Film is one of three universal languages, the other two: m athem atics and music.

Frank Capra, US movie director

6A Shot on location

1 VOCABULARY movies
a R e a d t h e c lu e s . C o m p l e t e t h e p u z z le o n t h e r i g h t
t o f i n d t h e h id d e n k i n d o f m o v ie .

1 A m o v ie w h e r e im a g e s a r e d r a w n i s a n
an im ated m o v ie .
2 omedi
A fu n n y m o v ie is a c _____________________ .
3 A m o v ie b a s e d o n r e a l e v e n t s in t h e p a s t is a
istorical
h______________________ m o v ie .
4 A m o v ie w i t h a n e x c i t i n g p lo t is a
riller
th _____________________ .
5 orror
A s c a r y m o v ie is a h ______________________ m o v ie .
6 estern
A m o v ie a b o u t c o w b o y s is a w ______________________ .
7 rama
A m o v ie w i t h a s e r io u s s t o r y is a d r _________________
8 A fu n n y m o v ie a b o u t p e o p le f a ll in g i n lo v e is a
omantic
r______________________ com ed y.
9 A m o v ie a b o u t w a r s a n d b a t t l e s is a
ar
w _____________________ ovie
m _______________________ .
10 A m o v ie w h e r e th e c a s t s in g s an d d a n c e s is a
usical
m_____________ .
11 A m o v ie a b o u t im a g i n a r y e v e n t s in t h e f u t u r e is a
ience
s c _____________________ iction
-f _______________________ m o v ie .

action movie
F lid d e n k in d o f m o v i e : ______________________

b C o m p le te th e s e n te n c e s .
2 GRAMMAR passive (all tenses)
1 T h e s t a r __ o f t h e m o v ie w a s a f a m o u s B r it is h a c t r e s s .
2 I d id n ’t u n d e r s ta n d t h e m o v ie b e c a u s e t h e a C o m p l e t e t h e s e n t e n c e s w i t h t h e c o r r e c t p a s s iv e f o r m o f t h e
ot
pi_______________ w a s v e r y c o m p lic a te d . v e r b s in th e b o x . U s e th e t e n s e in p a r e n th e s e s .

3 T h e a c t o r a c c e p t e d t h e p a r t a s s o o n a s h e re a d th e
direct dub invite play release shoot show write
ript
s c _______________ .
4 dience
S o m e m e m b e r s o f t h e au _______________ w e r e c r y in g
1 T h e m o v ie is directed b v K a t h r y n B ig e lo w .
(s im p le p r e s e n t)
a t t h e e n d o f t h e m o v ie .
2 was played
T h e p a r t o f S p i d e r - M a n ___________________________________________
5 M o s t c r i t i c s g a v e t h e m o v ie a n e x c e lle n t
eview b y A n d r e w G a r f i e ld , (s im p le p a s t)
r________________.
ene 3 was being shot
It w a s v e r y w in d y w h ile t h e s c e n e ______________________________
6 T h e y o n ly h a d to s h o o t t h e s c _______________ on ce.
_________________________ . ( p a s t c o n t in u o u s )
7 W e d o n ’t s p e a k F r e n c h , s o w e s a w t h e F r e n c h m o v ie
4 will be released
T h e s e q u e l _________________________________________________________
ubtitles
w ith E n g lis h s________________.
equel will)
n e x t y ear, (fu tu re ,
8 Y o u ’ll h a v e to w a it f o r t h e s_______________ to fin d o u t
are goingg to be invited
5 S o m e o f t h e e x t r a s ________________________________________________
w h a t h a p p e n s n e x t.
ountrack t o t h e m o v ie p r e m i e r e , ( f u t u r e , going to)
9 M y f a v o r ite s_______________ is t h e m u s ic f r o m
is being shown
6 T h e m u s i c a l ________________________________________________________
The Artist.
pecial in m o v ie t h e a te r s a l l o v e r t h e c o u n tr y , ( p r e s e n t c o n t in u o u s )
10 T h e b e s t t h in g a b o u t th e m o v ie w a s t h e sp______________
hes been dubbed
7 T h e d r a m a _________________________________________________________
efects
e f _______________ . T h e y lo o k e d v e r y r e a l is t ic .
tras in t o fiv e o t h e r la n g u a g e s , ( p r e s e n t p e r f e c t )
11 T h e d i r e c t o r is lo o k in g f o r e x _______________ to
8 was written
T h e s c r i p t __________________________________________________________
a p p e a r in th e cro w d sc e n e s .
ast b y t h e a u t h o r o f t h e b o o k , (s im p le p a s t)
12 T h e c _______________ w a s a m ix tu r e o f A m e r ic a n and
B r itis h a c to rs.
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 b ( Q ir c le ) t h e c o r r e c t f o r m , a c t i v e o r p a s s iv e . 4 READING
a R e a d t h e t e x t o n c e . C h e c k ( / ) w h e r e y o u t h i n k it c o m e s f r o m .

1 a n o n lin e n e w s p a p e r 3 a w e b s ite f o r t o u r is ts
2 a t r a v e l b lo g 4 a m o v ie p r o g r a m

On locatio n at
Knebworth House
nebworth House is famous worldwide for the major open-air
Anna Karenina is a m o v ie t h a t 1d ire c te d /(w as d ir e c te d )
by J o e W rig h t. M o s t o f th e m o v ie 2 sh o t / w as s h o t in an
K rock concerts that have been held on its grounds since
1979. Knebworth is in the southeast England, and the Lytton
old th e a te r o u tsid e o f L o n d o n , b u t s o m e sc e n e s 1film ed /
family have lived there for over 500 years. The house itself is
w ere film e d in R u s s ia . I t 4 te lls / is to ld th e sto ry o f a y o u n g
one of the oldest stately homes in the UK. It is also one of the
R u s s ia n w o m a n w h o is m a rrie d to a g o v e rn m e n t o ffic ia l,
most popular locations for the world's filmmakers.
b u t ' fa lls / is fa llen in love w ith a n a r is to c r a t. K e ira K n ig h tley
6 p lay s / is played th e p a r t o f A n n a K a r e n in a , a n d th e p a r t
Not surprisingly, the Gothic architecture of the house appealed
o f h er ro m a n tic in te re s t, C o u n t V ro n sk y , p lay s / is played by
to American movie director Tim Burton when he saw it. He
A a ro n T a y lo r -Jo h n s o n .
was in the UK shooting a new version of the movie Batman at
the time. He thought that the facade of the building would be
T h e m o v ie s s ta r ts / is sta rte d w h en A n n a a rriv e s in M o sc o w .
perfect as the exterior of Wayne Manor, the home of Batman.
H e r b ro th e r ’ h a s se en / h as b e e n seen w ith a n o th e r w o m a n ,
But the inside of Wayne Manor was actually shot at another big
an d A n n a m u s t sp e a k to h er siste r-in -la w a b o u t th e
house in the same area - Hatfield House.
situ a tio n . It is d u r in g th is m e e tin g th a t A n n a 10 in tro d u c e s /
is in tro d u c e d to th e C o u n t. T h e m o v ie 11 h a s b a s e d / is b ased
The inside of Knebworth House has also been used in many
movies. An important scene from the 2010 Oscar-winning movie
o n th e novel by L e o T o lsto y .
The King's Speech was shot in the ballroom. This movie was made
T h e su p erb s o u n d tra c k 12 c o m p o se d / w as c o m p o se d by
by the British director Tom Hooper. It starred Colin Firth as the
Ita lia n c o m p o s e r D a r io M a r ia n e lli, w h o a ls o ''w r o t e / w as
young King George VI of England, who had a speech impediment.
w ritte n th e m u sic fo r Pride an d Prejudice a n d Atonem ent.
The ballroom was the venue for a party that was held by his older
B o th o f h is p re v io u s so u n d tra c k s 14 n o m in a te d / w ere
brother Edward. In a corner of the room, Edward tells George
n o m in a te d fo r O s c a r s , a n d A tonem ent w o n a n O s c a r .
that he is planning to marry divorced American woman, Wallis
Simpson, something that makes it impossible for him to be King
of England. It is George who becomes King instead.
3 PRONUNCIATION sentence stress
And, of course, like many other historic buildings in the UK,
a L is te n an d re p e a t th e s e n te n c e s . Knebworth has made an appearance in the Harry Potter movies.
C o p y th e rh y th m . In the fourth movie of the series, Harry Potter and the Goblet
1 The m ovie is based o n a true story. of Fire, a holiday dance is held in Hogwarts School. Before the
dancing starts, there is a scene where one of Harry's friends
2 T h e s e scenes w i l l b e sh ot o n location.
appears in a beautiful long dress. The staircase that she descends
3 T h e a cto r h a s b e e n nom inated f o r a n Oscar. while her friends look on in amazement is, in fact, the one in
4 T h e script w a s w ritten b y th e author o f t h e novel. Knebworth House.
5 T h e sequel is going t o b e released n ext week. These are just a few of the famous scenes filmed at Knebworth
House. To discover more, why not visit Knebworth yourself?
6 T h e costu m es a r e being m ade b y hand.
The house is only 27 miles from London, and is easy to get to
b U n d e r l i n e t h e s t r e s s e d s y l l a b l e in t h e s e w o r d s . by car or by train. Knebworth House is a must for all movie
1 audience 6 horror movie lovers visiting the UK.
2 historical movie 7 re|view
3 co me|dy 8 sequel
4 di rector 9 soundtrack
5 dra ma 10 subtitles

c L is te n a n d c h e c k . T h e n lis te n a g a in an d
re p e a t th e w o rd s.

38
b R e a d t h e t e x t a g a in . M a r k t h e s e n t e n c e s 5 LISTENING
T ( t r u e ) o r F ( f a ls e ) .
a L i s t e n t o a t o u r g u id e t a l k i n g t o
1 K n e b w o r t h is a fa v o r ite
a g ro u p b e fo re sh e ta k e s th e m o n th e T V
d e s t in a t io n f o r m u s ic lo v e r s . T_
a n d M o v ie W a lk in g T o u r o f C e n tr a l P a rk
2 T h e h o u s e is n ’t o c c u p ie d
i n N e w Y o r k C it y . N u m b e r t h e p l a c e s i n t h e
an y m o re. ___
F
o r d e r s h e m e n tio n s th e m .
3 M a n y m o v ie s h av e b e e n m a d e
a a caro u sel 4 e a h o te l 2
a t K n e b w o r th . T
__
b a b rid g e f a la k e 6
4 T i m B u r t o n u s e d t h e o u ts id e
T_ c a m e m o r ia l 7 g a f o u n ta in 5
o f t h e h o u s e in o n e o f h is m o v ie s . _
5 Y o u c a n s e e t h e o u ts id e o f t h e
d a s k a tin g r in k 3
h o u s e in The King’s Speech. F
b L is te n a g a in a n d c o r r e c t a n y m is ta k e s in Wollman Skating Rink
6 G e o r g e V I m a k e s a n im p o r t a n t th e s e n te n c e s. C h e c k ( / ) th e s e n te n c e s th a t
a n n o u n c e m e n t to a l l h is g u e s t s a re co rre ct.
a t K n e b w o rth . F
__
1 T h e t o u r w ill la s t f o r t h r e e h o u r s .
7 H a r r y P o t t e r w a lk s d o w n th e
two hours ____________________________________.
s t a ir c a s e in K n e b w o r t h in o n e
2 T h e G a p s t o w B r id g e is m a d e o f w o o d .
o f t h e m o v ie s . _F
_
stone
8 K n e b w o r t h H o u s e is n o t fa r
T 3 T h e P la z a H o t e l w a s f e a t u r e d in T he G reat
fro m L o n d o n . ___
Gatsby.
c L o o k a t th e h ig h lig h te d w o r d s a n d
p h ra se s. W h a t d o y o u th in k th e y m e a n ?
4 T h e r e is o n e s k a t in g r i n k in C e n t r a l P a r k .
U s e y o u r d ic tio n a r y to lo o k u p th e ir there are two
*
m e a n in g a n d p r o n u n c ia tio n .
5 T h e C a r o u s e l h a s 4 7 w o o d e n h o r s e s to the Carousel
d C o m p le te th e s e n te n c e s w ith o n e o f r id e o n .
th e h ig h lig h te d w o r d s o r p h ra s e s . 57

new
1 M y s is t e r d id n ’t r e a lly lik e t h e 6 T h e B o a t h o u s e R e s t a u r a n t is n e x t to t h e

version o f Pride and Prejudice. S h e s m a l le s t la k e in C e n t r a l P a r k .

p r e f e r s t h e o ld o n e . largest *
Ballroom
2 P a la c e s o f t e n h a v e a ________________ 7 T h e B o w B r id g e w a s u s e d a s a lo c a t i o n in
w h e r e p e o p le c o m e f o r a f o r m a l th e T V sh o w Glee.
d a n c e o r p a r ty .
3 stateky homes
N o w a d a y s , y o u c a n v i s i t ________________ 8 T h e la s t tim e s h e e p w e re in th e S h e e p M e a d o w
________________ in t h e U K to s e e h o w w as 1 9 4 3 .
v e r y r ic h f a m i l i e s liv e d in t h e p a s t. 1934
------------------------------------------------------------------------------------------------------------------------------------------------------------------ *

4 I n t h e s u m m e r , I lo v e g o in g to
open air c L is te n a g a in w ith th e a u d io s c r ip t o n p. 7 3 . Bow Bridge
c o n c e r t s . I t ’s m o r e f u n t h a n g o in g to
a n in d o o r c o n c e r t .
5 A h o t e l n e a r a b e a c h is a
USEFUL WORDS AND PHRASES
venue
p o p u l a r ________________ f o r w e d d in g s . L e a rn th ese w ord s and p h rases.
6
speech impediment
A p e r s o n w i t h a ________________
a lle y /'a d i/
________________ c a n f in d i t v e r y h a r d to
a r i s t o c r a t i c / a 'n s t a k r a d ik /
s p e a k i n p u b lic .
g a n g s t e r s /'g te g s ta r z /
s e r v a n t s /'s e r v a n ts /
to m b /tu r n /
f i c t i o n a l / 'f i k ja n l /
s p e c t a c u l a r /s p c k 'tte k y a la r /
c u r r e n t l y / 'k a r a n t li/
o n t h e e d g e o f /a n d i 's d 3 av /

39
 W hat lies behind appearance is usually another appearance.
Mason Cooley, US writer

6B Judging by appearances

1 VOCABULARY the body

a L a b e l th e p ic tu r e .
ips
ose
ace
eck
oulder

tomach
ack

nees

eet

b C o m p le te th e s e n t e n c e s w ith th e v e r b s in th e b o x . 2 PRONUNCIATION diphthongs

bite clap kick nod point smell smile stare- a (C ir c le ) th e w o rd w ith th e d if f e r e n t s o u n d .
taste touch throw whistle

1 I t ’s r u d e t o stare a t p e o p le . It c a n m a k e t h e m
bite smile height (weight)
f e e l u n c o m f o r t a b le .
bike
2
kick
Y o u ’ll h a v e t o ________________ t h e b a ll h a r d e r to
s c o r e a g o a l.
touch ) -T fl face great eyes taste
3 D o n ’t ________________ t h e d o o r - 1 ju s t p a in te d it.
4 taste
C a n y o u ________________ t h e s o u p ? I t h i n k it m ig h t train
n e e d m o r e s a lt.
5 smell
I c a n ________________ s o m e t h i n g b u r n in g . D id y o u nose tongue throw toes
tu rn o f f th e ov en ? phone
6 W h e n y o u ’r e in t r o d u c e d t o s o m e o n e , y o u
smile
s h o u l d ________________ , s a y h e llo , a n d s h a k e h a n d s .
nod sound crowd mouth shoulders
7 W e o f t e n ________________ o u r h e a d s w h e n w e a g r e e
w ith s o m e o n e o r u n d e r s t a n d w h a t t h e y sa id . owl
8 clap
D id t h e a u d i e n c e ________________ m u ch a t th e end
o f th e co n c e rt? point enjoy noise outgoing
9 L is a d o e s n ’t lik e d o g s b e c a u s e s h e t h i n k s t h e y ’ ll
bite boy
h e r.
10 whistle
I o f t e n ________________ a t u n e w h e n I ’m i n t h e s h o w e r . L is te n a n d c h e c k . T h e n lis t e n a g a in a n d
11 D o n ’t d r o p y o u r p o t a t o c h ip b a g o n t h e f lo o r . re p e a t th e w o rd s.
throw it in th e tra s h .
12 W h e n I ’m a b r o a d , i t ’s s o m e t i m e s e a s ie r to
point a t s o m e th in g I w a n t in a s to re .

40
3 GRAMMAR modals of b C o m p le te th e s e n te n c e s w ith must, m ight, m ight not, o r can ’t.

deduction: might, can't, must 1 H e liv e d in A r g e n t i n a f o r fiv e y e a r s s o h e must s p e a k S p a n i s h w e ll!

2 can't
Y o u ________________ b e v e r y b u s y a t w o r k . Y o u ’r e a lw a y s o n F a c e b o o k !
a Ci r c l e ) t h e c o r r e c t a n s w e r s . migh
3 I ’m n o t s u r e , b u t J e n n a ________________ b e o n v a c a t i o n . S h e d id n ’t c o m e to
w o r k to d a y .
4 must
M a r k p a s s e d a l l h is f i n a l e x a m s . H is p a r e n t s ________________ b e v e r y p ro u d .
5 can't
D o y o u r e a lly t h i n k t h e U S w ill w in t o n ig h t ? Y o u ________________ be
s e r io u s ! T h e y h a v e n o c h a n c e !
6 might not
L u c y w a s n ’t f e e l in g w e ll t h i s a f t e r n o o n , s o s h e ________________ c o m e to
t h e p a r t y t o n ig h t . S h e s a id s h e w o u ld le t u s k n o w la t e r to d a y .
1 T h a t w o m a n fc o n ) / must b e t h e n e w can't
7 I t h o u g h t o u r n e ig h b o r w a s a w a y f o r t h e w e e k e n d , b u t s h e ________________
m a n a g e r . O u r n e w m a n a g e r is a m a n .
b e - 1 ju s t s a w h e r in h e r y a r d .
8 I t ’s v e r y c o ld t h i s e v e n in g a n d t h e r e a r e a lo t o f c lo u d s . I t h i n k it
might
sn ow .

4 LISTENING
a L is te n t o a r a d io p r o g r a m a b o u t th e h is t o r y o f b e a u ty .
2 You must I can’t b e t ir e d . Y o u h a d a C h e c k ( / ) th e th r e e p e r io d s in h is to r y th a t th e g u e s t t a lk s a b o u t.
lo n g t r ip .
1 a n c ie n t G r e e c e
2 th e E g y p tia n s EH
3 th e se v e n te e n th c e n tu r y
4 t h e M id d le A g e s
5 th e R o m a n s
6 th e n in e te e n th c e n tu r y I I

3 T hey must / can’t h a v e m u c h m o n e y .

Glossary
T h e y n e v e r g o o u t.
lead = a soft, heavy, gray metal
powder = a dry substance in the form of very small grains

b L i s t e n a g a in a n d m a r k t h e s e n t e n c e s T ( t r u e ) o r L ( f a ls e ) .

1 W o m e n a n d m e n w o r e m a k e u p in a n c i e n t E g y p t . T_
2 T h e E g y p t i a n s o n ly w o r e b la c k a n d w h it e m a k e u p . __F
3 E g y p t ia n m e n w o r e m a k e u p t o p r o t e c t t h e i r s k in f r o m t h e s u n . T
4 D o n ’t b u y O liv e r a b o o k . H e might not /
must not lik e t h e s a m e k in d o f t h i n g s 4 T h e G r e e k s t h o u g h t t h a t b r o w n h a i r w a s t h e m o s t b e a u t if u l. F
__
as you. 5 G r e e k w o m e n u se d a s u b s ta n c e t h a t w a s d a n g e r o u s in t h e ir m a k e u p . T_
_
6 B e a u t y w a s v e r y i m p o r t a n t t o R o m a n p e o p le . __T
7 R o m a n w o m e n p u t t h e i r m a k e u p o n t h e m s e lv e s . F

c L i s t e n a g a in w i t h t h e a u d i o s c r i p t o n p . 7 3 .

5 P a u la can ’t / might b e in ju r e d . T h a t ’s
h e r b e s t t im e e v e r f o r a m a r a t h o n .

6 Y o u r n e ig h b o r must / might not h a v e a

g o o d jo b . T h o s e c a r s a r e re a lly e x p e n siv e !

41