Joseph

Haydn
Anne Hunter
10 Canzonets
2. Fidelity

(Hob.XXVIa:30)

 
 
Allegretto
Voice

  
     
   
       
     
3

 
                 
Piano 

  

3

                    
            

    
3


                            


     
     
  
6

       

   
While hol low burst the rush ing winds, And

                              
          

           


     
     
     
                
          
 

OpenScore (CC0)
2


             
11


     
                  

hea vy beats the show’r. This an xious, ach ing

 
                 


            



             
16


                      
bo som finds No com fort in its pow’r; no,

 
 
                                 


  
 
                   
20

                
no! For ah! my Love, it lit tle knows What thy hard fate may be,

   
 
               

 

cresc.


     


   
     
   
    

         
       
25

       

    
 
What bit ter storms of for tune blow, What tem pests trou ble

         

   






                    
                   

OpenScore (CC0)
 3

         
30


thee, what tem pests trou ble thee, what

             

            
   
      
    


     
 
33

                              
tem pests trou ble thee.

    

     
   


      

      
  

               
36


A way ward fate hath spun the thread On

                               

         



 


                    
39


which our days de - pend, And dark ling in the che quer’d shade, She

                                

                  
         
   


OpenScore (CC0)
4


             
43

 
 
draws it to an end. But what so e’er may

           
          
    
            
espress.

        
                   

 
             
   
48

  

 
    
be our doom, The lot is cast for me, is cast for me, is cast for me; For

                
      
   

           
  
                            
        

 
                 
53


            
in the world or in the tomb, My heart is fix’d on thee, is fix’d on

   
             
 
           
    
 

 
         
57

  
    
thee, is fix’d on thee. For

          
     
               
dolce

             
  

OpenScore (CC0)
   
5

          

 
61

  
     
     
in the world or in the tomb, My heart is fix’d on thee, My

     
   
                 
              

 
                  
65

 
         
heart is fix’d on thee, is fix’d on thee. For in the world, or

                         
         
   
   
  
  
  Tempo I
              
     
Adagio

 
70

    
                  
in the tomb, my heart, my heart is fix’d on thee, My heart is fix’d on

                  
               
     
     

 
   
     
76

       
     
thee. But what so e’er may

     
      
        
 

                                   


OpenScore (CC0)
  
6

             
      
80


 
    
          
be our doom, The lot is cast for me, is cast for me, is cast for me; For

          

                                      
   

 
                 
85


            
in the world, or in the tomb, My heart is fix’d on thee, is fix’d on

    
          
 
           
    
 

 
            
89


  
          
thee, is fix’d on thee. For in the world, or

        
     
                  
cresc.

   
               
 

  
           
 
94

 

    
in the tomb, My heart is fix’d on thee, My heart is fix’d on

                    
        
             
           


OpenScore (CC0)
    Tempo I
7

                   
Adagio

  
98

 

   
thee is fix’d on thee. For in the world or in the tomb, My heart, My

                           
 
                 
     
   
 
            
    
   
 
104

           
     
heart is fix’d on thee, My heart is fix’d on thee, on thee, on

               
   
              
       

   
     

109

       
          
           
thee, on thee, on thee.


       
      

                                  
 
 
      

114

 

             
                  
                       


  
dim. al

                   

OpenScore (CC0)
 
8

 
 
120

 
  
 
  
       


 

OpenScore (CC0)