Descriptive Essay - The Kitchen - Alfred Kazin
Descriptive Essay - The Kitchen - Alfred Kazin
Descriptive Essay - The Kitchen - Alfred Kazin
In Brownsville tenements the kitchen is always the largest room and the center of
the household. As a child I felt that we lived in a kitchen to which four other rooms
were annexed. My mother, a "home" dressmaker, had her workshop in the kitchen.
She told me once that she had begun dressmaking in Poland at thirteen; as far back
as I can remember, she was always making dresses for the local women. She had
an innate sense of design, a quick eye for all the subtleties in the latest fashions,
even when she despised them, and great boldness. For three or four dollars she
would study the fashion magazines with a customer, go with the customer to the
remnants store on Belmont Avenue to pick out the material, argue the owner
down--all remnants stores, for some reason, were supposed to be shady, as if the
owners dealt in stolen goods--and then for days would patiently fit and paste and
sew and fit again. Our apartment was always full of women in their housedresses
sitting around the kitchen table waiting for a fitting. My little bedroom next to the
kitchen was the fitting room. The sewing machine, an old nut-brown Singer with
golden scrolls painted along the black arm and engraved along the two tiers of little
drawers massed with needles and thread on each side of the treadle, stood next to
the window and the great coal-black stove which up to my last year in college was
our main source of heat. By December the two outer bed-rooms were closed off,
and used to chill bottles of milk and cream, cold borscht, and jellied calves' feet.
The kitchen held our lives together. My mother worked in it all day long, we
ate in it almost all meals except the Passover seder, I did my homework and first
writing at the kitchen table, and in winter I often had a bed made up for me on
three kitchen chairs near the stove. On the wall just over the table hung a long
horizontal mirror that sloped to a ship's prow at each end and was lined in cherry
wood. It took up the whole wall, and drew every object in the kitchen to itself. The
seasons that the paint looked as if it had been squeezed and cracked into the walls.
A large electric bulb hung down the center of the kitchen at the end of a chain that
had been hooked into the ceiling; the old gas ring and key still jutted out of the
wall like antlers. In the corner next to the toilet was the sink at which we washed,
and the square tub in which my mother did our clothes. Above it, tacked to the
shelf on which were pleasantly ranged square, blue-bordered white sugar and spice
jars, hung calendars from the Public National Bank on Pitkin Avenue and the
Minsker Progressive Branch of the Workmen's Circle; receipts for the payment of
insurance premiums, and household bills on a spindle; two little boxes engraved
with Hebrew letters. One of these was for the poor, the other to buy back the Land
of Israel. Each spring a bearded little man would suddenly appear in our kitchen,
salute us with a hurried Hebrew blessing, empty the boxes (sometimes with a
sidelong look of disdain if they were not full), hurriedly bless us again for
remembering our less fortunate Jewish brothers and sisters, and so take his
departure until the next spring, after vainly trying to persuade my mother to take
still another box. We did occasionally remember to drop coins in the boxes, but
this was usually only on the dreaded morning of "midterms" and final
extremely superstitious, but embarrassed about it, and always laughed at herself
on my right foot. "I know it's silly," her smile seemed to say, "but what harm can it