Lite 701 - Assignments - Nov.16.2022

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Course Title: Literary Theories and Criticism I: From Classicism to (Post)Modernism

Course code: Lite. 701

I. Course Contents

1. Classicism (by Meron . . . )


2. Neo-Classicism (by Daniel . . . )
3. Romanticism (by Yitayew . . . )
4. Naturalism and Realism (by Hilina . . . )
5. Formalism: New Criticism and Russian Formalism (by Meron . . .)
6. Marxist Criticism (by Daniel . . . )
7. Psychoanalytic Criticism (by Yitayew . . . )
8. Mythological and Archetypal Criticism (by Hilina . . . )
9. Structuralist Criticism (by Meron . . .)
10. Poststructuralist Criticism and Deconstructive Criticism (by Daniel. . .)
11. Reader-response and Reception Theory (by Meron . . . )
12. Feminist Criticism (by Yitayew . . . )
13. Modernism and postmodernism (by Hilina . . . )
14. Postcolonial Criticism (by Daniel . . .)
15. Recent Trends: New Historicism, cultural Studies, Ecocriticism
 Cultural Studies (by Hilina. . . )
 Ecocriticism (by Yitayew . . . .)

II. Assignments or Term Papers for Lite.701

1. Each student (Ph.D. candidate) will write from 3 to 5 term papers (assignments) depending on
the total number of students who are doing the course.
2. Assignments on those pre-modern literary theories and criticism (see no.1—4 above) would
be done/written and presented in pairs.
3. Assignments on the 20th century literary theories—i.e., modernist and postmodernist literary
theories—would be done individually (see no.5–15 above). Then, each student is expected to
write (and orally present in class discussions) at least 3 assignments on any three of the
modernist and postmodernist literary theories. In so doing, the student is highly advised to make
the utmost efforts to read a number of appropriate and recent sources, so that s/he will be able to
synthesize and write a complete and detailed description—historical, theoretical,

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analytical/critical overview—of a given literary theory, which must include these (and other)
points:

 Historical background of the emergence of a given theory


 Key theorists or proponents
 Theoretical tenets/assumptions/principles
 Strengths or advantages
 Weaknesses/limitations (or criticisms/objections to the theory)
 Key terms
 Questions asked by the respective critics about literary texts (and/or critical, analytical and
interpretive activities or tasks performed by critics)

4. Optional assignment
If possible, try your hand at applying the theories you studied for a practical reading of a literary
text (a poem, a short story, a novel, or a play) of your choice.

Note on accessible/user-friendly books with visible chapter (sub)sections:

1. The weaknesses/limitations of—or objections to—some of the 20th century literary theories have
been stipulated in A Handbook of Critical Approaches to Literature (2005) by Wilfred L. Guerin,
et al. and in Modern Literary Theory and Ancient Texts (2007) by Thomas A. Schmitz (these can
be easily identified, in both books, in the subheadings which consist of the words “limitations”
and “objections”). Both strengths (advantages) and weaknesses (criticisms) of each theory are
described in the chapter subsections entitled “Relevance” in A Short History of Literary Theory
(2008) by Petru Golban and Estella Antoaneta Ciobanu.
2. In order to understand the types of questions the respective critics ask about literary texts, the
best place to begin is Critical Theory Today: A User-Friendly Guide (2006) by Lois Tyson, in
which there are two subsections entitled “Some questions . . . critics ask about literary texts” and
“Questions for further practice . . .”. In addition, in Beginning Theory (2002) by Peter Barry and
A Short History of Literary Theory (2008) by Petru Golban and Estella Antoaneta Ciobanu, there
are chapter subsections entitled “What . . . critics do” and “Application”, respectively. These
subsections contain a list of critical (analytical and interpretive) activities or tasks performed by
critics when they apply the given literary theory to the practical reading (analysis and
interpretation) of literary texts (novels, short stories, poems and plays).

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