P1-600.2 / P1-1000.

2
P1-600.4 / P1-1000.4
P1-2000.1 / P1-5000.5
 POWER ONE SERIES AMPLIFIERS
The Power One Series products have been designed to a very high level of performance, with features unavailable
in any other product. All of the amplifiers have variable crossovers built in, with added touches such as subsonic
filter, bass equalization and a remote Level control module (some models) that allows subwoofer Level control
from the drivers seat.

To ensure years of listening pleasure, all amplifiers have a built in diagnostic mode that will detect shorted speaker
leads, low impedance, dangerous high temperatures, DC shorts and will shut down the amp to prevent serious
damage.

INDEX PAGE
General Installation Procedure..........................................................................................................................................................................................1

Amplifier Feature Descriptions...........................................................................................................................................................................................2

P1-600.2 / P1-1000.2 2-CHANNEL AMPLIFIER APPLICATIONS....................................................................................................................................3

Full range stereo / mono

P1-600.4 / P1-1000.4 4-CHANNEL AMPLIFIER APPLICATIONS.................................................................................................................................4-5

4, 3 and 2 channel operation / front/rear high pass using a 2 channel model for mono sub bass

P1-2000.1 1 CHANNEL AMPLIFIER APPLICATIONS......................................................................................................................................................6

Basic mono amplifier application

P1-5000.5 5 CHANNEL AMPLIFIER APPLICATIONS......................................................................................................................................................7

Full range stereo / mono

Features and Specifications...............................................................................................................................................................................................8

Setting Up Systems After Installation For Best Performance...............................................................................................................................................9

Troubleshooting and Diagnostics.....................................................................................................................................................................................10

Product Warranty.............................................................................................................................................................................................................11

Check out our videos of new products,

events and technical tutorials at
www.youtube.com/maxxsonicsusainc

The contents of this manual may not be reproduced or copied with out the written consent of MAXXSONICS USA, Inc.
GENERAL INSTALLATION PROCEDURE
System Design
The success of any car stereo system relies on several factors, such as the system design, execution of the installation, and system setup. Please
remember that any system is only as good as its weakest link.
Please remember that higher power systems are not necessarily useful purely for high sound pressure levels, but also to establish a headroom capability, to
reproduce musical peaks cleanly without distortion. Lower power amplifiers will clip earlier than their more powerful cousins, and cause loudspeaker failure when
overdriven, due to the harmonics generated by a clipped signal, thus overheating voice coils.

Amplifiers should be mounted with the fins running horizontally for best convection cooling, to minimize overheating. Purchase the best quality RCA cables you can
afford, for reliability and less engine noise interference in the audio system.

Installation

WOOD
It is highly recommended that the amplifier be mounted to a board of MDF or other solid
structure using the 4 mounting screws provided. Avoid mounting the
amplifier to metal as this can introduce noise and other unwanted issues. When mounting
the amplifier, ensure that it is mounted HORIZONTALLY, as shown in the diagram above, for
optimal heat dissipation. Mounting amplifiers to speaker enclosures is not recommended as
this can cause damage to the amplifier components. When choosing a location for
mounting the amplifier, ensure that you check for clearance from wires, gas tank, electrical
devices and brake lines etc.
General:
Run the wiring so that RCA cables are at least 18“ away from power and speaker cables. Keep RCA cables away from electrical devices in the vehicle that can cause
electrical noise, such as electric fuel pumps, emission control modules and other on-board electronic modules.

Power and ground connections(see the features matrix on page 8 for proper gauge cables per amplifier):
Use a sufficient gauge power cable and ground cable using the chart below as reference to what size wire you require. Power One series amplifiers require at least 4
gauge power wire. In a multi amplifier system, add the total value of the manufacture recommended fusing to get your total system amperage. Some applications
may require multiple runs of power wire to meet the system requirements. In multi amplifier systems it is advisable to mount a large enough fuse right at the battery,
and run one or multiple +12 volt power cables to a fused distribution block near the amplifiers. It is then a simple matter to connect the +12 volt terminal of each
amplifier to the distribution block. During this process, please ensure that the main power fuse is removed to avoid shorting the electrical system. The main fuse must
be within 12” of the vehicles battery.

Ground each amplifier with as short a ground lead as possible directly to the vehicle chassis using at least 4 gauge wire or equivalent to the size of the amplifiers’
power wire. Use a ground distribution block, if you wish, but it is extremely important to keep the main ground lead from this distribution block to the chassis as short
as possible , not more than 12“. The ground connection integrity to the chassis is very important, and the best way to achieve a good, solid electrical and mechanical
contact is to use a large round crimp lug, crimped and soldered to the ground cable. The next step is to scrape the paint off the vehicle chassis , slightly larger than
the ground lug, at the connection point. Drill a clearance hole in the chassis, the same size as the lug hole, and use a bolt, spring washer and nut to securely fasten
the ground lug. Use petroleum jelly to coat the bolt/lug connection, to prevent oxidization with time.

TIP: Use the same approach when installing head units, equalizers or any audio equipment for that matter - run short individual grounds from each piece directly to
the vehicle chassis, to minimize ground loops and system noise. All power, ground and speaker connections should be crimped and soldered for reliability. Make sure
that none of the cable insulation can chafe against exposed metal in the vehicle, causing short circuits to the chassis.
WIRE LENGTH
SYSTEM
7-10 ft. 10-13 ft. 13-16 ft. 16-19 ft. 19-22 ft. 22-28 ft.
AMPERAGE
NOTE: This Matrix is a general rule
35-50 8 6 4 4 4 4
of thumb. Please refer to the
WIRE GAUGE

50-65 6 4 4 4 4 2
68-85 4 4 2 2 2 0
manufacturers specific
85-105 4 2 2 2 2 0 requirements. P1 specifications
105-125 4 2 0 0 0 0 can be found on page 8.
125-150 2 0 0 0 0 0

Safe connection sequence:

After all cables are run, connect speaker wires to the speakers and amplifiers, then run and plug in RCA cables. Next, connect all power, ground, and remote turn on
leads. Now connect all +12 volt cables to the amplifier/s and distribution blocks and fuse holders. Finally, connect the main +12 volt cable to the battery, with the main
fuse removed, and we are almost ready to power up the system.

Power up the system:

The following procedure may seem like overkill, but there is nothing more frustrating when turning on a system for the first time, and it does not work properly
immediately.
First, make sure the head unit is off, and turn all level controls to minimum (counterclockwise), including the head unit volume control. Set all equalizers to 0 dB (no
boost), and all crossover frequency controls at approximate frequencies, as recommended by the loudspeaker manufacturer. Set all input selector and crossover
switches as required for the application. Remove all amplifier fuses, and insert the main fuse at the battery. If the fuse does not blow, you can insert the fuse in one of
the amplifiers, and we are ready to turn on the system. Turn the head unit on, insert a CD, or select a radio station, and increase the head unit volume control. If the
system sounds fine, turn off the head unit, and install fuses in the remaining amplifiers, one by one, till the complete system is powered up and functioning properly.

1
 AMPLIFIER FEATURE DESCRIPTIONS
POWER ONE AMPLIFIERS:
! Each model is capable of 4 & 2-Ohms stereo per channel, or 4-Ohms mono bridged operation except the mono amps ! All Crunch amplifiers feature a comprehensive diagnostic system, with speaker lead short circuit, and amplifier DC
which are capable of 4, 2 and 1-Ohm loads. faults indicated by the red “PROTECT” LED.
! The input sensitivities for rated output powers are variable from 0.2V to 6V on all models. ! CAUTION: DO NOT OPERATE ANY AMPLIFIER BELOW THE INTENDED IMPEDANCE. YOU WILL CAUSE
! All crossovers are fully variable in their respective ranges. DAMAGE TO THE AMPLIFIER THAT WILL NOT BE COVERED UNDER THE WARRANTY PRINTED IN THE BACK
! Crossover filters are 12dB/Octave. OF THE MANUAL. 2 & 4 Channel amps are capable of 4 and 2-Ohms wired stereo and 4-Ohms wired mono
! A POWER LED indicates the powered up and turned on condition. bridged. The mono amps are capable of 4, 2 and 1-Ohm.

P1-600.2 / P1-1000.2 2-CHANNEL AMPLIFIERS

L L
LEVEL BASS EQ HPF LPF X-OVER MODE
+ - gnd - +
HI INPUT
6V 0.2V 0dB 12dB 60Hz 12KHz 30Hz 250Hz FULL LPF HPF MONO STEREO

R R
LINE OUT LINE INPUT

The X-OVER slide switch selects the internal crossover functions:

-The input signal is routed directly to the LINE OUT RCA jacks, regardless of the X-OVER setting simplifying daisy chaining of amplifiers.
-HPF: Selects the built in HIGH PASS filter, variable from 60 Hz to 12kHz.
-FULL: Bypasses all crossovers for full frequency range operation.
-LPF: Selects the built in LOW PASS , variable from 30 Hz to 250Hz.
-BASS EQ: Adjustable 45Hz bass boost from 0dB to 12dB.
MODE: The mode switch allows you to choose Stereo for full range 2 channel operation or MONO for bridging operation
HIGH INPUT: If your radio/CD player does not have unbalanced (RCA) outputs, you can use the HIGH level (wire) inputs.
LINE INPUT: The line input accepts unbalanced (RCA) inputs from 0.2V to 6V.
LINE OUTPUT: The line output passes through signal from the line inputs which allows you to daisy chain multiple amplifiers from one signal.

Note that the LOW PASS signal is MONO.

-In the LPF position, the HIGH PASS filter acts as a subsonic filter.
-When the LPF mode is selected, a 0 to +12dB, at 45Hz, BASS -EQ is also switched in.

P1-600.4 / P1-1000.4 4-CHANNEL AMPLIFIERS

MODE X-OVER X-OVER HIGH INPUT
+ - GND - + + - GND - +
CH1 CH3
2 3 4 LPF HPF FULL FULL HPF LPF
CH1 CH2 CH3 CH4
LPF HPF BASS EQ LEVEL LEVEL BASS EQ HPF LPF
CH2 CH4
30Hz 250Hz 60Hz 12KHz 0dB 12dB 6V 0.2V INPUT OUTPUT INPUT 6V 0.2V 0dB 12dB 60Hz 12KHz 30Hz 250Hz
CHANNEL 1 / 2 CHANNEL 3 / 4

The 4 channel amps have the same features as the 2 channel models accept that there are 2 sets of controls. 1 set for channels 1 & 2 and 1 set for channels 3 & 4.
In addition, the 4 channel models have a Mode switch which allows you to select 2, 3 or 4 channel operation. Switch to 2 channel if you only have 1 set of RCA’s in CH 1/2 and
the unit will automatically supply signal to channels 3/4. Select 3 channel when you only have RCA’s in CH 1/2 but plan to run channels 3/4 bridged. Select 4 channel if you
are providing RCA’s to channels 1/2 and 3/4.
The X-OVER slide switch selects the internal crossover functions:
-The input signal is routed directly to the LINE OUT RCA jacks, regardless of the X-OVER setting simplifying daisy chaining of amplifiers.
-HPF: Selects the built in HIGH PASS filter, variable from 60 Hz to 12kHz.
-FULL: Bypasses all crossovers for full frequency range operation.
-LPF: Selects the built in LOW PASS , variable from 30 Hz to 250Hz.
-BASS EQ: Adjustable 45Hz bass boost from 0dB to 12dB.
LINE INPUT: The line input accepts unbalanced (RCA) inputs from 0.2V to 6V.
LINE OUTPUT: The line output passes through signal from the line inputs which allows you to daisy chain multiple amplifiers from one signal.

Note that the LOW PASS signal is MONO.

-In the LPF position, the HIGH PASS filter acts as a subsonic filter.
-When the LPF mode is selected, a 0 to +12dB, at 45Hz, BASS -EQ is also switched in.

P1-2000.1 MONO BLOCK AMPLIFIERS

REMOTE BASS SUB LOW OUTPUT INPUT
CONTROL LEVEL
POWER BOOST SONIC PASS L L

PROTECT 0dB 12dB 15Hz 55Hz 40Hz 150Hz 6V 0.2V R R

-The LINE INPUT signal is routed directly to the LINE OUT RCA jacks, regardless of the X-OVER setting simplifying daisy chaining of amplifiers.
-SUBSONIC: Allows you to adjust the crossover filter from 15Hz to 55Hz.
-LOWPASS: Allows yo to adjust the LOW PASS crossover filter from 40Hz to 150Hz.
LEVEL: Adjusts the input sensitivity from 0.2 volts to 6 volts.
BASSBOOST: 45Hz bass boost adjustable from 0db to 12dB.
REMOTE CONTROL: This is the input jack for the remote Level control.
LINE INPUT: The line input accepts unbalanced (RCA) inputs from 0.2V to 6V.
LINE OUTPUT: The line output passes through signal from the line inputs which allows you to daisy chain multiple amplifiers from one signal.

The mono amps are capable of 4, 2 & 1-Ohm loads.

Operating the amp below 1-Ohm can cause damage to the amp not covered in the warranty.

P1-5000.5 5-CHANNEL AMPLIFIERS

3/4 CH CONTROLS 1/2 CH CONTROLS
CH5 CH4 CH2 LEVEL HPF MODE LEVEL HPF REMOTE
L
INPUT

FULL HPF 4CH 5CH FULL HPF

6V 0.2V 10Hz 150Hz 6V 0.2V 10Hz 150Hz
X-OVER X-OVER
R
6V 0.2V 15Hz 55Hz 0dB 12dB 30Hz 150Hz
SUBSONIC BASS EQ
POWER
CH5 CH3 CH1 LEVEL LPF
5 CH CONTROLS PROTECT

The 5 channel amp have the same features as the 4 channel models accept that there is an additional set of controls for channel 5
The X-OVER slide switch selects the internal crossover functions:
-The input signal is routed directly to the LINE OUT RCA jacks, regardless of the X-OVER setting simplifying daisy chaining of amplifiers.
-HPF: Selects the built in HIGH PASS filter, variable from 10 Hz to 150Hz.
-FULL: Bypasses all crossovers for full frequency range operation.
-LPF: Selects the built in LOW PASS , variable from 30 Hz to 150Hz for channel 5 only.
MODE: The mode switch allows you to choose 4 or 5 channel operation.
LINE INPUT: The line input accepts unbalanced (RCA) inputs from 0.2V to 6V.
SUBSONIC: Is adjustable from 15Hz to 55Hz for the channel 5 only.
BASS EQ: Is adjustable from 0dB to 12dB for channel 5 only.
REMOTE: this is used for the Bass Remote module.
2
P1-600.2 / P1-1000.2 2 CHANNEL AMPLIFIER APPLICATIONS
FULL RANGE STEREO
This is the most basic application for the P1 Series 2 channel amplifiers. 4. MODE:
Should be in the STEREO position.
1. Interconnect cable checklist: 5. Line Level:
Connect the LINE INPUTS to the Radio/CD with good quality RCA cables. Refer to the section “Setting up systems after installation for best performance”
2. Crossover Switch:
The X-OVER switch must be in the FULL position. NOTE: Minimum final loudspeaker impedances:
3. Crossover frequency control checklist: 4 & 2 Ohms stereo mode or 4-Ohms mono mode
N/A for full range operation. This amplifier will not do 1 Ohm stereo or 2/1 Ohm mono operation.

FULL RANGE
FULL RANGE SPEAKERS
STEREO LINE INPUT
LINE OUT LINE INPUT
R

+RIGHT -
SPEAKER OUTPUT
BRIDGED
R

+ LEFT -
+ - gnd - +
HI INPUT

LEVEL BASS EQ HPF

6V 0.2V

PROTECT
POWER
0dB 12dB 60Hz 12KHz 30Hz 250Hz

FUSE
LPF

REM BATT+12V
TO BATTERY +12v
FULL LPF HPF MONO

X-OVER

POWER INPUT
VIA FUSE
REMOTE TURN-ON
MODE

GND
CHASSIS GROUND
STEREO

MONO
This application illustrates the basic mono bridging method for all Crunch
amplifiers. Switch setting checklist:
- The AMPLIFIER X-OVER switch should be in the LPF position and the MODE
Interconnect cable checklist: should be in the MONO position.
A MONO signal source is required, such as would be available from the mono
sub bass output of an active crossover, whether stand alone, or built into a head Crossover frequency control setting checklist:
unit or equalizer. Important: Do not be tempted to connect the hot, or positive LPF: 11 o’clock
outputs, from any source together to obtain a mono signal, as this could very
well damage the output stage of that source. Minimum final loudspeaker impedance:
It is necessary to feed the SAME signal to both left and right inputs via a Y- - 4 ohm mono.
adapter RCA cable. Connect the mono speaker positive terminal to the LEFT +,
and its negative terminal to RIGHT -.

FULL RANGE MONO SPEAKER

MONO LINE INPUT
LINE OUT LINE INPUT

VIA Y-ADAPTER
R

+RIGHT -
SPEAKER OUTPUT

FROM MONO SOURCE

BRIDGED
R

+ LEFT -
+ - gnd - +
HI INPUT

LEVEL BASS EQ HPF

6V 0.2V

PROTECT
POWER
0dB 12dB 60Hz 12KHz 30Hz 250Hz

FUSE
LPF

REM BATT+12V

TO BATTERY +12v
FULL LPF HPF MONO

X-OVER

POWER INPUT

VIA FUSE
REMOTE TURN-ON
MODE

GND

CHASSIS GROUND
STEREO

The HIGH LEVEL inputs are used when the radio/CD player does not have RCA cable outputs. You can connect the radio/CD player speaker wires directly to the
amplifier via the high Level Inputs.

Use this connector for 2 CH amplifiers Use both connectors for 4 CH amplifiers
GRAY: CH 1 Speaker Input + ORANGE: CH 3 Speaker Input +
BROWN: CH 1 Speaker input - PINK: CH 3 Speaker input -
Black: Chassis Ground Black: Chassis Ground
GREEN: CH 2 Speaker Input - BLUE: CH 4 Speaker Input -
White: CH 2 Speaker Input + YELLOW: CH 4 Speaker Input +

3
 P1-600.4 / P1-1000.4 4-CHANNEL AMPLIFIER APPLICATIONS
4 CHANNEL FULL RANGE SYSTEM
Here we show how to use the 4 channel amplifiers as straight forward discrete 4 - HI PASS: N/A
channel full range units. The MODE switch should be in 4CH. - LOW PASS: N/A

Interconnect cable checklist: Channels 3/4:

- Connect the four inputs of the amplifier to a Radio/CD with quality RCA cables. - HI PASS: N/A
- LOW PASS: N/A
Switch setting checklist:
- 1/2CH X-OVER: FULL Level control checklist:
- 3/4CH X-OVER: FULL - Refer to the section “Setting up systems after installation for best performance”

Crossover frequency control checklist: Minimum final loudspeaker impedances:

Channels 1/2: - 2 ohm per channel.
30Hz 250Hz 60Hz 12KHz 0dB 12dB

CH 1/2 SPEAKER OUTPUT

+ CH1 -
LPF

BRIDGED
HPF BASS EQ LEVEL

MODE
2 3 4
CHANNEL 1 / 2

+- CH2 -
LPF HPF FULL

X-OVER
6V 0.2V

CH 3/4 SPEAKER OUTPUT

CH2

+ CH3 -
CH1
INPUT OUTPUT INPUT

FULL RANGE

BRIDGED
STEREO LINE

+ CH4 -
INPUTS
CH3
CH4
LEVEL BASS EQ HPF
FULL HPF LPF CH1 CH2 CH3 CH4
6V 0.2V

X-OVER

GND REM +12V

0dB 12dB 60Hz 12KHz 30Hz 250Hz
CHANNEL 3 / 4

+ - GND - + + - GND - +
HIGH INPUT
LPF

PROTECT
POWER
2 or 3 CHANNEL SYSTEM
Here we show how to use the 4 channel amplifiers as a 3 channel unit by taking Switch setting checklist:
advantage of the mono bridging capability of all Crunch amplifiers. - 1/2CH X-OVER: FULL
- 3/4CH X-OVER: LPF
The following example shows how to create a 3 channel system by mono
bridging channel pair 3 / 4. In order to create a 2 channel system, simply follow Crossover frequency control checklist:
the example to also mono bridge channel pair 1 / 2. Channels 1/2:
- HI PASS: N/A
Interconnect cable checklist: - LOW PASS: N/A
- MODE: Set at 3CH
- Connect the inputs of channel pair 1/2 to a suitable stereo source, e.g. a head Channels 3/4:
unit with good quality RCA cables. - HI PASS: N/A
- A MONO signal source is required to bridge channel pair 3/4, such as would be - LPF: 11 o’clock
available from the mono sub bass output of an active crossover, whether
standalone, or built into a head unit or equalizer. If you only have 1 set of RCA TIP: If you are using the mono sub bass output of an active crossover, there is
outputs from your headunit, you can simply connect those to the inputs for ch nothing wrong with switching in the low pass filter in these amplifiers for a
1/2 and switch the MODE to 2ch. The amplifier will auto sum the signal and steeper low pass rolloff.
provide mono output for bridged channels 3/4.
Important: Do not be tempted to connect the hot, or positive outputs, from any Level control checklist:
source together to obtain a mono signal, as this could very well damage the - Refer to the section “Setting up systems after installation for best performance”
output stage of that source.
- It is necessary to feed the SAME signal to both left and right inputs via a Y- Minimum final loudspeaker impedances:
adapter RCA cable. - 2 ohm per channel in stereo mode.
- Connect the mono speaker positive terminal to the CH4 +, and its negative - 4 ohm mono bridged.
terminal to CH3 - as shown.
30Hz 250Hz 60Hz 12KHz 0dB 12dB

LPF

CH 1/2 SPEAKER OUTPUT

+ CH1 -
HPF BASS EQ LEVEL

MODE
2 3 4
CHANNEL 1 / 2

BRIDGED
+- CH2 -
LPF HPF FULL

X-OVER
6V 0.2V

STEREO LINE INPUT

CH2

CH1

CH 3/4 SPEAKER OUTPUT

+ CH3 -
INPUT OUTPUT INPUT

BRIDGED
+ CH4 -

MONO LINE INPUT

CH3
CH4

(Unless using procedure

listed above for 3ch)
LEVEL BASS EQ HPF
FULL HPF LPF CH1 CH2 CH3 CH4
6V 0.2V

X-OVER

GND REM +12V

0dB 12dB 60Hz 12KHz 30Hz 250Hz
CHANNEL 3 / 4

+ - GND - + + - GND - +
HIGH INPUT
LPF

PROTECT
POWER

4
P1-600.4 / P1-1000.4 4-CHANNEL AMPLIFIER APPLICATIONS
Front/Rear high pass, using a 2 channel amplifier for mono sub bass
The combination of a 2 and a 4 channel amplifier, utilizing their built in Channels 1/2:
crossovers, makes it a snap to put together a full system with front and rear - HI PASS: 100 Hz
highs, with mono sub bass. LOW PASS: N/A

Interconnect cable checklist: Channels 3/4:

- Using good quality RCA cables, feed the front and rear outputs of a head - HI PASS: 100 Hz
unit to the inputs of the 4 channel amplifier as shown. - LOW PASS: N/A
- Also connect the LINE OUT of the 4 channel amplifier to the LINE INPUT of
the 2 channel amplifier as shown. 2 channel bass amplifier:
- HI PASS (Subsonic filter): 10 Hz to 40 Hz
Mono bass woofer wiring: - LOW PASS: 80 Hz
Connect the mono speaker positive terminal to the CH4 +, and its negative
terminal to CH3 -. Please note that these frequency points are suggestions only. Refer to the
loudspeaker manufacturer specifications and the section “Setting up systems
Switch setting checklist: after installation for best performance”
4 channel highs amplifier:
- 1/2CH X-OVER: HPF Level control checklist:
- 3/4CH X-OVER: HPF - Refer to the section “Setting up systems after installation for best
performance”
2 channel bass amplifier:
- X-OVER switch: LPF Minimum final loudspeaker impedances:
- 2 ohm per channel in stereo mode.
Crossover frequency control checklist: - 4 ohm mono bridged.
- 4 channel highs amplifier:

FULL RANGE
30Hz 250Hz 60Hz 12KHz 0dB 12dB

CH 1/2 SPEAKER OUTPUT

+ CH1 -
LPF

STEREO LINE

BRIDGED
HPF BASS EQ LEVEL

MODE

INPUTS
2 3 4
CHANNEL 1 / 2

+- CH2 -
LPF HPF FULL

X-OVER
6V 0.2V

CH 3/4 SPEAKER OUTPUT

CH2

+ CH3 -
CH1
INPUT OUTPUT INPUT

BRIDGED
+ CH4 -
CH3
CH4
LEVEL BASS EQ HPF
FULL HPF LPF CH1 CH2 CH3 CH4
6V 0.2V

X-OVER

GND REM +12V

0dB 12dB 60Hz 12KHz 30Hz 250Hz
CHANNEL 3 / 4

+ - GND - + + - GND - +
HIGH INPUT
LPF

PROTECT
POWER

STEREO
INTERCONNECT
RCA CABLE
MONO SPEAKER
LINE OUT LINE INPUT
R

+RIGHT -
SPEAKER OUTPUT
BRIDGED
R

+ LEFT -
+ - gnd - +
HI INPUT

LEVEL BASS EQ HPF

6V 0.2V

PROTECT
POWER
0dB 12dB 60Hz 12KHz 30Hz 250Hz

FUSE
LPF

REM BATT+12V

TO BATTERY +12v
FULL LPF HPF MONO

X-OVER

POWER INPUT

VIA FUSE
REMOTE TURN-ON
MODE

GND

CHASSIS GROUND
STEREO

5
 P1-2000.1 MONO AMPLIFIER APPLICATION
Basic application
These sub bass amplifiers can be used in any of the bi-amplification systems described in Crossover frequency control checklist:
this manual, replacing the 2 channel amplifiers as per the illustrations. LOW PASS: 40Hz to 150Hz
SUBSONIC:15 Hz to 55 Hz
Interconnect cable checklist: BASS EQ: 0 to +12dB
Connect the inputs to a suitable source, e.g. a head unit with good quality RCA cables.
Connect the LINE OUT to the inputs of the system highs amplifier. Level control checklist:
Refer to the section “Setting up systems after installation for best performance”
Use at least #12 gauge speaker wiring. The amps have dual speaker terminals,
simplifying the hookup of multiple speakers. These amps are mono, 1 channel, amplifiers Minimum final loudspeaker impedance: 1-Ohm.
which have multiple positive and negative connections for ease of wiring. The 2 positives
are the same internally and the 2 negatives are the same internally.
MONO
SUBWOOFER
PROTECT

POWER

-
SPEAKER OUTPUT
+ -
CONTROL
REMOTE

+
MI
N MAXX
BOOST SONIC
0dB 12dB 15Hz 55Hz 40Hz 150Hz 6V 0.2V

BASS SUB

FUSE
PASS
LOW

DESIGNATED
MONO OUTPUT
LEVEL

FROM HEAD UNIT

REM BATT+12V
TO BATTERY +12v

POWER INPUT
L
R

VIA FUSE
INPUT

REMOTE TURN-ON
OUTPUT

GND
CHASSIS GROUND
R

PARALLEL MONO POWER INPUT

FUSE
SUBWOOFERS GND REM BATT+12V
+
SPEAKER OUTPUT
+ - -

2-OHMS EACH MINIMUM

FULL RANGE
STEREO LINE INPUT Y-ADAPTOR

NOT USED

Note: You can use the Radio/CD designated mono line output or a full range stereo line output.
For full range stereo line output, you will need an optional “Y-Adaptor” as shown.

6
P1-5000.5 5-CHANNEL AMPLIFIER APPLICATION
Basic application
Here we show how to use the channel amplifier as straightforward discrete 5 Channels 3/4:
channel full range units. - HI PASS: N/A
- LOW PASS: N/A
Interconnect cable checklist:
- Connect the four inputs of the amplifier to a Radio/CD with quality RCA cables. Level control checklist:
- Refer to the section “Setting up systems after installation for best performance”
Switch setting checklist:
- 1/2CH X-OVER: FULL Minimum final loudspeaker impedances:
- 3/4CH X-OVER: FULL - 2-Ohms per channel.

Crossover frequency control checklist:

Channels 1/2:
- HI PASS: N/A
- LOW PASS: N/A

DESIGNATED MONO
CHANNEL 5 INPUTS

INPUT
CHASSIS GROUND

GND
R

POWER INPUT
CH5

CH5

REMOTE TURN-ON

REM
CH3

CH4

+12V
CH1

CH2

TO BATTERY + 12 Volts VIA FUSE

LEVEL

LEVEL
5V 0.2V

5V 0.2V

3/4 CH CONTROLS

FULL RANGE
FULL

CH 5
CH 5

+
X-OVER

SPEAKERS
HPF
SUBSONIC

CH 4
CH 2
10Hz 150Hz
15Hz 55Hz

HPF

+
+
FUSE

BRIDGED
5 CH CONTROLS

SUBWOOFER
4CH

CH 3
CH 1
MODE

FULL RANGE
+
+
5CH

STEREO LINE
BASS EQ

LEVEL
0dB 12dB

5V 0.2V

1/2 CH CONTROLS

INPUTS
FULL
X-OVER

SPEAKER OUTPUT
HPF
10Hz 150Hz
30Hz 150Hz
LPF

HPF
REMOTE
PROTECT
POWER

7
8
SETTING UP SYSTEMS AFTER INSTALLATION FOR BEST PERFORMANCE
P1-600.2 / P1-1000.2 / P1-600.4 / P1-1000.4 / P1-5000.5
General:
At this point you are ready to get more specific on the settings for your amplifier.

High Pass:
-When in HPF operation, this setting acts as a low frequency cut off for your system reproduction. The point that you set it at cuts off any frequencies from reproduction beyond this point.
The 12 o’clock position is a great starting point. EXAMPLE: If you adjust the HPF to 100Hz, the amplifier will not play frequencies below 100Hz but will play frequencies from 100Hz to the
highest frequency the amplifier is capable of reproducing.
-When in LPF operation, this setting acts as a low frequency cut off for your system reproduction aka Subsonic Filter. The point that you set it at cuts off any frequencies from
reproduction beyond this point. The 12 o’clock position is a great starting point. EXAMPLE: If you adjust the HPF to 60Hz, the amplifier will not play frequencies below 60Hz but will play
frequencies from 60Hz to the chosen Low Pass frequency.
-When in FULL operation, the LPF crossover is bypassed.

Bass EQ:
This setting is a fixed bass boost at 45Hz that is variable from 0-12dB. This feature provides impact to your bass, but if not adjusted correctly, it can be over used and cause damage to
your speakers and amplifiers. It is best to slowly turn this setting clockwise until the desired punch is felt. It is not recommended to exceed the 12 o’clock position unless listening at a low
volume or a low recording quality as this can result in high distortion and possibly clipping.

Low Pass:
The LPF control acts as a ceiling and doesn’t allow frequencies to the right of the desired setting to be reproduced. Turning the potentiometer all the way to the right is a great starting
point. EXAMPLE: If you adjust the LPF to 120Hz, the amplifier will not play frequencies above 120Hz but will play frequencies from 120Hz to the chosen Hi Pass or Subsonic frequency.
-When in HPF operation, this setting is bypassed.

Level Control Setup:

Ensure that the Level is turned completely to the left prior to turning the system on. Next you should insert a CD or cassette that you are familiar with to use as a reference, and turn the
head unit volume control to about 80% of its full setting. The system sound level will of course be very low, and the following procedures will help you to match the amplifier input
sensitivities properly to the head unit output signal level.
It is important to match the amplifier LEVEL input sensitivity to the Radio/CD output sensitivity. This can be located in the Radio/CD manual.
If the Radio/CD output sensitivity is 2 volts, then adjust the amplifier LEVEL input to 2 volts.

If you are not sure what the Radio output sensitivity is, follow these general guide lines:
Turn the level control up slowly, till you hear distortion, then back off a few degrees on the control. If at any point your amplifier goes into protection, you will need to turn the Level to the
left a bit and then try again. If you reach a point where the output does not increase, stop turning the Level control to the right as the amplifier/speaker combo has reached its maxx
output in this application.

2 or 3 way active systems (all):

Always start with the bass, or low frequency amplifier as a reference, by turning its control up to the point where distortion is audible, and back it off some.
Now adjust the level control for the highs or tweeter channels in a 2 way active system, to balance the highs to lows.
In a 3 way active system, match the midrange level to the bass, and then the highs to the midrange and bass. It may be necessary to perform a few iterations of the midrange and highs level
control settings to achieve a satisfactory sound balance.

P1-2000.1

General:
At this point you are ready to get more specific on the settings for your amplifier.

Subsonic:
This setting acts as a low frequency cut off for your system bass reproduction. The point that you set it at cuts off any frequencies from reproduction beyond this point. The 12 o’clock
position is a great starting point. EXAMPLE: If you adjust the Subsonic to 25Hz, the amplifier will not play frequencies below 25Hz but will play frequencies from 25Hz to the chosen Low
Pass frequency.

Bass Boost:
This setting is a fixed bass boost at 45Hz that is variable from 0-12dB. This feature provides impact to your bass, but if not adjusted correctly, it can be over used and cause damage to
your subwoofers and amplifiers. It is best to slowly turn this setting clockwise until the desired punch is felt. It is not recommended to exceed the 12 o’clock position unless listening at a
low volume or a low recording quality as this can result in high distortion and possibly clipping.

Low Pass:
The LPF control acts as a ceiling and doesn’t allow frequencies to the right of the desired setting to be reproduced. The 12 o’clock position is a great starting point. EXAMPLE: If you
adjust the Low Pass to 80Hz, the amplifier will not play frequencies above 80Hz but will play frequencies from 80Hz to the chosen Subsonic frequency.

Level Control Setup:

Ensure that the Level is turned completely to the left prior to turning the system on. Next you should insert a CD or cassette that you are familiar with to use as a reference, and turn the
head unit volume control to about 80% of its full setting. The system sound level will of course be very low, and the following procedures will help you to match the amplifier input
sensitivities properly to the head unit output signal level.
It is important to match the amplifier LEVEL input sensitivity to the Radio/CD output sensitivity. This can be located in the Radio/CD manual.
If the Radio/CD output sensitivity is 2 volts, then adjust the amplifier LEVEL input to 2 volts.

If you are not sure what the Radio output sensitivity is, follow these general guide lines:
Turn the level control up slowly, till you hear distortion, then back off a few degrees on the control. If at any point your amplifier goes into protection, you will need to turn the Level to the
left a bit and then try again. If you reach a point where the output does not increase, stop turning the Level control to the right as the amplifier/subwoofer combo has reached its maxx
output in this application.

Sit back and enjoy the music!

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 TROUBLESHOOTING A SYSTEM
The key to finding the problem in a misbehaving sound system is to isolate parts of that system in a logical fashion to track down the fault.

Description of the PROTECT system built into all Crunch amplifiers

The diagnostic system will shut down the amplifier, until reset by turning the head unit off, and back on. This state of affairs will be indicated by the front panel PROTECT
LED lighting up under the following conditions:
1 - A sort circuit on the loudspeaker leads.
2 - An internal amplifier fault that causes a DC offset on the loudspeaker output.

Should the amplifier go into protect mode, simply disconnect all RCA and speaker leads, while keeping +12 volt, power ground and remote leads connected.
1. Now turn the amplifier back on, and if the diagnostic LED lights, the amplifier has an internal fault.
2. If not, plug the RCA cables back, and reset the amplifier. If it goes into diagnostic now, the fault lies in the input, either with bad cables or source unit.
3. If the amplifier seems fine with RCA cables plugged in, connect the speakers, one at a time, and if one of the speakers or its wiring is faulty, it will activate the diagnostic
system.

Amplifier heatsink overheating

The amplifiers will shut down when the heatsink temperature reaches 80 degrees centigrade, and turn back on once the unit has cooled down below that point.
Causes of overheating:
1 - Inadequate cooling - relocate or remount to provide better natural airflow over the fins.
2 - Driving high power levels into low impedances - back off on the volume control, and/or make sure you are not loading the amplifier with less than the recommended
loudspeaker impedance.

Low output power

1 - Check that level controls have been set up properly.
2 - Make sure that the battery voltage, as measured at the amplifier’s +12 volt and ground terminals, is 11 volts or more.
3 - Check all +12 volt and ground connections.

Fuses blowing
1 - The use of loudspeaker impedances below the recommended minimums will draw more current - check.
2 - A short on the main +12 volt cable from the battery to the vehicle chassis will cause the main fuse to blow.
3 - If an amplifier fuse blows continually, with only +12 volt, ground and remote leads connected, the amplifier may be faulty.

System does not turn on

1 - Check all fuses.
2 - Check all connections.
3 - Measure the +12 volt and remote turn on voltages at the amplifier terminals. If these are non existent or low, take voltage measurements at fuse holders, distribution
blocks, the head unit’s +12 volt and remote leads to localize the problem.
Noise problems
System noise can be divided into two categories, hiss, and electrical interference.

Hiss, or white noise

1 - High levels of white noise usually occurs when amplifier level controls are turned up too high - readjust according to the procedures in section ”Setting up systems after
installation for best performance”
2 - Another major problem that can cause excessive hiss, is a noisy head unit - unplug the amplifier input RCA cables, and if the hiss level reduces, the source unit is at fault.

Electrical interference
The inside of an automobile is a very hostile electrical environment. The multitude of electrical systems, such as the ignition system, alternator, fuel pumps, air conditioners,
to mention just a few, create radiated electrical fields, as well as noise on the +12 volt supply and ground. Remember to isolate the problem - first unplug amplifier input RCA
cables, if the noise is still present, check the speaker leads, if not, plug the RCA’s back, and investigate the source driving the amplifier, one component at a time.

A ticking or whine that changes with engine RPM:

1 - This problem could be caused by radiation pickup of RCA cables too near to a fuel pump or a distributor, for instance, - relocate cables.
2 - Check that the head unit ground is connected straight to the vehicle chassis, and does not use factory wiring for ground.
3 - Try to supply the head unit with a clean +12 volt supply directly from the battery +, instead of using a supply from the in dash wiring/fusebox.

A constant whine:
This type of noise can be more difficult to pinpoint, but is usually caused by some kind of instability, causing oscillations in the system.
1 - Check all connections, especially for good grounds.
2 - Make sure that no speaker leads are shorting to exposed metal on the vehicle chassis.
3 -RCA cables are notorious for their problematic nature, so check that these are good, in particular the shield connections.

We have also provided several videos that will help you with your battery,
alternator and even Big 3 upgrades at www.youtube.com/maxxsonicsusainc .

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 Maxxsonics Limited Warranty

As the manufacturer of Maxxsonics, MB Quart, Autotek, Crunch and Hifonics car audio
products, Maxxsonics USA Inc. Warrants to the original consumer purchaser the amplifier
to be free from defects in material and workmanship for one (1) Year from date of purchase.

All other parts and accessories of the system are warrantied to be free from defects in
material and workmanship for one (1) year from date of purchase. Maxxsonics will
repair or replace at it’s option and free of charge during the warranty period, any system
component that proves defective in materials and workmanship under normal installation,
use and service provided that the product is returned to the authorized Maxxsonics dealer
from where it was purchased. A photo copy of the original receipt must accompany the
product being returned.

Valid purchase receipts will contain the name and address of the authorized reseller.

Any damage to the product as a result of misuse, abuse, accident, incorrect wiring,
improper installation, alteration of date code or bar code labels, revolution, natural
disaster, or any sneaky stuff because someone messed up, repair or alteration out side
of our factory or authorized service centers and any thing else you have done that you
should not have done is not covered.

This warranty is limited to defective parts and specifically excludes any incidental
or consequential damages connected therewith. This warranty is not to be construed
as an insurance policy.

Warranty on installation labor, removal, re-installation and freight charges are not the
responsibility of Maxxsonics USA Inc.

Warranty products damaged as a result of insufficient or improper packing materials

are not covered by this limited warranty and such damaged product will be returned
“as is” at the expense of the owner.

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