Amusement Parks As Flagship Tourist Attractions. Development and Globalization
Amusement Parks As Flagship Tourist Attractions. Development and Globalization
Amusement Parks As Flagship Tourist Attractions. Development and Globalization
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Zygmunt Kruczek
Akademia Wychowania Fizycznego im. Bronisława Czecha w Krakowie
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Zygmunt Kruczek
In the article, the author defines the term tourist attractions, including the so called flagship
ones, among which he ranks theme/amusement parks. The latter ones attract over 200 million
visitors worldwide. The author presents their development and rankings, according to the
number of visitors in the year 2010 (Top 25) in the world, and (Top 20) in Europe. The
analysis focuses on the developmental trends and the ongoing process of globalization. The
process of creation and operation of amusements parks has been illustrated on the example of
the Euro Disney Resort, whereas the process of globalization has been shown on the example
of the operation of the world leader in the sphere of amusement parks – the Walt Disney
corporation.
Introduction
Tourist attractions constitute one of the main goals of tourist trips. The concept of
“tourist attractions” was first introduced into specialist literature by E. Cohen (1972). Since
then, many definitions of this term have been created. A review of the existing definitions
(Kruczek 2006 p. 116) has served as the inspiration for the author to formulate his own view
on the issue of defining tourist attractions. In my opinion, tourist attractions are “all the
component elements of a tourist product (aspects of the place and events, buildings and
authentic products of higher culture), designated as special ones, and possessing the ability to
attract tourists and making them choose a given area, rather than another one. Combined
with tourist services, they create a tourist product”. The above definition includes both the
nature of the value of a tourist attraction as a special, worthwhile object, distinguished by the
addition of a notation, and the ability of the attraction to create a tourist product. The term
“flagship attraction” used in the title of the article is to be understood as the “best and most
important” attraction (Weidenfeld A. 2010). The latter is associated with such features as the
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exceptional nature of the place, the international importance, considerable size and significant
economic benefits (e.g. Euro Disney in France or Lego Land in Denmark).
At this point it is worth drawing our attention to the process of the creation of the so
called “tourist traps” around tourist attractions - namely, places and activities whose goal is
to extract as much money as possible from tourist (Kruczek 2010, p. 146). Side by side the
recognized and acknowledged attractions, such as e.g. the Niagara Falls or the Monument
Valley National Park, there arise a multitude of kitschy tourist traps – museums of wax
figures, homes filled with representations of ghosts from well-known horror movies, places
filled with dubious mementos, e.g. after Elvis Presley or characters from fairy-tales.
In Sworbrooke’s classification of tourist attractions (2002, p.5), among the four groups
of attractions, we come across the category referred to as “places designed and built from
scratch; an example of an attraction belonging to this group is the amusement park”. In the
article, the author defines the term ‘amusement park’; he then goes on to describe its
evolution and significance for the tourist industry. The contemporary amusement parks attract
the greatest number of tourists worldwide. In the year 2010, they were visited by over 320
million visitors (Theme index 2011). An analysis of the attendance numbers allows one to
select the most popular amusement parks in the world and in Europe; it also allows one to
capture their most fundamental developmental trends. The creation and operation of an
amusement park was shown on the example of the Euro Disney Resort.
2
I quote after Jafari J. (2000), Encyclopedia of Tourism, Routledge, London/New York, p. 124-125.
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attractions3. Naturally, due to the popularity of some of these attractions, the queues to them
become even longer. White knuckle rides belong to some of the most exciting attractions in
the amusement parks, e.g. roller coaster rides or spacecraft rides.
It is widely assumed that an amusement park consists of a complex of technical
devices, such as roller coaster or other amusement attractions whose aim is to amuse and
entertain the visitors. An amusement park is more complex than a simple urban park or
recreational area; it is often maintained in a single climate or else a few different climates
(e.g. the American Far West or Pirates of the Caribbean). In Europe, the amusement parks
originated from recreational gardens. The oldest still functioning amusement park in the world
(operating since 1583) is the “Bakken” Park in Klampenborg in Copenhagen (De Groote P.
2009). During the industrial revolution there arose such amusement parks as: Vauxhall
Gardens (1661) in London, Prater (1766) in Vienna. In 1894, Paul Boynton Water Chutes
opened the first amusement park in the world which introduced charges for the rides. In 1895
he also built a park on Coney Island (New York) which is still operating today. At the
beginning of the 20th century, there were already hundreds of amusement parks in the whole
world. Their development was the result of an increase in people’s incomes and the gradual
shortening of the working week. During the period of the Great Slump in the 30’s of the last
century as well as during the Second World War, the popularity of the parks decreased (De
Groote 2009).
In the 70’s of the twentieth century, we observe a considerable revival of the
amusement industry in the effect of new financial projects. The majority of amusement parks
were built in the 70’s and today they belong to big globalized amusement park complexes. In
1971, huge parks taking up the area of 43 square miles were built near Orlando on Florida.
The above complex of the most frequently visited amusement parks in the world, consists of a
few major sections. The biggest one is known as the “Magic Kingdom” which consists of
over 40 attractions, 70 restaurants and shops. The second one is called “Epcot Centre” and it
focuses on the presentation of the future. The main attractions here are the miracles of science
and technology, the robot exhibition, the exhibits presenting the latest discoveries in the
sphere of energy production, telecommunications and transport. The visitors can also be
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Towards the end of the 20th century there appeared such attractions as Captain Eo and Star Tours. Capitan Eo
is played by Michael Jackson in a 3-dimensional musical movie which takes advantage of the very latest movie
technology. The Star Tours are enacted in a pilot’s cockpit, in a computer-controlled spacecraft, designed by
Steven Spielberg. The viewers have the impression that they travel in a spaceship which got out of control and is
ultimately lost in space.
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entertained by the “Disney Studios – MGM” and the park “Disney Animal Kingdom”.
Among the parks which were built later one finds, among others: the park in Tokyo (1983),
Disneyland Resort Paris (Marne-la-Vallée) (1992) and Hong Kong Disneyland (2005).
visitors to this park amounts to 16.972 thousand. It outdistances the oldest Disneyland park in
Anaheim, California whose attendance is at the level of 15.980 thousand visitors and Tokyo
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Disneyland (14.452 thousand visitors). Among the 10 most frequently visited amusement
parks in the world, the first 8 are Disney parks4.
The biggest number of amusement parks are to be found in North America (the USA
and Canada). As regards the number of visitors to the parks, we observe that the second
continent after North America is Asia, due to the high position of Japan among the most
powerful world economies and the spectacular development of Chinese economy which has
led to the creation of a powerful middle class in this country. On the “Top 25” list, one can
find the names of 4 European parks: Disneyland Park and Walt Disney Studio near Paris as
well as Europa Park in Germany and De Efteling in Holland.
The number of visitors to the “Top 25” parks reached the figure of 123.6 million in
2010 and it increased by 1.9% in comparison to the year 2009. The greatest dynamic of
growth occurred in the Asian parks (7.5%) and on the territory of Mexico and Latin America
(8.9%). Whereas in the European parks a small decrease in the number of visitors was
observed in the same period (-1.8%). A similar tendency was observed in the water parks
which recorded a 25% increase in the years 2006-2010.
One of the most successful ideas which contributed to an increase of attendance in
amusement parks in the year 2010, was the show entitled the “Magic World of Harry Potter”
(which was shown in the Studio in Orlando; the show was visited by 1.7 million viewers).
Other innovative realizations included the “World of Color” in Disney California Adventure
and the “Ferrari World” in Abu Dhabi.
Table 2 illustrates the attendance figures in European amusement parks in the year 2010 as
well as the dynamic of changes in comparison to the year 2009. Apart from the amusement
parks which were already mentioned in the table TOP 25, one should also mention Park
Tivoli in Copenhagen (nearly 4 million visitors), Port Aventura in Salou, Liseberg in
Gothenburg, Gardaland in Castelnuovo del Garda, and the biggest park in Great Britain –
Alton Towers in Staffordshire.
Only four out of twenty European parks recorded an increase in the number of visitors
in 2010; the biggest increase – 7.4% was recorded in the Futuroscope Park (France), the
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Walt Disney functions as a corporation which owns and manages entertainment companies throughout the
whole world. The section Media Networks comprises Internet networks, cellular phone networks, as well as
radio and television. The Parks and Resorts section controls Disney centers the world over, among which there
are parks, hotels, restaurants, amusement and sports centers, conference centers, water parks as well as other
recreational facilities. It also manages Disney Cruise Lines, Disney Resort Paris (1992), Hong Kong Disneyland
(2005), and Tokyo Disney Resort (1983). The section Studio Entertainment produces, purchases and releases
animations, musical recordings, home entertainment, videos; it possesses both paid and free television (De
Groote 2009).
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second biggest – 3.8% was observed in the British parks Alton Towers and Thorpe Park –
3.4% and the third biggest in the Spanish park Port Adventure – 1.7%. Whereas the greatest
drop was observed in the Madrid Parque Atracciones (-10.2%) and in the French Parc Asterix
(-8.6%). In all likelihood, the decreases were associated with the decrease of foreign travel in
Europe due to a financial slump and disturbances in air traffic caused by the explosion of a
volcano in Iceland.
The European amusement parks are going through the process of lengthening of the
season (time of functioning) which to some extent is linked to the Christmas and Easter
holidays. The Tivoli Gardens amusement park in Copenhagen is the leading center in Europe
as regards the gradual lengthening of the season, thanks to celebrating Halloween from
October right up to Christmas. Both these holidays considerably increase the number of
visitors as well as the park revenues. The European amusement parks have a relatively stable
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position in comparison to the American or Asian parks. The list of the most frequented parks
(Top 20) generally does not change. The main factors which exert an influence on the
functioning of European parks are geographical conditionings and their strong national
character. One may illustrate this with an interesting case study concerning the Euro Disney
Resort in Paris.
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Out of a number of different propositions, Disney chose the surroundings of Paris for the localization of the
park, bearing in mind the convenience of access to the place for tourists not only from France, but also from
Germany, the Benelux countries and Great Britain.
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remaining shareholders own 50.2% of the shares. From the 1 November 2005, the shares of
Euro Disney SCA are listed on the Paris Stock Exchange (De Groote 2009).
Following the introduction of certain changes, the Paris Disneyland began to be visited
by ever bigger numbers of visitors. The color scheme of the buildings had been changed;
instead of the sharp bright colors, the management introduced more toned-down, pastel hues.
The Mont-Saint-Michel abbey became a model for the centrally situated fairy-tale castle.
The park is situated on a 57 hectare plot of land. Its territory is divided into 5 “lands”.
The entire park has at its disposal 53 attractions maintained in the style of Disneyland parks;
apart from that, it plays home to Walt Disney Studios Park which gives presentations of
various film productions. The complex contains an amusement park known as the Disneyland
Paris Theme Park, a few thematic hotels, a number of conference centers, and a Disney
Village entertainment center which contains 15 cinemas, a number of 3D natural screens and a
golf instruction and training center.
In 2010 the Paris Disneyland Park was visited by 10.5 million visitors; in this way, it
has become the most frequently visited tourist attraction in Europe and as regards the number
of clients, it is the biggest French tour operator. More than half of its visitors (51%) are
French, 12% are British, and the same percentage come from the Benelux countries, 9% are
Spanish, 4% come from Italy and only 2% from Germany. The entire park generates 56
thousand work places, including 14.5 thousand employees who are employed directly in the
park. Table 3 contains information regarding the 10 biggest amusement park chains
(corporations). In 2010 the greatest number of people – 120 million – visited the parks
belonging to the Walt Disney group. The second biggest park owner – Merlin Entertainments
Group recorded a number which is 3 times smaller (41 million). The two above-mentioned
chains contain 50% of the world attendance in amusement parks. The biggest amusement park
chains mentioned in the table record a joint attendance at the level of 320 million visitors. The
majority of the chains show a growing tendency; the biggest growth was recorded in Oct
Parks China in 2010 (22.2%), and the only place where attendance figures fell sharply in 2010
was in Campaigne des Alpes – drop of 9.1%. The above data suggests that in the coming
years one can expect a further increase in the number of visitors to amusement parks.
Table 3. Attendance in the 10 biggest amusement park chains in the world in the year 2010.
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2 Merlin Entertainments Group 41.0 6.5
3 Universal Studios Recreation Group 26.3 11.0
4 Parques Reunidos 25.6 4.0
5 Six Flags 24.3 2.1
6 Cedar Fair Entertainments Group 22.8 8.1
7 Bush Entertainments 22.4 4.9
8 Oct Parks China 19.3 22.2
9 Herschend Entertainment 9.6 New open
10 Campaigne des Alpes 9.0 - 9.1
Source: Theme index. The Global Attractions Attendance Report. 2011. TEA/AECOM, author’s own analysis.
Summing Up
All over the world amusement parks are an example of progressing globalization of
the entertainment industry. Wherever they happen to be in the world, they have a similar
form, similar themes, equipment and system of organization. In every Disneyland, we come
across e.g. the “Borderland”, the “Adventure World”, or the “World of the Future”. We can
expect a similar arrangement of space, a similar localization of services and a similar way of
catering to the visitors’ needs. However, in spite of this standardization, the success of the
project sometimes depends on variety. As is proved by the example of the Euro Disney
Resort, the creators of parks must pay attention to the specific needs of the visitors which are
often associated with the local culture, a different system of values or even the purchasing
power of the local currency. This forces the management of parks to having to continually
monitor attendance as well as to an analysis of visitors’ needs by resorting to various
marketing tools. Even climatic conditions may exert an influence on the investments
implemented in the entertainment industry. For example, in Abu Dhabi, the investors had to
construct the biggest roof in the world over the “Ferrari World” Park at the cost of 1.2 billion
dollars, due to a hot desert climate.
The Disney corporation is a world tycoon in the area of entertainment industry. Its
strength is largely associated with the vast experience in the entertainment business as well as
with its low cost strategy. What is more, in the course of the 80 years of its operation, the
company created and developed a strong and well-known brand. In recent years, the
corporation laid emphasis on amusement parks in its strategy, creating them outside the
United States, in Europe and in Asia. The corporation employs innovative staff who in the
course of the last few years have created many new products. In today’s aggressive
entertainment business, each corporation which lacks new ideas, soon falls into difficulties.
The company controls expenses while preserving the high quality of its products and services.
Through a division of preliminary investment costs among a large number of outside
investors, the financial risk of the company has been considerably reduced.
Bibliography
[1] De Groote P. 2009. Globalisation of Commercial Theme Parks Case: The Walt Disney
Company. [in:] 4th Aspects and Visions of Applied Economics and Informatics. Debrecen.
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[2] Jafari J. 2000. Encyclopedia of Tourism, Routledge, London/New York,
[3] Jolliffe L. 2000. Theme Parks as Flagship Attractions in Peripheral Areas. Annals of
Tourism Research, Vol. 27, No. 1, pp. 250-252. ISBN 87-90144-78-3.
[4] Kruczek Z. 2006. Atraktivity cestovneho ruchu ako predmet interdisciplinárneho
výskumu, "Cestovný ruch ako interdisciplinárny jav a jeho výskum", Acta Oeconomica No.
19, Bańska Bystrzyca, p.115-123, ISSN 80-8083-211-0.
[5] Kruczek Z. 2010. Between Attraction and Tourist Trap. Cultural Tourism Dilemmas in
the 21st Century, [in:] Economic Review of Tourism, Vol. 43, No. 3, 2010. ISSN 0139-8660,
[6] Theme index. The Global Attractions Attendence Report. 2011. TEA/AECOM.
[7] Weidenfeld A. 2010. Iconicity and Flagshipness of Tourist Attractions. Annals of
Tourism Research, Vol. 37, No. 3, pp. 851–854.
Adres autora: dr Zygmunt Kruczek, Wydział Turystyki i Rekreacji Akademii Wychowania Fizycznego,
31-571 Kraków Aleja Jana Pawła II 78. E-mail: zygmunt.kruczek@awf.krakow.pl
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