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    Ave María - Partes

    Uploaded by

    Alvaro Acosta Hidalgo
    The document appears to be sheet music for Ave María composed by Francisco Palazón and featuring trumpets, French horns, and violins I. It includes musical notation across five systems with measures numbered from 1-52. The sheet music directs the performance of the three instruments and contains musical notes, rhythms, dynamics, and other performance instructions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Ave María - Partes

    Uploaded by

    Alvaro Acosta Hidalgo
    49 views11 pages
    The document appears to be sheet music for Ave María composed by Francisco Palazón and featuring trumpets, French horns, and violins I. It includes musical notation across five systems with measures numbered from 1-52. The sheet music directs the performance of the three instruments and contains musical notes, rhythms, dynamics, and other performance instructions.

    Original Title

    Ave María - partes

    Copyright

    © © All Rights Reserved

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    PDF, TXT or read online from Scribd

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    The document appears to be sheet music for Ave María composed by Francisco Palazón and featuring trumpets, French horns, and violins I. It includes musical notation across five systems with measures numbered from 1-52. The sheet music directs the performance of the three instruments and contains musical notes, rhythms, dynamics, and other performance instructions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    49 views11 pages

    Ave María - Partes

    Uploaded by

    Alvaro Acosta Hidalgo
    The document appears to be sheet music for Ave María composed by Francisco Palazón and featuring trumpets, French horns, and violins I. It includes musical notation across five systems with measures numbered from 1-52. The sheet music directs the performance of the three instruments and contains musical notes, rhythms, dynamics, and other performance instructions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    You are on page 1of 11

    Trumpets

    Ave María
    Francisco Palazón
    Álvaro Acosta- Ana María Gómez

       = 52


                        
         
    
    1-8

                       

      
    15

       

     
    19 - 33

     
     
                         
    38

       
    39 - 40 46 - 48

       
         
    50

     
                     

    
    
            
    
            
    58

          
    1. 2.
    French Horns
    Ave María
    Francisco Palazón
    Álvaro Acosta- Ana María Gómez

      
             

            
      = 52

    
       
         

       
                     
    7

                  
     

        
                                 
    13

         


                        
    20

      

     
                         
    28

       

           
           
    36

        

       
      
         
                    
    44

     
                      
    52

     
    1.


       
           
    61
    2.

     
    Violins I
    Ave María
    Francisco Palazón
    Álvaro Acosta- Ana María Gómez

                             


      = 52

       

                               

    
    8

                 

       
    15

              

                                        
    21

                                        
    27

            
         
     
             
    33

                 
                
     
       
    41

        

         
                 
    49

       

           
         
    57 1.

     

            
         
    61 2.

      
    Violas
    Ave María
    Francisco Palazón
    Álvaro Acosta- Ana María Gómez

     
          
                  
           
     
      = 52

           
                
              
                  
    8

                 
                    
         
    15

                    
                       
    21

                    
                    
    27

               
                   
    34

                 
                       
    42

          

                      
             
    50

     

            1.            
             
    2.

     
    58
    French Horns
    Ave María
    Francisco Palazón
    Álvaro Acosta- Ana María Gómez

                                     
      = 52

     



                                   
    7

     

        
                  
                    
    13

     

         
                     
    20

                      
    28

         

                    
         
    37

        

           
                 
              
    45

                        
          
    53

                 
        
    60
    1.

     
    2.
    Trumpets
    Ave María
    Francisco Palazón
    Álvaro Acosta- Ana María Gómez


                           
      = 52


     

    
                 
    1-8

                 
    15


     19 - 32

                           
    35

      

            
          
              
    44


    46 - 48

                                
    54
    1.

       
         
      
    61
    2.

     
    Trumpets
    Ave María
    Francisco Palazón
    Álvaro Acosta- Ana María Gómez


                       
      = 52


        

    
    1-8

        
                     
           
    15

     

     
    19 - 33

     
          
          
                 
    37

     39 - 40 46 - 48

                  
    49

                


            
    56

              
    1.


     
       


      
    61

        
    2.
    Alto Saxophone
    Ave María
    Francisco Palazón
    Álvaro Acosta- Ana María Gómez


                                   
      = 52

     

                      

        
    6

    

                  
           

           
    12

                           
             
    19

                  
           
                   
    24

                          
        
    30

     

                       
             
    37

    

                             
        
    44

           

                   
             
    51

     
     

             1.           
       
       
    58 2.

     

    64

     
    Trombones
    Ave María
    Francisco Palazón
    Álvaro Acosta- Ana María Gómez

      
      = 52
              

            
      
    12

        

        
     
          
    23

        

             
              
    33

       

            
        
    42

        

                
       
    52


    1.

     

     
     
       


    61

       
    2.
    Violins II
    Ave María
    Francisco Palazón
    Álvaro Acosta- Ana María Gómez

                             


      = 52

       

                               

    
    8

                 

       
    15

              

                                        
    21

                                        
    27

            
         
     
             
    33

                 
                
     
       
    41

        

         
                 
    49

       

           
         
    57 1.

     

             
      
    61 2.

      
    Violoncellos
    Ave María
    Francisco Palazón
    Álvaro Acosta- Ana María Gómez

     
      = 52
                         
          

                          
    9

            

                             
     
    18

              

       

          

          
          
    26

              

         
       
         
         
    34

           

                   
     
         
    44

             

                  
         
    52
    1.

      

     
     
       


    61

       
    2.

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