FineScale - Modeler - May - 2020 (Glissé (E) S)
FineScale - Modeler - May - 2020 (Glissé (E) S)
FineScale - Modeler - May - 2020 (Glissé (E) S)
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Adding detail to the interior was essential because I wanted to build the Me-410A with its cockpit Oops! I broke off one molded-on antenna. I
open. Much of the detailing was done with a fine brush as I decided to skip using the later removed the second and replaced them
kit’s decals. with styrene rod and fine wire.
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The fuselage to wing gap is evident here, but I opened the air scoop near the prop and the Nacelle attached, I drilled out the supercharger
styrene sheet or scraps will fill it and add exhaust stubs — all 24 — on the engine air intake. This is a separate nose cap. Careful
strength to the join. nacelles to enhance the model’s realism. sanding and filling creates a smooth contour.
Diving in in two halves and sports finely detailed been molded to the bottom of the shroud
The front cockpit and rear seat are one unit, instrument faces. I used Prismacolor silver making it difficult to open the ends and
but include nine parts. The front tub has and gray pencils to bring out the instru- remove sink marks though. I managed to
raised side panels, but no details such as ments’ details. Then I lightly applied black open the ends, but it takes patience. I used
buttons and switches, 1. There are decals, and gray Tamiya washes (95% thinner to a pin vise, first drilling a small hole as a
but I opted not to use them. I believe a bet- 5% paint) to the panels to create a used guide. Then, using my motor tool with a
ter 3D look is achieved by painting details. look, aided by Testors Dullcote. That was small engraving cutter bit, I enlarged and
However, the decals for the side panels are followed by brushing Testors Glosscote shaped the hole. I finished the shaping with
nicely detailed for 1/72 scale and would on the instrument faces to create a glass- the tip from a new No. 11 blade. It took
work on an aircraft with a closed canopy. like finish. about 30 minutes to complete each row of
Next, I made seat belts and buckles with Cockpit finished, I glued the fuselage stubs, 5.
Tamiya tape, 2. With clever painting on halves together, then broke off one of the Take your time to avoid damaging the
the tape, one can create realistic looking two antennas on the fuselage bottom, 3. openings and or cut into the edge of the
metal buckles. I had started this to be an The duo are molded in one of the fuselage stub as they would be hard to replace. The
out-of-the-box build, so didn’t plan to use halves, making it impossible to clean up time was well spent as the results make a
photo-etched metal (PE) parts or other seam lines under the antenna. To make up significant difference and I managed to
aftermarket add-ons. But that plan went for that, the wing halves went together eas- avoid any boo-boos drilling out 24
out the window after making an error ily, but be careful to match panel lines on exhausts! Plus, I also drilled out the air
or two. the leading and rear edges. scoop and supercharger air intakes, 6.
I painted the rest of the cockpit details I then moved on to completing the Another tricky part is the oil cooler air
and added wear and tear using fine-tipped wheel-well floor that supports the landing scoop under each nacelle. The piece is
brushes to apply Tamiya German gray struts. This piece must be inserted and fin- molded to fit the nacelle’s curvature. Don’t
(XF-63) for interior panels and RLM gray ished as the wing halves cover most of this damage their four corners as they are sharp
(XF–22) for the inner fuselage sides area, making it impossible to add this part and delicate. Dry-fitting is a must.
and floorboards. after the halves are glued together. I
The front cockpit’s sides have no strongly recommend gluing, preferably with
molded-in ribbing or wiring, although it epoxy, sheet styrene or square scraps for HINT: Don’t clip the sprues completely
does have moldings for instrument boxes added strength around the part to keep it from each wing half. Sand off the
sprue attachment point after the
and other controls. I used black fine-tipped from breaking off after the wings are wings are glued. This helps prevent
Micron permanent markers (No. 005 and together, 4. the sprue from pulling out a minute
No. 01) to draw in electrical lines without The aircraft’s engine nacelles come as hole in the wing’s leading edge that
later will need filling. Bottom line, this
needing to add extra pieces. separate parts and require little cleanup saves filling and sanding time.
The Me 410’s instrument panel comes once assembled. The exhaust stubs have
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Putty is applied to the underside, Now the void has been filled with The completed bomb bay looks After cutting open the canopy, I
covering the large gap in the putty and styrene sheet. much better with the fillers in added wiring, PE scraps, and sheet
bomb bay evident when the place; I used liquid glue to secure styrene for more detail in the
wings are attached. the wing shims. cockpit.
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Masking the canopy with Bare-Metal Foil The antennas on the plane’s underside … after using a hobby knife blade to square
prepares the plane for painting. removed earlier were replaced with .03-inch the rod’s edges, I superglued wire over the
Evergreen styrene rod and metal wire. … posts.
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Next, I added brakes lines and clamps to finish Additional detail is added by drilling With the canopy masked, painting began. I
the landing gear struts. lightening holes in the oleo hinge as found in applied a two-tone green early war scheme to
contemporary reference photos. match the kit’s boxtop.
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On the underside, I sprayed fine lines of black on all the panel lines and Next, the upper surface is airbrushed with the lighter green and
shadowy areas to pre-shade the model. highlights added. A final light mist of the base coat blended the colors.
the gear; it was great way to improve the by 5%-10% to lighten the colors slightly. these prior to painting, thinking it would
look without adding parts, 15. Once all colors were mixed, I thinned look better to paint them with the under
After a few minor fixes and touch-ups, I each by 60%-75% for airbrushing. (I’m not surface rather than adding them later. I
moved on to painting, cleaning up, and a stickler for precise measurements.) should have waited until after painting
masking wheel wells and the bomb bay with I sprayed the underside panel lines and the wing.
facial tissue and tape. I then masked the can- shadowy areas with a fine black line for Not only did I break off the counter-
opy with Bare-Metal Foil, by far the best pre-shading. Then followed with my RLM weight, but somehow it apparently left the
material I’ve found for canopy masking, 16. 65 mix painted over the bottom, paying planet. After more than an hour’s search,
I painted the early-war two-tone green close attention to spray panel centers. I returned to the Evergreen .03-inch rod
scheme on all upper surfaces, as on the box Careful spraying of this base coat allows and created a post then squared it with a
art, but decided not to use the kit decals. shadows to show through slightly. I didn’t new knife blade and carved the teardrop
Instead, I used an Aeromaster decal set want to overemphasize the effect, 17. shaped weight from the same stock. On my
(No. 72-149) that included the same Once the underside was completed, third try, I managed a reasonable copy of
Me 410A-1 camouflage as on the kit box, Tamiya tape marked a hard-line edge the kit part.
but with a different aircraft code. around the fuselage, wings, and engine Back to painting, I repeated the high-
Not being a German WWII color nacelles to begin painting the lighter of the lighting and blending process for the darker
expert, I used what Tamiya paints I had on two green colors on the upper surfaces. green just as I had the lighter green, then
hand that I thought a close match to the Starting with a complete coat of the let the paint cure for a day or two.
real thing. RLM 70 base, I mixed a highlight color by Next, I applied a thin coat of Testors
I used a mix of 90% light blue (XF-23) decanting some of the base mixture into a Glosscote to prepare the surface for decals.
and 10% white (X-2) to mimic the RLM separate cup and almost doubled the mix- I used the unit markings and national
65 light blue underside color. The two ture by adding flat white. insignia from the Aeromaster set, and the
greens I used were black green (XF-27) for I added more Tamiya thinner (about data and warning decals from the kit. I was
RLM 71 and dark green (XF-61) for RLM 25%) to thin the mix further for airbrushing, surprised at how thick the kit decals
70. Each was mixed with flat white (XF-2) then sprayed the center of each panel up to appeared. However, after the data decals
the edges, 18. A light coat of the base color settled they essentially had melted into the
HINT: I mix all of my paints in small plastic blend the layers, resulting in soft, not overly surface for an excellent result, 19.
lab sample bottles. They are convenient to contrasing panel shading. After allowing the decals to dry a few
use, easy to clean up, and seal well. Mine Allowing the model to dry for an hour, I days I applied more
are made of high-density polyethylene
(HDPE) to provide good chemical (various masked the upper surfaces and airbrushed Glosscote to seal them.
thinners) and impact resistance (when I the RLM 71 layer. While I was waiting, I painted the props,
drop it on the concrete floor). My bottles landing gear, and landing gear doors; I fin-
were a gift, but similar ones can be found
at chemical and environmental lab Curses, foiled again! ished the landing gear in the same way I
supply companies. Rats! I broke off one of the aileron counter- had the cockpit.
weights under the wing. I had attached One of the most important steps in
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With painting completed, a gloss coat and decals were added before a Landing gear in place and a new A silver pencil was used to create
final gloss coat sealed everything. A flat coat came later. aileron counterweight created, a chipped paint look.
the plane is nearly complete.