Narrative Health: Using Story To Explore Definitions of Health and Address Bias in Health Care
Narrative Health: Using Story To Explore Definitions of Health and Address Bias in Health Care
Narrative Health: Using Story To Explore Definitions of Health and Address Bias in Health Care
Keywords: diversity, interprofessional, listening, medical education, narrative health, narrative medicine,
social determinants of health, storytelling
These questions are especially important when we discuss Even before then, before our items were sold and we packed
health equity and equity in general. When we speak in defini- everything into a car to spend time on the road, a modern-day
tions and those definitions are created by a dominant group, we Joad family looking for work, we were struggling. I remember our
are speaking in a very denotative, or literal, manner. This flattens main meals coming from the school lunch program. I remember
and removes the complexities involved within an issue. The idea going to the grocery store garbage bin at night to supplement
of the sound bite definition, or oversimplification to garner inter- what food stamps provided.
est, as it is used in marketing and the media, has led to a loss of There are many reasons that lead people and children into
understanding and pushing beyond the one-liner to better define, homelessness. Even though I lived through being homeless as a
and thus address, a problem.6 In simplifying these problems for a child, I will never fully understand all the complexities that led
mass audience, the media also leave out entire groups of people us there. What I do remember thinking would help us was, “If
who may be in more dire need of intervention or prevention. I only had a voice.”
This shifts focus to the negatives of a problem and does not In school we take English class to strengthen our voice so
explore the ways people can prevent, identify, or deal with the other people can hear us. I was put in speech therapy to remove
issue together.7 For example, although much has been researched my accent (or lisp depending on who is telling the story), and
and discussed in journal articles about the current opioid crisis, to further strengthen my voice. That phrase, “strengthen your
information in the popular media such as news broadcasts and voice,” was heard a lot, and I still hear it today. It’s what led
newsstand magazines focuses on the numbers of people who are me to become an English teacher—to help others strengthen
overdosing, but not as often on prescription practices or under- their voices as I had, so they could get a good job and be heard.
lying issues, including mental health and loneliness, that lead I wanted to help others by teaching them to speak and write
to substance abuse. By simplifying the language used, we lose properly. Thankfully, I learned this approach is wrong when
the meaning behind words. Words have both a denotative and looking at the core of what I wanted to do—help people be
connotative meaning. Through storytelling, one reunites words heard and ease their suffering.
with their connotative meaning, focusing on the language and In learning to strengthen my voice, my history was erased from
emotions to create stronger understanding. When speaking of my speech. As I continued to grow, going to high school and then
health equity and disparities, we need to speak with history and getting a scholarship in another city, I became alienated from
emotive awareness. To do that, we move to story. friends and family who thought I was abandoning them. I had to
Storytelling is unique in bringing contextual relations between code-switch among groups of friends, and there were those who
various areas important to the storyteller.8 It allows the storyteller felt I no longer could understand them because of how I spoke.
to connect their physical health to their mental, social, religious, In telling those who were as disadvantaged as I was in childhood
and other realms of health providing a holistic approach. This pro- that to be heard they needed to speak like others, as I was now
vides a wealth of data about perceptions of equality, either directly doing, like those outside their communities, I was helping to
through the story or indirectly through the ways in which they alienate. When we tell people to strengthen their voices, we are
physically tell the story such as tone of voice and body movement.9 telling them we are not ready to listen to them where they are.
For many of CUHCC’s patients who come from countries with Indeed, that we won’t listen until they speak in a manner closer
oral traditions, such as Somalia, storytelling—and more impor- to ours. It is the difference between asking someone to assimilate
tantly story listening—is a way to access definitions of health in and become like us rather than integration, which requires com-
our community along with how the community views realms of promise on both sides. We are adding another layer of burden on
health and how to partner with health care centers. Story is also those who are so terribly burdened to begin with.
an important tool in historically underserved populations, which This is not to say that English as a Second Language classes
are often not heard in modern medicine or have their form of and other initiatives are not helpful, but that when approaching
healing viewed as alternative or complementary medicine. In ad- our communities, our number one focus should be to listen in-
dition, the ever-increasing number of foreign medical graduates tentionally and purposefully without judgment of language and
practicing in the US bring their own culture and language into traditions in their storytelling. This is what led me to move past
practice and communication with patients. Storytelling networks narrative medicine and to look for a new paradigm, a new word
are important to increase civic engagement, enhance a sense of to encompass how important it is to listen to who is defining
belonging, and reach audiences left out of modern mass media.7 health in a community and to mutually share stories, not have
This is why the move toward narrative health is important. Nar- medicine and communities stand on opposite sides of the room.
rative health asks us to thoughtfully examine who is telling a To understand something as complex as health, we can not only
story and how they are telling the story (with a focus on how listen or not only speak. We need a circle where we share and listen
and who is defining health), to listen intentionally, and to share freely and synthesize our ideas of health with others as equals.
stories both between and within communities.
PRACTICING NARRATIVE HEALTH
THE MOVE TOWARD NARRATIVE HEALTH: E PALLAI’S STORY We must fully acknowledge the sound-bite nature of any word
My family—mother, brother, and cat—and I were homeless that talks about storytelling. The need to market to professionals
for part of my childhood. We lived in a tent, going from state requires a phrase that can be used in pitch sessions to practitio-
to state, before settling in New York, where we lived in a garage. ners, directors, deans, and others involved in health care. The
term narrative health was developed to encompass the aspects are all part of the culture of illness. We also gain the benefits of
of an interprofessional community outside just medicine, one creative writing, which include language usage, differences in
that includes the community and patient as a vital part of our tone and mood, and other aspects important to story.15
learning and stories. At CUHCC we conduct 2 Narrative Health
workshops: 1 with learners only and 1 with patients and learners Learner and Patient Workshops
together. When speaking with patients, we discussed the idea of In these sessions CUHCC patients and learners are paired
narrative health in earlier sessions but now have changed to call for a story writing exercise. Learners are instructed beforehand
it storytelling or just narrative workshops. We also focus on call- that they are to listen to the patient and to help as the patient
ing our patients “community members” during these workshops, instructs. In some cases this means being a scribe and asking prob-
to mitigate the practitioner-patient power structure. For ease of ing questions focused on the patient’s story. That is, to focus on
this article, we will continue to use the term patients. the sensory events being told rather than the medical ones, such
as how it felt to lie on the gurney in terms of physical sensations
Learner-Only Workshops (cold metal, straps too tight, or itchy) and emotions. Learners
As part of the University of Minnesota, CUHCC is home to a are not to diagnose, but simply to listen. If the patient does not
number of “learners” (students in the health professions) for their want to work with a learner, the learner writes his/her own story
continuity clinics, internships, or clinical rotations. Learner-only alongside the patient.
sessions offer a place for an interprofessional group of students We begin with a reading that is short and read it aloud. These
and residents to discuss health issues together while exploring can be published materials, or one written by a group member
the intersections of their growing professional identities. In in a prior session. Much like the learner sessions, we discuss the
these sessions learners read a selected piece of writing ahead reading as a group before going into our prewriting, leading to
of time to discuss with the group before working on a guided the final product. At the end, everyone is encouraged to share
writing assignment. Readings vary, from selections from graphic their stories. We discuss what we liked and want to know more
novels and memoirs, to short stories, case studies, and poems. about vs comparison or diagnosis of illness. We also discuss the
Care is given to include readings from authors of diverse back- way language is used. Learners are encouraged to share alongside
grounds. Selections from anthologies such as Beauty is a Verb: the patients.
The New Poetry of Disability,10 Women Write Their Bodies: Stories We do not limit the writing to English. One of our more im-
of Illness and Healing,11 Healing by Heart: Clinical and Ethical pactful sessions included a Somali man who brought a poem he
Case Stories of Hmong Families and Western Providers,12 and The wanted to share about battling his addiction. He read it in Somali,
Remedy: Queer and Trans Voices on Health and Health Care,13 and those who understood the language were moved to tears. We
along with writings by authors such as Sherman Alexie and had a group member who served as a Somali interpreter say it
Lynda Barry, are explored through a creative writing lens. We was too beautiful and complex a poem to translate into English.
first discuss the readings as elements of literature and what The emotions were raw and visible in people’s reactions, leading
drew us in as readers, before we talk about the implications to us to comment on how moving it was despite not speaking the
health care and development as a practitioner. For example, language. A debrief with learners later led to a discussion about
when reading Sherman Alexie’s14 short story, “What You Pawn how this mirrors what happens in the clinic on a daily basis. Often
I will Redeem,” we opened with general thoughts about the patients who do not speak English come into the examination
writing style, the winding narrative, and initial reactions. We room, and we need to understand each other, with or without an
talked about the frustrations of narrative styles that occur in interpreter. It also gave us a chance to reinforce that a community
differing populations, and then we discussed experiences during does not have to speak the same language. We are a community
patient encounters that mirror the protagonist’s narration. This connected by health and illness, linking us in a common humanity.
led to us debating how information was relayed in the story,
and in real-life encounters, vs what learners are taught in their Benefits of Narrative Health Workshops
respective schools. From there, the discussion moved to social Narrative Health workshops were initially conceived as an
determinants of health—those presented in the story and those educational intervention to teach future health care practitioners
that might lead a patient to “noncompliance.” varying ways of communicating with a focus on listening. It was
We approach the writing section from a creative writing also meant to broaden their understanding of how health is dis-
model that involves 2 to 4 prewriting questions before begin- cussed and defined by providing a number of voices, often under-
ning the final product. This helps the learners get past the initial represented in their education. One of the themes we are seeing
response to their reflection and learn more about themselves, in our patients’ writing is how they feel healthy when connected
language, and how others use language. They may be asked to to other people and their community, such as in Ishmael Amin’s
try a different narrative style, or write a poem, or write from story in which he is happy eating Somali food with a friend, or in
their patient’s point of view. They are also asked to explore times Michael Southard’s story in which we learn how being placed in
when they were ill, to connect themselves with not just their an Indian Boarding School for Native Americans as a child still
patients but also times when they themselves were a patient. By affects him today (see Supplement: Patient and Learner Stories).
using creative writing modalities, we can gain the benefits of This expands the medical view of health from residing inside the
reflection, bringing in empathetic models and recognizing we body to the wider community.
Comments from learners include the following: [The Narra- like to see more staff involvement so the lessons learned are not
tive Health workshop] helps me to slow down and listen to my pa- just for our health care students, but for everyone in CUHCC.
tients’ stories to help me cooperate with my patient to create a better Another aspect we would like to explore is collecting these sto-
therapeutic plan; [it] made me think differently about how patients ries for a wider audience to see how the voices of our community
perceive what I consider good care. I remember hearing a story about define health. We want to have their stories stand alongside the
a procedure that I thought was so great [but] that the patient found more dominant voices in health care—those of the physicians,
disorienting and terrible, and I think it helped decrease the differing other practitioners, and bigger organizations that define not
power dynamics between patient and provider. just health and health care but also access to those services and
An added benefit is that it also promotes learner wellness by what is necessary. In those ways, we hope to expand narrative
having a dedicated space for reflection and to discuss develop- health to better understand and address health disparities in
ing identities outside the technical, or denotative, realms of Minnesota and beyond. v
their professions. We have found this reconnects students in
the human aspects of health care. So often in health professions Disclosure Statement
the scientific aspects are addressed, but the personal and hu- The author(s) have no conflicts of interest to disclose.
manitarian aspects, when discussed at all, are given less weight.
These sessions, particularly the patient/learner ones, have helped Acknowledgment
facilitate learning from lived experience in addition to books or Kathleen Louden, ELS, of Louden Health Communications provided editorial
assistance.
simulated experiences.
Patients in the workshops have discussed feeling empowered How to Cite this Article
to speak about their health without worry of diagnosis or prac- Pallai EL, Tran K. Narrative health: Using story to explore definitions of health
titioner agenda. Some have said that within the group setting, it and address bias in health care. Perm J 2019;23:18-052. DOI: https://doi.
feels like therapy to have a space to be heard. Others find that org/10.7812/TPP/18-052
the act of writing the story, even if not shared, still helps. On the
clinical side, practitioners whose patients have attended said they References
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of where our place is in the greater community. We would also
Good!
You made it
Where’d you park? Mohamed is a Somali-speaking patient at CUHCC. Here he
You will have to pull around here soon describes what an appointment is like for him working with both
a practioner and interpreter. This was written with the aid of a
My name!
How is she?
fellow participant who spoke Somali.
How did it go? Untitled
When can I see her again?
Pull the car around now, please By Mohamed Yusuf, CUHCC patient
He just said so. I will walk back and get her When I need treatment for diabetes, I go to the clinic here. After
waiting in the waiting room, finally having your name called, and
Cold, stale, sterile getting your vitals taken, you are left in the doctor’s room. You wait,
White linen sheets, small frame shaking from the cold alone. You feel lonely. When the doctor comes, they tell you your
She’s always cold blood work—if your sugar is high or low. If it is high, you feel unhappy.
Or is it the meds? You are surprised when they have to increase the medicine. The doctor
sits typing at the computer, but they look you in the eye when they
She needs socks.
talk to you. The interpreter translates word by word, so you can talk in
Well at least put the left one on now.
your own language, Somali. When the doctor talks they listen—then
I will drive home, just go pick up her medications.
they talk to you—and you listen. Then you tell the interpreter what
“Why can’t you just go. You’re the pharmacy student. you want to say—and they tell the doctor. That way, they answer ev-
I don’t even know what I am looking for.” ery question you have. Then they will tell you what to do. You all sit
there, in the small little room, in three chairs. If you have back pain,
Discharge papers, IV pulled, rolled into the winter snow there’s a place to lie down, and the doctor will examine you—here,
Still shaking pain? Here pain? Then she will decide what you need. They ask lots
Still cold of questions, but it’s okay. You feel cared for. v
Got to get her home
REFLECTIONS ON CHANGE
Michael has been to almost every patient/learner writing session
we have had. In his writing, he talks about the holidays, family,
and being taken away to be put in a boarding school for Native
Americans as a young child.
Untitled
By Michael Southard – CUHCC Patient
When my mom and dad split up, I had to go live with my grandpa.
A lot of things happen while living with him. Though the one that
hurt most was having to stay in a Catholic boarding school because
my grandpa did not want to raise me. He wanted his freedom. So for
grade school to Jr high school, I was there. While there I got into a lot
of fights because I am a half breed. And the way the boarding school
try to change me (into the white man’s way of life). Not too long hair,
not to speak our language, not to believing our higher power, and
so on. And when holidays come I would be one of the two kids still
there. Never being with my family, or relative. This is why I don’t like
holidays so much. Then not knowing my own language, to speak it,
then all the fights with others, even my own cousins, and so on. This
is why I don’t like talking about my past because I go through so many
feeling. Tough!! I got to do this in order to feel better, and work this
out in a better way so I don’t feel so scared. Though I will always not
liking talking about it. There is a lot more. The one I talked about is
just the tip of my past … though I am working it out. v