Art Appreciation Task Performance
Art Appreciation Task Performance
Art Appreciation Task Performance
Art APPRECIATION
Task Performance
FEGARIDO, JYRA G. OCCENA, RHEA ANNE N.
You are to research and prepare at least
a. Three (3) art invention and
b. Three (3) societies with their standard of
beauty.
c. Prepare a brief history and explain about
your research.
The process of coloring glass with metallic oxide powders,
otherwise known as stained glass, is most commonly associated
with Gothic cathedrals. However, it probably has its roots in
ancient Egypt—specifically with a group of colored glass beads
that were created around 2700 B.C.E., which are thought to be
the earliest-known examples of man-made glass. By the 1st
century C.E., Romans were glazing glass panes for residential
windows, though they were uniform in color and somewhat
opaque.
Stained-glass windows as we now know them—with multiple
panes of luminous colors—were pioneered by Christians in the 1st
century C.E
By the Middle Ages in Europe, stained glass was both a refined
art form and a religious phenomenon: Not only did its brilliant
properties create a divine experience for churchgoers, it also
provided a platform for Christian imagery
While its peak was in Gothic Europe, stained glass has had its
own renaissance in more recent years, popularized in 19th-
century America by Louis Comfort Tiffany’s Art Nouveau
lamps and John La Farge’s opalescent windows.
Stained glass, in the arts, the coloured glass used for making
decorative windows and other objects through which light
passes. Strictly speaking, all coloured glass is “stained,” or
coloured by the addition of various metallic oxides while it is in
a molten state
How is stained glass made?
Onward from the medieval ages, the use of stained glass had
a dual purpose: to create religious images and to highlight
the wealth of those who owned the building or were the
patron of the art.
John La Farge Tiffany Studios
Peonies Blown in the Wind, ca. 1880 Wisteria Shade on Tree Trunk Base, 1905
The Metropolitan Museum of Art Geoffrey Diner Gallery
Over the latter half of the 20th century, artworks made from
neon and fluorescent light have increasingly appeared in museum
collections, and have been central to art movements such as Light
and Space. The media themselves were both born of the 20th
century, as well: The first neon lamp was invented around 1902
by French engineer Georges Claude, and the first fluorescent
lamp dates to 1926, invented by Edmund Germer in Germany.
Artists of the 1960s and ’70s, like Dan Flavin, Robert Irwin, and
Bruce Nauman, are most commonly credited with bringing neon
and fluorescent light into the realm of fine art (yet it should be
noted that Flavin and Irwin strictly worked with fluorescents,
though their work was still instrumental in introducing
commercial light in general as an art form).
How does a fluorescent or neon light work?