2021-09-01 Elle UK
2021-09-01 Elle UK
2021-09-01 Elle UK
80
RAMLA ALI
Unstoppable. Unshakeable. Unbeatable
DIOR’S SECRET WEAPON
The millennial with the Midas touch
FASHION’S CHILD
PRODIGY
What Tavi Gevinson
did next
INTERIOR LIVES
Is property the new porn?
Page 12O
CONTENTS
September 2021
Page 65
Page 81
Page 112
EVERY MONTH
72 KEEP IT IN CHECK
High meets low when it comes to transitional dressing:
39 EDITOR’S LETTER
Editor-in-Chief Farrah Storr introduces the September SXW RQ \RXU ÀQHVW ORRNV QR PDWWHU ZKHUH \RX·UH JRLQJ
and use casual tartan to stop things going OTT
issue and the second year of ELLE’s mentorship scheme
BEAUTY
175 THE FUTURE’S BRIGHT
Bored of your natural hair colour? Be inspired by Dolce
& Gabbana and opt for a tie-dye effect
Page 134 and it’s not the super-plump features we’re used to
seeing all over social media. Meet the woman
leading the movement
FASHION TRAVEL
12O RAMLA ALI: LAST ONE STANDING
The champion boxer has spent her life fighting: against
2O3 DISCOVER AN A-LIST OASIS
Pastel hues, vintage-inspired design and a prime
beachside location – welcome to Pharrell’s new hotel
misconceptions, for her place in the ring and to support
MEINK E K LEIN, IM A XTR EE.
ELLE is a member of the Independent Press Standards Organisation (which regulates the UK’s magazine and newspaper industry). We abide by the Editors’ Code of Practice and are committed to upholding the highest
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Elle EDITOR’S LETTER
ELLE’S CLASS of
2O21
Meet the future of fashion. This month,
we launch the second round of our
ELIZABETH
OLUGA, 2O
Birmingham
Troubled by the lack of
representation in the media,
Elizabeth launched her
own YouTube channel. She’s
now studying for a degree
who will shadow the ELLE team over London, she wants to prove
that ‘your circumstances
the coming year. You saw them here first do not need to define you’.
4O
EL L E .COM / U K SEP T E M BER 2021
Elle GUEST LIST
MARGOT JESSICA
MacLEOD, 18 EDWARDS, 21
Inverness Norwich
With heroes including Debbie Jessica has worked at Tesco for
Harry, Margot is a huge music fan. four years and was a key worker
She finally had time over lockdown during the pandemic. Leaving
to submit articles to music zines her rural Norfolk hometown to
such as Why Generation and Babi study fashion communication
Punk. ‘Combining music and opened her eyes to new
writing is my dream, but I never possibilities. ‘I’m inspired
considered it possible,’ she says. by living in a city, from people’s
Next, it’s a music marketing degree outfits to art exhibitions.’
in Bristol, where she plans to see
more live gigs and write for the
university magazine.
HANAA
YOUSOF, 18
Solihull
Model Halima Aden made Hanaa
feel seen, and she wants to do the
RUQAYYAH same for others through journalism.
MAKDA, 17 ‘It’s difficult to understand your
potential in a space where you don’t
STEPHANIE Blackburn
Despite pressure to enter the stable see yourself represented,’ she says.
WHITE, 22 field of science, Ruqayyah’s true West Midlands-based Hanaa
Preston passion lies in film. ‘I don’t see many has chosen to wear a hijab for the
Doncaster-born Stephanie loves Asian women in the media, so it’s past five years and is proud to
Korean comics, TV shows and never felt like an option, but represent her Sudanese Muslim
music, but fantasy books are her I hope to be part of the change,’ community through her clothing.
ultimate escape from reality.
AS TOLD TO: BECK Y BURGUM.
she says. Ruqayyah is a keen nature Next, she’s looking for publishing
Next, she’s looking for a job photographer and spends her free internships before she studies
in publishing. ‘Breaking into time listening to film industry English at university.
the creative industry has always podcasts and watching analysis of
felt impossible coming from her favourite films on YouTube.
the north, but books are my
passion and I won’t give up.’
41
EL L E .COM / U K SEP T E M BER 2021
Elle MEMOIR
When I was 19, I went to see Love is What You Want, she was a teen in Margate, spinning in circles to a Sylvester
a mid-career retrospective of Tracey Emin’s work at the song in her silky red shirt. I was at uni studying English
Hayward Gallery in London. I’d only been living in the literature and often found the academic language used to
city for a year and I didn’t know who I was there yet. I’d discuss art and writing alienating, but my connection with
moved from Sunderland, where there was one small gallery. Tracey’s work was immediate and visceral; I felt it in my
In London, I spent weekends wandering around cavernous blood. It was the first time I’d seen art that felt as though it
white spaces, wonderstruck by the splattered canvasses, was speaking directly to me. I didn’t know that it was possible
towering sculptures and flashing lights. I was full of chaos, to tell the story of your own life like that; to take the hurt and
and I marvelled at the way artists could unspool their own the dreams caught beneath your skin and make them visible.
feelings and make them into something, giving their Tracey pulled her shame from her mouth like a thread of
experiences form and colour that other people could touch. light and hung it on the gallery walls for everyone to see.
The only thing I really knew about Tracey was her famous In retrospect, I loved Tracey because she was an outsider
unmade bed. I read that she was wild and subversive, that she and I felt like an outsider, too. She was a working-class woman
did what she wanted and caused a stir. That was the kind of who grew up in Margate and moved to London when she was
woman I wanted to be. As I walked around her exhibition – 15 with one suitcase and two David Bowie records. She made
reading the words, ‘A terrible wanting’ and ‘My brains all split work about her body, misspelling all of the words in her text-
up’ on her appliquéd blankets, staring at her searing neons based pieces, keeping the mistakes because they were part of
and studying her trembling, painful monoprints of the female her. She didn’t care what anyone thought. I was also working
form – a hot, dense redness swelled inside of me. I listened class and I wanted to be a writer. I felt small in London,
to her talking about her abortion on film and I watched a where money and power ran beneath the streets like
video of her naming the men who sexually assaulted her when electricity cables. My dreams were big and embarrassing.
49
EL L E .COM / U K SEP T E M BER 2021
Elle MEMOIR
PHOTOGR A PH Y, PR EV IOUS PAGE: TR ACEY EMIN, YOU LOVED ME LIKE A DISTANT STAR, 2012 © TR ACEY EMIN. A LL R IGHTS R ESERV ED,
alright, babe?’ she called down to me. When I was 27, I published my first novel. I used material
DACS/A RTIM AGE 2021. IM AGE COURTESY OF LEHM A NN M AUPIN. PHOTOGR A PH Y, THIS PAGE: COURTESY OF JESSICA A NDR EWS.
The landlady’s name was Deborah, and we became close. from my life to convey how it feels to be a young, working-
She was known for looking after young artists in the Nineties class woman in a world that doesn’t have space for you. I wrote
– when Shoreditch was full of industrial spaces that could be through my body, giving words to my flesh and fear. I learnt
used as art studios, before the rental market exploded and how to pull the hurt and dreams from beneath my skin and
Nike and Costa moved in. One afternoon, Deborah’s best make them visible; to push out my darkness and give it form.
friend Tracey came into the pub. She slipped behind the bar, Women who were younger than me came to my readings.
shy and softly spoken. ‘Deborah said I could have a Guinness,’ They looked at me with a hot, dense redness in their eyes, as
she said. ‘Will you show me how to pour one?’ I guided her though I had the answers to the questions they were carrying.
with shaking hands, showing her how to draw a shamrock ‘What should I do?’ A young woman asked me, trembling, in
on top. I couldn’t believe that I was showing her how to do a bookshop, a ghost of my former self flickering beneath her
something: Tracey Emin, who had taught me so much. skin. I looked at the woman helplessly, because no matter
She often came into the pub. I dug my nails into my palms how much I wanted to, I knew that I couldn’t change
to stop myself from grabbing her and telling her I understood anything for her. She had to learn how to do it for herself.
how it felt to come from nowhere and to want everything; Now, I’m working on my second novel. I’m writing about
to feel trapped by the weight of your body as it dragged you the body in a way that feels exposing, shameful, raw. I find
through the world. I wanted to ask how she learnt to push myself returning to Tracey’s work and the lightning feeling it
the darkness out of her; to name it and give it form. Instead, gives me to remember why I wanted to write in the first place.
I stocked fridges and wiped tables until my arms ached as I have a copy of one of her monoprints above my desk.
Deborah went to art openings, leaving me to empty the bins. It reads: ‘Just remember how it was’. As I try to find the
Tracey treated me with disinterest. She never learnt my language for my own memories, I look at it and remember
name. She said to me, unkindly, ‘You dress the way I did how I used to feel when I walked around art galleries, in
when I was about 16.’ I was afraid of my body and wore awe of the way artists pushed their feelings into shapes and
turtlenecks beneath ankle-length dresses, never showing an colours. I remember how impossible it once seemed that
inch of flesh. I knew Tracey understood that feeling; I’d seen I would ever get here at all. I remember my years working
it in her work. I watched her dancing by the jukebox in her in the pub, watching Tracey. I remember how strong she
long leather boots, wiggling her hips and miaowing like a cat. looked when she danced to Sylvester in her silky red shirt.
One night, we had an argument. She asked me where I remember how she taught me to illuminate things, to name
Deborah was and I answered. She prickled, protective of them for myself, to take my shame and turn it into power.
5O
EL L E .COM / U K SEP T E M BER 2021
upfront THE NOW, THE NEW, THE NEXT
EARRINGS,
EACH PART OF
MATCHING
DRESS, SET, PRICE ON
£58, RIVER REQUEST,
ISLAND TASAKI ATELIER
PACO RABANNE
BLUMARINE
MICHAEL KORS
COLLECTION
SUNGLASSES,
MOSCHINO
£770, GUCCI
Edited by PRODU T,
SARA XXX
BRAN
AN
McALPINE E NAM
ME
SANDALS, PRICE
and ON REQUEST, DOLCE
& GABBANA
BECKY TOP, £715, ISABEL
MARANT
BURGUM
EL L E .COM / U K SEP T E M BER 2021
53
Elle UPFRONT
says. ‘I’m watching, studying and observing everything they do.’ THAT APPEARS TO
While working on He’s All That, Addison also launched her CHANGE COLOUR
DEPENDING ON THE
own Ipsy beauty line, recorded weekly Spotify podcast episodes TIME OF DAY, THIS
with her mum called That Was Fun? and released a hit song
PHYLICIA J L MUNN/NETFLIX.
£6,650, NUE
MODERN
FROM £1,195,
LOAF
£1,904, LIGNE
ROSET
Blobby banquettes
TRENDING IFTING
M ’S CENTREPIECE HA S TAKEN A TURN, SHAPE SH
THE SITTING ROO D SURPRISINGLY SOFT – STATEM
ENT
US LY ST YLISH AN
INTO A NEW – SERIO
£2,645, NUE
MODERN
£6,810, HOMMES
STUDIO
STELLA McCARTNEY, LIGNE ROSET AND SWEETPEA WILLOW.
SHOPPING: JULIA HARVEY. PHOTOGRAPHY: COURTESY OF
SOFA, SO GOOD
EVERYONE LOVES
A SQUISHY
SETTEE, FROM
INFLUENCERS TO
STELLA McCARTNEY
STORES (ABOVE)
£2,980,
HEAL’S
TOP, £360
DRESS,
NEW SPIN £600
TROUSERS ARE
MODERNISED
WITH SPLICED
SEAMS AND
STAR-SHAPED
STITCHING
SP
Fanning – with a knack for creating striking knits and prints so vivid,
T
SP T
OTL I GH
their energy bursts from the
cloth. Born in Melbourne,
Australia, their urban studio
£2,100, FENDI
£1,275,
SALVATORE
FERRAGAMO
KEY PIECE
The original It bag
THE BAGUETTE IS BACK, BABY. THE BAG OF
THE NINETIES (JUST ASK CARRIE
BRADSHAW) IS ALL THE RAGE AGAIN. PACK
YOUR FLIP PHONE AND LET’S GO…
£300,
ELLEME music,’ she says. ‘There
are so many different
‘I’ve always been myself, but this time styles and textures in this album, there’s
I wanted to be even more unapologetic.’ something for everyone and every mood.’
Since her last album, the Mercury Prize- It’s true: searing political anthem
nominated Grey Area, British-Nigerian Introvert sits beside the soulful celebration
rapper Little Simz has bagged a of Woman, featuring Cleo Sol. Spanning
prestigious Ivor Novello award and made 19 tracks, spoken-word interludes give
waves in the acting world with a role in voice to her inner monologue.
WKH 'UDNH H[HFSURGXFHG 1HWÁL[ VKRZ ¶,W·V DERXWPHÀQGLQJSRZHUZLWKLQ
Top Boy. Now, she returns to the charts my introversion,’ says Simz, who always
£378,
with Sometimes I Might Be Introvert (out felt overwhelmed by the expectation
TL 180 3 Sept), her most personal project yet. that she should be larger than life, just
‘I’ve dug a lot deeper with my because she’s in the public eye. ‘I now
writing,’ says Simz. ‘I’ve given all I can.’ understand that it doesn’t make me less
Though still rooted in hip-hop, Simz FRQÀGHQWRUOHVVVXUHRIP\VHOI,FDQ
GUDZVRQGLYHUVHLQÁXHQFHVDIWHU still have a presence that’s loud without
spending time listening to albums by being the loudest person in the room.’
POSTCARD FROM...
...
Seoul, South Korea
r RICH CULTURE
TOP: EXPLORE
THE PARK OF
LONDON-BASED DESIGNER REJINA PYO ON THE SIGHTS, SOUNDS AND SEOUL FOREST.
ABOVE: DINE AT
FLAVOURS YOU MUSTN’T MISS IN THE CITY SHE GREW UP IN RESTAURANT JEJE
area with great cafés, boutiques and art dim sum and the chilli aubergine hotpot.
galleries, such as Daelim Changgo: a cafe
set in a former factory building with FAST FOOD FIX You can get a taste of
work by local artists on display. Korea in most markets and the quality is
incredible, like a Michelin-star restaurant
FAVOURITE HAUNTS
FROM TOP: NAGSEONJAE, HISTORY HIT Get a glimpse into but you sit on bar stools. Gimbap (like
CHANGDEOKGUNG; traditional culture at the Korea a sushi roll) is available anywhere for
NATIONAL MUSEUM Furniture Museum, up in the hills with around £2. I recommend nokdujeon, too:
OF MODERN AND
CONTEMPORARY ART, wonderful views of Seoul. It’s really a pancake made from mung beans. They
KOREA; SUPER MATCHA calming with classic architecture, near grind the beans fresh in front of you.
IDENTITY CRISIS
LEFT: PROTAGONIST
KATHY GETS
A DEVASTATING
DIAGNOSIS IN
SECOND SPRING
TRENDING...
Marriage stories
AFTER A YEAR OF RESCHEDULED WEDDINGS, THESE SPOUSES
IN ACTION MIGHT PUT YOU OFF THE IDEA FOR GOOD
EARRINGS,
165, ANITA
BERISHAA
GOLD AND
EMERALD RING,
£10,850, KHIRY GUMDROP JEWE
LS
BEA BONGIASCA
The Italian designer’s
curlicued earrings and
rings are playful and
SOMETHING pretty. Beloved by Dua
SCULPTURAL Lipa, styles are made of
9kt gold and sterling
KHIRY Jameel Mohammed silver with a paintbox
explores the African diaspora EULJKWÀQLVK)URP
through a modern lens,
PING: GR ACE CL A R K E.
DOLCE &
GABBANA
PRADA
BILLY PORTER CARR
RIE-ANNE
MOSS IN THE M ATRIX
DOJA CAT
GIVENCHY
KOURTNEY AND
BRA KIM KARDASHIAN
CLAUDINE
AUGER IN
THUNDERBALL
MARINE SERRE
ROD
STEWART
SERENA WILLIAMS
MAXIMILIAN
VICTORIA
BECKHAM GERI HORNER
MICHELLE
PFEIFFER IN
BATMAN CARDI B
J-LO RETURNS
NAOMI CAMPBELL
JUSTIN ZIGGY
HAWKINS STARDUST
DUA LIPA
YSEULT
PJ HARVEY
PAMELA
ALLBERTA FERRETTI ANDERSON
YVONNE
CRAIG IN
BATMAN
RICHARD
QUINN
LADY
MARLENE GAGA
AZEALIA BANKS
DIETRICH
KNWLS
MICK JAGGER
63
Elle UPFRONT
style
WHAT TO WEAR & HOW TO WEAR IT
Jumpsuit, £1,800,
and boots, £1,300,
both PRADA
Photography
LARA
ANGELIL
Styling
GEORGIA
MEDLEY
REFINED grunge
GIVE YOUR DIAMONDS UNEXPECTED EDGE, FROM GLITTERING
LIP RINGS TO A BEJEWELLED GARTER PAIRED WITH CLASSIC TWEED
Extra EXTRA
…READ ALL ABOUT IT: IT’S TIME TO WEAR YOUR MOST
OPULENT JEWELLERY ALL AT ONCE – AND ENJOY THE ATTENTION
NEW view
WORN WITH OVERSIZED EARRINGS ANDA HOLOGRAPHIC TOP,
THESE SPACE-AGE SUNGLASSES COULD BE FROM 198O OR 2O8O
SOFT touch
IT’S NOSTALGIA FOR YOUR CHILDHOOD TEDDY BEARS MIXED WITH
A DOSE OF DIRECTIONAL STYLE – EMBRACE THE TACTILE TOTE
Skirt, £3,700,
KEEP it in CHECK
Play around with layers this season, grounding elegant pieces
with casual plaid for a look you can wear anywhere
72
Elle STYLE
JUMPER, £200,
LACOSTE
PHONE CASE,
BAG, £240,
£195, BALENCIAGA
ACNE STUDIOS THE LOOK
GLAM, WITH EDGE: HOODIES
UNDER HOUNDSTOOTH, DRESSES
WITH STOMPY BOOTS OR SLEEK
BAGS WITH SLOUCHY KNITS
JACKET,
£130,
LEVI’S
COAT WITH MADE &
HOOD, £68, RIVER CRAFTED
ISLAND
KEYCHAIN, £81,
AYM STORE
JEANS, £98,
HOUSE
OF SUNNY
BOOTS, £460,
WANDLER
RING, £315,
PAOLA VILAS
DRESS, £340,
KENZO
THE DETAILS
MAKE EVERY ELEMENT
A STATEMENT, FROM
PRINTED JEANS TO
A STANDOUT KEYCHAIN EARRINGS, £450,
EARRING, £42.99, BALENCIAGA
CRYSTAL HAZE
JACKET,
£40,
MONKI
BOOTS, £150,
DUNE SUNGLASSES, £129,
JIMMY FAIRLY
T-SHIRT, £215,
MAX MARA
£175,
UNDERGROUND
ENGLAND
£100, UGG
STAND TALL
LACE-UP, FURRY, STRAPPY,
EVEN CROCS – THERE’S
A PLATFORM SHOE FOR ALL
OCCASIONS (AND WEATHERS)
KEEP SHINING
DON’T SAVE SEQUINS FOR
AFTER DARK TAKE SKIRT, £59.99,
THEM OUT IN DAYTIME TO MANGO
DRESS, £1,995,
SIMONE ROCHA SPARKLE IN THE SUN
DRESS,
DRESS, £295, RIXO £29.99, ZARA
DOUBLE down
WRAPPING NOT ONE BUT TWO JACKETS AROUND YOUR WAIST HELPS TO TIE
TOGETHER A LOOK BUILT ON CONTRASTS – AND PROVIDES AN EXTRA LAYER, JUST IN CASE
Dress, £5,465,
DSQUARED2. Denim
jackets, £100 each,
both LEVI’S. Skirt,
price on request, LE KILT
75
THIS PAGE Coat, £4,450,
EMPORIO ARMANI. Dress,
£119.99, H&M X TOGA
ARCHIVES. Bag (worn
across body), £645, and
bag (in hands), £545, both
PHILOSOPHY DI LORENZO
SERAFINI. Trousers, £755,
VIVIENNE WESTWOOD.
OPPOSITE Dress, £620,
and gloves, £140, both
SHUSHU/TONG. Leggings,
£295, REDVALENTINO.
Shoes, £495, TOD’S
GO all OUT
CAN’T WAIT TO DIG OUT YOUR FLUFFIEST WINTER COAT? KEEP THE
REST OF YOUR CLOTHING MINIMAL, WITH LIGHT LAYERS OF SHEER TULLE
76
Elle STYLE
BELT, £79.99,
TOGA
ARCHIVES
X H&M
DRESS, £35.99,
RESERVED
SHOES, £985,
VERSACE
COAT, £480,
HERNO
NECKLACE, £350,
HAIR
ZIMMERMANN
CLIP,
£155,
BERET, £360, PHILOSOPHY DI ERDEM
LORENZO SERAFINI
BAG, £99,
GUESS
THE KILT
SUBVERT THIS
TRADITIONAL PIECE. TRY
A NEW SHAPE, A DIFFERENT
COLOURWAY, OR
WEAR IT OVER A DRESS FOR
ADDED INTEREST
£795, CHOPOVA
LOWENA
£680, MOLLY
GODDARD
£290, MAJE
£194, KAREN
MILLEN
£15, BAGGU
THE BAG
FINISH YOUR LOOK WITH
A PUNCHY TOTE, OPTING FOR
£85, A.P.C.
BOLD BRANDING OR GRAPHIC
PRINTS FOR IMPACT
£227,
£730, LASTFRAME £155, GANNI
VERSACE AT BROWNS
FASHION
HIGH contrast
CASUAL ON THE TOP, PARTY ON THE BOTTOM: BREATHE NEW LIFE INTO
CLASSIC SHIRTING WITH A SMATTERING OF PLAYFUL TEXTURES AND PATTERN
79
TER 2O21
IN
AUT MN/W
U
BALMAIN
BALENCIAGA
THE NEW SEASON
BALENCIAGA
SALVATORE FERRAGAMO
BALMAIN
COURRÈGES
LOUIS VUITTON
AT FASHION
’S N
EW
FR
1
ON
TIE
R
T H E L O O K
SPACE ODDITIES
ANNAKIKI
BB
AN
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M AT
T
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OVA N
PR
TIS
TA VALL I AD
AT A
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GIAM
PUNK PALETTE
DO
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& GABBA NA
OVA N
YB
TT
MA
M
O
SC
H IN
GIAMBAT
O
2
T IS
TA VALLI
T H E I N S P I R A T I O N
NU-SUBCULTURE
GIVE THE LOOK A MODERN SPIN
WITH GRAPHIC MAKE-UP, KALEIDOSCOPIC
O
CROPS AND A HIGH-GLOSS FINISH
M
FO RD
SKY-HIGH hair
T
GCDS
A
AD
PR
4
ACNE STUDIOS
LOUIS VUITTON
CHANEL
ETRO
SPORTMAX
T H E T R E N D
LOUIS VUITTON
WADER
WELLIES
THE OVERSIZED LOOK HAS
FINALLY MADE IT TO
FOOTWEAR. THE WIDER THE
BOOTS, THE BETTER.
AND IT TURNS OUT SWAMPY
SHADES (MUD GREEN AND
BROWN) ARE CHIC
STELLA McCARTNEY
DOLCE & GABBANA
GIAMBATTISTA VALLI
T H E
DOLCE &
IN NEON-BRIGHT R
GABBANA
RAVE-READY
DOLCE & GABBANA
VERSACE
MISSONI
83
Elle THE TREND REPORT
Elle THE TREND REPORT
LENTINO
T H E T R E N D
SPRAY-on BOOTS
THE FASHION INDUSTRY IS CLEARLY READY FOR THE MATRIX 4 TO HIT CINEMAS,
WITH SKINTIGHT BATTLE-READY BOOTS IN BLACK LEATHER AND LATEX. UP THE SEX
FACTOR WITH THIGH-HIGH STYLES PAIRED WITH MICRO-MINI SHORT-SHORTS
COPERINI
ETRO
FENDI
ETRO
STRONG SUIIT
NOTHING SAYS
‘DON’T MESS
WITH ME’ LIKE
CHIC, SHARP
TAILORING
MASK ON
FACE COVERINGS
OFFER A FRESH
TAKE ON COLOUR
COORDINATION
– A NEW WAY TO
STAND OUT
LONG STORY
PLAY WITH
PROPORTIONS
AND ADD DRAMA
TO YOU RLOOK
WITH A FULL-
LENGTH COAT
JEAN-IUS
DENIM IS THE
HARD-WEARING
STAPLE THAT
WILL ALWAYS
STAND THE
TEST OF TIME
8 GIVENCHY
GIVENCHY
BURBERRY
PRADA
GIVENCHY
COPERNI
GIVENCHY
BURBERRY
ALBERTA FERRETTI
GIVENCHY
SPORTMAX
MAX MARA
T H E T R I C K
GLADIATOR style
SANDALS, FOR WINTER? YES. COMBAT THE COLD WITH LOUIS VUITTON’S
INNOVATIVE TRICK: STRAPPY LACES LAYERED OVER METALLIC
LEATHER — OR PRINTED TIGHTS FOR A PLAYFUL EVERYDAY SPIN
VERSACE
SCHINO
& GABBANA
ETRO
ETRO
ROBERTO CAVALLI
MOS
DOLCE
D
ANIMAL mania
IF YOU’RE GOING TO INVEST IN JUST ONE
ANIMAL-PRINT PIECE, MAKE IT THE BIG CAT
COAT. FROM TIGER TO LEOPARD, MEOW IS MORE
(CLASHED WITH MONOCHROMATIC ZEBRA FOR IMPACT)
T H E
11 T R E N D
MERCURY
RISING
TAKE METALLICS TO
THE MAX WITH TOP-TO-TOE
NOIR KEI NINOMIYA
MICHAEL KORS
COLLECTION
ANDREW GN
ACCENTS (FROM
MARNI
TO BODYSUITS) FOR A
STRIKING EVENING LOOK
BUDAPEST SELECT
SALVATORE FERRAGAMO
1 T H E
S I L H O U E T T E
CO
N
N
ER
CONNER IVES
IV
ES
ACT N°1
13
FENDI
BLUMARINE
GIAMBATTISTA
VALLI
ACT N°1
MOSCHINO
BLUMARINE
THE MOOD C’mon Barbie
SIMONE ROCHA
MOSCHINO
TAKING GIRLISH TO THE EXTREME, INDUCING A SUGAR RUSH
WITH SATIN, SEQUINS AND COSTU
UME JEWELS – ALL AT ONCE
BLUMARINE
ES
IV
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14
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THE STREET-STYLE SET SHOW THAT CASUAL CAN LOOK LUXE. STRIKE
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Elle THE TREND REPORT
BRUNELLO CUCINELLI
CELINE BY HEDI
SLIMANE CHANEL
VIVIENNE ZIMMERMANN
WESTWOOD
18
MAX MARA
PHILOSOPHY DI
LORENZO SERAFINI
EDWARD
DIOR
CRUTCHLEY EMILIO PUCCI
MAX MARA
PACO RABANNE
MOLLY
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ELIZABETTA FRANCI
PACO
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PAUL SMITH
MOLLY GODDARD
VERSACE
PHILOSOPHY DI
LORENZO SERAFINI
PHILOSOPHY DI
MAX MARA LORENZO SERAFINI
ERMANNO
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MAX MARA
The FAMILY
BUSINESS
Maria Grazia Chiuri is one of the most successful
designers of her generation, transforming
every fashion house she touches. But behind the
scenes, the artistic director of Dior has
a secret weapon… her daughter, Rachele Regini
98 EL L E .COM / U K SEP T E M BER 2021
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1OO EL L E .COM / U K SEP T E M BER 2021
Elle READS
MODERN WOMAN”
as 17 years at Valentino,
the final eight of which
were spent as co-creative
director alongside
Pierpaolo Piccioli. She
knows the rhythms of the
fashion business intimately. She understands its whims
and demands. She can design an entire collection within
a matter of months and has an almost magical ability to
create desire in the modern woman, evidenced by her
non-stop hit factory that includes the Fendi Baguette
bag and Valentino’s Rockstud accessories, as well as
Dior’s book totes, stompy boots and bucket hats. Chiuri
has nothing more to prove.
‘I don’t need to demonstrate something about my job
to myself,’ she confirms in her charming Roman-accented
English. ‘I have enough confidence [to know] that I am
good at making beautiful dresses, beautiful shoes,
beautiful bags. Now, at my age, I need to move a vision.’
That vision means putting Dior and the clothes it Chiuri develop her collections with artisans and
sells at the centre of the cultural conversation, particularly communities around the world. Listening to them
among a younger generation. You may be aware of her together, however, when Regini joins our call, their words
first collection, for the spring/summer 2017 show, which overlapping one another’s, it is clear that her role is more
featured a T-shirt with the words ‘We Should All Be wide-reaching. She constantly edges her mother towards
Feminists’ emblazoned across the chest. It was a line trickier conversation points. She seems to be muse,
borrowed from author Chimamanda Ngozi Adichie’s counsel and cultural weathervane to her mother.
essay of the same name. And, despite the garment costing ‘At first when she said, “Come and work with me,”
£490 a piece (a percentage of which went to charity), I was a bit unsure,’ Regini admits. She had just completed
it sold out almost instantly. a masters degree in gender, media and culture and was
Making a statement on all set on studying for a PhD
the catwalk was not a one-off, in gender studies when her
either. She did it again for mother came calling. ‘Working
Cruise 2020, shown in with a parent, particularly
Morocco, for which Chiuri when your parent is also your
worked with artists from boss and a successful
Africa to create the collection. person in your field… that
And then she did it all over does bring some personal
again with Cruise 2021, shifts, particularly for us
which served as both love as a mother and daughter.’
letter and clarion call to the Those personal shifts
craftspeople of the Italian were explored in therapy
region of Puglia and beyond. sessions that, Regini confides,
But dialogue, particularly the two embarked on before
about some of the world’s she officially joined Dior.
hot-button issues, is not To this day, they continue to
always welcome, especially see a therapist together to
in a world that is prone to help navigate this new chapter
cancellation and trial by in their relationship. ‘Once in
social media. As such, Chiuri a while, if I do something
walks a tightrope every time wrong, or if she gets mad,
she brings her vision to the she says, “I can’t talk about
catwalk. (And, make no this until we get to therapy.”
mistake, every brush with Then I know it’s bad!’
political dialogue sends social laughs Regini.
So far it’s working,
though whether that’s due
to therapy or just Regini’s
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LW·VGLIÀFXOWWRH[SODLQ MARIA GRAZIA’S
to them that if you want greatest HITS
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HOW SHE MADE A HERITAGE
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ZRUNLQDZD\WRFKDQJH FOR MODERN WOMEN
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In the end, they compromised. Dior would create a limited building on the Women@Dior initiative that has seen more
number of T-shirts, with some of the proceeds going to than 1,000 female students be mentored by Dior employees.
FKDULW\&KLXULKDGQRWH[DFWO\ZRQWKHÀJKWEXWVKRRN (Interestingly, since arriving at the house, Chiuri has also
KDQGVLQWKHPLGGOHRIWKHULQJ¶7KLVLVDERXWKRZWRZRUN requested that she is shot only by women photographers,
with compromise,’ she says.
And compromise is what she has
masterfully done at the fashion
house, managing to create a brand
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clients and Generation Z, wielding
“I was ready to STOP after
their sloganeering T-shirts. (Dior
went on to produce a second range
Valentino. I thought,
of T-shirts, this time with words
borrowed from the poet, writer I can do other things now”
including this shoot.)
m not sure if
‘I’m
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this, bu ut I was ready to
stop affter Valentino,’
THE ICONIC TOTE
she sayys. ‘I thought, OK,
this is ddone. I can do other
things inn my life now.’
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NIST
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THE HAUTE time w well. ‘When she
WORKWEAR
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she waas in a bad state.
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exhaussted and I was
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THE CROSS-CULTURAL please,, stop.”’
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But then Chiuri
got thee call from Dior.
She waas sitting in the
courtyard of the Hotel
Costess in Paris when her
phone rang. She turned
to her daughter
d and
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and feminist activist Robin Morgan). Chiuri has created Regini told her to answer it… And to go to Dior.
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²RUJDQ]DWXOOHVNLUWVDQGVLON*UHFLDQLQVSLUHGJRZQV² daughter. If she wasn’t at that point in her life where her
M A NAGEMENT USING DIOR BEAUT Y. A DDITIONA L
H A IR A ND M A K E-UP: L AUR A STUCCHI AT BLEND
as well as those wanting something more grounded in focus was ready to move beyond the fringes of fashion…
PHOTOGR A PH Y: GET T Y IM AGES, IM A XTR EE.
reality (denim jumpsuits and yes, whisper it, Dior trainers). :KRNQRZVZKDWZRXOGKDYHKDSSHQHG"
But, more than that, with help from Regini, she has $VRXUWLPHGUDZVWRDQHQG,DVNKHUZKDW·VQH[W
made Dior a brand that appears to care deeply. Whenever $IWHUDOOZKDWFRXOGEHELJJHUWKDQWKLV"7KHUH·VDVLOHQFH
Chiuri shows outside Paris (alongside Morocco and Italy, ‘We have a project,’ she says, smiling at Regini. It’s a small
KHU5HVRUWFROOHFWLRQVKDYHJUDFHGFDWZDONVLQ&DOLIRUQLD theatre. We [want] to try to renovate it. It’s very nice,
Oxfordshire and the south of France), she commits to EXWYHU\ROG:HZRXOGOLNHWRZRUNLQWKHVSDFHZLWK
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a lifeline for many artisans and their trades. ,WKLQNDIWHUZRUNLQJRQVRPHWKLQJVRELJLW·VQLFHWR
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WHY
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FOR
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Throwing open
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EL L E .COM / U K SEP T E M BER 2021
1O7
Elle READS
society, it’s a basic need.’ But now it’s easier than ever
to answer that need through our online presence.
Solicari attributes the British obsession with property
to the fact that ‘the economy has been set up for centuries
to encourage home ownership, as opposed to renting.
With Right to Buy schemes, [it fostered the] idea that it
is intrinsically better, it’s how you define yourself and that
success means home ownership.’
Of course it’s notable that the latest upswing in our
interest in houses comes at a time when it’s harder than
ever to own one. Last year, numbers from the Office of
LIGHT AND AIRY
National Statistics showed that people aged 35-44 were THE MODERN
three times more likely to be renting their homes than HOUSE FEATURES
AWARD-WINNING
people the same age 20 years ago. Perhaps it’s daydreaming
CONTEMPORARY
about something unlikely to happen that’s fuelling our LONDON HOMES
property lust, or maybe the inherent insecurity of renting
has us turning to home decor tweaks as a way to exert some
control over our environment.
Because decorating isn’t just about a total overhaul and
bank holiday weekends spent up a ladder, wallpaper brush
in hand. Brands are popping up to offer the same quick-fix
style hit we used to get from a fast-fashion pick-me-up.
Fashion stylist Sophie Warbuton launched Host Home in
November 2018, having been inspired by direct-to-consumer
fashion brands such as Kitri, and feeling frustrated by the
lack of affordable well-designed interior items. She stocks
an eclectic mix of pieces, from coloured candlesticks and
reproduction French match strikers to sourced pre-loved
“DECORATING isn’t
just about bank holidays up a
ladder, brush in hand” heavy demands that the past year
has put on the home, and the
delving into our fantasy lives –
Could I live in the country, the suburbs,
another city? – can provoke a more
pieces. Having had a steady stream of customers since existential reckoning – If I did, who would that make me?
launching, everything came to a halt in March 2020. ‘People Like most of us over the past year, I was forced into
just stopped coming to the website. But after four weeks it evaluating everything about my home. For the first
picked up and up and then went bananas. For what you’d be lockdown, my husband and I decamped with our three-year-
spending on commuting that week, you could get a rattan old to my mother’s place in Surrey. I’d always felt horrified at
vase for £20, then buy some £4 supermarket flowers, pop the idea of moving back to the suburbs, but with our forced
them in your vase and suddenly the world’s a bit happier.’ exile, doubt crept in. How delightful to not live next to the
As with fashion, a change in interiors can be a unique A12. Or have men relieving themselves at the end of our
way of finding and shaping our place in the world and act as road. We spent the weeks constructing fantasy lives online:
a signifier of our quest for a ‘good life’. The perfect Pols Potten Oxfordshire… Brighton… Bath? After three months, we
vase for your tablescape; a Cire Trudon candle next to the returned to our East End terrace, flush with ideas of where
bath, all items that chart the person we are buying into being. we could go, but without any clear decision on what to
But there’s nothing quite as good at fuelling dissatisfaction do about it, or who we might like to be – so much of our
than endlessly looking for something – anything – else. The identity is tied up in where we live. As a delaying-tactic/
compromise we settled on
knocking out our rotten kitchen. “Showing off an already
finished £4m house
We weren’t alone. Mel, 37,
found her wife becoming
obsessed with moving to rural
France to be near her expat
parents. ‘Honestly, the thought
terrified me. While I like visiting
DOESN’T feel aspirational”
the countryside, there’s no way
I could live there. But it felt like
such an emotional issue for my wife – every time I was at all to France and made property viewings. Mel secretly hoped
negative, she got extremely upset and accused me of being seeing the reality of life as a same-sex couple with a child in
close-minded. We’d have these heated discussions which the middle of nowhere would put off her wife. ‘Thankfully,
turned into: “What do we want from the next 10 years of I was right! The houses we visited looked great on paper but
our lives, what is best for our three-year-old daughter?” in reality were crumbling or creepy. The final straw was a
It got really deep and existential. And it scared me because house in a forest with a mangled car crashed into a ditch just
I feared what happens if it turns out we fundamentally want outside the front gates. A move is definitely on the cards in
different ways of life? How do we ever reach a compromise? our future, but I’m pleased to say that the novelty of this
She would sit in bed next to me scrolling property sites well idyllic country life in France appears to have worn off.’
into the night and I’d lie there feeling this sinking dread – Journalist Olivia Lidbury – who launched the Instagram
like we were drifting apart.’ In the end, the family travelled account and website Home Stories in 2020 as a way of
documenting stylish ‘real’ homes – is on the other side of the
transition. She moved out of London at the end of last year,
from a Victorian terrace to a late-1960s modernist house in
Kent (bought via The Modern House, of course). Having
filled her previous home with antique French furniture,
she’s had to embrace an about turn. ‘I had a bit of an identity
crisis and we haven’t bought anything yet,’ she says. I look
at all the cottagecore on Instagram and think, Oh that’s nice!
But then maybe it’s good to try something else.’
Perhaps it’s going to be the way the turmoil of the past
couple of years expresses itself through our homes that’s
going to be the real next ‘trend’ in domestic inspo. Writer
and influencer Katherine Ormerod has been documenting
her chic interior updates to the rental house she, her partner
and two children moved into after falling victim to lockdown
hell. ‘I think in the past, people would only have shown the
finished result rather than the process. But because we’ve
had this authentic movement, you can follow people who’ve
been renovating their house for the past five years and see all
STONE WALLS the amazing things they’ve done. The high-low attitude is
PROPERTIES prevalent – someone showing off their already finished £4m
LISTED ON THE house doesn’t feel aspirational to me. I like the idea of
SITE ARE
RENOWNED FOR
making a silk purse out of a sow’s ear.’
THEIR DESIGNS But more than mere decoration, this year has
MODER N HOUSE , A LEX A NDER A NDR EWS/
@M A K.JACQUELINE , COURTESY OF THE
111
Dress, £2,400, and
gloves, £850, both
PRADA. Sandals, £530,
KHAITE. Gold and
pearl earrings, £6,430,
ANA KHOURI
112
Elle READS
THE
NEXT
113
Dress, £4,900 and
shoes, £670, both
KHAITE. Gold and
pearl ring, £3,970,
ANA KHOURI
TAVI GEVINSON WAS 14 WHEN SHE SAT FRONT ROW AT THE DIOR Couture
2010 show in Paris. She’d been a familiar face on the fashion scene ever since
Style Rookie, the blog she started when she was 11, caught the attention of
designers and editors. It had led to her being flown around the world to
review shows and interview major names for magazines, TV and websites.
Her petite size (she was, as she puts it, ‘an actual child’) and larger-than-life
personal style, coupled with an impressive understanding of cultural context
and sartorial milieu was met with a mix of curiosity, affection and over-the-top
reverence. For the shows, Tavi had dyed her hair blue but it faded to grey.
In Paris, Karl Lagerfeld told her he liked it. ‘Normally, children – young
people – don’t have this hair colour,’ he reportedly said. ‘It’s great to have it.’
‘I think so, too,’ she replied.
At the show, Tavi wore upon her head an oversized cartoon-like bow
by Stephen Jones. A Grazia reporter sitting behind her tweeted: ‘At Dior.
Not best pleased to be watching couture through 13-year-old Tavi’s hat’.
The creaky mechanisms holding up the fashion industry – which was
only just starting to evolve into the globalised, digitally aware business we
know today – were challenged by the existence of a child who understood
the internet as a native and could translate the most esoteric of style
references with genuine excitement. Her talent threatened a generation
of professionals who had enjoyed the exclusivity of their careers and ignored
the unspoken question behind the glamour: what is it you actually do?
More than a decade on and Tavi is a creative polymath – actor, writer,
editor, director. I get the sense that she doesn’t give a hoot about any kind
of prescribed career trajectory. Here is a 25-year-old woman with a lifetime
of personal and professional possibilities ahead; a Gen-Zer whose talent is
sprawling and matched only by the breadth of its ambition. She is evolving
and exploring in a way I find inspiring. I wish I’d done the same at her age,
rather than hanging my hat on a career I’ve been stuck with since. But no
matter the surprises to come, in the short term, Tavi is about to go from
a ‘publicness’ she finds comfortable to another level of fame altogether,
thanks to a starring role in this year’s hotly anticipated Gossip Girl reboot.
Tavi video-calls me from her apartment in New York. It’s early morning
and she’s fresh out of the shower. She’s wearing a black T-shirt and thick-
framed glasses that are the same pearly peach colour as her skin. Her blonde
hair dries over the course of our long discussion, which charts her evolution
from fashion blogger to Broadway star, via roles in films and TV, to a writer
with a powerful voice and
platform that she’s using to
well-connected ‘share’ led to articles in The New York Times, This is a subject that Tavi tackled in an essay published in
then invitations to sit front row, collaborate with brands and February: Britney Spears Was Never In Control. In the piece,
interview designers. Rei Kawakubo flew her to Tokyo for a Tavi talks about the moments in her career when she,
Comme des Garçons party after seeing a video of Tavi rapping perhaps like Spears, felt that she had power over the way
about her love for him. The Mulleavy sisters behind Rodarte she was being portrayed when the reality was far from it.
enlisted her to star in a video promoting a line they’d designed In the essay, Tavi opens up about her experiences of being
for Target. But what did the industry really want with this in an emotionally and sexually abusive relationship with an
child star? She was smart, older man when she was 18.
had good taste and unjaded She tells me, ‘I had no appetite
creativity. But mainly Tavi for the week that the story
was an emblem of youth came out. My apprehension
and digital knowhow when was around just wanting to
the industry was struggling look after myself with these
to adjust to the internet age. experiences that I’m still very
Tavi loved these ‘fantasy much processing.’ But she
trips’ to Paris or Tokyo, where feels a sense of relief at having
she was treated like an adult. shared something that’s lived
‘It was always painful going in her head for so long. ‘Now
back to school,’ she tells me. what’s out there reflects this
Her parents chaperoned; shame, this secret, this thing
her father Steve is an English that I felt I needed to protect.
teacher and her mum Berit But why would I need to
Engen is a weaver and protect something that isn’t
part-time Hebrew instructor. my fault? What am I teaching
The family couldn’t afford myself by holding this back?
frequent trips abroad, so Tavi I didn’t do anything wrong.’
relied on brands covering In the weeks before the
their expenses. It meant essay was published, Tavi had
she lived with a sense that a series of dreams where people
the rug was going to be who she thought wouldn’t
pulled out from under her. believe her experiences of
abuse said I believe you or
I already knew. ‘I don’t know
what those dreams meant, but
“We need to stop making the every time I had one, I woke
up in a state of complete peace.’
a form OF CURRENCY”
an essay taking aim at the
distribution of power in
creative industries. She
explored her working
relationship with Hollywood
producer Scott Rudin, accused
At school Tavi felt both proud and embarrassed by her of abusive behaviour, and how his attitude is fed by systemic
success. ‘Embarrassed that I apparently had the impulse inequality in an industry that’s finally being held accountable.
to do this stuff and share it. And proud that I was taken
seriously by people I respected. With some friends, we’d do OF WHY SHE FELT COMPELLED TO SPEAK OUT ABOUT THE
photoshoots together; with others, we never talked about it. Oscar-winner, who could be said to have paved the way for
It always felt like something I was in alone. It was my hobby.’ her success as an actor, Tavi says: ‘There are many reasons
I ask if she felt ‘looked after’ by the fashion industry. Her [no one has spoken out sooner]. It’s not those people’s fault,
eyes dart upwards as she considers the question. ‘There were and we need to stop making the capacity to tolerate abuse
people who were very nurturing and protective. The Rodarte a form of currency. But for me, trauma buries itself and people
sisters, for example, wanted me to feel supported, creative find ways to rationalise horrible experiences. It doesn’t
and to protect the joy it gave me. But I also had shoots where surprise or bother me that, in time, people can look back and
I realised, Oh, this isn’t about what I want or how I see myself at all. say, “Oh, that was profoundly damaging.” It doesn’t mean
I was a commodity, even if I didn’t know that word.’ norms should never change, just because it was OK before.’
As we discuss these subjects, Tavi speaks carefully. Watching She was 17 when she landed her first major acting role,
her stop in the middle of a thought, silence hanging like in the film Enough Said, alongside Julia Louis-Dreyfus and
ellipses as she grasps for the right words, I imagine a cursor the late James Gandolfini. The following year, Scott Rudin
flashing behind her eyes, letters being typed, erased, typed cast her in This Is Our Youth. A leading part in Chekhov’s The
again. She talks as she writes, in balanced sentences. Cherry Orchard followed, as did a well-received performance
‘One thing that scares me,’ says Tavi – having spent a in Rudin’s Broadway revival of The Crucible as Mary Warren
minute deciding how to articulate it – ‘is that people are not – a young girl whose ethics are challenged when she
exploring why [abusive] behaviour can be harmful or how it’s becomes the subject of terror and intimidation. After reading
related to systems of oppression that govern our lives. When Tavi’s essay on Rudin, it’s impossible to ignore the irony.
someone asks, “Is it still OK
to like this person’s art?” It’s
not a question of ethics. It’s a
question of optics. What I see
happening behind the scenes “The hellishness of having
within these industries is an
understanding of what is bad a public persona has
been DEMOCRATISED”
for business. A lot of powerful
agents will not have a change
of heart. They simply need to
be told that it’s now a liability
to throw a stapler at someone.’
It’s a theme that’s
explored in the new Gossip Tavi joined theatre and
Girl, in which Tavi plays film casts at an impressionable
English teacher Kate Keller. time, when the pieces of
‘To make a show about the herself were being constantly
internet now has to involve rearranged. ‘I noticed myself
public shaming, and the fine taking on other actors’
line between an appetite for mannerisms,’ she says.
spectacle and justice.’ ‘When a show closed, those
She says that one of the things would either fold
biggest shifts in culture since themselves into how
the show’s initial incarnation I acted socially, or go away.’
starring Blake Lively is that The Crucible was her most
social media creates a place defining role, not least
where people can be because of the craft she
celebrities in each other’s learnt from co-stars Ben
lives, even if no one is famous. Wishaw and Saoirse Ronan.
‘You’re just engaging with this At first, she was unable to
extension of people, almost mediate her performance
as avatars. And I do think THIS PAGE AND
to sustain it over a long run
in some ways the hellishness OPPOSITE Green jacket, (125 shows over five months).
H A IR: DAV ID VON CA NNON AT A-FR A ME AGENCY. M A K E-UP: MISH A
of having a public persona £1,400, ST. JOHN At 20, it was only her second
SH A HZ A DA AT K A LPA NA. FASHION ASSISTA NT: L AUR EN WA LSH.
118
Elle READS
The past year’s enforced hiatus gave Tavi the space she needed to come to
terms with her formative experiences and give them shape in her writing.
As a result, it’s been about ‘understanding sexual assault and abuse, justice
and victimhood, and all of these concepts in a different way. I’ve realised
that you can recognise harm without thinking that someone should be
treated punitively. That helped me look clearly at what actually happened.’
Tavi is increasingly politically outspoken. She’s supported lobbying for
legislative change in New York as she’s concerned by the state’s ‘complete
inequity, and the fact that it’s preventable through policy’. She’s been
working to improve the welfare of Excluded Workers – those who didn’t
receive government support when lockdowns meant they lost their jobs.
‘I took cues from Make the Road, which has been working on the Excluded
Workers Fund, and Amplifying Activists Together, a phone bank started
by activists in the theatre community.’ I ask if, by highlighting a cause,
she invites criticism that she isn’t giving the same prominence to another.
‘But that’s just like everything,’ she says. ‘I could post a picture of
an outfit and someone will be like, “Why are you not wearing a sustainable
label?” I just think the internet
creates this illusion that you
can make people virtuous
ON E
S T A N D
From refugee to champion boxer and Cartier
darling, Ramla Ali has fought every
step of the way to get to the top. Now she’s there,
Olivia Blair discovers there’s
more to this woman than her backstory
Photography MEINKE KLEIN Styling AURELIA DONALDSON
12O
I N G
Jacket, £645,
NANUSHKA. Dress,
£350, MM6 MAISON
MARGIELA. Gold
earrings, £3,350, and
rings, from top: rose
gold and diamond,
£10,600, and gold and
diamond, £4,600,
all CARTIER
Dress, £4,650,
TOD’S. Boots, £600,
MOLLY GODDARD.
Gold earrings,
£3,350, CARTIER
“ M Y C O N C E P T O F F I G H T I N G C OMES
T H E M I N D S E T O F A T R U E W A R R I O R ”
R amla Ali is deflated. We’re sitting inside a boxing
ring in the west London gym where she trains.
We’re in the ring because the rest of the – all-male – athletes
wide eyes and high cheekbones. Even when dressed to box,
like today, with her natural curls pulled back into a sleek bun
and no visible make-up, she looks flawless.
are training, loudly. At least here we can hear each other talk. It’s no surprise that Ali’s job is to fight – whether that’s
The scent of stale sweat and a whiff of urine (she says the in the ring, for social justice or for wider representation in
toilets were recently broken) linger in the air. Discarded fashion. It’s in her DNA. ‘I feel like the concept has come
water bottles, dumbbells and resistance bands are strewn from my mum,’ she smiles. ‘She’s the ultimate fighter;
around us. ‘I was just very, very disappointed in my a champion. Everything my mum has been through…
performance,’ she sighs, pausing as she tries to articulate Obviously she’s a very sassy woman, that comes with being
her feelings. ‘I know everyone’s going to say, “Why? That’s African, but she always comes out smiling. She’s never
so weird.” But I actually feel like I lost. That’s just me. moaned, she’s never complained that she’s had a hard life.
I always want to be the best version of me.’ She just gets on with it. That is the mindset of a true warrior.’
It’s been five days since Ali returned from Las Vegas, Ali was born in Mogadishu, Somalia, and her family of
where – contrary to what she’s saying – she won her debut US nine lived in a three-storey house moments from the beach.
fight. The judges voted in favour of the Somali-born, London- But in the early 1990s, when she was still a baby, life was
bred boxer over American Mikayla Nebel, cementing her turned upside down with the outbreak of the country’s brutal
status as an undefeated professional boxer. ‘I wouldn’t say civil war. Her parents were already considering joining the
I’m undefeated; I’ve only had three [professional] fights,’ she mass exodus of Somalis fleeing the country for safety when
laughs. ‘You’re still undefeated, champ!’ an eavesdropping tragedy stuck. Ali’s eldest brother was outside playing in the
fellow boxer shouts. garden when he was killed by a grenade. Ali doesn’t remember
Ali quickly climbed through the ranks of amateur boxing him. ‘I don’t remember anything from Somalia, but my mum
after winning her first fight in London in 2012. In 2016, she says it’s probably a good thing because it was so traumatic.’
won the English and British national titles – the first British In the haze of grief, the family left their country, first for
Muslim woman to do so – and in 2018 took on Nike as a Mombasa, Kenya, travelling by a small sailboat on a journey
sponsor. In 2020, she made her professional debut (different that took the lives of many of the more than 200 refugee
boxing styles, higher stakes and payment for fights), after passengers on board. They stayed there for a year, relying on
renowned promoter Eddie Hearn signed her to Matchroom food rations from UNICEF aid workers while Ali’s parents
Boxing, while Anthony Joshua took her onto the books of his worked tirelessly in the hope of coming to the UK. In
258 management label. ‘He messages a lot asking if I need November 1992, they arrived in London and applied for
anything. I haven’t gone to him for anything yet but if I need asylum. They were moved into temporary housing: first
a private jet or a yacht one day, I might hit him up,’ she jokes. in Paddington, then Manor Park, East Ham, Whitechapel
She might get one, too: ‘Ramla is a true inspiration,’ Joshua and finally Bethnal Green, where Ali’s parents still live today.
says. ‘I feel privileged to be working with her. She has so much Due to the chaos and devastation of the war, Ali doesn’t
know her exact age or birth
date. She estimates she’s
between 29 and 31, likely
M P L A I N S , JUST GETS ON W I T H I T. towards the latter, and has
an honorary birthday of
16 September, but ‘it’s never
really felt real’. Growing up,
potential in the ring and has worked so hard out of it to spread she’d get jealous of other children. ‘We weren’t really the
positivity. She’s an incredible athlete and a wonderful person.’ birthday-celebrating type. My mum would get gifts, but there
The out-of-the-ring positivity Joshua references is Ali’s wasn’t a party with a cake or balloons. The way that I see it,
activism, which she fuses with her boxing. In 2018, she it’s just a day, it’s just a year – it doesn’t matter. You’ve got
launched Sisters Club: a free self-defence class for vulnerable your health, a roof over your head and food in your belly.
women in London, which she plans to expand nationwide. In Those are the most important things. But I’ll always accept
2019, she travelled to the Za’atari refugee camp in Jordan with gifts if people want to give them to me,’ she says, laughing.
UNICEF, where she taught young refugee girls who had fled After arriving in the UK, Ali’s father – who possessed
the conflict in Syria how to box. And she’s just written a book, multiple degrees, spoke fluent Italian and had owned his own
Not Without A Fight, which is part-self-help, part-memoir and business – found work on a building site, while her mother
comes courtesy of #Merky Books, a Penguin imprint launched stayed at home to raise six children. ‘There was always food
by Stormzy in 2018 to champion young, diverse voices. on the table, we were never in a position where the heating
For others, Ali is more familiar as a figure in the world was off or we didn’t have hot water,’ says Ali. But, looking
of fashion than sport, thanks to her burgeoning modelling back, she has realised that her mother only ate her children’s
career. (She’s on the books of IMG, which also counts Gigi leftovers, never cooking a meal for herself. At school, Ali and
and Bella Hadid, Ashley Graham and Paloma Elsesser as her siblings qualified for free meals: ‘I could never afford to
clients.) She is undeniably beautiful, with delicate features, take in packed lunches, but I always wanted to.’
“ W H E N I ’ M R E A D Y T O P U T
L I K E I W I L L . I ’ M V E R Y
I N T O U C H W I T H M Y F A I T H ”
Dress, £1,870, PETAR
PETROV. Boots, £600,
MOLLY GODDARD.
Gold earrings, £3,350,
and rings, from left:
gold, £1,010, gold and
diamond, £4,600, gold,
rose gold and white
gold, £810, and gold,
£2,040, all CARTIER
“ W E ’ R E B O X E R S . G I V E U S
T H E R E S P E C T W E D E S E R V E . I T ’ S
P U T T I N G O U R L I V E S O N T H E L I N E ”
According to Ali, Moore pursued her. A boxer himself, he and sexually harassed by a coach who then forced her out
would hang around at the gym, watch her train and attempt of the gym after she confided in another female boxer about
to strike up conversation, which didn’t work. ‘Growing up what had happened. With age, hindsight and an industry-
getting bullied, I never had any confidence. When he started spanning reckoning of how workplaces treat women, Ali
pursuing me, I thought somebody had dared him, so I never can name what happened to her as abuse but at the time she
gave anything back.’ A month later, Ali relented and went to blamed herself, convinced that she must have ‘led him on’.
a BBQ at his house. The rest is history, she says – by which Now, Ali uses her status to call out misogyny and racism,
she means that, after meeting in May 2016, Moore proposed joining a new wave of athletes – such as Naomi Osaka, Lewis
in August (by which time he had converted to Islam) and they Hamilton and Raheem Sterling – who are determined to
married in October. Around this time, the couple discussed show that there are human beings behind the crowd-pleasing
whether to buy a house or invest in Ali’s boxing career. performers. She has a serious gripe with some of the men in
‘I was smart – I said we should get the house. He said, “Nah, boxing, whose behaviour actively discourages women from
we’re going to do the boxing.” That was all of Richard’s joining in. She was outraged when watching back one of her
savings. We were this close to being completely broke when fights (as she does with each one), hearing a commentator –
Nike came on board and started sponsoring me.’ To separate Ali won’t name names as she doesn’t ‘want to get anyone into
their professional and personal lives, they have a rule: ‘What trouble’ – call her a ‘beautiful girl’. On Twitter, another pundit
happens at home, you don’t bring to the gym,’ and vice versa. described Ali and her opponent as ‘a model and scaffolder’.
A day in the life of Ramla Ali involves a wake-up time ‘You’re watching me compete, why are you not commenting
of 8am. Moore will cook her breakfast (‘He makes all of on my boxing?’ she says, animatedly. ‘What does me being a
my meals when I’m in camp, because he doesn’t want me model have anything to do with it? I’m a boxer. What does her
getting obsessive over what I eat’) and then they’ll head being a scaffolder have anything to do with it? She’s a boxer.
to the track for conditioning at 10am (with packed snacks Give us the respect that we deserve. We’re both in the ring,
provided by Moore). They eat lunch, she’ll nap, then it’s it’s a dangerous sport, we’re both putting our lives on the line.’
off to the gym for her second training session of the day. Making boxing accessible for women is a passion of Ali’s,
and it’s what’s driven her to
set up Sisters Club. In the
classes, Ali teaches women –
A D A N G E R O U S S P O R T, W E ’ R E several of whom are victims
of domestic abuse – how to
defend themselves. They’re
taught how to how to throw
They finish by eating dinner together and watching a film. punches effectively, to turn their hips correctly for extra
It’s the same every day, apart from rest days. momentum and power. ‘It’s for any woman, but primarily
Or on those days when Ali’s pursuing her other career in for those who don’t feel comfortable training around men,’
fashion. She developed her love of clothes and style in her she explains. ‘It’s not just for Muslim women but it initially
early twenties when, between training and studying law at started that way because I was being pestered to find women
university, she worked in a shoe shop on London’s Oxford a safe space where they could take off their hijabs. Now, it’s
Street. ‘At 6pm, I’d toddle off to New Bond Street and walk for any woman who is vulnerable and feels like they don’t
past Dior, Coach, Chanel, window shopping and thinking, have access to sport. A lot of the women that turn up are
One day… Who knew I’d end up being paid to wear it?’ single mums. Would a single mum in that situation be able
She recently became the face of luxury jewellery brand to afford a gym class? Not really. That’s why it’s free.’
Cartier and she still can’t quite fathom it: ‘They want to As our allotted time draws to a close, Ali changes into
work with me! You’ve just got to pinch yourself sometimes.’ her fight gear to spar. Her kit is less than pristine and she’s
As amateurs aren’t paid to fight, Ali is transparent about embarrassed. ‘At least there’s no blood on it,’ her husband
the fact that it has been modelling, not boxing, that’s allowed jokes. If the next steps on the horizon – her book, Olympic
her to earn a living. And even now she’s turned professional, and professional boxing, modelling (‘I want my face to be
the earning potential for women is incomparable to male everywhere!’) – weren’t enough to be getting on with, a film
athletes. In 2017, Floyd Mayweather came out of retirement about Ali’s life is in the works by Oscar-winning producer Lee
to pocket a reported $275m for one fight against Conor Magiday, known for The Favourite. Ali says she turned down
McGregor, who earned around $85m. A 2020 feature in The offers to buy the rights to her life story for two years, fearing
Athletic suggested that, by comparison, high-profile female the magnifying glass would be too intrusive, but she’s finally
boxers might be able to earn six figures, depending on the fight. found a team that she trusts, who understand her. ‘I’m more
Ali is an outspoken voice in the post-#MeToo conversation than my story. All my years of hard work in the ring has
about women in sport, joining high-profile gymnasts and proven that. Yes, I am a refugee. Yes, we were poor. Yes, we
female wrestlers who have opened up about their experiences were living on a council estate. But I don’t want it to define
of sexism, harassment and abuse. Ali’s book recounts an me and who I am now. I want people to see past that, because
incident in her early days of training, when she was groped I am past that. Look at me now. Undefeated, as they say.’
A N
E N T R
P R A D A
A N C E
M O S C H I N O
A N T H O N Y V A C C A R E L L O
Left: jacket, £4,850, top, £660, skirt, £1,175, and boots, £1,940, all SAINT
LAURENT BY ANTHONY VACCARELLO. Belly button jewellery, model’s own.
Right: top, £755, skirt, £945, and shoes (just seen), £630, all SAINT LAURENT BY
ANTHONY VACCARELLO. Earrings (worn throughout), model’s own
B A L E N C I A G A
Left: dress, £5,625, and sandals (worn throughout), £435, both MICHAEL
KORS COLLECTION. Right: dress, £490, MICHAEL KORS COLLECTION
G I V E N C H Y
Top, £600, trousers, £770, and bra, from a selection, all DOLCE & GABBANA
M I U M I U
Cream dress, £4,500, black boots, £1,190, and beige hat, £350, all MIU MIU
C H A N E L
Jumper, £2,740, skirt, £990, boots, £690, and belt, £420, all
ALEXANDER McQUEEN
M A X M A R A
Left: top, £2,200, and skirt, £3,600, both LOUIS VUITTON. Right: dress,
price on request, and trousers, £1,200, both LOUIS VUITTON
T O D ’ S
Left: jumper, £1,790, shirt, £890, and skirt, £950, all VALENTINO. Right: jacket, £3,300,
shirt, £790, and skirt, £980, all VALENTINO. Shoes, £900, VALENTINO GARAVANI
S I M O N E R O C H A
H E D I S L I M A N E
Left: jacket, £2,350, shorts, £620, earrings, £260, and tights, £175, all FENDI. Right:
shirt, £980, trousers, £980, and earrings, £420, all FENDI
G U C C I
Edited by
JENNIFER GEORGE
and GEORGE DRIVER
175
Photography by Kate Bellm
176
Elle WELLNESS
AT FIRST, I THOUGHT IT WAS A PANIC ATTACK. I’D HAD THOSE BEFORE. That all-too-
familiar sensation of hands pressing on my chest, snaking around my throat,
making each inhalation shorter than the last. I gasped for air. The room began
to blur. I tried to calm down, to do the one thing you’re told to do in difficult
situations: breathe. But every attempt sent pain shooting across my chest. My
efforts to fill my lungs felt futile. This wasn’t panic. Something else was wrong.
It took what felt like forever to subside. In reality, it was probably around
15 minutes. Panting, I reached out to feel carpet beneath my hands, realising
I’d dropped to my bedroom floor. I saw the clothes I’d been carrying strewn
around me. The tear tracks down my cheeks told me I’d been crying.
This was in December 2020, at the height of the pandemic. But it couldn’t
be Covid-19. I’d had no other symptoms. I’d followed all the rules. I’d had two
recent tests, in preparation for seeing family.
Both clear. But the next day, I had another
attack. Hours later, another. They seemed
Waiting to
to come from nowhere – otherwise, I felt fine.
The attacks became more frequent, and
eventually sent me to hospital. There, tests
EXHALE
confirmed my suspicions: the virus had found
its way to me. It was unusual, the doctors
said, not to present any expected symptoms,
but not impossible. I should get better over my
10 days of mandatory quarantine. But, for me,
Trying to overcome long Covid the effects persist, inextricably weaving
not only changed how themselves into my everyday life.
It feels selfish to talk about my ‘struggle’,
Olivia McCrea -Hedley saw her when so many have lost their lives. So I don’t
body–it transformed her mind really tell people I was unwell. I just talk
about my ‘weird breathing’. Which is an odd
thing to even discuss – I’ve never given
much thought to my breathing before.
We’re not supposed to.
We take around 22,000 breaths a day: our body’s cycle of taking in air,
extracting oxygen, expelling carbon dioxide. It’s pivotal to our existence and
yet, most of the time, we don’t even notice we’re doing it. But, suddenly, the one
thing that had always been effortless became the one thing I couldn’t control.
Control is something that has, in a way, ruled my life. I like to have it.
I like to exert it. I like to be in charge of my thoughts, my body, work. I like
being able to predict the results of my actions, to set a target and achieve it.
I plan everything down to the tiniest detail – imagining every possible
outcome so I’m prepared for anything. My friends have vowed never to throw
me a surprise party, because they know I’d rather have planned it myself.
So to suddenly lose my treasured autonomy was tougher than I could have
imagined. Breathing became all I could think about. Monitoring it was an
obsession: tracking my oxygen levels; testing how far I could push myself.
I went from being completely independent to reliant on those around me.
I spent months having meals made for me, just about moving from bed to
desk to sofa and back again. Even walking to the bathroom left me exhausted;
panting as if I’d been sprinting. I barely left the house. I didn’t really want to.
Something strange happens when your body stops working as it should.
Your mind shifts. You feel untethered, like you’re drifting out to sea without
any idea of how to get back. Physically, I was tired. Emotionally, I was
exhausted. And it began to show. I got angry over the smallest things. I cried
at TV shows (I never cry over TV shows). I stopped returning messages.
177
Elle WELLNESS
Learning that my breathing was having a knock-on effect completely clear, littered with the brightest stars I’ve seen.
for the rest of my body made me even more determined to It was under those stars on my third night that I realised I’d
fix it. I looked up breathwork tutorials on YouTube. I read begun to change. Acres of ancient oak woodland had enveloped
books. I downloaded Fly LDN’s online app to remind me me from the moment I’d arrived: twisted trees curving into
of the ‘belly’ breathing the yoga instructors tell us to practise a dense canopy, bluebells carpeting the forest floor and
during class. (Engage your diaphragm as you inhale, rather scenting the air with a delicate perfume. Without realising,
than those chest muscles, moving it downwards and pushing I’d been practising the Japanese art of forest bathing, or
the belly out.) I tried box breathing (inhale for four seconds, shinrin-yoku – the act of mindfully spending time in nature.
hold for four, exhale for four and repeat – ideally for four A recent study found that just two hours of forest bathing
minutes), alternate nostril breathing, that technique from can lead to improvements in physiological and psychological
Dr Sarfaraz Munshi’s now-viral YouTube clip, where you health, plus a decrease in blood pressure.* As I walked
cough as you exhale to relieve mucus in the lungs. through fields and forest and along the river each day,
Some of those techniques worked, providing me with I suppose I was, without realising, practising box breathing
moments where I felt like I had some semblance of control – inhaling deeply and taking my time before exhaling slowly.
over my body; that I could finally take in enough oxygen. But I wasn’t counting the seconds. I wasn’t tracking my
Over time, I began to see small signs of recovery: I could oxygen levels. I let my body tell me how it wanted to work.
walk that bit further, climb a few more stairs, inhale more I felt energised, yet more relaxed than I had in months.
deeply without those sharp pains flashing across my chest. I guess breathing ‘well’ can do that to you. ‘Deep, mindful
Emotionally, however, I was declining. Every time I left breathing helps release endorphins, or the “feel-good”
the house, the lingering fear of Covid followed. My mind hormone,’ says Fly LDN yoga instructor Kate Hiley. ‘Our
swirled with ways I might catch it again. When we were exhale is connected to our parasympathetic nervous system,
allowed inside restaurants, I still made friends sit outside. which is responsible for our body’s rest and digest response.
I developed an expensive habit of taking taxis, after the So taking deep breaths followed by a long, slow exhale can
confined, airless spaces of public transport caused panic tell our body and mind that we are safe and can relax.’
attacks. I felt vulnerable. This was a fragility I wasn’t used to. It dawned on me that the more I’d worked at breathing
City life began to feel claustrophobic. Parks were full of ‘better’, the less progress I’d made. Apparently it’s common.
reunions and celebrations; groups gathered on every corner; ‘When Covid makes breathing difficult, you realise
queues snaked out of every shop I tried to visit. Everywhere everything you took for granted is at risk. You start thinking
I turned, there were people. People breathing in the same about breathing – and when you do that, you breathe in a
air as me, and potentially breathing out the virus that sent non-autonomous way,’ says Professor Jenkins. ‘As a result,
me into decline. The air seemed heavier, somehow: thick with your diaphragm moves in the wrong part of the respiratory
pollution and weighed down with the possibility of infection. cycle – when it should be going down, you might be trying
Whenever I went out, I felt like my throat was closing up. to bring it up because you’re overthinking it. You start to
Even though I’d found coping mechanisms for my attacks, work against yourself, which is where things can go wrong.’
the problem hadn’t gone away: I still With the work I’d been doing,
couldn’t breathe properly. Especially trying (and often failing) to ‘win’
not in London. I needed space. at breathing, I’d lost sight of what was
That’s how I found myself in “Without going on. I’d been trying to control
a tent, wrapped in a duvet, listening
realising, I’d been the uncontrollable, so kept ending
PHOTOGR A PH Y: K ATE BELL M/K INTZING, COURTESY OF OLIV I A McCR EA-HEDLEY.
to the rain hammer against the up back at square one. But during
canvas. On a farm in Cornwall. At practising the those few days out of the city, when
a retreat promoting nature’s healing
benefits. Frankly, the last place art of FOREST I’d stopped counting and measuring
and stressing, I felt recalibrated –
BATHING:
*EN V IRONMENTA L HEA LTH A ND PR EV ENTIV E MEDICINE , 2019.
you’d expect me to be. But Cabilla’s after more than half a year of feeling
slogan – ‘We want you to leave
feeling better than when you arrived’ mindfullyspending disconnected, that synergy was
on its way to being restored. It’s
– appealed in its simplicity. That’s
what I craved. Not necessarily a
timeinnature” time to stop being disappointed at
my body for not working as it should
physical transformation (doctors are and start appreciating how it has
working on that), but to feel better. carried me through.
At Cabilla, nothing specific was required; no exercise I can’t control my recovery or speed up the process, but
regimes or forced activities. The point is to simply spend I’m just grateful that it’s happening. Even though I still need
time outdoors. The farmland is a pollution-free site, and the breaks when I go for walks, and stairs often feel like climbing
lack of impurities in the air was palpable. I inhaled as deeply Everest, I’m slowly getting better. My mind still swirls with
as the dull ache in my chest allowed. The air felt clean. Pure. ‘what ifs’, and I know it will never fully calm down, but it is
It’s set in one of the UK’s only dark sky environments, quieter. And when those fears begin to creep in, I know
which is obvious as night falls. The inky expanse overhead is what to do. Close my eyes. Count to four. And breathe.
Ne w
RoMaNC e
Take this as confirmation: make-up is officia
back. Inspired by the bold hues and brazenyll
shapes of the glam rock and new wave
movements, the key is a splash of colour and
a
of confidence. Bonus points for bleached brolot
ws
Words JENNIFER GEORGE
Photography JENNY BROUG
H
OH BOY!
TAKING INSPIRATION FROM
THE KING OF THE CLUB
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much more subtle; imperceptible, CLINICAL BED, the first thing she does
is hand them a mirror. ‘Tell me what
even. Meet the cosmetic doctor you see,’ she says. It’s less of an
instruction; more a friendly inquisition.
leading the charge She watches as women (it’s almost
always women) pore over their faces,
Photography by Helena Gurowitsch pointing to a pigmentation mark
here, an almost invisible crease there.
But it’s when, and more crucially
how, they speak about their faces that
Dr Dondos (known to her regulars as
Vicky) really takes notice. She will make notes. She will remember that Client X
feels ‘sad’ when they look in the mirror. Or stressed. Or, God forbid, ‘too much like
their mother’. That’s when things start to get interesting.
‘I’m fascinated by those people who come in, sit down and immediately tap into
the emotional side of things. They explain that their face makes them feel a certain
way, as opposed to coming to me with a highly researched shopping list of procedures
they think they need.’ With these clients, she is more therapist than cosmetic doctor,
as intrigued by the workings of their minds as she the voluminosity of their lips.
Dondos, who at 47 looks at least a decade younger, is one the UK’s pre-eminent
cosmetic doctors. A practising aesthetic specialist for over 15 years, there’s nothing
she doesn’t know about the ‘tweakment’ business – and there’s nothing she doesn’t
know about how women feel when they submit their faces to cosmetic intervention.
It’s this that intrigues her. So much so that she has written an excellent book,
The Positive Ageing Plan. In it, she explores the complicated niche between natural
evolution and cosmetic intervention, offering multiple plans for women who fancy
a bit of both. As part of the book’s research, she interviewed hundreds of women
– including her own clients – about what beauty meant to them. ‘It’s not about looking
younger,’ she says firmly. ‘It’s looking fresher, less tired – more like themselves.’
The book walks through the foundations of skincare, and speed, yet ultimately helping those in her care. (She also has
what it makes very clear is that aesthetic procedures will a PhD in psychology.) It was when her partner, Geoff – who
only get you so far. Stress, sleep and how much sex they’re works alongside her in their joint practice – began looking
having are far more vital in determining how Dondos’ clients into a move into aesthetics that she became intrigued.
look in the morning than a sprinkling of Botox. (Though ‘For research for the business, I agreed to pop to Harley
her ‘sprinkles’ are some of the best in the business). Street. By the end of it, my entire face was covered in black
‘Let’s be clear, Botox and fillers are what people come pen from a host of male doctors telling me what I “needed”
[to me] for,’ she says, matter-of-factly. ‘And they are the to fix. It didn’t seem right,’ she says.
cherry on top; they do give that “wow” effect. But – and it’s From the start, Dondos developed a reputation for lo-fi
a big but – there’s only so much you can do on the outside. work – stealth procedures, if you will. Her clients still had
You have to look at the inside, too.’ lines on their foreheads, while her
Curiously, Dondos describes use of filler was subtle; imbuing faces
her role as being as much about with freshness. She has a lightness
‘holding the reins’ on aesthetic of touch, and is renowned for the
interventions as it is encouraging ‘undone’ look. It’s a bit Parisian;
them. Which seems mad, when you imperceptible but still dazzling.
consider this is her stock-in-trade. Her own face is an example. It is
But then she’s not like other cosmetic older, sure. But the skin is immaculate,
doctors. If you’re one of the lucky few the lips ever-so-slightly plump. There
who manages to get a consultation QUIET REVOLUTION
are lines around her eyes and frown
(she now only works two days a week DR DONDOS IS CHANGING HOW lines in all the right places. She is not
at her practice, Medicetics) don’t WOMEN SEE THEMSELVES perfection, but she wears her age well.
expect any quick fixes. In fact, don’t ‘I’ve been having Botox since I was
expect any procedures at all – you’ll 34. I have it in my crow’s feet and
have to wait at least two weeks for “I’m deeply masseters [the muscles at the back of
that. She likes to do what she calls
a ‘download’, so clients can sit with
conflicted about the jaw]. I have a bit of filler every year
and I’ve just had a skin-tightening
the information first. ‘I will probably having work done treatment. But I’m always testing
do myself out of business,’ she laughs.
Perhaps. Or she might just be the
and it’s my JOB. myself. I haven’t had Botox in so long,
it’s good to see what my face looks like.
answer the industry is looking for. There’s a side I’m scared of getting on that slippery
of me filled path, always scrutinising myself.’
She says cosmetic doctors are the
WITH GUILT”
COSMETIC PROCEDURES HAVE COME
A LONG WAY over the past 15 years. most ‘at risk’ for too much work. ‘Not
Once the preserve of the well-heeled just because of accessibility, but from
over-50s market, worried about crows the pressure. We see it all the time
feet and frown lines, it has morphed into something else at cosmetic conferences. It’s like, “Oh dear, she’s fallen, he’s
altogether. While it has always been an industry based on gone… They used to be so beautiful.”’
wish fulfilment – the wish to look fresher, smoother, sharper The issue is, cosmetic doctors are often seen as walking
– now, it is enticing a younger generation with the promise of advertisements for the work they do. Covid regulations have
avatar-style faces honed and designed by social media filters. meant she must wear a mask when meeting clients, so she
You can get lip fillers on Groupon for as little as £70, and first insists on a virtual consultation where they can see her
filler is also being used to reshape noses, jawlines and cheeks. entire face. ‘For me, it helps. It’s really important that I show
Tales abound of women handing over Snapchat-filtered people I’m not about perfection.’
images in the hope of recreating what they’ve seen on Instead, she is about ‘positive ageing’ – the ability to
screen. Major surgery is no longer needed to craft an entirely visibly age alongside a little medical intervention, if desired.
A DDITIONA L PHOTOGR A PH Y: NICK THOMPSON.
new face. This is the age of quick-fix facial overhauls. Instead of a 15-step South Korean-style skincare routine,
‘The thing is, I’m the client,’ Dondos says from her west it’s one that includes an acid (a must), plus hydroquinone for
London office. ‘I’m deeply conflicted about having “work” pesky pigmentation. But, most of all, it’s about connecting
done, and it’s my day job! There’s a side of me [filled with] mind and face. She tells me she is considering having a Big
shame and guilt: Why should I put so much time and money into Brother-style Diary Room in her next clinic (slated to open
my appearance? Once I got around all that myself, I’ve tried in north London next year, reaching beyond the traditional
to help people with their own feelings; to take away some of enclaves of Belgravia and Harley Street) for clients to really
that head space. I only look after people who look in the mirror reflect on what they’re getting from these treatments.
less after treatment. It’s a way of feeling OK with what I do.’ ‘One thing I’ve learnt for sure is that it’s never about how
Dondos started her career as an NHS gastroenterologist. people look,’ she says. ‘It’s almost always about how they feel.’
It was a vocation she was suited to: working at breakneck The Positive Ageing Plan by Dr Vicky Dondos is out now
Hi, my name’s George and I don’t directors George My dog, my phone and my hot
own a hairdryer. There, I said it. As
per my usual approach to beauty,
Driver and brush. Those are the things I’d take
to a desert island. My husband is
my relationship with hair tools is Jennifer George give a grown man, he can make his own
equal parts try-hard and totally lazy.
It’s either hours watching tutorials
us the lowdown way, but I can’t live without my
hot brush. I rely on it so much that
to recreate the perfect undone wave, I have three, in case, God forbid,
or just me, my wet head and the air. two break. It sounds dramatic, but
Whereas Jenn is renowned for her armfuls of hair with a my hair is my ‘thing’, my best asset. I’m not trying to brag
new silky smooth split fringe that would make Jeanne Damas – I’d rather my ‘thing’ be virtuoso cello – but here we are.
envious, what tops my head is more akin to ‘Eighties mum I have a good base: thick hair inherited from my Asian
KDLU· ² ÀQH EXW ELJ SRXI\ EXW QRW VKLQ\ ,W PD\ KDYH EHHQ 2. mother, dark chocolate brown and yet to be invaded by
30 years ago, but now? It’s not exactly a vibe. But after years greys. And I can just about do a Lady Godiva impression,
of dyeing, my tortured lengths can’t handle daily hairdrying. length-wise. However, the daily ’do that I’m known for
In an attempt to keep some shine and moisture, I air dry, – big, bouncy, shiny – is not something I wake up with.
only turning to tools if I feel like experimenting. The To get it, I wash my hair Every. Damn. Day. Sometimes
results are unpredictable, which is where my ghds come in. not on a Sunday, if I’m too hungover to stand. After product
Temperature controlled for my hair’s sake, these straighteners (oil to seal the ends, mousse to create volume) and a rough
have seen me through a Pinterest-load of cuts and dye jobs. dry, I turn to my beloved hot brush. My weapon of choice is
And now, they’re cordless. For the times when making a coffee the Babyliss rotating brush. I’ve had a lot of practice, so I’ve
takes precedence over making myself look presentable, I can nailed the technique and can style my whole head in seven
style my hair in a cab or, if I’m feeling bolder, on the Tube. minutes. Working on 80% dry hair, the tool seals and
,·P \HW WR ÀQG DQ HDVLHU ZD\ WR WUDQVIRUP P\ ÁXII\ VPRRWKV DGGLQJ YROXPH DQG D VXEWOH ÁLFN
bob. Simply rock them as you move down each section of Dyson’s new hairdryer attachment, a smoothing nozzle
hair (after spritzing with heat protector, of course) and WKDW GLUHFWV WKH DLU ÁRZ GRZQ WKH KDLU VKDIW LV WKH LFLQJ RQ
you’ve got easy breezy waves minus the frizz. WKH FDNH SHUIHFWO\ VPRRWKLQJ Á\DZD\V
If I’m feeling fancy (and have a couple of spare hours), The result is ‘Have you just been for a blow-dry?’ hair,
I’ll use my tongs to curl my way to old Hollywood waves. and I’m quoting from weekly comments, not a press release.
The key to getting it right when you don’t have much hair? ,W FDQ EH ÀGGO\ DV WKH URWDWLQJ EUXVK FDXVHV SDLQIXO WDQJOHV
Use a medium barrel tong, curl in the same direction if you spin it the wrong way. But take your time – it’s worth
then leave to cool before brush g r , t ow it for the volume (and ego) boost. I can’t imagine being
a ha yer and I can manage hair like Zoey Deutc without one. In fact, I might get a fourth. Just in case…
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SEE THE WORLD DIFFERENTLY
PHOTOGRAPHY: ALICE GAO, COURTESY OF THE GOODTIME HOTEL.
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An epic art scene, rebel vibes and seriously stylish
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Procida is tiny and, as a result, it’s
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Palazzo d’Avalos and the 16th-century Sacre
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DON’T MISS
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The uninhabited volcanic atoll (above) is
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covered in kaleidoscopic florals. Book a tour
in advance as it’s not always open to visitors.
DAY 3
Top up your tan on the long, narrow ribbon
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with views of Marina di Corricella in the
distance, and you may spot a celebrity or
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*Ref: https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4756185/
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Elle FINAL WORD
My fashionable life
TORY
BURCH
The fashion designer, 54, on her most extravagant
purchases and the pieces she’ll treasure forever
Photography by Connor Langford
I WAS SUCH A TOMBOY, I DIDN’T WEAR A DRESS UNTIL LEE RADZIWILL WAS THE MOST STYLISH WOMAN,
PROM. My mom was so into fashion, she got me a YSL dress so intelligent, self-confident and assured. Lee [Jackie
with pink sequins, a black velvet trim and a big black tulle Kennedy’s younger sister] was the queen of the one-liner.
skirt. It was definitely a statement. A lot of true style has to do with confidence, the way you
carry yourself and the way you feel about yourself.
I TOOK RISKS WITH FASHION BUT, looking at high school
pictures, it hasn’t always worked out. I loved vintage and I’d I HAD TWO WEDDING DRESSES. Both were by Sarah
remake things. I was made fun of because I was a bit preppy, Burton for Alexander McQueen, and they’re definitely the
a bit of an athlete. Friends labelled me a ‘prock’ – a preppy most expensive items I own. One is made from beautiful
jock. I wore Grateful Dead T-shirts with Hermès scarves. lace fabric, with a high neck, three-quarter-length sleeves
and almost to the ground. The other is a little more
MY FATHER SHOULD HAVE BEEN A DESIGNER. He made all extravagant, made from an ivory tulle with these beautiful
of his clothing with tailors. He was known in Philadelphia for flowers all over it. I knew I didn’t want to design my own
his style: he was the first of his friends to wear Gucci loafers wedding dresses and they are really special.
in the 1950s and he had dinner jackets lined with scarves. He
soldered charms on a gold Zippo lighter; we weren’t allowed ONE THING I REALLY MISSED WITH COVID-19 WAS
to touch it. When he passed away, I made it into a pendant. VINTAGE SHOPPING. Going in and finding unusual pieces
that you don’t see online. My most worn item is a suede
I WORKED AT BENETTON IN HIGH SCHOOL. The only thing jacket of my mom’s that she designed in the 1970s. I wore
I did was fold sweaters. With my first paycheck, three friends it through high school and we just did a version of it for our
AS TOLD TO: DA ISY MUR R AY.
and I bought tickets to see Crosby, Stills, Nash & Young. SS21 runway show.
TRAVEL HAS ALWAYS INSPIRED MY STYLE. My university had RUNNING A FASHION BUSINESS TEACHES ME TENACITY.
a programme called ‘Semester At Sea’, where you travelled But also the beauty of surrounding yourself with
to 15 countries. We started in Spain and ended in Japan, extraordinary people. That’s one of my biggest talents
via India, Taiwan, the Philippines, China and Russia. India – having an incredibly talented team. The most important
was one of the most inspiring places. The embroidery and thing is to create a company that is a place where people
vibrancy struck me; it was an infusion of beauty and colour. feel appreciated, safe and valued.