Lecture9 - Nistor Petronela-Elena Lma Eng-Ger

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11Using coursebooks

Options for coursebook use


Using coursebooks creatively is one of the teacher’s premier skills. The way in which we get
students to look at reading texts, do exercises or solve puzzles in the book is extremely
important.
There are four alternatives to consider if we decide that part of a coursebook is not appropriate:
1. omit the lesson (Teachers do it all the time, developing a kind of‘pick and choose’
approach to what’s in front of them)
2. replace the coursebook lesson with one of our own (our own material probably interests
us more than the coursebook and it may well be more appropriate for our students)
3. add to what is in the book (We are using the coursebooks strengths but marrying them
with our own skills and perceptions of the class in front of us)
4. adapt what is in the book ( rewriting parts of it, replacing some of the activities (but not
all), reordering activities or reducing the number of activities in the sequence)

Reasons for (and against) coursebook use

 Some teachers have a very poor opinion of coursebooks. They say they are boring, stifling (for
both teacher and students) and often inappropriate for the class in front of them.
 Other teachers feel much more positive about coursebooks. For them, coursebooks provide
good teaching material which is often attractively presented. The coursebook has been carefully
researched and has a consistent grammar syllabus as well as providing appropriate vocabulary
exposure and practice, together with pronunciation work and writing tasks.

ADVANTAGES:

- a range of reading and listening material;

-workbooks;

- have a teacher’s guide (to help teachers with procedure and give them extra ideas)

!!!! Even teachers who are enthusiastic coursebook users, however, need to see them as proposals
for action, rather than instructions for action.

Choosing coursebooks
1. analyse the books under consideration to see how they compare with each other( e.g. layout
and design, methodology, topics, etc)
2. pilot it - or parts of it - with a class so that we can assess its strengths and weaknesses;
3. consult colleagues, and indeed anyone who has an opinion about the book(s) in question;
4. let our students have a look at the two or three books we are considering and ask their opinion
on what looks best to them.

Possible areas for consideration

a) Price and availability


b) Add-ons and extras (Are there Internet sites with extra material -exercises, texts, etc. )
c) Layout and design (attractive, appropriate for students and teacher)
d) Instructions (clear and unambiguous instructions; written in language that the students will
understand)
e) Methodology ( good balance between study and activation)
f) Syllabus
g) Language skills
h) Topics ( variety of topics)
i) Cultural appropriacy
j) Teacher’s guide

Conclusions:

■ looked at four different options - omit, replace, add and adapt - for coursebook use when, for
some reason, the teacher decides that (the lesson in) the coursebook is not appropriate for the
class.
■ said that creative coursebook use is one of a teacher’s main skills.
■ looked at examples of adding, adapting and replacing coursebook material.
■ discussed the criticisms often levelled at coursebooks: that they are boring, inappropriate and
lacking in variety, for example. But we have said that their advantages (clarity, solid
progression, attractiveness) often outweigh these disadvantages, and that it is precisely because
of some of their perceived defects that teachers need to use them creatively - provided they realise
that coursebooks are proposals for action rather than obligatory instruction manuals.
■ suggested that teachers should make decisions about which coursebook to use based on
analysis, piloting, consultation and the gathering of opinions from students and colleagues -
and that one way of doing this is to prepare a checklist of questions.

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