Gayatri Mantrartha Dipika - Gayatri Info
Gayatri Mantrartha Dipika - Gayatri Info
Srila Prabhupada Chanting Gayatri Sri Gayatri Mantrartha Dipika (Illuminations on the
Essential Meaning of Gayatri) has been compiled for the pleasure of Sri Caitanya Mahaprabhu
and the followers of His disciplic succession known as the Gaudiya Vaisnava
sampradaya. This publication presents the remarkable madhurya
(conjugal) conception of gayatri as revealed by sastra (scripture),
sadhus (pure devotees), and acaryas (bona fide spiritual
masters). When the contents of this book are examined by the serious readers,
all will surely agree that the Gaudiya Vaisnava conception of gayatri
is the summit of theistic thought.
Sri Gayatri
Mantrartha Dipika, available in
Mayapur during the Gaura Purnima festival, may also be ordered from Mandala
Publishing Group in early 1999.
In the Gaudiya
Vaisnava sampradaya, the gayatri which the guru (bona fide
spiritual master) gives to the sadhaka (devotee) at the time of diksa
(initiation) is that of the Vedic diksa (upanayana) and also
that of the Vaisnava pancaratrika-diksa.
Diksa
is defined in the Visnu Yamala as that process by which divine knowledge
is given and papa (sins) are destroyed:
divyam
jnanam yato dadyat kuryat papasya samksayam
tasmad-dikseti sa prokta desikais tattva-kovdaih
Narada Muni, after studying all the scriptures, heard this unparalled
knowledge from the lotus mouth of the best of devotees, Lord Siva, who
heard it from Krsna. At that time Narada compiled the Pancaratra,
which is the essence of nectar. (Narada Pancaratra 1.2.56 and
Gaudiya Kanthahara 2.47)
Those who offenselessly chant nama are automatically imbued with all
good qualities. One who chants the holy name of Hari (Visnu/Krsna) thus
becomes qualified on the strength of the holy name to receive Vedic mantras,
the fourth of the panca-samskara. Mantra means mantra-diksa
or receiving the brahma-gayatri (upanayana) and the
pancaratrika-mantras. After receiving the mantra-diksa the
sadhaka is engaged in the worship of Sri Murti under sastric
(scriptural) regulations and this is called yaga. These are the
five processes for purification called panca-samskara.
If one is interested in practicing the process of temple worship one
must positively take shelter of a guru and learn the process from
him. Having received the proper mantras from the guru one
can worship Sri Murti. In Kali-yuga, the pancaratrika system
is mostly recommended for those who want to perform yaga, the worship
of Sri Murti.
Srila Rupa Goswami writes:
Devotional service of the Lord that ignores the authorized Vedic literatures
like the Upanisads, Puranas and Narada-pancaratra
is simply an unnecessary disturbance in society. (Bhakti-rasamrta-sindhuh
1.2.101)
In Kali-yuga there are two systems recommended for worshiping the Supreme
Lord, the bhagavata system and pancaratrika system. In the
bhagavata system chanting of the holy name (nama) is given
preference because in Kali-yuga one can reach the perfection of life simply
by hearing, chanting, remembering and worshiping the holy name. Srimad-Bhagavatam
confirms in the last sloka:
nama-sankirtanam yasya sarva-papa pranasanam
pranamo duhka-samanas tam namami harim param
Krsna's holy name can relieve us from all undesirable sinfulness, all
filthy characteristics, and all miseries. Let us all bow down to Him.
Bhag. 12.13.23)
Sri Caitanya Mahaprabhu has taught five essential angas (practices) for
the performance of suddha-bhakti (pure devotional service): Sri
Murti seva (worship of the Lord in the temple), Sri Bhagavat-katha
(hearing Srimad-Bhagavatam), Sri nama-sankirtana
(congregational chanting of the holy name), Sri Krsna bhakto (association
with pure devotees of Krsna), and Sri Mathura-mandala (living in the district
of Mathura). In all these processes chanting of the holy name (sri namasankirtana)
is the central point, that is, the bhagavata system. To assist
in the purification of the sadhakas and to enable them to worship
the Sri Murti in the temple, the followers of the bhagavata system
also accept upanayana and the pancaratrika-diksa. Lastly
it may be considered that both the upanayana and pancaratrika-diksa
are but parts or secondary to the bhagavata system.
Having received the holy name from the guru and having chanted
the holy name properly for sometime the sadhaka is then offered
mantra-diksa. The first gayatri given by the guru
to the sadhaka at the time of mantra-diksa is the upanayana
(om bhur bhuvah svah tat savitur varenyam bhargo devasya dhimahi dhiyo
yo nah pracodayat om). This gayatri is the first in the category
of Vedic gayatris and is known as brahma-gayatri. It is
also commonly referred to by the sadhaka as brahma-vidya and
veda-mata (the source of transcendental knowledge and the mother
of the Veda). Indeed brahma-gayatri is the origional sound vibration
upon which the Vedic literature is based.
Within the Veda itself gayatri is first written in the Rig
Veda (3.62.10) without the maha-vyahrtis as tat savitur varenyam
bhargo devasya dhimahi dhiyo yo nah pracodayat. In the Sukla Yajur Veda
(36.3) the gayatri is written with the maha-vyahrtis as
bhur bhuva svah tat savitur varenyam bhargo devasya dhimahi dhiyo yo
nah pracodayat.
In the Candogya Upanisad (Chapter 4.17.1-3) we find the narration
wherein Prajapati (Lord Brahma) meditated on the nature of the universe
(visva). He thus realized that the three planes of material existance
are prithivi (physical), antariksa (mental), and swarga
(intellectual). These three planes are thus represented by the maha-vyahrtis
bhuh, bhuvah, and svah. The seed of the Rig Veda is
bhuh, the seed of the Yajur Veda is bhuvah, and the
seed of the Sama Veda is svah. These three bijas
(maha-vyahrtis) are said to have been derived from om as
three primary colors are contained in a ray of white light. Similarly
Prajapati came to the realization that as veins pervade all leaves so
om pervades all vak (sound). Therefore the rsis (sages)
have concluded that om (the seed) is to be uttered at the beginning
and the end of brahma-gayatri. Om, when uttered at the beginning
and end of brahma-gayatri, is the Vedic standard by which one should
perform gayatri-japa (gayatri-repetition).
When the personified form of brahma-gayatri is manifest she appears
with five faces. These five faces correspond with the five principle features
of the brahma-gayatri: 1) om (the seed), 2) the maha-vyahrtis
(bhuh, bhuvah, svah), 3) tat savitur varenyam (indicating
sambandha, relationship), 4) bhargo devasya dhimahi (indicating
abhidheya, the process of surrender), and 5) dhiyo yo nah pracodayat
(indicating prayojana, the consummation).
The three pancaratrika-mantras given by the guru to the
sadhaka are the guru-mantra (aim gurave namah), the
gaura-mantra (klim gauraya namah), and the gopal-mantra
(klim krsnaya govindaya gopijana-vallabhaya svaha). The three
pancaratrika-gayatris given are the guru-gayatri (aim gurudevaya
vidmahe krsnanandaya dhimahi tan no guruh pracodayat), the gaura-gayatri
(klim caitanyaya vidmahe visvambharaya dhimahi tan no gaurah pracodayat),
and the kama-gayatri (klim kamadevaya vidmahe puspabanaya dhimahi
tan no anangah pracodayat).
Although in the context of the Puranic setting the pancaratrika
system was taught by Lord Visnu only after the demons Madhu and Kaitava
had stolen the Vedic mantras from the mind of Brahma, we find in
the authoritative book Sri Brahma Samhita that Lord Brahma, at
the outset of creation, heard the gopal-mantra pronounced by Divya
Saraswati (the divine vibration of the Supreme Personality of Godhead)
even before receiving omkara (the Vedic gayatri of threefold
form).
Furthermore, it is the opinion of Sripad Jiva Goswami that upon receiving
omkara, which had manifest from the divine flute of Sri Krsna,
Lord Brahma also meditated on the kama-gayatri (klim kamadevaya
vidmahe puspabanaya dhimahi tan no anangah pracodayat), which is the
fifth note of the divine flute. Having thus received the status of dvija
(twice born), Brahma entered into a state of blissful transcendence. Therefore
it must be said that the pancaratrika system of receiving mantras
and gayatris (such as gopal-mantra and kama-gayatri)
is in no way inferior to that of the Vedic system at any time. Since both
systems emanate from the Supreme, both may be taken as eternal.
Having thus received the Vedic diksa and the Vaisnava pancaratrika-diksa,
the sadhaka of the Gaudiya Vaisnava sampradaya wears the
yajnopavita, the Brahmana thread consisting of nine strings
symbolizing the status of his being a dvija (twice born). One who
has received this dvija (second birth) can gain admittance into
the transcendental world via contemplation and meditation on the gayatri.
The nine threads of yajnopavita symbolize the nine practices of
suddha-bhakti (pure devotional service): sravanam, kirtanam,
smaranam, pada-sevanam, arcanam, vandanam, dasyam, sakhyam, and atmanivedanam
(hearing the glories of the Lord, chanting the glories of the Lord, remembering
the Lord, serving the lotus feet of the Lord, worshiping the Sri Murti
of the Lord, offering prayers to the Lord, serving the Lord in all respects,
becoming the friend of the Lord, and surrendering everything to the Lord
respectively).
Similiarly the yajnopavita symbolizes the nine islands of Sri
Navadvipa Dhama: Antardvipa, Simantadvipa, Godrumadvipa, Madhyamdvipa,
Koladvipa, tudvipa, Jahnudvipa, Modadrumadvipa, and Rudradvipa. These
nine islands also correspond to the nine practices of suddha-bhakti.
The yajnopavita also symbolizes the nine stages of developing
suddha-bhakti namely sraddha (faith), sadhu-sanga (associating
with saints), bhajana-kriya (practicing pure devotional service),
anartha-nivrtti (purification of the heart), nistha (being
fixed in the Absolute Truth), ruci (sweet taste), asakti
(attachment to everything connected to Krsna), bhava (awakening
of feelings of love for Krsna), and prema (intense feelings of
love for Krsna). These nine stages also correspond to both the nine practices
of suddha-bhakti and to the nine islands of Sri Navadvipa Dhama.
In the gayatri we find three bija-mantras, om, aim, and
klim. Om denotes sat, invoking the potency of eternality.
Aim denotes cit, invoking the potency of knowledge, and
klim denotes ananda, invoking the potency of bliss. In the
Narada Pancaratra bija-mantras have been explained as primordial sound
fragments which have the potency to evoke a particular energy both within
and outside a person who utters the bija. This of course presupposes
having received the bija from the guru ( bona fide spiritual
master).
As in the brahma-gayatri - each of the three pancaratrika-gayatris
also have three stages of contemplation - sambandha, abhidheya,
and prayojana (relationship, the process of surrender, and the
consummation). By the use of the syllable vid as in vidmahe,
meaning acknowledgement of the Lord, sambandha, the relationship
between the Lord and the living entity as master and servant respectively,
is established. By the use of the syllable dhi as in dhimahi,
meaning worship of the Lord, abhidheya, the process of surrender
by which one developes asakti (attachment), and bhava (feelings
of intimacy with the Lord) is established. By the use of the word pracodayat
meaning to impell one to spontaneously engage in loving devotional service
to the Lord, prayojana, the consummation of prema (spontaneous
divine love - raga-marg) is established.
The first chapter of this book defines om as nondifferent from
the worship of the personal aspects of the Absolute Truth, Sri Sri Radha
Krsna. The second and third chapters describe the topmost meaning of the
brahma-gayatri according to Srimad-Bhagavatam - the full fledged
purport of theism, culminating in Radha-dasyam, the Divine Service of
Srimati Radharani. The fourth chapter examines the meaning of guru-mantra
and guru-gayatri. The fifth chapter examines the gaura-mantra
and the gaura-gayatri. Chapters six, seven, and eight describe
the gopal-mantra, kama-bija, and kama-gayatri in
relation to the divine sentiments of madhurya-rasa (conjugal love).
Thus Sri Gayatri Mantrartha Dipika is completed in eight auspicious
chapters.
When studying the schools of Vaisnava thought in India, namely the sampradayas
(disciplic successions) of Sri, Brahma, Char Kumar, and Rudra one finds
that all these sampradayas chant the brahma-gayatri during
the three sandhyas (morning, noon, and evening) of the day, whereas
the chanting of the pancaratrika-mantras and gayatris are
uttered optionally according to the particular instructions given by the
respective guru. Each of the sampradayas has its own particular
meditation on the brahma-gayatri in terms of its ultimate goal,
or highest ideal. It is here that one can measure to which level in theistic
thought a sampradaya has realized .
bhur-bhuvah-svas-tarus tarah
Krsna is like a great tree that shades the upper, middle, and lower
planetary systems and provides all necessities to all living entities,
who are like birds who have taken shelter of that tree (bhur-bhuvah-svas-taru).
(Visnu-sahasranama 117)
Jiva Goswami supports this statement with a reference from the Agni
Purana 216.3:
That light is called the Supreme Brahman because the word bhargas
(in brahma-gayatri) means effulgence.
May the Lord, who in the beginning of the creation amplified the potent
knowledge of Brahma from within his heart and inspired him with full
knowledge of creation and His own self, and who appeared to be generated
from the mouth of Brahma, be pleased with me." (Srimad-Bhagavatam
2.4.22)
krsna-varnam tvisakrsnam
sangopangastra-parsadam
yajnaih sankirtana-prayair
yajanti hi su-medhasah
'In this Age of Kali, those who are intelligent perform the congregational
chanting of the Hare Krsna maha-mantra, worshiping the Supreme
Personality of Godhead, who appears in this age always describing the
glories of Krsna. That incarnation is yellowish in hue and is always
associated with His plenary expansions [such as Sri Nityananda Prabhu]
and personal expansions [such as Gadadhara], as well as His devotees
and associates [such as Svarupa Damodara]. (Srimad-Bhagavatam 11.5.32)
In the past, your son has had bodies of three different colors, according
to the age. These colors were white, red and yellow. In this age [Dvapara-yuga]
He has accepted a blackish body. (Srimad-Bhagavatam 10.8.13)
suvarna-varno hemango
varangas candanangadi
sannyasa-krc chamah santo
nistha-santi-parayanah
sampradaya-vihina ye
mantras te nisphala matah
Unless you are initiated by a bona fide spiritual master in the disciplic
succession, the mantra that you might have received is without any effect.
cintamani-prakarasadmasu kalpavrksa-
laksavrtesu surabhir abhipalayantam
laksmi-sahasra-sata-sambhrama-sevyamanam
govindam adi purusam tam aham bhajami
I worship Govinda, the Primeval Lord, the first progenitor who is tending
the cows, yielding all desires, in abodes built with spiritual gems, surrounded
by millions of desire-fulfilling-trees, always served with great reverence
and affection by hundreds of thousands of laksmis or gopis."
(Brahma-samhita 5.29)
Such realizations of Brahma and the pure cognition therein must surely
be the highest ideal of achievement among the bona fide students who chant
the sacred gayatri-mantras.
Lord Brahma is the original guru in this universe. The direct
disciple of Brahma was Narada Muni. Srila Vyasadeva (the compiler of the
Veda) was the direct disciple of Narada, and Madhvacharya was the direct
disciple of Vyasa. From the disciplic succession of Madhvacharya, Sri
Chaitanya Mahaprabhu accepted Sri Iswara Puri as his spiritual master.
Because Sri Caitanya accepted initiation in the Brahma Madhva sampradaya
that sampradaya has become most glorious. From Him (Sri Chaitanya)
the disciplic succession is known as the Gaudiya Vaisnava sampradaya
and its teachings are being spread throughout the whole world.
The Gaudiya Vaisnava sampradaya, alone, derives the ultimate
conception of brahma-gayatri in complete alliance with Srimad-Bhagavatam.
Moreover it must be said that the Gaudiya Vaisnava sampradaya's form
of meditation on the brahma-gayatri is topmost - "gayatri-muralista-kirtana-dhanam
radhapadam dhimahi." "The brahma-gayatri which has
sprung from the flute song of Sri Krsna only sings the glories of Srimati
Radharani." (A purport to this verse will be given in greater detail
ananda-cinmaya-rasa-pratibhavitabhis
tabhir ya eva nija-rupataya kalabhih
goloka eva nivasaty akhilatma-bhuto
govindam adi-purusam tam aham bhajami
I worship Govinda, the primeval Lord, residing in His own realm, Goloka,
with Radha, resembling His own spiritual figure, the embodiment of the
ecstatic potency possessed of the sixty-four artistic activities, in
the company of Her confidantes [sakhis], embodiments of the extensions
of Her bodily form, permeated and vitalized by His ever-blissful spiritual
rasa. (Brahma-samhita 5.37)
'Just as Srimati Radharani is most dear to Sri Krsna, Her bathing place
known [Radha-kunda] is also dear to Him. Among all the gopis, Srimati
Radharani is supermost and very dear to Lord Krsna.' (Padma Purana)
When the gopis began to talk among themselves, they said, 'Dear
friends, the gopi (Sri Radha) who has been taken away by Krsna
to a secluded place must have worshiped the Lord more than anyone else.'
(Bhag. 10.30.28)
That "gayatri-muralista-kirtana-dhanam radhapadam dhimahi"
is the ultimate meditation on brahma-gayatri is also confirmed
by the tattva-acarya Sripad Jiva Goswami in his commentary on the
first verse of Srimad-Bhagavatam:
Only unto those great souls who have implicit faith in both the Lord
and the spiritual master are all the imports of Vedic knowledge automatically
revealed." (Svetasvatara Upanisad 6.23)
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