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    O Occi, Manza Mia

    Uploaded by

    eddi
    This musical score is for the song "Occi, Manza Mia" by O. di Lasso. It contains the vocal parts for soprano, alto, tenor, and bass. The score uses musical notation symbols to notate the melody, rhythm, dynamics, and other musical elements of the song across four verses.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    O Occi, Manza Mia

    Uploaded by

    eddi
    25 views2 pages
    This musical score is for the song "Occi, Manza Mia" by O. di Lasso. It contains the vocal parts for soprano, alto, tenor, and bass. The score uses musical notation symbols to notate the melody, rhythm, dynamics, and other musical elements of the song across four verses.

    Original Title

    O+Occi,+Manza+Mia

    Copyright

    © © All Rights Reserved

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    PDF, TXT or read online from Scribd

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    This musical score is for the song "Occi, Manza Mia" by O. di Lasso. It contains the vocal parts for soprano, alto, tenor, and bass. The score uses musical notation symbols to notate the melody, rhythm, dynamics, and other musical elements of the song across four verses.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    25 views2 pages

    O Occi, Manza Mia

    Uploaded by

    eddi
    This musical score is for the song "Occi, Manza Mia" by O. di Lasso. It contains the vocal parts for soprano, alto, tenor, and bass. The score uses musical notation symbols to notate the melody, rhythm, dynamics, and other musical elements of the song across four verses.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
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    O

    Occi, Manza Mia

      = 100
    O. di Lasso

       
    Soprano                          
     

    Alto                          

     

                      
    Tenor         
                             
    Bass
      

    6 
    S.      
                            

           
       
     
     
        
     
      
    A.

                            
       
                    
    T.

          
    B.
      

    11 
    S.                          

                
    A.
      
            
                    
    T.          

             
    B.
                    
    18   
    2

    S.     
    1. 2.

             


         
    1. 2.

           
    A.

               
    1. 2.

    T.

        
           
    1. 2.

    B.

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