Let's All Go Down The Strand
Let's All Go Down The Strand
Let's All Go Down The Strand
org/wiki/Let%27s_All_Go_Down_the_Strand
Song
The song is inspired by the Strand, a street in Westminster, Central London. During the late
19th century the Strand was transformed from a refuge for beggars, gamblers and frauds to a
respectable leisure venue with theatres, hotels and music halls.[1]
It was written by music hall performer Harry Castling and composer Charles William Murphy.
The song was first sung by Castling in the 1890s.[2][3] According to music hall historian Richard
Anthony Baker, the song developed after Castling and Murphy left the Lyceum Theatre together,
and headed towards Waterloo Bridge when Castling suggested "Let's go down the Strand". He
later maintained that, as soon as he said the words, he realised it would make a good song title.
Adding the word "all", they wrote the song, with Castling later saying that "both the words and
the music came to us as though we had been singing them all our lives."[4]
The lyrics of the 1909 version describe a group of six tourists meeting in Trafalgar Square for a
planned trip to continental Europe. One of them, Jones, advises the others to "stay away from
Germany, what's the good of going down the Rhine?"[3] and in the chorus tries to persuade
them to stay in London: "let's all go down the Strand" as "that's the place for fun and noise, all
among the girls and boys". The second verse describes a group of 25 prisoners confined in
prison and ordered to exercise; one, Burglar Ben, proposes to their warden that they instead
visit the Strand.[3] The third and final verse describes the Lord Mayor of London welcoming
back an Ernest Shackleton expedition to "the Pole" (Shackleton had taken part in the 1901-04
Discovery Expedition and led the 1907-09 Nimrod Expedition, both in the Antarctic but never
reached the South Pole).[3][5] The Lord Mayor proposes that he throws a banquet at Mansion
House but one of Shackleton's sailors asks the explorer if they can instead "go down the
Strand".[3]
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Impact
The refrain "have a banana!", sung after the first line of the chorus, is a later addition to the
song, though it is known to have been sung in the 1890s. The origins of the refrain are
unknown, though it helped to drive sales of the fruit.[2][6][7] Sometimes "Gertie Gitana" (a music
hall entertainer) was substituted for the refrain, leading to "Gertie" becoming Cockney rhyming
slang for banana the usage of which continues to the modern day.[8]
The phrase "let's all go down the Strand", particularly to mean making a visit to the theatres
there, became a popular phrase among the British working class.[9] The song, and in particular
its chorus, was popular with Londoners.[3] "Let's All Go Down the Strand" was popular with
British soldiers in the First World War, alongside other music hall favourites such as "It's a
Long Way to Tipperary" and Charles Whittle's "We All Go The Same Way Home".[10] The men
of a London battalion are recorded as having sung it when up to their knees in mud near Ypres
in 1917.[3]
The song was a music hall hit for Charles Whittle,[11] and for Harry Fay in 1910.[12] It gave
Whittle his first major success and became one of his most popular songs, though in later life he
grew to hate the song as it was requested so often.[13][14] John Betjeman used the title of the
song for a television documentary made for Associated-Rediffusion in 1967.[15] The same year,
Margaret Williams used it for a stage comedy.[16] The English rock band Blur recorded a cover
of "Let's All Go Down the Strand" that was released as the B-side of one format of their 1993 EP
"Sunday Sunday".[17]
References
1. Bailey, Peter (2017). "Review of Murder, Mayhem and Music Hall: The Dark Side of
Victorian London" (https://www.jstor.org/stable/10.2979/victorianstudies.59.2.25). Victorian
Studies. 59 (2): 361. doi:10.2979/victorianstudies.59.2.25 (https://doi.org/10.2979%2Fvictori
anstudies.59.2.25). ISSN 0042-5222 (https://www.worldcat.org/issn/0042-5222).
JSTOR 10.2979/victorianstudies.59.2.25 (https://www.jstor.org/stable/10.2979/victorianstudi
es.59.2.25).
2. Martin, Andrew (26 April 2012). Underground, Overground: A Passenger's History of the
Tube (https://www.google.co.uk/books/edition/Underground_Overground/vh3n5WD_YqsC).
Profile Books. p. 82. ISBN 978-1-84765-807-4.
3. Pegler, Martin (20 August 2014). Soldiers' Songs and Slang of the Great War (https://www.g
oogle.co.uk/books/edition/Soldiers_Songs_and_Slang_of_the_Great_Wa/M5aHCwAAQBA
J). Bloomsbury Publishing. p. 92. ISBN 978-1-4728-0929-2.
4. Baker, Richard Anthony (2014). British Music Hall: An Illustrated History. Barnsley: Pen &
Sword. p. 152. ISBN 978-1-78383-118-0.
5. "Ernest Shackleton" (https://www.britannica.com/biography/Ernest-Henry-Shackleton).
Britannica. Retrieved 20 December 2021.
6. Thurlow, Clifford (1995). The Amazingly Simple Banana Diet (https://www.google.co.uk/book
s/edition/The_Amazingly_Simple_Banana_Diet/l_JG9a_fq_gC). Maximilian Thurlow. p. 26.
ISBN 978-1-899830-00-8.
7. Moran, Joe (12 June 2006). "A significant fruit". New Statesman (page 22).
8. Partridge, Eric (2006). The New Partridge Dictionary of Slang and Unconventional English:
A-I (https://www.google.co.uk/books/edition/The_New_Partridge_Dictionary_of_Slang_an/4
YfsEgHLjboC). Taylor & Francis. p. 856. ISBN 978-0-415-25937-8.
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