16 Piano Courses

Week 1 Week 2 Week 3 Week 4 Wee
16 piano lessons for

beginners (2 months)
Theory, exercises, techniques and
songs
Contents
Introduction p. 1
Prerequisite p. 2
Week 1 - Discovering the piano p. 3
Week 2 - Playing with the right hand p. 18
Week 3 - Playing with the left hand p. 30
Week 4 - Playing with both hands p. 41
Week 5 - Scales p. 53
Week 6 - Chords p. 75
Week 7 - Piano fingering p. 96
Week 8 - The Rhythm p. 115

Introduction
This guide is an 8-week piano lesson plan. It is specially
designed for beginners. You will learn the basics of piano playing
(positions, cues), how to play the right hand, how to play the left
hand, scales, chords, fingering and rhythm. Each topic is covered
in one week, and each week is divided into two lessons. Each
lesson consists of a specific exercise, a song related to the
exercise and the theme as well as memorization work. You can
also, for each lesson, note your personal observations and the
points to work on in priority on the Excel or CSV file attached to
this guide.
By following this step-by-step plan, you will learn the basics of

piano and will then be able to progress in the best conditions.
We also advise you to sign up for free on the La Touche

Musicale piano learning app because the exercises and songs
that we will make you work on will be done directly on the
application. Indeed, this schedule is a theoretical guide, which
will be completed by practical sessions directly on the La
Touche Musicale application. Thanks to these two aspects
(theory and practice), you will benefit from a complete learning
experience.
1
Prerequisite
To take advantage of these courses, you must have :
An account on the La Touche Musicale app
A USB-connected piano/keyboard (see our selection of the

best pianos if you are looking for one)
A MIDI-USB cable to connect your piano to your device
A device (computer, tablet or smartphone) with an internet

connection
2
Week 1
Discovering the piano
3
Session 1 : The pianist's
positions
Posture is the first point to address. Before touching the

keyboard, it is important that you have a good posture, whether it
is your seat, your elbows, your wrists or your fingers.
The placement on the keyboard

Start by positioning yourself in the center of the piano keyboard.
The reference point is the note C in the middle of the keyboard,
so your legs should straddle this note. The arms can then extend
over the largest surface, the left arm towards the bass and the
right arm towards the treble. This position will allow you to
handle just about any situation because you are not far from any
key on the piano. When you play certain pieces, you will
sometimes move around because you will not be comfortable if
the keys are too high or low. However, choosing the right middle
position is always the best place to start when you are just
starting out.
4
The posture of the body
Our posture at the piano is one of the most important elements in
being comfortable while playing. If you have good posture, you
won't be in pain and will be able to play much longer during each
session.
Every time you sit down at your piano observe the 7 points
below, making sure you are using your body optimally:
1- Sit in the middle of the instrument in front of middle C
2- Only sit on the edge of the seat (and not on the whole seat)
3- Place the seat so that you can move your arms sideways; if
you have to cross them, there must be enough space in front of
your stomach
4- The back is straight without stiffness, the shoulders are
supported by the shoulder blades. The pelvis is tilted forward.
5
5- The elbow forms almost a right angle, and follows the
movement of the arm in everything it does, following the
direction indicated by the placement of the hand on the
keyboard.
6- The wrist is in the extension of the forearm, always flexible,
but without bending excessively downwards or upwards.
7- The legs are flat on the floor. For children whose legs do not
yet reach the ground, you can put a support under their feet to
compensate for the difference in height. Do not cross your legs,
as this would affect your stability and center of gravity.
6
Forearms at the right height
Your position must allow the arms to bend at a good angle
(without reaching the right angle) with the fingers of the hand
above the keyboard. The front arms are neither too high nor too
low. The reference point is the height of the elbows which should
be at the same level as the keyboard. This makes it easier for the
fingers to work. This position should feel natural to you, without
heaviness and constraint on the arm, wrist or hand.
In the picture above, the position is good because the elbows are
at the level of the piano keyboard and the forearms slightly
above.
7
The position of the wrists
To place your hands properly on the piano, you must place your
fingertips on the keyboard and raise your wrist slightly. Your wrist
should not be under the piano but slightly above it in order to
have maximum ease in your various movements.
Once you have this starting position, you can start playing. It is
now important to bend your fingers to give you more agility in
your movement.
8
The picture above shows the correct position to adopt for
maximum ease of use. You should have both hands relaxed and
resting on the keyboard, fingers slightly extended and lightly
touching the keys. The wrists should not be under the hands or
under the piano.
This ideal position allows you to avoid muscular and articular

pains. If you play for a long time with an incorrect hand and
finger position, it can lead to tendonitis and other problems.
Practice touching the piano keyboard with all these positions

before starting the second session. You will feel much more
comfortable with the rest of the lessons once you have mastered
these positions.
9
Session 2: Finding your way
around a piano keyboard
Before practicing or playing songs on the piano, it is very

important to know how to find your way around the keyboard.
That is, to know which key corresponds to which note. This way,
you will be much more comfortable with the notions that we will
discuss later in these lessons.
Understanding the logic of the piano

keys
The piano is a musical instrument that has been designed
according to logical, even mathematical rules. When you stand in
front of a piano, you may be intimidated by the number of keys
(88 for the largest). You don't know what to do and that's normal.
In this part, we will dissect together the white and black keys of
the piano. This is one of the most fundamental bases of the
piano.
You will notice that a piano, regardless of its size, whether it is a

digital or acoustic piano, always has the same sequence of notes.
To make it easier, you can pay attention to the black keys of the
piano: you can see that the sequence is always the same: 2 black
keys, then 3 black keys. This sequence is repeated in a loop until
you reach the end of the piano.
10
When looking for a note on the piano, use the black keys to find
it. For example, if you are looking for a C, you should:
1 - look at the sequence of black keys;
2 - stop when you are on a group of two successive black keys.
3 - choose the white key just to the left of these two black keys:
this is your C.
11
Understanding the concept of octaves
In music, an octave is an interval between two notes separated

by eight notes. The octave is the consonant interval because two
notes in an octave are identical. For example, when you press the
note G, count eight notes on the left side of the piano to get to G
and move down an octave. Conversely, count eight notes on the
right side of the piano to reach G and move up an octave. From a
sound engineering point of view, when you move from one
octave to the next, the frequency is doubled.
C C
To help you, you can use the black key pattern mentioned above.
You can see that they are the same note because they are both
located just to the left of the group of two black keys.
12
C C
Octaves allow you to know the structure of the piano and to play
accordingly. It is important to know that a piano piece can be
played in all octaves. The piece will sound the same, but will
have a higher or lower pitch depending on the octave you
choose.
It is also important to know that an octave contains all the notes:

C, D, E, F, G, A, B and C. When you move up to the next octave,
you reproduce the exact same sequence of notes but with a
higher pitch. That's why octaves are part of the piano's basics.
13
Associate the piano keys with the
corresponding notes
The diagram below shows you all the different notes found on
your piano keyboard. The sequences of notes are repeated each
time you move up an octave. This note chart is essential to
understanding how the spacing between notes determines the
sounds you make when you play, especially for piano chords.
The different keys on a piano keyboard can be summarized as
follows:
The note C in the middle always determines the center key of a

piano keyboard. It should be used as a reference to help you
locate the note you are playing.
It is important to know the location and name of the keys that

make up each octave because you will often find them in the
various exercises, lessons or tutorials that you will follow while
learning the piano.
14
Standard piano notes
When you look at the picture of the piano key chart above, you'll
notice that there are two types of notes: standard notes (at the
bottom of the picture) and notes containing #s (at the top of the
picture).
The standard notes are all white and all have names that identify
them, from C to B.
The sharp notes
Conversely, notes containing # correspond only to black notes.

They have the same name as the white notes. When you look at
a white note with a name (C, D, E, ...), the black key just to the
right of it will have the same name, followed by a #, which is
pronounced "sharp".
The flat notes
The black keys can also have another name. Depending on what
you play, they will be called "sharp" or "flat". How do you know
what to call them? It depends on the white note you played just
before. If you move to the left side of the piano, it will be a flat. If
you move to the right, it will be a #.
15
To help you understand, let's take the example of the black note
in the middle of a group of 3 black notes. If you played the A note
just before, the black note will be an A flat, because you moved
to the left.
If you played the G note just before, that same black note will be
an A#, because you moved to the right.
A flat
A#
Now you know everything you need to know to find your way
around a piano keyboard and associate each key with a note.
Let's move on to some exercises.
16
EXERCISES
Find the notes of the corresponding keys.
Answer: C
Answer: G
Answer: C# (sharp)
17
Week 2
Playing with the right hand
18
Session 3: Playing five notes
in a row - right hand
Now that you know how to associate each key of a piano with the
corresponding note, we can start practicing. The goal of this third
session is to have you play 5 keys in a row.
EXERCISES
Play C, D, E, F and G in a row on your keyboard with your

right hand, using respectively: thumb for C, index finger for
D, middle finger for E, ring finger for F and little finger for
G.
3
2 4
E
D F
5
G
1
C
19
2 4
1 3 5
Once you have done this exercise, go back down using the
same fingers for the same keys.
4 2
5 3 1
Repeat this 5-note rise + 5-note fall for about ten minutes
with your right hand. Your sequences should become fluid.
20
To help you practice this exercise, you can download our
MIDI file below and import it into the La Touche Musicale
app to play it with an interactive lesson.
DOWNLOAD THE EXERCISE IN MIDI
How to import a MIDI file on La Touche Musicale?
SONG
Go to the La Touche Musicale application to play this

song.
Ludwig Van Beethoven

Ode to Joy
Informations Setup
Genre : classical music USB connection of the piano
Difficulty: easy Learning mode
Status : free Disable the left hand
21
Let's continue this lesson with a song that will allow you
to practice. Sign up for free on La Touche Musicale and
go to the song Ode to Joy by Beethoven (you will not be
able to access the song without creating an account). Use
the search bar at the top right to find it.
Go to Ode to Joy
Once in front of the song's tutorial, connect your piano to

USB, activate the learning mode and deactivate the left
hand. Practice the first notes of Ode to Joy with your right
hand for 15-20 minutes using the learning mode.
22
1 1 Learning mode
activated
2 Piano connected
3 Left hand
disabled
3 2
MEMORIZATION
Once you've gotten your bearings by playing the first few

notes of Ode to Joy, we'll do a memorization exercise.
Your goal is to try to play the first 10 notes of the song
with your right hand from memory, without looking at the
screen and the app. Do the exercise for about 10 minutes.
23
Session 4: Playing eight notes
in a row - right hand
In the last session, we saw how to play 5 keys in a row with the
right hand. The idea now is to play 8 notes in a row. This exercise
is more complicated because it requires a technique called
"thumb passing" to be done correctly.
EXERCISES
Play C, D, E, F, G, A, B and C in a row on your keyboard

with your right hand, using respectively: thumb for C, index
finger for D, middle finger for E, thumb for F, index finger
for G, middle finger for A, ring finger for E and little finger
for C.
To do this successfully, you will have to do the thumb

shift: when you move from the middle finger to the thumb,
you have to make a slight pivot and move your thumb
under your middle finger so that it can reach the next note
smoothly.
24
E A
D G B
Thumb under
C
C F
25
2 4 6 8
1 3 5 7
same fingers for the same keys: little finger on C, ring
finger on B, middle finger on A, index finger on G, thumb
on F, middle finger on E, index finger on D, thumb on C.
To move from thumb to middle finger on your downstroke,

you will have to rotate your wrist to the left to move your
middle finger over your thumb to reach the next note.
7 5 3 1
8 6 4 2
with your right hand. Pay particular attention to the
passage of the thumb on the upstroke and the middle
finger on the downstroke.
26
application to play it with an interactive lesson.
SONG

song.

Ode to Joy
Informations Configuration
27
Go to Ode to Joy
Once in front of the song tutorial, connect your piano to

hand. Practice for 15-20 minutes all the notes of Ode to
Joy with your right hand using the learning mode.
1 1 Learning mode
activated
2 Piano connected
3 Left hand disabled
3 2
28
MEMORIZATION
In your last memorization exercise, you learned the first 10

notes of the right hand of Ode to Joy by memory. In this
exercise, your goal is to play all the notes of the right hand
of the song without looking at the screen. Do this exercise
for about ten minutes (you can use the app if you get lost
at certain moments).
29
Week 3
Playing with the left hand
30
Session 5: Playing five notes
in a row - left hand
Now that you know how to play with your right hand, it's time to
learn how to use your left hand. The left hand usually sets the
tempo and forms the accompaniment of the song, so its use is
paramount. The exercises will be similar to those for the right
hand.
EXERCISES
Play C, D, E, F and G in a row on your keyboard with your

left hand, using your little finger for C, ring finger for D,
middle finger for E, index finger for F and thumb for G.
E
D F
31
2 4
1 3 5
4 2
5 3 1
with your left hand. Your sequences should become fluid.
32
SONG

song.

Ode to Joy
Status : free Disable the right hand
33
able to access the song without creating an account).
Type "Ode to Joy" in the search bar at the top right to play
it.
Go to Ode to Joy
Once in front of the song's tutorial, connect your piano to

USB, activate the learning mode and deactivate the right
hand. Practice the first notes of Ode to Joy with your left
hand for 15-20 minutes using the learning mode.
1 1 Learning mode
activated
2 Piano connected
3 Right hand
disabled
3 2
34
MEMORIZATION

notes of Ode to Joy with your left hand, we're going to do
a memorization exercise. Your goal is to try to play the
first 10 notes of the song with your left hand from
memory, without looking at the screen and the app. Do
the exercise for about 10 minutes.
35
in a row - left hand
In the last session, we saw how to play 5 keys in a row with the
left hand. The idea now is to play 8 notes in a row. Don't forget
that there is always the thumb and middle finger passage for this
part!
EXERCISES

with your left hand, using respectively: the little finger for
C, the ring finger for D, the middle finger for E, the index
finger for F, the thumb for G, the middle finger for A, the
index finger for E and the thumb for C.
To do this successfully, you'll need to do the finger over

with your middle finger: when you switch from thumb to
middle finger, you need to pivot your wrist slightly to the
left and move your middle finger over your thumb so that
it can reach the next note smoothly.
36
E F A B
D Finger over
G C
2 4 6 8
1 3 5 7
same fingers for the same keys: thumb on C, index finger
on B, middle finger on A, thumb on G, index finger on F,
middle finger on E, ring finger on D, little finger on C.
To go from the middle finger to the thumb on your

downstroke, you will have to rotate your wrist to the right
to put your thumb under your middle finger to reach the
next note.
37
7 5 3 1
8 6 4 2
with your left hand. Apply yourself particularly to the
passage of the middle finger on the upstroke and the
thumb on the downstroke.

38
SONG

song.

Ode to Joy
Informations Setup
able to access the song without creating an account).
Type "Ode to Joy" in the search box at the top right to find
it.
Go to Ode to Joy
39
hand. Practice for 15-20 minutes all the notes of Ode to
Joy with your right hand using the learning mode.
1 1 Learning mode
activated
2 Piano connected
3 Left hand
disabled
3 2
MEMORIZATION

notes of the left hand of Ode to Joy by memory. In this
exercise, your objective is to play all the notes of the left
hand of the song without looking at the screen. Do this
exercise for about ten minutes (you can use the app if you
get lost at certain moments).
40
Week 4
Playing with both hands
41
Session 7: Playing five notes in
a row - two hands
We start this new week with a session that you should enjoy:
playing with both hands at the same time! This is a work that
requires a lot of coordination and concentration. Hence the
importance of taking your time to work on this part.
EXERCISES
Play C, D, E, F and G in a row on your keyboard with both

hands at the same time, applying exactly what we saw for
each hand in the previous sessions.
E
F E
D D F
C G
G C
42
2 4 2 4
1 3 5 1 3 5
4 2 4 2
5 3 1 5 3 1
Repeat this 5-note rise + 5-note fall for about 15 minutes

with both hands simultaneously. Your sequences must
become fluid.
This exercise is very interesting because it allows you to

work both your fingering and your coordination with your
two hands.
43
SONG

song.

Ode to Joy
Status : free
44
Go to Ode to Joy
Once you see the tutorial of the song, connect your piano
to the USB and activate the learning mode. Practice the
first notes of Ode to Joy with both hands for 20-25
minutes using the learning mode.
1 1 Learning mode
activated
2 Piano connected
45
MEMORIZATION

notes of Ode to Joy with both hands, we're going to do a
memorization exercise. Your goal is to try to play the first
10 notes of the song with both hands at the same time
from memory, without looking at the screen and the app.
Do the exercise for about 10 minutes.
46
in a row - two hands
In the last session, we saw how to play 5 keys in a row with both
hands. The idea now is to play 8 notes in a row. Don't forget that
there is still the thumb and middle finger passage for this part,
but this time with both hands at the same time!
EXERCISES
with both hands at the same time, using respectively, for
the left hand: the little finger for C, the ring finger for D, the
middle finger for E, the index finger for F, the thumb for G,
the middle finger for A, the index finger for E and the
thumb for C / for the right hand: thumb for C, index finger
for D, middle finger for E, thumb for F, index finger for G,
middle finger for A, ring finger for E and little finger for C.
To do this successfully, you will need to do the finger over

for the right hand and the thumb under for the left hand (to
see the finger passages in detail, please refer to the
previous sessions).
47
3 4 6 7
2 E A
F B
D Finger over
1
C
5 8
G C
3 6
2 5 7
E La
D Sol Si
Passage du pouce 8
Do
1 4
C Fa
2 4 6 82 4 6 8
1 3 5 71 3 5 7
same fingers for the same keys. You will have to do the
thumb stroke for the left hand (see session 6) and the
middle finger stroke for the right hand (see session 4).
48
7 5 3 17 5 3 1
8 6 4 28 6 4 2
Repeat this 8 note rise + 8 note fall for about 15 minutes

with both hands at the same time. Take your time and go
slowly at first. Gradually pick up the pace until your
playing becomes fluid.
Remember that the purpose of this session is to work on

your coordination with both hands. It takes time to get your
brain used to making such precise movements with both
hands. To achieve this, there is no secret: you have to
repeat the exercise many times. So don't hesitate to do
this session several times.

49
Exceptionally, we have reserved a bonus exercise for this
session that will make you work on the coordination with
your two hands. It consists in linking different sequences
of notes close together. If you feel comfortable with the
previous exercise, we strongly encourage you to work on
this one as well to make maximum progress on hand
coordination, as it is one of the most difficult exercises
when you start playing the piano.
DOWNLOAD THE BONUS EXERCISE
50
SONG

song.

Ode to Joy
Informations Setup
Status : free
to practice. Sign up for free on La Touche Musicale app
and go to the song Ode to Joy by Beethoven (you will not
be able to access the song without creating an account).
Type "Ode to Joy" in the search bar at the top right to find
it.
Go to Ode to Joy
51
Once you are in front of the song tutorial, connect your
piano via USB and activate the learning mode. Practice for
15-20 minutes all the notes of Ode to Joy with both hands
at the same time using the learning mode.
1 1 Learning mode
activated
2 Piano connected
MEMORIZATION

notes of Ode to Joy by memory with both hands. In this
exercise, your objective is to play all the notes of the song
with both hands without looking at the screen. Do this
exercise for about ten minutes (you can use the app if you
are ever lost at certain moments).
52
Week 5
The scales
53
Session 9: Major scales
Let's start a new week with a session devoted to major scales.

Scales are one of the most popular piano exercises to work on
your dexterity, speed and sequencing.
It is simply an orderly and predefined succession of the different

degrees of a musical key. In simpler terms, a scale allows you to
work on the sequence of notes in a fluid way to improve your
piano technique.
Let's start by taking the most famous scale as an example: C

major.
The C major scale consists of a sequence of 8 notes in a row that

starts at the note C an octave higher and ends with the same
note in the next octave. Once you get to the second C, you have
to go back down the piano playing the same notes to get to the
initial C (the one in the lower octave). And you think... "But I've
already learned how to do that in previous classes, right?" Yes,
exactly! In the sessions on working with each hand, we had you
work the C major scale without you knowing it.
But the goal here is to have you work the major scales, not just
the C scale.
54
Whatever the scale, the sequence of notes is the same and the
fingers are used in the same order.
For the right hand, a major scale should be played as follows:

- Up the scale: thumb - index finger - middle finger - thumb -
index finger - middle finger - ring finger - little finger.
- Descending scale: little finger - ring finger - middle finger -
index finger - thumb - middle finger - index finger - thumb.
For the left hand, a major scale should be played as follows:

- Scale up: little finger - ring finger - middle finger - index finger -
thumb - middle finger - index finger - thumb.
- Descending scale: thumb - index - middle finger - thumb -
index - middle finger - ring finger - little finger.
55
Don't forget to do the finger crossing (thumb and middle finger)
on the up and down (for more details on finger crossing, see
previous sessions).
If you use your fingers in this order, you will get a succession of
notes played in the most mechanically efficient way for your
sequence.
You will find that at first this will not be easy to do, nor will it be
innate. But, as you work through the major scales in a loop, it will
become mechanical for you.
Working on your scales will greatly improve your fingering and

piano technique. We recommend that you play them assiduously
in order to have the most fluid playing possible.
But before doing some exercises to improve yourself, we will

discuss the concepts of tones and intervals. This will allow you to
understand how scales are musically constructed. You will then
be able to find all the scales you need and play them.
56
Know the concept of intervals
The interval is simply the distance between two notes. This

distance is not always the same and depends on the distance
between two notes. If a black key on the piano separates two
white keys, the distance between the two white keys will be
greater than if two white keys are placed directly next to each
other, with no black key in between.
The interval between two musical notes is either called a "tone"

or a "semitone", depending on whether a black note separates
the two white notes. The method of calculating the interval is
very simple: each key (white as well as black) is worth one
semitone. When you want to know the interval between two
keys, you simply count all the keys that separate them one by
one, adding up the semitones.
Let's start with a simple interval between two glued keys. For
example, the interval between C and D is one tone, since the
quarter note separates the two notes. Conversely, the interval
between E and F is only a semitone, since there is no
intermediate note between them.
57
C D E F G A B
e e
Simple enough, isn't it? Now we'll calculate the interval between
C and F in the same scale, counting the number of notes
between them, and always counting a semitone per note,
including the black keys.
C D E F G A B
5 notes apart = 2 and a half tones apart
Between C and F of the same chromatic scale, the interval is two

and a half tones, because 5 notes separate them.
You should also know that each interval has a name according to
its distance. Let's take the C scale for example. When we start
from the note C, we find the following intervals:
58
- C - D : 1 note apart = the second ;
- C - E : 2 notes apart = the third;
- C - F : 3 notes apart = the fourth;
- C - G : 4 notes apart = the fifth;
- C - A : 5 notes apart = the sixth;
- C - B : 6 notes apart = the seventh;
- C - C : 7 notes apart = the octave.
Second Third Fourth Fifth Sixth Seventh Octave
And this is valid for all ranges. An interval of a similar distance

will always be called the same way. For example, an interval of
two notes apart will always be called a third, no matter if you
start from C, D, E, ...
59
The structure of the major scale
Now that we know the notions of intervals and tones, we will use
them to understand how a major scale is structured.
To illustrate this, we will start by taking the C major scale as an

example. On a score, it looks like this:
C D E F G A B C
Let's now analyze this scale. To do this, we'll have to calculate its
intervals, i.e. the distance between its notes. The C major scale
contains only "natural" notes, i.e. notes that do not include sharps
or flats. From there, it is very easy to calculate the intervals
because the classical theory tells us that each note is separated
by one tone, except for the notes E/Fa and B/C which are
separated by half a tone (this is a silly convention to learn by
heart). After a quick analysis, here is what we get:
60
e e
e e e e e
123 45 6 7 8
The C major scale serves as a reference for the construction of

all other major scales. In other words, now that you know how to
build it, you can build any other major scale. To do this, you will
simply need to reproduce the structure of the diagram above.
Make sure that there is a semitone between the notes in
positions III/IV and VII/I, and a tone between the others, and you
will have a major scale.
The general structure of all major scales is :
e e
e e e e e
61
EXERCISES
Start by playing the C major scale you know (the one we

saw in session 8) with both hands. Work on this scale for
two or three minutes to warm up.
Now we'll do the D major scale. This is exactly the same

exercise and mechanics. You just need to shift your scale
one note to the right to start at D.
3 4 6 7
2 F B
G C
E Finger over
1
D
5 8
A D
33 6
22 5 7
F B
E A C
Thumb under 8
D
11 4
D G
62
3 7 3 7
1 2 4 56 1 2 4 56 8
8
same fingers for the same keys. You will have to do the
thumb stroke for the left hand (see session 6) and the
middle finger stroke for the right hand (see session 4).
6 2 6 2
8 7 5 4 3 87 5 4 3 1
1
Repeat this exercise on the D major scale for two or three

minutes, then move to the next scale in E major :
63
23 67 23 67
1 45 1 45 8
8
Play these three scales (C major, D major, and E major) in

succession, and feel free to play other major scales and
think about their structure to practice even more.

Do not hesitate to repeat this exercise every week for a

few minutes to improve your fingering and your piano
technique. Your playing will become more and more fluid
as you practice the scales.
64
SONG

song.
George Bruns
Everybody Wants to Be a Cat
(The aristocats)
Informations Setup
Genre : jazz USB connection of the piano
Difficulty: medium Learning mode
Status : paid
to practice. Please note that this is a Premium song, so
you need to subscribe to the app to be able to play it.
The other alternative is to play the song London Bridge on
the app, which is free but will make you work on the
scales much less well. Use the search bar at the top right
of the song catalog to find these two songs.
Go to The aristocats
65
via USB and activate the learning mode. Practice the first
notes of Everybody Wants to Be a Cat for 15-20 minutes
with both hands at the same time using the learning
mode.
1 1 Learning mode
activated
2 Piano connected
MEMORIZATION
To close this session, your goal is to play the first 20 notes

of the song with both hands from memory. Do this
exercise for about 10 minutes (you can use the app if you
66
Session 10: Minor scales
After working on the major scales, we will work on the minor

scales in this session.
The principle of construction of the natural minor scale is exactly

the same as that of the major scale. The only thing that will
change is the reference scale. To build the major scales, we used
the C major scale, and to build the minor scales, we will use the
A minor scale.
This is what this scale looks like:
A B C D E F G A
As before, we will analyze its intervals in order to identify the

general structure of the minor scales. As usual, the semitones are
located between the notes E/Fa and B/C and the other notes
are separated by one tone.
67
e e
e e e e e
Ici, les demi-tons sont situés entre les degrés II/III et V/VI. On
sait donc que la structure de toutes les gammes mineures
naturelles va ressembler à ça :
e e
e e e e e
Every time you want to build a minor scale, you will just have to
respect this structure to do it. For example, let's try to build the B
minor scale together. First, we start by writing the natural notes
of the scale (without any alteration):
68
D E F G A B C D
Then, we will calculate the intervals naturally present between

these notes. Here is what it comes out:
e e
e e e e e
To respect the structure of the minor scale, the semitones must

be between the degrees II/III and V/VI. But here they are
between degrees I/II and IV/V. To rectify this, we will have to
add a sharp to C. The sharp allows to raise the note. Thanks to
this last one, the gap will decrease between C and D (there will
be only half a tone) and at the same time, it will increase
between B and C (we will pass from half a tone to one tone).
69
In the same vein, we will add a sharp to the F to obtain a half
tone difference between the degrees V/VI and one tone
between the degrees IV/V. Thanks to all these modifications, we
finally obtain the structure of the minor scale and thus, by
extension, our B minor scale.
e e
e e e e e
2 5
1 3 4 6 78
By repeating this process from other notes, you will be able to

build any natural minor scale you want.
Before starting the exercises, remember that the order of use of

the fingers on the notes of the scale is exactly the same as for
the major scales (see the exercise of the previous session).
70
EXERCISES
1) Do the F minor scale and its descent with both hands for
5 minutes:
34 67 34 67
12 5 12 5 8
8
We have the following structure: 1 tone - 1 semitone - 1

tone - 1 semitone - 1 tone - 1 tone.
2) Do the G minor scale and its descent with both hands for
5 minutes:
3 6 3 6
12 45 7 1 2 45 7 8
8
71
3) Do the C minor scale and its descent with both hands for
5 minutes:
3 67 3 67
12 4 5 12 4 5 8
8
Play these three scales one after the other, and don't
hesitate to play other minor scales while thinking about
their structure to practice even more.
Also, don't hesitate to repeat this minor scale work quite

regularly (at least once a week), even for only a few
minutes, because it takes time to become mechanical.

72
SONG

song.
George Bruns
Everybody Wants to Be a Cat
(The aristocats)
Informations Setup
Genre : jazz USB connection of the piano
Status : Paid
you need to subscribe to the app to be able to play it.
The other alternative is to play the song London Bridge on
the app, which is free but will make you work on the
scales much less well. Use the search bar on the top right
to find these two songs.
Go to The aristocats
73
via USB and activate the learning mode. Practice the first
notes of Everybody Wants to Be a Cat for 15-20 minutes
with both hands at the same time using the learning
mode.
1 1 Learning mode
activated
2 Piano connected
MEMORIZATION

74
Week 6
The chords
75
Session 11: Major chords
Let's start this new week with a new theme: the chords.
What is a chord?
A chord is a series of notes played simultaneously and producing
a particular sound. Like music notation, scales or music theory, it
is one of the basics of music and if you know them, you will be
able to improvise, compose, better understand the songs and
melodies you play and even learn them faster.
There are many popular piano chords and they frequently vary
according to musical styles. You won't find the same chords in
pop songs as in jazz songs, for example.
There are two main types of chords: major and minor. With these
two types, you will already have a very good base to work with
and practice.
Most piano chords are made up of 3 notes pressed at the same

time. This chord is also called the triad, or three-note chord.
76
The major chords
A major piano chord produces a rather jovial sound to the ear
when played. It consists of 3 notes played simultaneously. You
must start by choosing your first note, which is then called the
root note. Then you have to play a second note, called the third,
which is two tones above the root. Finally, you must play a third
note, called the right fifth, which is a tone and a half above the
third. Here are the most commonly played and popular major
piano chords for pianists:
The C major chord: C - E - G

The C# major chord : C# - E# - G#
The D major chord : D - F# - A
77
The E flat major chord: E flat - G - B flat
The E major chord : E - G# - B
The F major chord : F - A - C
The F# major chord : F# - A# - C#
The G major chord: G - B - D
The A flat major chord : A flat - C - E flat
The A major chord: A - C# - E
The B flat major chord : B flat - D - F
The B major chord : B - D# - F#
How to make a piano chord?

In music theory, a major chord always consists of 3 notes: the
root, the third and the fifth. At first glance, these terms may seem
complicated to understand when you first start learning the
piano, but it is actually very easy to identify them.
To make a major chord, all you have to do is place your finger on

a note of your choice (C, D, E, F, G, A or B), which will be the root
note of your chord. Once you have placed your finger on your
note, count 5 notes on the right, taking into account your root
note and also counting the black keys. When you reach 5, you
find the third of your chord. To find the last note of your chord
(the right fifth), simply count 4 notes to the right from your third,
still taking into account your third and counting the quarter notes.
When you reach 4, you have the fifth of your chord. Now press
78
the 3 notes at the same time (root, third and fifth).
Congratulations, you have made your first major chord!
All major chords are made up in the same way, regardless of the
root. So, with this method, you can make any major chord you
want and string them together according to your own musical
sensibility!
But let's take an example to help you understand a little better.
[Tutorial] Example of a basic chord: the C major

chord
In this tutorial, we will learn how to play the C major chord
together. Stand in front of your piano and follow the lesson step
by step. After this tutorial, you will be able to play all major
chords very easily!
1. To make a C major chord, place your finger on a C on your

keyboard, regardless of the octave.
79
2. Once you have placed your finger on the note C, count 5 notes
on the right, taking into account the note C you are on (which will
be the root note of your C major chord) and counting the black
keys.
80
3. You are now on the third of your C major chord. Now we need
to find the fifth that is the third note of the chord. To find it, you
need to count 4 notes to the right from your third, always
including the third and black keys in your count. We will show
you how to do this with the following series of images:
81
82
4. You are now on the fifth of your C major chord. Now you just
have to press all 3 notes at the same time (root, third and fifth) to
hear your beautiful C major chord!
With this tutorial, you can now play all the chords of the major
scale. But let's move on to some exercises.
EXERCISES
1) What chords are they?
Answer: C major chord
Answer: G major chord
83
Answer: B major chord
2) String together 3 chords
It is by repeating the chords one after the other in every

possible way that you will progress and even be able to
improvise afterwards.
For this exercise, you will have to repeat the C major
chord, the A major chord and the B major chord.
C E G
A C# E
84
3
B D# F#
Play these 3 chords first in a row for 5 to 10 minutes. Once

you feel comfortable, do them in any order for 5 to 10
minutes and, why not, insert other chords to start
improvising!

Feel free to repeat this exercise every week for a few

minutes to improve your chord progressions.
85
SONG

song. to play this song.
Adele
Hello
Informations Setup
Genre : pop USB connection of the piano
Status : Paid
you need to subscribe to the application to be able to
play it. The other alternative is to play the song Ave Maria
by Franz Schubert on the app, which is free but will make
you work on the chords much less well. Use the search
bar at the top right to find these two songs.
Go to Hello
86
piano via USB and activate the learning mode. Practice
the first notes of Adele's Hello for 15-20 minutes with both
hands at the same time using the learning mode.
1 1 Learning mode
activated
2 Piano connected
MEMORIZATION

87
Session 12: Minor chords
This new session will be devoted to minor chords, which will

complete your repertoire of chords after you have learned how
to make up major chords.
Minor chords are more melancholy than major chords when

played on the piano. They are the most commonly used chords
in your favorite pop and rock songs. To get the minor key of a
piano chord, you simply decrease the major third by a semitone:
it then becomes a minor third. For example, if your C major chord
is: C - E - G, you just have to decrease your E by a semitone to
get the C minor chord. This will give: C - E flat - G.
C major chord
C E G
C minor chord
E flat
(notated
C E ♭ G
E ♭)
88
Here are the most famous minor chords:
The C minor chord: C - E flat - G

The C# minor chord: C# - E - G#
The D minor chord: D - F - A
The E flat minor chord: E flat - G - B flat
The E minor chord: E - G - B
The F minor chord: F - A flat - C
The F# minor chord: F# - A - C#
The G minor chord: G - B flat - D
The A flat minor chord: A flat - C flat - E flat
The A minor chord: A - C - E
The B flat minor chord: B flat - D - F
The B minor chord: B - D - F#
These 12 basic chords are the most commonly played of the

piano minor scale. Practice these chords and make the pop and
rock songs you love sound great!
89
90
Answer: B minor chord
Answer: G minor chord
Answer: C minor chord
1) What chords are they?
EXERCISES
2) String together 3 minor chords
It is by repeating the chords one after the other in every

possible way that you will progress and even be able to
improvise afterwards.
For this exercise, you will have to repeat the A minor
chord, the B minor chord and the D minor chord.
A C E
B D F#
D F A
91
Do these 3 chords first in a row for 5 to 10 minutes. Once
you feel comfortable, do them in any order for 5 to 10
minutes and, why not, insert other minor chords to start
improvising!

Feel free to repeat this exercise every week for a few

minutes to improve your chord progressions.
92
SONG

song.
Beyonce
Halo
Informations Setup
Genre : pop / RnB USB connection of the piano
Status : Paid
to practice. Please note that this is a premium song, so
play it. The other alternative is to play the song "Ave
Maria" by Franz Schubert on the app, which is free but will
make you work much less on your fingering. Type these
titles in the search bar at the top right to find these 2
songs.
Go to Halo
93
the first notes of Beyonce's Halo for 15-20 minutes with
both hands at the same time using the learning mode.
1 Learning mode activated

2 Piano connected
94
MEMORIZATION

95
Week 7
Piano fingering
96
Session 13: Fingering -
Repeating notes close
together
Let's start a new week with a theme that will help you improve
your piano technique: fingering.
For all beginner pianists, it is very important to know the

placement of the piano fingers in order to start on the best basis.
But why is piano fingering so important in learning the

instrument? An octave contains 8 notes and the hand has only 5
fingers, so it is fundamental to use each of them well in order to
have the most fluid and pleasant playing possible.
Many self-taught pianists have started playing the piano without

worrying about the placement of their fingers on the keyboard
and a few years later, they have difficulty playing certain pieces
that require dexterity.
That's why we thought it would be interesting to devote two

whole sessions to fingering.
97
Why is piano finger placement so important?
Whether you take piano lessons at a music school or at home,

the placement of your fingers on the keyboard is fundamental to
begin playing the piano. It allows you to acquire a solid technical
foundation and good practice. By getting used to playing
correctly, it will allow you in the long run
- use the right finger at the right time to play with more ease and
fluidity;
- avoid long pauses in the music played due to large gaps
between notes;
- to have less pain in the hands and to last longer thanks to the
optimization of the note gaps;
- to have an aesthetic playing where the fingers are used in an
optimal and logical way.
In order to start in the best conditions, it is therefore necessary to

take time at the beginning to assimilate the right fingering.
98
General advice
To begin this session on finger placement, we'd like to give you

some general tips to get you started on the piano. First, you
should know that the way you move your hands affects the way
you play. Poor finger placement on the piano, combined with a
high playing tempo, will result in transitions out of tempo.
So it's essential that you develop good habits now and avoid the
pitfalls of finger placement. Here are some of our general tips
before you start:
- Don't let your hands tense up. Be comfortable playing the piano
and force yourself to relax your limbs.
- Involve all your fingers in the playing process so that they are
all used to having an important role.
- Avoid moving your fingers too much on the piano. Most of the
time, a piece does not require much finger movement when
notes are played in succession on the keyboard.
- Keep your torso upright so that you have maximum ease of

movement.
99
- Muscle your fingers as you play to get the most out of your
playing.
- Do not use your thumb to play the black keys. Most of the time,
the black keys are much more easily accessible through your
index finger, which is longer than your thumb. To avoid too much
movement and therefore discomfort in your playing, be sure to
use your other fingers more to play the black keys.
Now that you have some generic tips, let's get down to business.
100
A good posture to place your fingers on the
keyboard
To place your hands properly on the piano, you must place your
fingertips on the keyboard and raise your wrist slightly. Your wrist
should not be under the piano but slightly above it in order to
have maximum ease in your various movements.
Once you have this starting position, you can start playing. It is
also important to bend your fingers to get more agility in your
movements.
101
The picture above shows the correct position to adopt for
maximum ease of use. You should have both hands relaxed and
resting on the keyboard, fingers slightly extended and lightly
touching the keys. The wrists should not be under the hands or
under the piano.
This ideal position allows you to avoid muscular and articular

pains. Indeed, if you play for a long time with a bad position of
the hands and fingers, it can lead to tendonitis or other problems.
Now let's get into the logic of finger movements.
Follow the logic imposed by the movement
When faced with a sequence of notes to play on the piano, you

need to ask yourself about the logic of the movement.
For example, when you see that notes are strung together side
by side, you can simply use the next finger (or the one before if
the note is lower on the piano keyboard) to play the next note.
The logic of movement is not something mathematical, but it

helps you get your bearings so you can be as comfortable as
possible.
102
To do this, don't hesitate, when you play several notes in a row
on a passage of the piece, to try several finger combinations.
This will allow you to see which one you feel most comfortable
with.
Finger numbering on the piano
There is a commonly accepted numerical technique in music

theory for using your fingers correctly on the piano.
To do this, simply assign each of your fingers a number from 1 to
5 for both hands. Here is the number to assign to each finger:
- The thumb: number 1

- Index finger: number 2
- Middle finger: number 3
- The ring finger: number 4
- The little finger: number 5.
103
EXERCISES
We will practice our fingering with the close note

technique.
Start by placing two of your fingers (any two) on two

adjacent piano keys. Play them one after the other at a
steady pace and with the same velocity. Once you have
mastered the tempo, you can of course speed up or slow
down to practice different rhythms.
As soon as you feel comfortable, switch fingers. For

example, if you started with your thumb and index finger,
you can choose your index and middle finger. Repeat the
same exercise with these two new fingers.
Focus on the fingers you are least comfortable with on the

keyboard (usually the ring and little fingers).
When you first start playing the piano, it is important to

begin each session with an exercise like this to strengthen
your fingers and get them used to sequencing
movements.
104
Do this exercise with all your fingers in a row. The idea is to
untie them as much as possible with fluid and repeated
movements.
105
Do not hesitate to repeat this exercise every week for a

few minutes to improve your fingering and your different
note sequences.
106
SONG

song.

Für Elise
Informations Setup
Status : free
to practice your fingering.
Go to Für Elise

the first notes of Beyonce's Halo for 15-20 minutes with
both hands at the same time using the learning mode.
107
1

2 Piano connected
MEMORIZATION

of the song Für Elise with both hands from memory. Do
this exercise for about ten minutes (you can use the app if
you are ever lost at certain moments).
108
Session 14: Fingering -
Repetition of distant notes
This new session will be devoted to continuing the efforts we

have begun to perfect our piano fingering.
This time, if you need to remember our tips and good practices
on this topic, we invite you to reread the beginning of session 13.
Today we will work on fingering through a new exercise: the

repetition of distant notes.
109
EXERCISES
For this piano fingering exercise, the principle is more or

less the same as the previous one: you have to play two
notes one after the other in a loop with two fingers. The
difference is mainly in the distance between these two
notes.
In the previous exercise, the notes were next to each

other. In this exercise, the notes must have a larger
distance (also called "interval" in music theory) and must
be played by two fingers that are not next to each other.
Let's take as an example the C of an octave and the C of

the higher octave (separated by 7 white keys). To play
these two notes consecutively without moving your hand,
you will have to play them with your thumb and little
finger.
110
Playing these two notes consecutively with your thumb
and little finger can hurt your hand. To smooth out your
movement and avoid being too tense on exercises or
songs that require large finger splits, we recommend
swinging your wrist. Swing your wrist slightly to the right
when you press the C with your pinky, and to the left when
you press with your thumb.
For this exercise, you can choose the distance you want
between the two notes. But for it to be really effective, we
advise you not to go below 4 notes between the two notes
you play consecutively.
111
SONG

song.
Yann Tiersen
La dispute
Informations Setup
Genre : romantic USB connection of the piano
Difficulty : difficult Learning mode
Status : Paid Left hand disabled
play it. The other alternative is to play the song "une
danse onirique" (last passages) on the app, which is free
but will make you work much less on your fingering. Use
the search bar on the top right to find these two songs.
Go to La dispute
112
the USB port and activate the learning mode. Practice for
15-20 minutes the last notes of the penultimate sequence
of Yann Tiersen's La dispute with your right hand using
the learning mode. This is the sequence where the notes
in the right hand require very wide fingers.
2 3

2 Left hand disabled
3 Piano connected
113
MEMORIZATION
To close this session, your goal is to play the last 50 notes

of the song with your right hand from memory. Do this
114
Week 8
The rhythm
115
Session 15: Playing in the
beats of the metronome
Let's start this new week with a work that was cruelly missing
until now: rhythm.
In music, a beat is actually set to the notion of tempo, which

represents the speed of the pulsations of the music. What is a
pulse? It is simply a regular beat that tells us at what precise
moment time begins. Tempo is measured in a special unit called
"beats per minute" (or BPM), which tells us how many beats are in
60 seconds. Of course, the more beats you increase the number
of beats in a minute, the faster the song will be. Usually,
musicians use an object called a metronome to measure the
tempo and work in the right time.
116
It is also important to know the notion of rhythm when
approaching the practice of music. Music is in fact a succession
of sounds and silence, the sequence of which forms what is
called rhythm. This concept is therefore closely linked to the
notions of time (or duration) of notes, rests and measures.
To work on rhythm, we're going to do some exercises using a

virtual metronome.
117
EXERCISES
For this first exercise, we are going to work on your rhythm

using a metronome. There are three ways to use a
metronome:
1) You have a Premium account on The Musical Touch app,

in which case you can use the metronome feature on the
learning interface. If you want to try the Premium version
of the app, you can choose your offer on this page.
2) You don't have a Premium account on the La Touche

Musicale application, in which case you can use the online
metronome proposed in the Google search.
3) You already have a physical metronome at home, in

which case we invite you to use it.
Start by setting the metronome to 60 BPM (on the La

Touche Musicale app, you just need to set the note speed
slider to 60, the metronome will automatically set itself to
that).
Once this is done, we can get to work.
118
Let the metronome play in a vacuum and listen to the
pulses. As explained in the theory part of this session, each
pulse you hear corresponds to a musical beat.
The goal is that you play a note at the beginning of each

beat, that is, exactly at the moment when the pulse occurs.
This requires listening first, then anticipation. Practice
matching the sound of the metronome exactly.
Repeat this exercise for 10-15 minutes.
It is important to note that this rhythm work should be

done quite often, probably once a week. This will allow
you to considerably improve your piano playing.
119
SONG
song.
Traditional
Bella Ciao (La Casa de Papel)
Informations Setup
Genre : tradition / series USB connection of the piano
Difficulty: easy Play mode
Status : free Speed at 60 BPM
Scores activated
Metronome activated (Premium)
to practice. Please note that this is a free song, but the
metronome is a premium feature. Therefore, you need to
subscribe to the application in order to activate it.
Otherwise, you can use the Google search metronome on
another tab, but then you will have to set the BPM on the
platforms to match the tempo of the song to the BPM.
Go to Bella Ciao
120
USB, activate the play mode, activate the score display,
set the speed to 60 BPM and activate the metronome
(Premium). Practice for 15-20 minutes playing the first
notes of Bella Ciao with both hands at the same time. The
goal is to play the notes in the right tempo, as indicated
by the metronome. Listen to the beat of the metronome
to play in rhythm. Use the score display on the right to see
if the notes you play are counted as right (in the right
tempo) or wrong (wrong tempos or notes).
1 2
3
4
1 Play mode activated 4 Scores activated

2 Speed at 60 BPM 5 Piano connected
3 Metronome on (Premium)
121
MEMORIZATION

of the song with both hands from memory in the right
rhythm. Do this exercise for about 10 minutes (you can use
the app if you are ever lost at certain moments).
122
Session 16: playing outside
the metronome beats
We are now coming to the last session of this lesson plan, still
dedicated to rhythm and tempo. This session will change from
the previous one in that it will make you work outside the beats
of the metronome.
By "beats" we mean the pulses emitted by the metronome. When

we play a song, each beat is usually composed of several notes
and chords. The idea here is to make you play not only in time
but also out of time to understand the rhythmic structure of a
song. That is to say that you will have to play a note when you
hear the metronome pulse, but also another note when you are
in the middle of the time, that is to say between two metronome
pulses. So you have to play two notes between each pulse, at a
regular rhythm.
123
EXERCISES
For this first exercise, we are going to work on your rhythm

using a metronome. There are three ways to use a
metronome:
1) You have a Premium account on The Musical Touch app,

in which case you can use the metronome feature on the
learning interface. If you want to try the Premium version
of the app, you can choose your offer on this page.
2) You don't have a Premium account on the La Touche

Musicale application, in which case you can use the online
metronome proposed in the Google search.
3) You already have a physical metronome at home, in

which case we invite you to use it.
Start by setting the metronome to 60 BPM (on the La

Touche Musicale app, you just need to set the note speed
slider to 60, the metronome will automatically set itself to
that).
Once this is done, we can get to work.
124
Let the metronome play in a vacuum and listen to the
pulses. As explained in the theory part of the previous
session, each pulse you hear corresponds to a musical
beat.
The objective of this exercise is that you play two notes: a

first note at the moment when the metronome emits a
pulse, and a second note in the middle of the beat, i.e. at
the moment that separates the two pulses.
Let's take a concrete example: if the metronome pulses

every second, you will have to play a note every 0.5
second. The first note should be played at the same time
as the pulse, and the second should be played in the
middle of the beat, before the second pulse arrives.
If you feel comfortable with the tempo, you can change

notes and fingers with each beat.
Repeat this exercise for 10-15 minutes.
It is still important to note that this rhythm work should be

done fairly often, probably once a week. This will improve
your piano playing considerably.
125
SONG
song.
Traditional
Bella Ciao (La Casa de Papel)
Informations Setup
Genre : tradition / series USB connection of the piano
Difficulty: easy Play mode
Status : free Speed at 120 BPM
Scores activated
Metronome on (Premium)
to practice. Please note that this is a free song, but the
metronome is a premium feature. Therefore, you need to
subscribe to the application in order to activate it.
Otherwise, you can use the Google search metronome on
another tab, but then you will have to set the BPM on the
platforms to match the tempo of the song to the BPM.
Go to Bella Ciao
126
USB, activate the play mode, activate the score display,
set the speed to 120 BPM and activate the metronome
(Premium). Practice for 15-20 minutes all the notes of
Bella Ciao with both hands at the same time. The goal is
to play the notes in the right tempo, as indicated by the
metronome. Listen to the beat of the metronome to play
in rhythm. Use the score display on the right to see if the
notes you play are counted as right (in the right tempo) or
wrong (wrong tempos or notes).
1 2
3
4
1 Play mode activated 4 Scores activated

2 Speed at 120 BPM 5 Piano connected
3 Metronome on (Premium)
127
MEMORIZATION
To close this session, your goal is to play all the notes of

the song with both hands from memory in the right
rhythm. Do this exercise for about ten minutes (you can
use the app if you get lost at times).
We are done with this course schedule, congratulations!
If we summarize, you will have learned during these months to :
position yourself correctly in front of a piano (sitting, position of

the fingers, position of the wrists, forearms, body, ...)
recognize the names of the notes on a piano keyboard
play fluently with the right hand
play fluently with the left hand
play fluently with both hands
128
play major and minor scales
play major and minor chords
improve your fingering, fluency and technique
play in rhythm and in time with the song
memorize songs, notes and chords more easily and quickly
Now you have acquired the basics of piano playing. You can
now learn songs much more easily and above all you have
acquired good practice habits. To go further, you can consult
our other articles on latouchemusicale.com/en/articles-en or
search for new information, tips and lessons on the internet.
If you have any questions or comments about these courses or

the La Touche Musicale app, we remain available to help you
throughout your learning process.
129
Now move on to piano
practice
La Touche Musicale is an interactive online application that offers

more than 2500 songs to learn easily on the piano.
Connect your piano keyboard via USB
Choose your songs according to your skill level
Learn at your own pace in the best conditions
TRY LA TOUCHE MUSICALE

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Week 1 Week 2 Week 3 Week 4 Wee

16 piano lessons for

Week 1 - Discovering the piano p. 3

Week 2 - Playing with the right hand p. 18

Week 3 - Playing with the left hand p. 30

Week 4 - Playing with both hands p. 41

Week 7 - Piano fingering p. 96

Week 8 - The Rhythm p. 115

By following this step-by-step plan, you will learn the basics of

We also advise you to sign up for free on the La Touche

An account on the La Touche Musicale app

A USB-connected piano/keyboard (see our selection of the

A MIDI-USB cable to connect your piano to your device

A device (computer, tablet or smartphone) with an internet

Discovering the piano

Posture is the first point to address. Before touching the

The placement on the keyboard

This ideal position allows you to avoid muscular and articular

Practice touching the piano keyboard with all these positions

Before practicing or playing songs on the piano, it is very

Understanding the logic of the piano

You will notice that a piano, regardless of its size, whether it is a

1 - look at the sequence of black keys;

2 - stop when you are on a group of two successive black keys.

In music, an octave is an interval between two notes separated

It is also important to know that an octave contains all the notes:

The note C in the middle always determines the center key of a

It is important to know the location and name of the keys that

The sharp notes

Conversely, notes containing # correspond only to black notes.

The flat notes

Find the notes of the corresponding keys.

Playing with the right hand

Play C, D, E, F and G in a row on your keyboard with your

DOWNLOAD THE EXERCISE IN MIDI

How to import a MIDI file on La Touche Musicale?

Go to the La Touche Musicale application to play this

Ludwig Van Beethoven

Genre : classical music USB connection of the piano

Difficulty: easy Learning mode

Status : free Disable the left hand

Once in front of the song's tutorial, connect your piano to

Once you've gotten your bearings by playing the first few

Play C, D, E, F, G, A, B and C in a row on your keyboard

To do this successfully, you will have to do the thumb

To move from thumb to middle finger on your downstroke,

DOWNLOAD THE EXERCISE IN MIDI

How to import a MIDI file on La Touche Musicale?

Go to the La Touche Musicale application to play this

Ludwig Van Beethoven

Genre : classical music USB connection of the piano

Difficulty: easy Learning mode

Status : free Disable the left hand

Once in front of the song tutorial, connect your piano to

3 Left hand disabled

In your last memorization exercise, you learned the first 10

Playing with the left hand

Play C, D, E, F and G in a row on your keyboard with your