Cpar Week-6
Cpar Week-6
Cpar Week-6
Republic Act 8293, section 176 states that: No copyright shall subsist in any work of
the Government of the Philippines. However, prior approval of the government agency or office
wherein the work is created shall be necessary for exploitation of such work for profit. Such
agency or office may, among other things, impose as a condition the payment of royalties.
Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names,
trademarks, etc.) included in this module are owned by their respective copyright holders.
Every effort has been exerted to locate and seek permission to use these materials from their
respective copyright owners. The publisher and authors do not represent nor claim ownership
over them.
Our country, the Philippines are rich in a culture based on its different forms of arts
which was been strengthen by our ancestors. Their amazing work of arts which was
been passed to the new generation helps us to be recognized on our unique identities
as Filipinos. They are the living treasures who was been recognized on their special
contributions to their community and the national heritage.
This module will help and guide our facilitators (teacher, parents, elder sibling, etc.)
on the different activities and illustrations to support the continuous learning of our
learners on the different Filipinos who have been our living vessels and continuously
pass their knowledge and skills to the new generation.
Furthermore. The learners may use separate sheets in answering the pre-test, self-
check exercises, and post-test
What I Need to Know This will give you an idea of the skills or
competencies you are expected to learn in the
module.
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What’s More This comprises activities for independent
practice to solidify your understanding and
skills of the topic. You may check the
answers to the exercises using the Answer
Key at the end of the module.
1. Use the module with care. Do not put unnecessary mark/s on any part of the
module. Use a separate sheet of paper in answering the exercises.
2. Don’t forget to answer What I Know before moving on to the other activities
included in the module.
3. Read the instruction carefully before doing each task.
4. Observe honesty and integrity in doing the tasks and checking your answers.
5. Finish the task at hand before proceeding to the next.
6. Return this module to your teacher/facilitator once you are through with it.
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If you encounter any difficulty in answering the tasks in this module, do not
hesitate to consult your teacher or facilitator. Always bear in mind that you are
not alone.
We hope that through this material, you will experience meaningful learning and
gain a deep understanding of the relevant competencies. You can do it!
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What I Need to Know
This module was designed to understand the significant roles of traditional artists
from different regions.
What I Know
Directions: Match the artist in Column A with his/her expertise in Column B. Write
the letter of your answer on a separate sheet.
Column A Column B
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Lesson
Gawad sa Manlilikha ng
1 Bayan
What’s In
This lesson will discuss the sixteen (16) Gawad sa Manlilikha ng Bayan or the
National Living Treasure Awardees and their specific contribution in the Philippine
Art. These artists acknowledged for developing, preserving, and promoting the
traditional art of the Philippines which kept the art alive even in the present time.
What’s New
Directions: Identify the following artist and their role in the community.
1. Born on November 1, 1981, Rodel P. 2. Considered as one of the columns of
Nacianceno a Filipino performing Kapampangan food, she is undoubtedly a
artist, executive, and film maker, best living treasure. The famous chef and
known for playing the lead parts in food historian found her desire for
FPJ's Ang Probinsyano. cooking at young age of four. And to this
day, she proceeds to cook conventional
Kapampangan specialties at her open-air
kitchen in Barangay Parian, Mexico,
Pampanga.
Artist (Screen Name): _______________ Artist: ______________________________
Expertise: __________________________ Expertise: __________________________
Role/s in the Community: Role/s in the Community:
____________________________________ ____________________________________
3. Born December 17, 1978, he is 4. A tattoo artist who received the 2018
respected as one of the most Dangal ng Haraya Award for Intangible
noteworthy proficient boxers of all Culture Heritage by the National
time. A Filipino professional boxer Commission for Culture and the Arts.
and Senator of the Philippines.
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Analysis
What is It
Through media people nowadays can easily get to know the different artists
in their fields and recognize these artists from their efforts through award-giving
bodies. These artists are the bearers of our culture.
Since the pre-Spanish era, the Philippines are rich in its culture. Ancestors
are the living heritage or culture bearers of this country. They developed these
native art forms which portray the significant life of the Filipinos. People know very
little about the art forms that exist up to the present time. These artists are doing
what they value and love to modify and keep the traditional art alive. People can
learn from the vast knowledge of these indigenous people who can live longer not
only the techniques to survive but also the distinct identity of being Filipino.
In this lesson, you will learn about our sixteen (16) National Living
Treasures, known as the Gawad sa Manlilikha ng Bayan (GAMABA) awardees from
the National Commission for Culture and the Arts or NCCA. The awardees produce
art forms that are woven into everyday life. These show how pre-colonial traditions
continue through to the present time.
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As Filipino who recognize the unique identities of our fellow Filipinos, it is the right
to see their contribution to the community. The country is rich with various elements
of tangible and intangible cultural heritage which has passed on the new generation.
Culture as part of our Philippine identity includes a variety of arts that enhance by
our National Living Treasure artists who are recognized in their special contribution
to the national heritage. These are Filipino citizen who is engaged in any traditional
art forms and has contributed to the development of cultural diversity and the
creativity of humanity.
Playing Kudyapi
He achieved the highest level of Mamasapano,
excellence in the art of kutiyapi or Maguidanao, Western
kudyapi (two-stringed lute) playing Midanao
and also proficient in kulintang, Bangsamoro
agong (suspended bossed gong Autonomous Region in
with wide rim), gandingan (bossed Muslim Mindanao
gong with narrow rim), palendag (BARMM)
Samaon Sulaiman (lip-valley flute), and tambul.
(d. 2011)
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GAMABA Awardees for the year 1998
T’nalak Weaving
She is credited with preserving her
people’s traditional T’nalak using
abaca fibers as fine as hair which T’boli/Lake Sebu, South
traditionally has three primary Cotabato, Mindanao,
colors, red, black, and the original Region XII
colors of abaca leave recreated by SOCCSKSARGEN
her nimble hands-the crocodiles,
butterflies, and flowers.
Lang Dulay
(d. 2015)
Photo Courtesy of NCCA
Inabal Weaving
She was awarded for fully
demonstrating the creative and
expressive aspects of the Bagobo Tagabawa Bagobo/
abaca ikat (to tie or bond) weaving Bansalan, Davao del Sur,
called inabal (traditional textile of Region XI
Bagobo) at a time when such art Davao Region
was threatened with extinction.
Salinta Monon
(d. 2009)
Photo Courtesy of NCCA
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Playing Kalinga Musical
Instruments
His lifestyle work is to paint a
portrait of his people to record a
tradition of opposites and dualities, Kalinga, Northern Luzon
a peoples’ character recorded in Island,
cadences each aggressive and Cordillera Administrative
gentle. Play Kalinga musical Region (CAR)
instruments dance patterns and
Alonzo Saclag moves related to rituals.
Metal Plating
He is an artist who has devoted his
existence to developing religious
and secular artwork in silver,
bronze, and wood. His intricately
detailed retablos, mirrors, altars,
Apalit, Pampanga,
and carosas are in church
Region III
buildings and non-public
Central Luzon
collections. A range of these works
Eduardo Mutuc
are quite large, some exceeding
forty feet, whilst some are very
Photo Courtesy of NCCA
small and feature very nice and
refined craftsmanship.
Pis syabit Weaving
She remained devoted and
persevered with her mission to Tausug/ Parang,
teach the artwork of pis syabit Sulu,
weaving. Her strokes firm and Bangsamoro
sure, her color sensitivity acute, Autonomous Region in
and her dedication to the best of Muslim Mindanao
her products unwavering. (BARMM)
Darhata Sawabi
(d. 2005)
Photo Courtesy of NCCA
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GAMABA Awardees for the year 2012
Abel Weaving
She has been a master in abel
weaving from Pinili, Ilocos Norte.
She is not only weaving traditional
Ilocano textiles but also designs
new patters. One of her designs
employs a difficult weaving
technique called pililian meaning
partially. The weave produces a Pinili, Ilocos Norte
one of a kind design that takes Region I
Magdalena after a string of flowers thus its Ilocos Region
Gamayo name, inubon a sabong. She did
not formally study such traditional
Photo Courtesy of NCCA art. Instead, she watched closely as
her aunt made and imitated the
patterns.
Kattukong or Tabúngaw Hat
Making
When he finishes fieldwork as a
farmer, he focuses on the
cultivation and development of San Quintin, Abra,
tabúngaw (Ilokano term for úpo). Cordillera Administrative
At the age of fifteen (15) he learned Region (CAR)
the art of Kattukong or tabúngaw
hat making and basket weaving
Teofilo Garcia from his grandfather.
Photo Courtesy of NCCA
Yakan Weaving
Apuh Ambalang, is significantly
respected in all of Lamitan. Her
ability is regarded unique: she can
bring forth all designs and
actualize all textile categories Lamitan, Basilan Island,
ordinary to the Yakan community, Bangsamoro
who are known to be among the Autonomous Region in
finest weavers within the Southern Muslim Mindanao
Philippines. She can perform the (BARMM)
suwah bekkat (cross-stitch-like
embellishment) and suwah pendan
Ambalang Ausalin (embroidery-like embellishment)
techniques of the bunga sama
Photo Courtesy of NCCA
category. She has the complex
knowledge of the whole weaving
process, mindful at the same time
as the cultural significance of each
textile design or category.
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B’laan Mat Weaving
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What’s More
Category 4 3 2 1
Response is clear, Content is accurate Content is not Content is
well-focused, and and compelling. comprehensive. incomplete.
Content & ~1 page double Response is Major points are Major points are
Development spaced. adequate and addressed, but not not clear or
Comprehensive, addresses well supported. compelling.
accurate, assignment. Response largely Response wholly
opinionated. Content and summary, rather summary, rather
purpose of the than insight. than insight.
writing are clear.
Structure is clear Structure is mostly Structure is not Organization and
and easy to follow. clear and easy to easy to follow. structure detract
Organization Transitions are follow. Transitions Transitions need from the writer's
logical and are present. improvement. opinion of the film.
maintain the flow of Conclusion is Conclusion is Paragraphs are
the paper. logical, if not missing or does not disjointed and lack
creative. flow from the body transition of
of the paper. thoughts.
Writer makes no Writer makes 1-2 Writer makes 3-4 Writer makes more
Grammar & grammatical errors grammatical errors grammatical or than 4 grammatical
Formatting that distract the or formatting errors errors that distract
reader from the formatting/Works that distract the the reader from the
content. Cited may be reader from the content. No Works
slightly off. content. Cited page.
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What I Have Learned
Republic Act No. 7355 known as Manlilikha ng Bayan Act was established in 1992
to give recognition to traditional art uniquely Filipino who preserves and promotes
its traditional folk arts that contribute to the national heritage.
National Commission for Culture and the Arts (NCCA) is the highest policy and
coordinating body for culture and arts of the state.
The Philippines through the effort of NCCA introduced the sixteen (16) Gawad sa
Manlilikha ng Bayan or GAMABA Awardees namely:
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What I Can Do
Directions: Create a brochure that promotes our National Living Treasures or Gawad
Manlilikha ng Bayan awardees, their artworks, and the place where they came from.
Follow the rubrics below.
CATEGORY 4 3 2 1
Graphics/ Graphic go Graphics go Graphics go Graphics do
Pictures well with the well with the well with the not go with
text and there text, but there text, but there the
is a good mix are so many are too few accompanying
of text and that they and the text or appear
graphics distract from brochure to be
the text seems “text- randomly
heavy”. chosen
Attractiveness The brochure The brochure The brochure The
and has no has attractive has well- brochure’s
Organization exceptionally formatting organized formatting
attractive and well- information and
formatting organized organization
and well- information. of material are
organized confusing to
information. the reader.
Content- All facts in the 99-90% of the 89-80% of the Fewer than
Accuracy brochure are facts in the facts in the 80% of the
accurate brochure are brochure are facts in the
accurate. accurate. brochure are
accurate.
Sources Careful and Careful and Careful and Sources are
accurate accurate accurate not
records are records are records are documented
kept to kept to kept to accurately or
document the document the document the are not kept
source of 95- source of 94- source of 84- on many facts
100% of the 85% of the 75% of the and graphics.
facts and facts and facts and
graphics in graphics in graphics in
the brochure. the brochure. the brochure.
Spelling and No spelling No more than No more than Several
Proofreading errors remain 1 spelling 3 spelling spelling errors
after one error remains errors remain in the
person other after one after one brochure.
than the person other person other
typist reads than the than the
and corrects typist reads typist reads
the brochure. and corrects and corrects
the brochure. the brochure.
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Assessment
Multiple Choice. Choose the letter of the best answer. Write your answer on a
separate sheet of paper.
1. Which of the following Republic Act known as the Manlilikha ng Bayan Act?
a. R.A. Act. 7355 c. R.A. Act. 7356
b. R.A. Act. 11190 d. R.A. Act. 10066
2. ______________________ is a tnalak weaver from the indigenous community of the
Tboli in Lake Sebu, South Cotabato.
a. Magdalena Gamayo c. Darhata Sawabi
b. Haja Amina Appi d. Lang Dulay
3. Which is among the following is the highest policy and coordinating body for
culture and arts of the state?
a. Philippine Commission on Culture and the Arts
b. National Commission for Culture and the Arts
c. Philippine Academic Arts and Culture
d. Nation Expert for Talent and Skills
4. Which of the following is NOT an idea of the Manlilikha ng Bayan Act?
a. Create hindrances for popularizing their works locally and internationally
b. Renew a community's artistic tradition thereby protecting a valuable aspect
of Philippine culture
c. Recognize the importance of traditional folk artists as a singular channel
between skills of the past and the future
d. Provide mechanisms for identifying and assisting qualified traditional folk
artists to transfer their skills to the community
5. _________________________ is kind of poem consisting of seven-syllable lines
which most of the time contains of love and friendship.
a. Ambahan c. Gangsa
b. Haiku d. Tanaga
6. Which of the following is a two-stringed lute made of wood, one string for the
melody, one for the drone?
a. Buktot c. Butting
b. Kudyapi d. Pas-ing
7. __________________ is a kind of fabric made up of fine abaca fibers weaved with
different designs which reflect the tradition of the T’boli.
a. Abel c. Pis syabit
b. Musa d. T’nalak
8. Which of the following artist worked on the documentation of the epics of
Calinog, Iloilo, Panay Island?
a. Ginaw Bilog c. Uwang Ahadas
b. Alonzo Saclag d. Federico Caballero
9. ______________________ play Kalinga musical instruments dance patterns and
movements associated with rituals.
a. Alonzo Saclag c. Masino Intaray
b. Teofilo Garcia d. Eduardo Mutuc
10. Who teaches Teofilo Garcia to make a tabúngaw hat and basket weaving?
a. Auntie Elena c. Grandfather Hipolito
b. Uncle Leolito d. Grandmother Imelda
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11. Which of the following is the master of abel weaving from Pinili, Ilocos Norte?
a. Darhata Sawabi c. Ambalang Ausulin
b. Magdalena Gamayo d. Yabing Masalon Dulo
12. ________________________ began weaving since fourteen (14) years old and
continuously impart knowledge to younger generations of B’laan weavers.
a. Lang Dulay c. Yabing Masalon Dulo
b. Salinta Monon d. Estelita Tumandan Bantilan
II. Essay
Instruction: Explain briefly.
13. How does this short-term encounter with GAMABA awardees make you aware
of who we are? _____________________________________________________________
14. As an artist, what is our main responsibility in our society or country?
_____________________________________________________________________________
15. Identify the values we should possess as an artist. Explain.
_____________________________________________________________________________
Additional Activities
Directions: Watch YouTube videos on ABS CBN Local Legends and list down Three
(3) other traditional artists that you know that contribute to the country’s intangible
cultural heritage and identify the place they came from.
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Answer Key
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References
Datuin, Flaudette May et al. (2016) Contemporary Philippine Arts from the Regions K
to 12. Rex Book Store Inc. Quezon City, Philippines
De Leon, Jr., Felipe M. National Living Treasures: Samaon Sulaiman. Retrieve from
https://ncca.gov.ph/about-culture-and-arts/culture-profile/gamaba/national-
living-treasures-samaon-sulaiman/
National Commission for Culture and the Arts. GAMABA awardees: Literature and
Performing Arts. Retrieved from https://quizlet.com/259998090/gamaba-awardees-
literature-and-performing-arts-flash-cards/
Ignacio, P. (2016, August 15) The freedom to express, the freedom to impress (Blog
post) Retrieved from https://team7web.wordpress.com/2016/08/15/arts-in-
technology/
National Commission for Culture and the Arts (2016, February 15) National Living
Treasures: Federico Caballero. Retrieved from
https://www.facebook.com/NCCAOfficial/posts/10154129424795283
National Commission for Culture and the Arts (2016, October 12) National Living
Treasures: Eduardo Mutuc. Retrieved from
https://www.facebook.com/NCCAOfficial/posts/happy-birthday-manlilikha-
ng-bayan-eduardo-mutuceduardo-mutuc-is-an-artist-who-
h/10154658966895283/
National Commission for Culture and the Arts (2018, April 3) LOREN LEGARDA:
Dayaw Season 4 Episode 1 - “The Past Masters” (Video) Retrieved form
https://www.youtube.com/watch?v=NVpWnkOpVLI&list=PLE4Bk7RrOT-
Z9HruyiFU3AFvnyPaKaRc3
National Commission for Culture and the Arts ( 2018, April 3) Season 4 Episode 2:
Living Treasures Part 1 (Video) Retrieved from
https://www.youtube.com/watch?v=PL4H4o568X0&t=100s
National Commission for Culture and the Arts ( 2018, April 3) Season 4 Episode 2:
Living Treasures Part 2 (Video) Retrieved from
https://www.youtube.com/watch?v=M1nRDVTJbKg&t=27s
National Commission for Culture and the Arts. National Living Treasures: Ambalang
Ausalin (Website) Retrieved from https://ncca.gov.ph/about-culture-and-
arts/culture-profile/gamaba/ambalang-ausalin/
National Commission for Culture and the Arts. National Living Treasures: Estelita
Bantilan (Website) Retrieved from http://gwhs-
stg02.i.gov.ph/~s2govnccaph/about-culture-and-arts/culture-
profile/gamaba/estelita-bantilan/
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National Commission for Culture and the Arts. National Living Treasures. Republic
Act. No. 7355. Retrieved from http://gwhs-
stg02.i.gov.ph/~s2govnccaph/about-culture-and-arts/culture-
profile/gamaba/
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