals.
The artists who created them lived around 13,000 years ago, and the images are remarkable on a variety of counts. First of all,
their sheer number is staggering: there are ninety all told. Moreover, fifty-eight of them are on the ceiling. This is extremely
rare in cave art, according to a leading expert, Dr Wilbur Samson of Central Midlands University. 'Wall pictures are the norm',
he says. 'But more importantly, the Church Hole etchings are an incredible artistic achievement.(1) They can hold their own
in comparison with the best found in continental Europe.' I am not a student of the subject, so I have to take his word for it.
However, you do not have to be an expert to appreciate their beauty.
In fact, it is the wider significance of the etchings that is likely to attract most attention in academic circles, since they
radically alter our view of life in Britain during this epoch. It had previously been thought that ice-age hunters in this country
were isolated from people in more central areas of Europe, but the Church Hole images prove that ancient Britons were part
of a culture that had spread right across the continent.(2) And they were at least as sophisticated culturally as their
counterparts on the mainland.
News of such exciting discoveries spreads rapidly, and thanks to the Internet and mobile phones, a great many people
probably knew about this discovery within hours of the initial expedition returning. As a result, some etchings may already
have been damaged, albeit inadvertently, by eager visitors.(3) In a regrettably late response, the site has been cordoned off
with a high, rather intimidating fence, and warning notices have been posted.
An initial survey of the site last year failed to reveal the presence of the etchings. The reason lies in the expectations
of the researchers. They had been looking for the usual type of cave drawing or painting, which shows up best under direct
light. Consequently, they used powerful torches, shining them straight onto the rock face. However, the Church Hole images
are modifications of the rock itself, and show up best when seen from a certain angle in the natural light of early morning.
(4) Having been fortunate to see them at this hour, I can only say that I was deeply - and unexpectedly - moved. While most
cave art often seems to have been created in a shadowy past very remote from us, these somehow convey
the impression that they were made yesterday.
Dr Samson feels that the lighting factor provides important information about the likely function of these works
of art. 'I think the artists knew very well that the etchings would hardly be visible except early in the morning.(5) We can
therefore deduce that the chamber was used for rituals involving animal worship, and that they were conducted just after
dawn, as a preliminary to the day's hunting.'
However, such ideas are controversial in the world of archaeology and human origins. Dr Olivia Caruthers
of the Reardon Institute remains unconvinced that the function of the etchings at Church Hole can be determined with any
certainty. 'When we know so little about the social life of early humans, it would be foolish to insist on any rigid
interpretation. We should, in my view, begin by tentatively assuming that their creators were motivated in part by
aesthetic considerations - while of course being prepared to modify this verdict at a later date (6), if and when new
evidence emerges.'
To which I can only add that I felt deeply privileged to have been able to view Church Hole.(7) It is a site
of tremendous importance culturally and is part of the heritage, not only of this country, but the world as a whole.
Taken from: Charles Osborne, CAE Practical Tests, Heinle Cengage Learning, 2006