International Trumpet Guild Journal: Reprints From The
International Trumpet Guild Journal: Reprints From The
International Trumpet Guild Journal: Reprints From The
to promote communications among trumpet players around the world and to improve the artistic level of performance, teaching,
and literature associated with the trumpet
This file was originally published as a supplement to the June 2011 ITG Journal.
Erik Morales is the copyright owner of all data contained in this file, and has given the International
Trumpet Guild® (ITG) permission to offer this composition in this form with the following provisos:
The International Trumpet Guild®, in agreement with Erik Morales, prohibits the following without
prior written permission:
• Duplication or distribution of this file, the data contained herein, or printed copies made from this
file for profit or for a charge, whether direct or indirect
• Transmission, printing, or distribution of this file or the data contained herein in any form for any
other reason than personal or educational use
• Alteration of this file or the data contained herein
• Placement of this file on any web site, server, or any other database or device that allows for the
accessing or copying of this file or the data contained herein by any third party, including such a
device intended to be used wholly within an institution.
http://www.trumpetguild.org
About the Composer: In Erik Morales was asked to compose a work for five trumpets. It needed to be a work that would
stand alongside the current repertoire of trumpet ensemble pieces. This was no easy task considering that works by Verne Reynolds
and Ronald LoPresti have been long-time standards in this genre. In late Cityscapes was completed. The composition is a
three-movement juggernaut that, at one point, uses the trumpet as a percussive/mel-
odic instrument—something new that we haven’t seen or heard before. The piece
was well received and has since garnered many performances worldwide. In the years
that followed, Erik Morales has continued to compose works for the genre. And
there is no doubt that his love for the trumpet shines through in his music.
Many may recognize Erik Morales for his works for concert band. In , fresh
out of college, Morales decided to pursue educational music as a career. The difficulty
was to try to establish his name amongst a stable of highly notable and popular com-
posers. Initially, he ran his own in-house publishing company. However, this would
prove to be too much for one person to handle. Even with the help of his family, the
time needed to make the business successful took too much time away from com-
posing. In Morales would close his business and sign an exclusive contract with
the FJH Music Company to compose band and string orchestra music—a job that
he continues today. He also has since published works with Alfred Publications and
Boosey & Hawkes. Certainly the key to success in this business is to be as diverse as
possible. After Cityscapes was composed, Morales decided to self-publish his trumpet
music. This provided a way to control every aspect of production from business to
artistic decisions.
It’s important to note that Morales’s affinity for composition and the trumpet were
encouraged early on. He began playing trumpet at the age of ten and continued
throughout school. He had to endure a bad embouchure because of a severe overbite
that was later corrected with braces in high school. Morales discovered a knack for
composition after arranging some selections for his high school marching band. Later, he received scholarships for both compo-
sition and his trumpet playing abilities. Morales continues to compose and play professionally just outside of New Orleans,
Louisiana. He also spends a considerable amount of time traveling the country conducting honor bands and clinics. The
ITG Music Supplement, Within Sacred Walls, was commissioned to commemorate the thirty-fifth anniversary of the International
Trumpet Guild. This piece was specifically designed to be a moderately graded work to maximize its use among our members.
The title is descriptive of the somewhat religious tone conveyed by the work. The composer explores contemplative themes rem-
iniscent of Gregorian chant, yet the sound is clearly contemporary. We can hope the works for trumpet ensemble that Erik has
brought forth in recent years will spark a resurgence of fresh, new trumpet compositions for the trumpet ensemble medium by
other emerging composers as well.
Bb Trumpet 1
Within Sacred Walls Erik Morales (ASCAP)
Bb Trumpet 2
Within Sacred Walls Erik Morales (ASCAP)
Bb Trumpet 3
Within Sacred Walls Erik Morales (ASCAP)
Bb Trumpet 4
Within Sacred Walls Erik Morales (ASCAP)
Bb Trumpet 5
Within Sacred Walls Erik Morales (ASCAP)
Bb Trumpet 6
Within Sacred Walls Erik Morales (ASCAP)