21stCL Q1 M10
21stCL Q1 M10
21stCL Q1 M10
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Introductory Message
For the facilitator:
The purpose of this module is to let the learners continue their education to finish the
subject even in the midst of difficulty. Included here are the topics based on the learning
competencies and objectives of K to 12 curriculum. The variations in the activities for each
lesson are made simpler yet didactic for an independent learning experience of the learners.
The instructions and methods used here are learner-friendly so you can expect that learners
can accomplish this module. Thus, you can motivate the learners to read actively and respond
critically to the given activities. You should advise them not to write anything in this module and
to use separate sheets in answering the activities and assessment.
This is a practical option to be able to finish the subject even in the midst of difficulty.
The purpose of this module is for you to develop critical thinking skills using literary reading
materials. The lessons and activities are learner-centered and are made simpler yet educational
for an independent learning experience. The instructions and methods used here are easy to
understand for you to be able to accomplish the activities thoroughly while learning the lessons
comprehensively.
With this module you are expected to become dynamic, versatile, creative and motivated
to finish the subject. You should read the instructions carefully for each activity. Do not write
anything in this module, keep it clean and well-maintained. You may write your answers on a
separate answer sheet.
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Lesson
1 American Literature
This module contains activities and texts which will enable you to write a
close analysis and critical interpretation of literary texts, applying a reading
approach, and doing an adaptation of these require from the learner the ability to
identify representative texts and authors from North America.
Let’s Learn
This module was designed and written with you in mind. It is here to help
you master the context of a 21st century World Literature. The scope of this module
permits it to be used in many different learning situations. The language used
recognizes the diverse vocabulary level of students. The lessons are arranged to
follow the standard sequence of the course. But the order in which you read them
can be changed to correspond with the textbook you are now using.
At the end of answering this module, as a learner you will be able to write a
close analysis and critical interpretation of literary texts, applying a reading
approach, and doing an adaptation of these require from the learner the ability to
identify representative texts and authors from North America.
Let’s Try
Multiple Choice. Read and analyze the question and select the letter of your answer.
1. Who among these writers was known for the poem “Thanatopsis”?
A. Emily Dickinson C. Edgar Allan Poe
B. Washington Irving D. William Cullen Bryant
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B. Sherwood Anderson D. Nathaniel Hawthorne
4. Who is the leader of Imagists who emphasized the use of direct and sparse
language and precise images in writing poetry?
A. Ezra Pound C. John Keats
B. Virginia Woolf D. William Wordsworth
5. Whose poems, with traditional stanzas and a blank verse, portray ordinary people
in everyday situations like “Mending Wall,” and “The Road Not Taken”?
A. Ezra Pound C. Allen Ginsberg
B. Robert Frost D. Ernest Hemingway
6. Who is known for confessional poetry, a kind of poetry that deals with the private
experiences of the speaker?
A. Sherwood Anderson C. Anne Sexton
B. Ernest Hemingway D. Ezra Pound
8. Washington Irving is known for “Rip Van Winkle” and the “The Legend of Sleepy
Hollow”, what is their literary genre?
A. Poems C. Novels
B. Drama D. Short Stories
9. Who is known for his succinct writing, which was widely imitated because it is very
straightforward and objective – not verbose and sentimental?
A. Allen Ginsberg C. Ernest Hemingway
B. Sherwood Anderson D. Nathaniel Hawthorne
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12. Why is the contemporary American literature fond of using humor?
A. It subtly reveals characteristics of Americans.
B. It imitates works from other literary regional origins.
C. It consistently evokes lighthearted themes to hide distasteful experiences.
D. It reflects the people’s ability to laugh at themselves even during the most
difficult times.
13. What is the point of view of the poem, The God who Loves You, by Carl Dennis
having its excerpted lines?
“It must be troubling for the god who loves you,
To ponder how much happier you’d be today”
A. first person POV C. third person limited POV
B. second person POV D. third person omniscient POV
14. Why do American writers always have a strong tendency to break with literary
tradition?
A. because they reimagine their frontier days
B. because they are trying to make something new
C. because they try to imbibe creativity in their works
D. because they accept literary trends from other parts of the world
15. Which of the following lines from the poem, The God who Loves You, is NOT an
example of alliteration?
A. day’s disappointment C. how much happier
B. life you’re living D. choice for college
Let’s Recall
Directions: Choose the letter from Column B that corresponds with the
statement from Column A.
Column A Column B
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______ 5. The Palestinian poet who E. Chinese Literature
remains one of the most active voices in
contemporary Arabic poetry F. Fadwa Tuqan
Let’s Explore
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K T L J A M A I C A G C U B A N O A U
B F R A B C D E F N L H Y N N L E B N
A P W I G H C O S T A R I C A Q L C I
R I B J N K L M N I A C H E N G S D T
B M O P Q I R S T G I L O A V E A E E
A X I U V A D A B U J E N L B E L F D
D A W X Y Z H A C A M A N A P W V G S
O H O B C D E F D Q F W X M H P A Y T
S Z B A H A M A S T Y Z A E T H D A A
M D A G H I J K L M O Y K T G J O N T
H O N D U R A S N O P B Z A V C R I E
T M Q R S T U V W X C Q A U X Y F L S
A I Y G R E N A D A Z I R G S K H O N
U N A B C D E F G H I J X A O V A V B
G I K L M A D A N A C N O E Z Q I E E
O C P Q R S T U V W X Y Z A M X T Y L
X A B S A I N T L U C I A C D W I V I
O W E F G H I J K L M N O P Q R S T Z
D O M I N I C A N R E P U B L I C U E
ANTIGUA CANADA DOMINICAN REPUBLIC HONDURAS PANAMA
Let’s Elaborate
American Literature
Literature has existed in America for as long as the people who lived there have
been telling stories. Native American cultures have a rich history of oral literature.
Mayan books from as far back as the 5th century are known, and it is believed that
the Maya started writing things down centuries before that. American literature began
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in the early 17th century with the arrival of English-speaking Europeans in what
would become the United States.
Notable authors of American literature include: John Smith, who wrote some of
its earliest works; Phillis Wheatley, who wrote the first African American book; Edgar
Allan Poe, a standout of the Romantic era; Henry Wadsworth Longfellow, a
celebrated poet; Emily Dickinson, a woman who wrote poetry at a time when the field
was largely dominated by men; Mark Twain, a master of humour and realism; Ernest
Hemingway, a novelist who articulated the disillusionment of the Lost Generation;
and Toni Morrison, a writer who centered her works on the black experience and
received a Nobel Prize in 1993. After World War II, the literary historian Malcolm
Cowley described the years between the two world wars as a “second flowering” of
American writing. American literature is often divided into five major periods:
The Colonial and Early National period (17th century to 1830)
The Romantic period (1830 to 1870)
Realism and Naturalism (1870 to 1910)
The Modernist period (1910 to 1945)
The Contemporary period (1945 to present)
Poetry
The post-World War II years produced an abundance of strong poetry but no
individual poet as dominant and accomplished as T.S. Eliot, Ezra Pound, Wallace
Stevens, Robert Frost, or William Carlos Williams, whose long careers were coming
to an end. The major poetry from 1945 to 1960 was Modernist in its ironic texture yet
formal in its insistence on regular rhyme and metre. Beginning in the late 1950s,
however, there were a variety of poets and schools who rebelled against these
constraints and experimented with more-open forms and more-colloquial styles.
Drama
After World War II, playwrights established reputations comparable to Eugene
O’Neill’s. Arthur Miller wrote eloquent essays defending his modern, democratic
concept of tragedy; despite its abstract, allegorical quality and portentous language,
Death of a Salesman (1949) came close to vindicating his views. Miller’s intense family
dramas were rooted in the problem dramas of Henrik Ibsen and the works of the
socially conscious ethnic dramatists of the 1930s, especially Clifford Odets, but Miller
gave them a metaphysical turn.
Contemporary American literature is subversive. It contains an element of
the surreal, bizarre names, plots and consistent, biting commentary. Primarily
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postmodernist, these works are inherently distrustful. They not only question cultural
inconsistencies, they allow such inconsistencies to naturally unfold within the
narrative. As a result, contemporary American literature, arguably continues the
pattern of highly-politicized fiction popularized in the 18th and 19th century, along
with the thought-provoking philosophical questions of 20th century Modernist
movement.
The United States has such a large and varied literature that we can make no
true generalizations about it. But three characteristics seem to stand out and give it a
flavor all its own.
First, American literature reflects beliefs and traditions that come from the
nation’s frontier days. The pioneer ideals of self-reliance and independence appear
again and again in American writings. American authors have great respect for the
value and importance of the individual. They tend to reject authority and to emphasize
democracy and the equality of people. They often celebrate nature and a sense of
boundless space.
Second, American writers have always had a strong tendency to break with
literary tradition and to strike out their own directions. Writers of other counties seem
to absorb their national literary traditions. But many American authors have rejected
the old in order to create something new.
Third, a lively streak of humor runs through American literature from earliest
times to the present. In many cases, a dash of salty humor saves a serious theme from
becoming too sentimental. American humor tends to be exaggerated rather than
subtle. It reflects the people’s ability to laugh at themselves even during the most
difficult times.
Let’s Dig In
_______________ 1. American authors have great respect for the value and
importance of an individual.
________________2. American writers have always had a strong tendency to
follow with literary tradition and to strike out their own
directions.
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________________3. After World War I, the literary historian Malcolm Cowley
described the years between the two world wars as a
“second flowering” of American writing.
_________________4. The major poetry from 1945 to 1960 was Modernist in its
ironic texture.
_________________5. The United States has such a limited and varied literature.
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Even after you cease existing, after you catch a chill
Running out in the snow for the morning paper
Losing eleven years that the god who loves you
Will feel compelled to imagine scene by scene
Unless you come to the rescue by imagining him
No wiser than you are, no god at all, only a friend
No closer than the actual friend you made at college,
The one you haven’t written in months. Sit down tonight
And write him about the life you can talk about
With a claim to authority, the life you’ve witnessed,
Which for all you know is the life you’ve chosen.
A. Make sense of words and expressions used in the text by answering the following
questions with the italicized idiomatic expressions in mind.
1. When do we say a past experience or decision made has become a thorn in the
side?
____________________________________________________________________________________
____________________________________________________________________________________
7. Who are referred to as the “him” and the “you” (the person addressed) throughout
the poem?
____________________________________________________________________________________
____________________________________________________________________________________
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8. What qualities of “the god who allows man’s choice to prevail” is the poem bringing
out here?
____________________________________________________________________________________
____________________________________________________________________________________
10. Do you think people have the free will to make choices, or are they fated to live
out a predestined life? Why or why not?
____________________________________________________________________________________
____________________________________________________________________________________
Let’s Remember
Let’s Apply
a. What perspective on decisions and choices does your chosen poem offer?
b. How does this perspective differ from other poems? Justify your answer
c. In what way are the two poems similar to each other?
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Let’s Evaluate
2. Who wrote poetry at a time when the field was largely dominated by men?
A. Ernest Hemingway C. Emily Dickinson
B. Edgar Allan Poe D. Mark Twain
3. Who is the literary historian which described the years between the two world
wars as a “second flowering” of American writing.
A. Carl Dennis C. Malcolm Cowley
B. Toni Morrison D. Phillis Wheatley
8. Which of the following is compared to the poem “The Road Not Taken” by
Robert Frost?
A. The God Who Loves You C. Slow Dance
B. A Prayer From The Womb D. Treasures Of The Deep
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9. Which of the following poems revolve around major decisions that a person
makes in his/her life?
A. The God Who Loves You C. Slow Dance
B. A Prayer From The Womb D. Treasures Of The Deep
10. The geographic continent of North America includes the countries of Central
America, Mexico, the United States, Greenland, islands of the Carribean
region and ______________.
A. Peru C. Canada
B. Spain D. Venezuela
13. What is the point of view of the poem The God who Loves You by Carl Dennis?
A. first person POV C. third person limited POV
B. second person POV D. third person omniscient POV
15. What figurative language is used in the line, “life you’re living”?
A. alliteration C. apostrophe
B. anaphora D. simile
Let’s Extend
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